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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4B127 it is the complementary color #5B4ED8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4B127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4B127 shade: #A9B122, #BAC335, #CBD548, #DCE75B and #EDF96E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4B127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4B127 shade: #A4B127, #939F14, #828D01, #717B00 and #606900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4B127 shade: #A3B027, #B09827, #B07327, #B04E27 and #B02927

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4B127 shade: #A3B027, #7EB027, #59B027, #34B027 and #27B03E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4B127 shade matches the following richer shades: #A3B027, #B1C115 and #BFD204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4B127 shade: #A3B027, #959E38, #878D49, #797C5B and #6A6A6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4B127 shade: #B07227, #B09727, #A4B027, #80B027 and #5BB027

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4B127 shade: #646C18, #838E1F, #A3B027, #C2D12E and #CCD950

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4B127 shade: #A4B127, #27B04D and #8427B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4B127 shade: #A4B127, #27A4B0 and #B027A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4B127 shade: #A4B127, #27B04D, #3227B0 and #B02789

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4B127 shade: #A4B127, #27B077, #3227B0 and #B02760

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 78 / 31

HEX #A4B127

RGB 164 177 39

HSL 65.65, 0.64%, 0.42%

LAB 69.1, -21.17, 63.36

 

Complementary color

CMYK 58 / 64 / 0 / 15

HEX #5B4ED8

RGB 91 78 216

HSL 245.65, 0.64%, 0.58%

LAB 42.2, 43.69, -69.24

 

CMYK 5 / 0 / 81 / 31

HEX #A9B122

RGB 169 177 34

HSL 63.36, 0.68%, 0.41%

LAB 69.47, -19.21, 65.27

 

CMYK 5 / 0 / 73 / 24

HEX #BAC335

RGB 186 195 53

HSL 63.8, 0.57%, 0.49%

LAB 75.9, -20.16, 65.77

 

CMYK 5 / 0 / 66 / 16

HEX #CBD548

RGB 203 213 72

HSL 64.26, 0.63%, 0.56%

LAB 82.25, -20.95, 65.54

 

CMYK 5 / 0 / 61 / 9

HEX #DCE75B

RGB 220 231 91

HSL 64.71, 0.74%, 0.63%

LAB 88.51, -21.59, 64.9

 

CMYK 5 / 0 / 56 / 2

HEX #EDF96E

RGB 237 249 110

HSL 65.18, 0.92%, 0.7%

LAB 94.69, -22.12, 64.04

 

CMYK 7 / 0 / 78 / 31

HEX #A4B127

RGB 164 177 39

HSL 65.65, 0.64%, 0.42%

LAB 69.1, -21.17, 63.36

 

CMYK 8 / 0 / 87 / 38

HEX #939F14

RGB 147 159 20

HSL 65.18, 0.78%, 0.35%

LAB 62.55, -20.12, 62.13

 

CMYK 8 / 0 / 99 / 45

HEX #828D01

RGB 130 141 1

HSL 64.71, 0.99%, 0.28%

LAB 55.88, -18.85, 59.54

 

CMYK 8 / 0 / 100 / 52

HEX #717B00

RGB 113 123 0

HSL 64.88, 1%, 0.24%

LAB 49.1, -17.23, 54.07

 

CMYK 9 / 0 / 100 / 59

HEX #606900

RGB 96 105 0

HSL 65.14, 1%, 0.21%

LAB 42.14, -15.54, 48.28

 

CMYK 7 / 0 / 78 / 31

HEX #A3B027

RGB 163 176 39

HSL 65.69, 0.64%, 0.42%

LAB 68.74, -21.1, 63

 

CMYK 0 / 14 / 78 / 31

HEX #B09827

RGB 176 152 39

HSL 49.49, 0.64%, 0.42%

LAB 63.2, -2.87, 58.36

 

CMYK 0 / 35 / 78 / 31

HEX #B07327

RGB 176 115 39

HSL 33.28, 0.64%, 0.42%

LAB 53.64, 17.61, 49.37

 

CMYK 0 / 56 / 78 / 31

HEX #B04E27

RGB 176 78 39

HSL 17.08, 0.64%, 0.42%

LAB 45.39, 37.62, 41.22

 

CMYK 0 / 77 / 78 / 31

HEX #B02927

RGB 176 41 39

HSL 0.88, 0.64%, 0.42%

LAB 39.52, 53.38, 35.11

 

CMYK 7 / 0 / 78 / 31

HEX #A3B027

RGB 163 176 39

HSL 65.69, 0.64%, 0.42%

LAB 68.74, -21.1, 63

 

CMYK 28 / 0 / 78 / 31

HEX #7EB027

RGB 126 176 39

HSL 81.9, 0.64%, 0.42%

LAB 66.24, -36.29, 59.78

 

CMYK 49 / 0 / 78 / 31

HEX #59B027

RGB 89 176 39

HSL 98.1, 0.64%, 0.42%

LAB 64.42, -49.19, 57.42

 

CMYK 70 / 0 / 78 / 31

HEX #34B027

RGB 52 176 39

HSL 114.31, 0.64%, 0.42%

LAB 63.28, -58.33, 55.93

 

CMYK 78 / 0 / 65 / 31

HEX #27B03E

RGB 39 176 62

HSL 130.07, 0.64%, 0.42%

LAB 63.2, -58.4, 46.95

 

CMYK 7 / 0 / 78 / 31

HEX #A3B027

RGB 163 176 39

HSL 65.69, 0.64%, 0.42%

LAB 68.74, -21.1, 63

 

CMYK 8 / 0 / 89 / 24

HEX #B1C115

RGB 177 193 21

HSL 65.58, 0.8%, 0.42%

LAB 74.53, -24.05, 72.61

 

CMYK 9 / 0 / 98 / 18

HEX #BFD204

RGB 191 210 4

HSL 65.53, 0.96%, 0.42%

LAB 80.28, -26.59, 79.52

 

CMYK 7 / 0 / 78 / 31

HEX #A3B027

RGB 163 176 39

HSL 65.69, 0.64%, 0.42%

LAB 68.74, -21.1, 63

 

CMYK 6 / 0 / 65 / 38

HEX #959E38

RGB 149 158 56

HSL 65.29, 0.48%, 0.42%

LAB 62.62, -17.08, 50.36

 

CMYK 4 / 0 / 48 / 45

HEX #878D49

RGB 135 141 73

HSL 65.29, 0.32%, 0.42%

LAB 56.76, -12.72, 35.29

 

CMYK 2 / 0 / 27 / 51

HEX #797C5B

RGB 121 124 91

HSL 65.45, 0.15%, 0.42%

LAB 50.96, -7.02, 17.69

 

CMYK 2 / 2 / 0 / 58

HEX #6A6A6C

RGB 106 106 108

HSL 240, 0.01%, 0.42%

LAB 44.88, 0.42, -1.12

 

CMYK 0 / 35 / 78 / 31

HEX #B07227

RGB 176 114 39

HSL 32.85, 0.64%, 0.42%

LAB 53.4, 18.17, 49.13

 

CMYK 0 / 14 / 78 / 31

HEX #B09727

RGB 176 151 39

HSL 49.05, 0.64%, 0.42%

LAB 62.94, -2.33, 58.11

 

CMYK 7 / 0 / 78 / 31

HEX #A4B027

RGB 164 176 39

HSL 65.26, 0.64%, 0.42%

LAB 68.82, -20.67, 63.1

 

CMYK 27 / 0 / 78 / 31

HEX #80B027

RGB 128 176 39

HSL 81.02, 0.64%, 0.42%

LAB 66.36, -35.51, 59.94

 

CMYK 48 / 0 / 78 / 31

HEX #5BB027

RGB 91 176 39

HSL 97.23, 0.64%, 0.42%

LAB 64.5, -48.57, 57.53

 

CMYK 7 / 0 / 78 / 58

HEX #646C18

RGB 100 108 24

HSL 65.71, 0.64%, 0.26%

LAB 43.51, -14.45, 42.86

 

CMYK 8 / 0 / 78 / 44

HEX #838E1F

RGB 131 142 31

HSL 65.95, 0.64%, 0.34%

LAB 56.36, -18.1, 53.3

 

CMYK 7 / 0 / 78 / 31

HEX #A3B027

RGB 163 176 39

HSL 65.69, 0.64%, 0.42%

LAB 68.74, -21.1, 63

 

CMYK 7 / 0 / 78 / 18

HEX #C2D12E

RGB 194 209 46

HSL 65.52, 0.64%, 0.5%

LAB 80.33, -23.96, 72.27

 

CMYK 6 / 0 / 63 / 15

HEX #CCD950

RGB 204 217 80

HSL 65.69, 0.64%, 0.58%

LAB 83.46, -21.99, 63.67

 

CMYK 7 / 0 / 78 / 31

HEX #A4B127

RGB 164 177 39

HSL 65.65, 0.64%, 0.42%

LAB 69.1, -21.17, 63.36

 

CMYK 78 / 0 / 56 / 31

HEX #27B04D

RGB 39 176 77

HSL 136.64, 0.64%, 0.42%

LAB 63.36, -56.52, 40.22

 

CMYK 25 / 78 / 0 / 31

HEX #8427B0

RGB 132 39 176

HSL 280.73, 0.64%, 0.42%

LAB 36.91, 59.47, -54.3

 

CMYK 7 / 0 / 78 / 31

HEX #A4B127

RGB 164 177 39

HSL 65.65, 0.64%, 0.42%

LAB 69.1, -21.17, 63.36

 

CMYK 78 / 7 / 0 / 31

HEX #27A4B0

RGB 39 164 176

HSL 185.26, 0.64%, 0.42%

LAB 61.75, -28.39, -15.72

 

CMYK 0 / 78 / 7 / 31

HEX #B027A4

RGB 176 39 164

HSL 305.26, 0.64%, 0.42%

LAB 43.3, 66.15, -36.52

 

CMYK 7 / 0 / 78 / 31

HEX #A4B127

RGB 164 177 39

HSL 65.65, 0.64%, 0.42%

LAB 69.1, -21.17, 63.36

 

CMYK 78 / 0 / 56 / 31

HEX #27B04D

RGB 39 176 77

HSL 136.64, 0.64%, 0.42%

LAB 63.36, -56.52, 40.22

 

CMYK 72 / 78 / 0 / 31

HEX #3227B0

RGB 50 39 176

HSL 244.82, 0.64%, 0.42%

LAB 27.47, 47.69, -70.14

 

CMYK 0 / 78 / 22 / 31

HEX #B02789

RGB 176 39 137

HSL 317.08, 0.64%, 0.42%

LAB 41.98, 62.32, -22.27

 

CMYK 7 / 0 / 78 / 31

HEX #A4B127

RGB 164 177 39

HSL 65.65, 0.64%, 0.42%

LAB 69.1, -21.17, 63.36

 

CMYK 78 / 0 / 32 / 31

HEX #27B077

RGB 39 176 119

HSL 155.04, 0.64%, 0.42%

LAB 64.01, -49.01, 19.27

 

CMYK 72 / 78 / 0 / 31

HEX #3227B0

RGB 50 39 176

HSL 244.82, 0.64%, 0.42%

LAB 27.47, 47.69, -70.14

 

CMYK 0 / 78 / 45 / 31

HEX #B02760

RGB 176 39 96

HSL 335.04, 0.64%, 0.42%

LAB 40.45, 57.7, 0.92

 

Description

Color code: HEX #A4B127 | qconv.com Color code: HEX #A4B127 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 177 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 177 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 78 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 78% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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