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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4B1BF it is the complementary color #5B4E40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4B1BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4B1BF shade: #A9B1BA, #BAC3CD, #CBD5E0, #DCE7F3 and #EDF9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4B1BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4B1BF shade: #A4B1BF, #939FAC, #828D99, #717B86 and #606973

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4B1BF shade: #A5B2BF, #A5ABBF, #A6A5BF, #AEA5BF and #B5A5BF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4B1BF shade: #A5B2BF, #A5ABBF and #A5A5BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4B1BF shade matches the following richer shades: #A5B2BF, #99B1CB, #8CB1D8, #80B0E4 and #73B0F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4B1BF shade: #A5B2BF, #B1B2B3, #BEB2A6, #CAB39A and #D7B38D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4B1BF shade: #A5BFBF, #A5B9BF, #A5B2BF, #A5ABBF and #A6A5BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4B1BF shade: #75889D, #8D9DAE, #A5B2BF, #BDC6D0 and #D5DBE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4B1BF shade: #A4B1BF, #B8A5BF and #BCBFA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4B1BF shade: #A4B1BF, #BFA5B2 and #B2BFA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4B1BF shade: #A4B1BF, #B8A5BF, #BFB2A5 and #ACBFA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4B1BF shade: #A4B1BF, #BFA5BF, #BFB2A5 and #A5BFA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 7 / 0 / 25

HEX #A4B1BF

RGB 164 177 191

HSL 211.11, 0.17%, 0.7%

LAB 71.62, -1.63, -8.67

 

Complementary color

CMYK 0 / 14 / 30 / 64

HEX #5B4E40

RGB 91 78 64

HSL 31.11, 0.17%, 0.3%

LAB 34.07, 2.97, 10.3

 

CMYK 9 / 5 / 0 / 27

HEX #A9B1BA

RGB 169 177 186

HSL 211.76, 0.11%, 0.7%

LAB 71.84, -1, -5.56

 

CMYK 9 / 5 / 0 / 20

HEX #BAC3CD

RGB 186 195 205

HSL 211.58, 0.16%, 0.77%

LAB 78.39, -1.13, -6.07

 

CMYK 9 / 5 / 0 / 12

HEX #CBD5E0

RGB 203 213 224

HSL 211.43, 0.25%, 0.84%

LAB 84.83, -1.25, -6.58

 

CMYK 9 / 5 / 0 / 5

HEX #DCE7F3

RGB 220 231 243

HSL 211.3, 0.49%, 0.91%

LAB 91.16, -1.37, -7.08

 

CMYK 7 / 2 / 0 / 0

HEX #EDF9FF

RGB 237 249 255

HSL 200, 1%, 0.96%

LAB 97.22, -2.81, -4.24

 

CMYK 14 / 7 / 0 / 25

HEX #A4B1BF

RGB 164 177 191

HSL 211.11, 0.17%, 0.7%

LAB 71.62, -1.63, -8.67

 

CMYK 15 / 8 / 0 / 33

HEX #939FAC

RGB 147 159 172

HSL 211.2, 0.13%, 0.63%

LAB 64.95, -1.51, -8.2

 

CMYK 15 / 8 / 0 / 40

HEX #828D99

RGB 130 141 153

HSL 211.3, 0.1%, 0.55%

LAB 58.13, -1.39, -7.73

 

CMYK 16 / 8 / 0 / 47

HEX #717B86

RGB 113 123 134

HSL 211.43, 0.09%, 0.48%

LAB 51.15, -1.27, -7.24

 

CMYK 17 / 9 / 0 / 55

HEX #606973

RGB 96 105 115

HSL 211.58, 0.09%, 0.41%

LAB 43.98, -1.14, -6.76

 

CMYK 14 / 7 / 0 / 25

HEX #A5B2BF

RGB 165 178 191

HSL 210, 0.17%, 0.7%

LAB 71.96, -1.84, -8.16

 

CMYK 14 / 10 / 0 / 25

HEX #A5ABBF

RGB 165 171 191

HSL 226.15, 0.17%, 0.7%

LAB 70.1, 1.97, -10.94

 

CMYK 13 / 14 / 0 / 25

HEX #A6A5BF

RGB 166 165 191

HSL 242.31, 0.17%, 0.7%

LAB 68.59, 5.61, -13.19

 

CMYK 9 / 14 / 0 / 25

HEX #AEA5BF

RGB 174 165 191

HSL 260.77, 0.17%, 0.7%

LAB 69.23, 8.29, -12.15

 

CMYK 5 / 14 / 0 / 25

HEX #B5A5BF

RGB 181 165 191

HSL 276.92, 0.17%, 0.7%

LAB 69.82, 10.66, -11.21

 

CMYK 14 / 7 / 0 / 25

HEX #A5B2BF

RGB 165 178 191

HSL 210, 0.17%, 0.7%

LAB 71.96, -1.84, -8.16

 

CMYK 14 / 10 / 0 / 25

HEX #A5ABBF

RGB 165 171 191

HSL 226.15, 0.17%, 0.7%

LAB 70.1, 1.97, -10.94

 

CMYK 14 / 14 / 0 / 25

HEX #A5A5BF

RGB 165 165 191

HSL 240, 0.17%, 0.7%

LAB 68.51, 5.28, -13.31

 

CMYK 14 / 7 / 0 / 25

HEX #A5B2BF

RGB 165 178 191

HSL 210, 0.17%, 0.7%

LAB 71.96, -1.84, -8.16

 

CMYK 25 / 13 / 0 / 20

HEX #99B1CB

RGB 153 177 203

HSL 211.2, 0.32%, 0.7%

LAB 71.23, -2.45, -15.92

 

CMYK 35 / 18 / 0 / 15

HEX #8CB1D8

RGB 140 177 216

HSL 210.79, 0.49%, 0.7%

LAB 70.86, -3.05, -23.69

 

CMYK 44 / 23 / 0 / 11

HEX #80B0E4

RGB 128 176 228

HSL 211.2, 0.65%, 0.7%

LAB 70.34, -2.45, -31.1

 

CMYK 52 / 27 / 0 / 5

HEX #73B0F1

RGB 115 176 241

HSL 210.95, 0.82%, 0.7%

LAB 70.21, -1.72, -38.44

 

CMYK 14 / 7 / 0 / 25

HEX #A5B2BF

RGB 165 178 191

HSL 210, 0.17%, 0.7%

LAB 71.96, -1.84, -8.16

 

CMYK 1 / 1 / 0 / 30

HEX #B1B2B3

RGB 177 178 179

HSL 210, 0.01%, 0.7%

LAB 72.52, -0.16, -0.64

 

CMYK 0 / 6 / 13 / 25

HEX #BEB2A6

RGB 190 178 166

HSL 30, 0.16%, 0.7%

LAB 73.25, 2.22, 7.66

 

CMYK 0 / 11 / 24 / 21

HEX #CAB39A

RGB 202 179 154

HSL 31.25, 0.31%, 0.7%

LAB 74.27, 4.34, 15.79

 

CMYK 0 / 17 / 34 / 16

HEX #D7B38D

RGB 215 179 141

HSL 30.81, 0.48%, 0.7%

LAB 75.21, 7.65, 24.28

 

CMYK 14 / 0 / 0 / 25

HEX #A5BFBF

RGB 165 191 191

HSL 180, 0.17%, 0.7%

LAB 75.47, -8.78, -2.98

 

CMYK 14 / 3 / 0 / 25

HEX #A5B9BF

RGB 165 185 191

HSL 193.85, 0.17%, 0.7%

LAB 73.84, -5.6, -5.37

 

CMYK 14 / 7 / 0 / 25

HEX #A5B2BF

RGB 165 178 191

HSL 210, 0.17%, 0.7%

LAB 71.96, -1.84, -8.16

 

CMYK 14 / 10 / 0 / 25

HEX #A5ABBF

RGB 165 171 191

HSL 226.15, 0.17%, 0.7%

LAB 70.1, 1.97, -10.94

 

CMYK 13 / 14 / 0 / 25

HEX #A6A5BF

RGB 166 165 191

HSL 242.31, 0.17%, 0.7%

LAB 68.59, 5.61, -13.19

 

CMYK 25 / 13 / 0 / 38

HEX #75889D

RGB 117 136 157

HSL 211.5, 0.17%, 0.54%

LAB 55.91, -1.92, -13.44

 

CMYK 19 / 10 / 0 / 32

HEX #8D9DAE

RGB 141 157 174

HSL 210.91, 0.17%, 0.62%

LAB 64.03, -1.95, -10.74

 

CMYK 14 / 7 / 0 / 25

HEX #A5B2BF

RGB 165 178 191

HSL 210, 0.17%, 0.7%

LAB 71.96, -1.84, -8.16

 

CMYK 9 / 5 / 0 / 18

HEX #BDC6D0

RGB 189 198 208

HSL 211.58, 0.17%, 0.78%

LAB 79.48, -1.13, -6.06

 

CMYK 5 / 3 / 0 / 12

HEX #D5DBE1

RGB 213 219 225

HSL 210, 0.17%, 0.86%

LAB 87.12, -0.9, -3.65

 

CMYK 14 / 7 / 0 / 25

HEX #A4B1BF

RGB 164 177 191

HSL 211.11, 0.17%, 0.7%

LAB 71.62, -1.63, -8.67

 

CMYK 4 / 14 / 0 / 25

HEX #B8A5BF

RGB 184 165 191

HSL 283.85, 0.17%, 0.7%

LAB 70.08, 11.69, -10.8

 

CMYK 2 / 0 / 14 / 25

HEX #BCBFA5

RGB 188 191 165

HSL 66.92, 0.17%, 0.7%

LAB 76.48, -5.59, 12.77

 

CMYK 14 / 7 / 0 / 25

HEX #A4B1BF

RGB 164 177 191

HSL 211.11, 0.17%, 0.7%

LAB 71.62, -1.63, -8.67

 

CMYK 0 / 14 / 7 / 25

HEX #BFA5B2

RGB 191 165 178

HSL 330, 0.17%, 0.7%

LAB 70.32, 11.71, -3.19

 

CMYK 7 / 0 / 14 / 25

HEX #B2BFA5

RGB 178 191 165

HSL 90, 0.17%, 0.7%

LAB 75.73, -9.22, 11.6

 

CMYK 14 / 7 / 0 / 25

HEX #A4B1BF

RGB 164 177 191

HSL 211.11, 0.17%, 0.7%

LAB 71.62, -1.63, -8.67

 

CMYK 4 / 14 / 0 / 25

HEX #B8A5BF

RGB 184 165 191

HSL 283.85, 0.17%, 0.7%

LAB 70.08, 11.69, -10.8

 

CMYK 0 / 7 / 14 / 25

HEX #BFB2A5

RGB 191 178 165

HSL 30, 0.17%, 0.7%

LAB 73.31, 2.42, 8.3

 

CMYK 10 / 0 / 14 / 25

HEX #ACBFA5

RGB 172 191 165

HSL 103.85, 0.17%, 0.7%

LAB 75.29, -11.36, 10.93

 

CMYK 14 / 7 / 0 / 25

HEX #A4B1BF

RGB 164 177 191

HSL 211.11, 0.17%, 0.7%

LAB 71.62, -1.63, -8.67

 

CMYK 0 / 14 / 0 / 25

HEX #BFA5BF

RGB 191 165 191

HSL 300, 0.17%, 0.7%

LAB 70.7, 14.1, -9.81

 

CMYK 0 / 7 / 14 / 25

HEX #BFB2A5

RGB 191 178 165

HSL 30, 0.17%, 0.7%

LAB 73.31, 2.42, 8.3

 

CMYK 14 / 0 / 14 / 25

HEX #A5BFA5

RGB 165 191 165

HSL 120, 0.17%, 0.7%

LAB 74.81, -13.82, 10.18

 

Description

Color code: HEX #A4B1BF | qconv.com Color code: HEX #A4B1BF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 177 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 177 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 7 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 7% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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