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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4CA8D it is the complementary color #5B3572. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4CA8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4CA8D shade: #A9CA88, #BADC9B, #CBEEAE, #DCFFC1 and #EDFFD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4CA8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4CA8D shade: #A4CA8D, #93B87A, #82A667, #719454 and #608241

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4CA8D shade: #A3CA8C, #B4CA8C, #C5CA8C, #CABE8C and #CAAE8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4CA8D shade: #A3CA8C, #92CA8C, #8CCA96, #8CCAA7 and #8CCAB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4CA8D shade matches the following richer shades: #A3CA8C, #A0D87E, #9CE570 and #99F363

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4CA8D shade: #A3CA8C, #A7BC99, #AAAFA7, #ADA1B5 and #B194C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4CA8D shade: #C5CA8C, #B4CA8C, #A4CA8C, #93CA8C and #8CCA95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4CA8D shade: #76B053, #8DBD6F, #A3CA8C, #BAD7A8 and #D0E4C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4CA8D shade: #A4CA8D, #8CCABF and #CA8CBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4CA8D shade: #A4CA8D, #8CA4CA and #CA8CA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4CA8D shade: #A4CA8D, #8CCABF, #B28CCA and #CA8C97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4CA8D shade: #A4CA8D, #8CC3CA, #B28CCA and #CA938C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 30 / 21

HEX #A4CA8D

RGB 164 202 141

HSL 97.38, 0.37%, 0.67%

LAB 77.31, -23.7, 26.44

 

Complementary color

CMYK 20 / 54 / 0 / 55

HEX #5B3572

RGB 91 53 114

HSL 277.38, 0.37%, 0.33%

LAB 29.38, 29.1, -28.65

 

CMYK 16 / 0 / 33 / 21

HEX #A9CA88

RGB 169 202 136

HSL 90, 0.38%, 0.66%

LAB 77.55, -22.62, 29.43

 

CMYK 15 / 0 / 30 / 14

HEX #BADC9B

RGB 186 220 155

HSL 91.38, 0.48%, 0.74%

LAB 83.96, -22.56, 28.36

 

CMYK 15 / 0 / 27 / 7

HEX #CBEEAE

RGB 203 238 174

HSL 92.81, 0.65%, 0.81%

LAB 90.28, -22.5, 27.33

 

CMYK 14 / 0 / 24 / 0

HEX #DCFFC1

RGB 220 255 193

HSL 93.87, 1%, 0.88%

LAB 96.24, -21.96, 25.99

 

CMYK 7 / 0 / 17 / 0

HEX #EDFFD4

RGB 237 255 212

HSL 85.12, 1%, 0.92%

LAB 97.74, -13.19, 18.6

 

CMYK 19 / 0 / 30 / 21

HEX #A4CA8D

RGB 164 202 141

HSL 97.38, 0.37%, 0.67%

LAB 77.31, -23.7, 26.44

 

CMYK 20 / 0 / 34 / 28

HEX #93B87A

RGB 147 184 122

HSL 95.81, 0.3%, 0.6%

LAB 70.79, -23.81, 27.55

 

CMYK 22 / 0 / 38 / 35

HEX #82A667

RGB 130 166 103

HSL 94.29, 0.26%, 0.53%

LAB 64.16, -23.92, 28.71

 

CMYK 24 / 0 / 43 / 42

HEX #719454

RGB 113 148 84

HSL 92.81, 0.28%, 0.45%

LAB 57.4, -24.01, 29.93

 

CMYK 26 / 0 / 50 / 49

HEX #608241

RGB 96 130 65

HSL 91.38, 0.33%, 0.38%

LAB 50.49, -24.06, 31.19

 

CMYK 19 / 0 / 31 / 21

HEX #A3CA8C

RGB 163 202 140

HSL 97.74, 0.37%, 0.67%

LAB 77.23, -24.21, 26.85

 

CMYK 11 / 0 / 31 / 21

HEX #B4CA8C

RGB 180 202 140

HSL 81.29, 0.37%, 0.67%

LAB 78.37, -17.99, 28.57

 

CMYK 2 / 0 / 31 / 21

HEX #C5CA8C

RGB 197 202 140

HSL 64.84, 0.37%, 0.67%

LAB 79.62, -11.55, 30.45

 

CMYK 0 / 6 / 31 / 21

HEX #CABE8C

RGB 202 190 140

HSL 48.39, 0.37%, 0.67%

LAB 76.85, -3.4, 26.83

 

CMYK 0 / 14 / 31 / 21

HEX #CAAE8C

RGB 202 174 140

HSL 32.9, 0.37%, 0.67%

LAB 72.71, 5.09, 21.22

 

CMYK 19 / 0 / 31 / 21

HEX #A3CA8C

RGB 163 202 140

HSL 97.74, 0.37%, 0.67%

LAB 77.23, -24.21, 26.85

 

CMYK 28 / 0 / 31 / 21

HEX #92CA8C

RGB 146 202 140

HSL 114.19, 0.37%, 0.67%

LAB 76.22, -30.1, 25.31

 

CMYK 31 / 0 / 26 / 21

HEX #8CCA96

RGB 140 202 150

HSL 129.68, 0.37%, 0.67%

LAB 76.08, -30.37, 19.78

 

CMYK 31 / 0 / 17 / 21

HEX #8CCAA7

RGB 140 202 167

HSL 146.13, 0.37%, 0.67%

LAB 76.44, -27.19, 11.21

 

CMYK 31 / 0 / 9 / 21

HEX #8CCAB7

RGB 140 202 183

HSL 161.61, 0.37%, 0.67%

LAB 76.82, -23.9, 3.15

 

CMYK 19 / 0 / 31 / 21

HEX #A3CA8C

RGB 163 202 140

HSL 97.74, 0.37%, 0.67%

LAB 77.23, -24.21, 26.85

 

CMYK 26 / 0 / 42 / 15

HEX #A0D87E

RGB 160 216 126

HSL 97.33, 0.54%, 0.67%

LAB 80.79, -33.9, 38.65

 

CMYK 32 / 0 / 51 / 10

HEX #9CE570

RGB 156 229 112

HSL 97.44, 0.69%, 0.67%

LAB 84.11, -42.81, 49.51

 

CMYK 37 / 0 / 59 / 5

HEX #99F363

RGB 153 243 99

HSL 97.5, 0.86%, 0.67%

LAB 87.86, -51.06, 59.69

 

CMYK 19 / 0 / 31 / 21

HEX #A3CA8C

RGB 163 202 140

HSL 97.74, 0.37%, 0.67%

LAB 77.23, -24.21, 26.85

 

CMYK 11 / 0 / 19 / 26

HEX #A7BC99

RGB 167 188 153

HSL 96, 0.21%, 0.67%

LAB 73.86, -13.66, 15.34

 

CMYK 3 / 0 / 5 / 31

HEX #AAAFA7

RGB 170 175 167

HSL 97.5, 0.05%, 0.67%

LAB 70.87, -3.26, 3.48

 

CMYK 4 / 11 / 0 / 29

HEX #ADA1B5

RGB 173 161 181

HSL 276, 0.12%, 0.67%

LAB 67.81, 8.14, -8.74

 

CMYK 9 / 24 / 0 / 24

HEX #B194C2

RGB 177 148 194

HSL 277.83, 0.27%, 0.67%

LAB 65.3, 19.41, -19.75

 

CMYK 2 / 0 / 31 / 21

HEX #C5CA8C

RGB 197 202 140

HSL 64.84, 0.37%, 0.67%

LAB 79.62, -11.55, 30.45

 

CMYK 11 / 0 / 31 / 21

HEX #B4CA8C

RGB 180 202 140

HSL 81.29, 0.37%, 0.67%

LAB 78.37, -17.99, 28.57

 

CMYK 19 / 0 / 31 / 21

HEX #A4CA8C

RGB 164 202 140

HSL 96.77, 0.37%, 0.67%

LAB 77.3, -23.85, 26.94

 

CMYK 27 / 0 / 31 / 21

HEX #93CA8C

RGB 147 202 140

HSL 113.23, 0.37%, 0.67%

LAB 76.28, -29.77, 25.39

 

CMYK 31 / 0 / 26 / 21

HEX #8CCA95

RGB 140 202 149

HSL 128.71, 0.37%, 0.67%

LAB 76.06, -30.55, 20.28

 

CMYK 33 / 0 / 53 / 31

HEX #76B053

RGB 118 176 83

HSL 97.42, 0.37%, 0.51%

LAB 66.16, -35.66, 41.32

 

CMYK 25 / 0 / 41 / 26

HEX #8DBD6F

RGB 141 189 111

HSL 96.92, 0.37%, 0.59%

LAB 71.69, -29.97, 34.39

 

CMYK 19 / 0 / 31 / 21

HEX #A3CA8C

RGB 163 202 140

HSL 97.74, 0.37%, 0.67%

LAB 77.23, -24.21, 26.85

 

CMYK 13 / 0 / 22 / 16

HEX #BAD7A8

RGB 186 215 168

HSL 97.02, 0.37%, 0.75%

LAB 82.84, -18.11, 20.06

 

CMYK 9 / 0 / 14 / 11

HEX #D0E4C4

RGB 208 228 196

HSL 97.5, 0.37%, 0.83%

LAB 88.39, -12.36, 13.39

 

CMYK 19 / 0 / 30 / 21

HEX #A4CA8D

RGB 164 202 141

HSL 97.38, 0.37%, 0.67%

LAB 77.31, -23.7, 26.44

 

CMYK 31 / 0 / 5 / 21

HEX #8CCABF

RGB 140 202 191

HSL 169.35, 0.37%, 0.67%

LAB 77.03, -22.15, -0.86

 

CMYK 0 / 31 / 7 / 21

HEX #CA8CBC

RGB 202 140 188

HSL 313.55, 0.37%, 0.67%

LAB 65.7, 31.1, -15.53

 

CMYK 19 / 0 / 30 / 21

HEX #A4CA8D

RGB 164 202 141

HSL 97.38, 0.37%, 0.67%

LAB 77.31, -23.7, 26.44

 

CMYK 31 / 19 / 0 / 21

HEX #8CA4CA

RGB 140 164 202

HSL 216.77, 0.37%, 0.67%

LAB 66.82, 0.56, -22.15

 

CMYK 0 / 31 / 19 / 21

HEX #CA8CA4

RGB 202 140 164

HSL 336.77, 0.37%, 0.67%

LAB 64.96, 27.1, -3.12

 

CMYK 19 / 0 / 30 / 21

HEX #A4CA8D

RGB 164 202 141

HSL 97.38, 0.37%, 0.67%

LAB 77.31, -23.7, 26.44

 

CMYK 31 / 0 / 5 / 21

HEX #8CCABF

RGB 140 202 191

HSL 169.35, 0.37%, 0.67%

LAB 77.03, -22.15, -0.86

 

CMYK 12 / 31 / 0 / 21

HEX #B28CCA

RGB 178 140 202

HSL 276.77, 0.37%, 0.67%

LAB 63.74, 25.91, -26.59

 

CMYK 0 / 31 / 25 / 21

HEX #CA8C97

RGB 202 140 151

HSL 349.35, 0.37%, 0.67%

LAB 64.6, 25.14, 3.71

 

CMYK 19 / 0 / 30 / 21

HEX #A4CA8D

RGB 164 202 141

HSL 97.38, 0.37%, 0.67%

LAB 77.31, -23.7, 26.44

 

CMYK 31 / 3 / 0 / 21

HEX #8CC3CA

RGB 140 195 202

HSL 186.77, 0.37%, 0.67%

LAB 75.37, -16.07, -9.25

 

CMYK 12 / 31 / 0 / 21

HEX #B28CCA

RGB 178 140 202

HSL 276.77, 0.37%, 0.67%

LAB 63.74, 25.91, -26.59

 

CMYK 0 / 27 / 31 / 21

HEX #CA938C

RGB 202 147 140

HSL 6.77, 0.37%, 0.67%

LAB 66, 19.78, 11.89

 

Description

Color code: HEX #A4CA8D | qconv.com Color code: HEX #A4CA8D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 202 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 202 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 30 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 30% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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