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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4DB29 it is the complementary color #5B24D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4DB29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4DB29 shade: #A9DB24, #BAED37, #CBFF4A, #DCFF5D and #EDFF70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4DB29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4DB29 shade: #A4DB29, #93C916, #82B703, #71A500 and #609300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4DB29 shade: #A4DB29, #D4DB29, #DBB229, #DB8229 and #DB5229

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4DB29 shade: #A4DB29, #74DB29, #44DB29, #29DB3E and #29DB6E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4DB29 shade matches the following richer shades: #A4DB29 and #ACEF15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4DB29 shade: #A4DB29, #9CC73E, #94B252, #8D9E66 and #858A7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4DB29 shade: #DBB129, #D5DB29, #A6DB29, #76DB29 and #47DB29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4DB29 shade: #71981A, #8BBB20, #A4DB29, #B3E14D and #C2E770

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4DB29 shade: #A4DB29, #29DB82 and #C929DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4DB29 shade: #A4DB29, #29A6DB and #DB29A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4DB29 shade: #A4DB29, #29DB82, #5F29DB and #DB2982

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4DB29 shade: #A4DB29, #29DBB7, #5F29DB and #DB294D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 81 / 14

HEX #A4DB29

RGB 164 219 41

HSL 78.54, 0.71%, 0.51%

LAB 81.14, -40.77, 73.58

 

Complementary color

CMYK 57 / 83 / 0 / 16

HEX #5B24D6

RGB 91 36 214

HSL 258.54, 0.71%, 0.49%

LAB 34.68, 63.71, -80.44

 

CMYK 23 / 0 / 84 / 14

HEX #A9DB24

RGB 169 219 36

HSL 76.39, 0.72%, 0.5%

LAB 81.42, -39.02, 75.13

 

CMYK 22 / 0 / 77 / 7

HEX #BAED37

RGB 186 237 55

HSL 76.81, 0.83%, 0.57%

LAB 87.62, -39.76, 76.12

 

CMYK 20 / 0 / 71 / 0

HEX #CBFF4A

RGB 203 255 74

HSL 77.24, 1%, 0.65%

LAB 93.76, -40.34, 76.35

 

CMYK 14 / 0 / 64 / 0

HEX #DCFF5D

RGB 220 255 93

HSL 72.96, 1%, 0.68%

LAB 94.96, -32.74, 71

 

CMYK 7 / 0 / 56 / 0

HEX #EDFF70

RGB 237 255 112

HSL 67.55, 1%, 0.72%

LAB 96.28, -24.82, 64.98

 

CMYK 25 / 0 / 81 / 14

HEX #A4DB29

RGB 164 219 41

HSL 78.54, 0.71%, 0.51%

LAB 81.14, -40.77, 73.58

 

CMYK 27 / 0 / 89 / 21

HEX #93C916

RGB 147 201 22

HSL 78.1, 0.8%, 0.44%

LAB 74.85, -39.93, 71.87

 

CMYK 29 / 0 / 98 / 28

HEX #82B703

RGB 130 183 3

HSL 77.67, 0.97%, 0.36%

LAB 68.47, -38.89, 68.86

 

CMYK 32 / 0 / 100 / 35

HEX #71A500

RGB 113 165 0

HSL 78.91, 1%, 0.32%

LAB 62.02, -37.57, 63.84

 

CMYK 35 / 0 / 100 / 42

HEX #609300

RGB 96 147 0

HSL 80.82, 1%, 0.29%

LAB 55.44, -36.17, 58.36

 

CMYK 25 / 0 / 81 / 14

HEX #A4DB29

RGB 164 219 41

HSL 78.54, 0.71%, 0.51%

LAB 81.14, -40.77, 73.58

 

CMYK 3 / 0 / 81 / 14

HEX #D4DB29

RGB 212 219 41

HSL 62.36, 0.71%, 0.51%

LAB 84.39, -21.48, 77.67

 

CMYK 0 / 19 / 81 / 14

HEX #DBB229

RGB 219 178 41

HSL 46.18, 0.71%, 0.51%

LAB 74.23, 2.32, 69.16

 

CMYK 0 / 41 / 81 / 14

HEX #DB8229

RGB 219 130 41

HSL 30, 0.71%, 0.51%

LAB 62.66, 27.97, 58.95

 

CMYK 0 / 63 / 81 / 14

HEX #DB5229

RGB 219 82 41

HSL 13.82, 0.71%, 0.51%

LAB 53.23, 51.71, 50.31

 

CMYK 25 / 0 / 81 / 14

HEX #A4DB29

RGB 164 219 41

HSL 78.54, 0.71%, 0.51%

LAB 81.14, -40.77, 73.58

 

CMYK 47 / 0 / 81 / 14

HEX #74DB29

RGB 116 219 41

HSL 94.72, 0.71%, 0.51%

LAB 78.77, -57.32, 70.57

 

CMYK 69 / 0 / 81 / 14

HEX #44DB29

RGB 68 219 41

HSL 110.9, 0.71%, 0.51%

LAB 77.31, -69.06, 68.7

 

CMYK 81 / 0 / 72 / 14

HEX #29DB3E

RGB 41 219 62

HSL 127.08, 0.71%, 0.51%

LAB 76.97, -71.58, 61.65

 

CMYK 81 / 0 / 50 / 14

HEX #29DB6E

RGB 41 219 110

HSL 143.26, 0.71%, 0.51%

LAB 77.44, -65.9, 41.46

 

CMYK 25 / 0 / 81 / 14

HEX #A4DB29

RGB 164 219 41

HSL 78.54, 0.71%, 0.51%

LAB 81.14, -40.77, 73.58

 

CMYK 28 / 0 / 91 / 6

HEX #ACEF15

RGB 172 239 21

HSL 78.44, 0.87%, 0.51%

LAB 87.27, -46.91, 82.7

 

CMYK 25 / 0 / 81 / 14

HEX #A4DB29

RGB 164 219 41

HSL 78.54, 0.71%, 0.51%

LAB 81.14, -40.77, 73.58

 

CMYK 22 / 0 / 69 / 22

HEX #9CC73E

RGB 156 199 62

HSL 78.83, 0.55%, 0.51%

LAB 74.99, -33.81, 60.92

 

CMYK 17 / 0 / 54 / 30

HEX #94B252

RGB 148 178 82

HSL 78.75, 0.38%, 0.51%

LAB 68.57, -25.39, 45.1

 

CMYK 11 / 0 / 35 / 38

HEX #8D9E66

RGB 141 158 102

HSL 78.21, 0.22%, 0.51%

LAB 62.57, -15.73, 27.31

 

CMYK 4 / 0 / 12 / 46

HEX #858A7A

RGB 133 138 122

HSL 78.75, 0.06%, 0.51%

LAB 56.65, -4.89, 7.94

 

CMYK 0 / 19 / 81 / 14

HEX #DBB129

RGB 219 177 41

HSL 45.84, 0.71%, 0.51%

LAB 73.97, 2.84, 68.94

 

CMYK 3 / 0 / 81 / 14

HEX #D5DB29

RGB 213 219 41

HSL 62.02, 0.71%, 0.51%

LAB 84.47, -21.06, 77.77

 

CMYK 24 / 0 / 81 / 14

HEX #A6DB29

RGB 166 219 41

HSL 77.87, 0.71%, 0.51%

LAB 81.25, -40, 73.73

 

CMYK 46 / 0 / 81 / 14

HEX #76DB29

RGB 118 219 41

HSL 94.04, 0.71%, 0.51%

LAB 78.85, -56.71, 70.67

 

CMYK 68 / 0 / 81 / 14

HEX #47DB29

RGB 71 219 41

HSL 109.89, 0.71%, 0.51%

LAB 77.38, -68.5, 68.78

 

CMYK 26 / 0 / 83 / 40

HEX #71981A

RGB 113 152 26

HSL 78.57, 0.71%, 0.35%

LAB 58.08, -30.97, 55.89

 

CMYK 26 / 0 / 83 / 27

HEX #8BBB20

RGB 139 187 32

HSL 78.58, 0.71%, 0.43%

LAB 70.27, -36.49, 65.7

 

CMYK 25 / 0 / 81 / 14

HEX #A4DB29

RGB 164 219 41

HSL 78.54, 0.71%, 0.51%

LAB 81.14, -40.77, 73.58

 

CMYK 20 / 0 / 66 / 12

HEX #B3E14D

RGB 179 225 77

HSL 78.65, 0.71%, 0.59%

LAB 83.95, -35.84, 64.85

 

CMYK 16 / 0 / 52 / 9

HEX #C2E770

RGB 194 231 112

HSL 78.66, 0.71%, 0.67%

LAB 86.89, -30.04, 53.38

 

CMYK 25 / 0 / 81 / 14

HEX #A4DB29

RGB 164 219 41

HSL 78.54, 0.71%, 0.51%

LAB 81.14, -40.77, 73.58

 

CMYK 81 / 0 / 41 / 14

HEX #29DB82

RGB 41 219 130

HSL 150, 0.71%, 0.51%

LAB 77.72, -62.52, 31.88

 

CMYK 8 / 81 / 0 / 14

HEX #C929DB

RGB 201 41 219

HSL 293.93, 0.71%, 0.51%

LAB 50.82, 79.22, -56.34

 

CMYK 25 / 0 / 81 / 14

HEX #A4DB29

RGB 164 219 41

HSL 78.54, 0.71%, 0.51%

LAB 81.14, -40.77, 73.58

 

CMYK 81 / 24 / 0 / 14

HEX #29A6DB

RGB 41 166 219

HSL 197.87, 0.71%, 0.51%

LAB 64.05, -14.98, -36.17

 

CMYK 0 / 81 / 24 / 14

HEX #DB29A6

RGB 219 41 166

HSL 317.87, 0.71%, 0.51%

LAB 51.15, 75.27, -24.88

 

CMYK 25 / 0 / 81 / 14

HEX #A4DB29

RGB 164 219 41

HSL 78.54, 0.71%, 0.51%

LAB 81.14, -40.77, 73.58

 

CMYK 81 / 0 / 41 / 14

HEX #29DB82

RGB 41 219 130

HSL 150, 0.71%, 0.51%

LAB 77.72, -62.52, 31.88

 

CMYK 57 / 81 / 0 / 14

HEX #5F29DB

RGB 95 41 219

HSL 258.2, 0.71%, 0.51%

LAB 36.24, 63.54, -80.73

 

CMYK 0 / 81 / 41 / 14

HEX #DB2982

RGB 219 41 130

HSL 330, 0.71%, 0.51%

LAB 49.81, 71.41, -5.39

 

CMYK 25 / 0 / 81 / 14

HEX #A4DB29

RGB 164 219 41

HSL 78.54, 0.71%, 0.51%

LAB 81.14, -40.77, 73.58

 

CMYK 81 / 0 / 16 / 14

HEX #29DBB7

RGB 41 219 183

HSL 167.87, 0.71%, 0.51%

LAB 78.78, -50.87, 5.6

 

CMYK 57 / 81 / 0 / 14

HEX #5F29DB

RGB 95 41 219

HSL 258.2, 0.71%, 0.51%

LAB 36.24, 63.54, -80.73

 

CMYK 0 / 81 / 65 / 14

HEX #DB294D

RGB 219 41 77

HSL 347.87, 0.71%, 0.51%

LAB 48.49, 67.48, 25.09

 

Description

Color code: HEX #A4DB29 | qconv.com Color code: HEX #A4DB29 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 219 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 219 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 81 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 81% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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