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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4B033 it is the complementary color #5B4FCC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4B033. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4B033 shade: #A9B02E, #BAC241, #CBD454, #DCE667 and #EDF87A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4B033. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4B033 shade: #A4B033, #939E20, #828C0D, #717A00 and #606800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4B033 shade: #A6B234, #B29C34, #B27A34, #B25834 and #B23634

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4B033 shade: #A6B234, #84B234, #62B234, #40B234 and #34B24A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4B033 shade matches the following richer shades: #A6B234, #B5C421 and #C4D70F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4B033 shade: #A6B234, #979F46, #888D59, #797A6B and #6A687E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4B033 shade: #B27934, #B29B34, #A7B234, #86B234 and #64B234

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4B033 shade: #6A7221, #88922A, #A6B234, #BDC946 and #C8D266

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4B033 shade: #A4B033, #34B257 and #8A34B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4B033 shade: #A4B033, #34A7B2 and #B234A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4B033 shade: #A4B033, #34B257, #3E34B2 and #B2348E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4B033 shade: #A4B033, #34B27D, #3E34B2 and #B23468

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 71 / 31

HEX #A4B033

RGB 164 176 51

HSL 65.76, 0.55%, 0.45%

LAB 68.88, -20.11, 59.11

 

Complementary color

CMYK 55 / 61 / 0 / 20

HEX #5B4FCC

RGB 91 79 204

HSL 245.76, 0.55%, 0.55%

LAB 41.49, 39.36, -63.49

 

CMYK 4 / 0 / 74 / 31

HEX #A9B02E

RGB 169 176 46

HSL 63.23, 0.59%, 0.44%

LAB 69.24, -18.22, 61.37

 

CMYK 4 / 0 / 66 / 24

HEX #BAC241

RGB 186 194 65

HSL 63.72, 0.51%, 0.51%

LAB 75.7, -19.03, 61.16

 

CMYK 4 / 0 / 60 / 17

HEX #CBD454

RGB 203 212 84

HSL 64.22, 0.6%, 0.58%

LAB 82.07, -19.69, 60.49

 

CMYK 4 / 0 / 55 / 10

HEX #DCE667

RGB 220 230 103

HSL 64.72, 0.72%, 0.65%

LAB 88.35, -20.23, 59.59

 

CMYK 4 / 0 / 51 / 3

HEX #EDF87A

RGB 237 248 122

HSL 65.24, 0.9%, 0.73%

LAB 94.54, -20.68, 58.57

 

CMYK 7 / 0 / 71 / 31

HEX #A4B033

RGB 164 176 51

HSL 65.76, 0.55%, 0.45%

LAB 68.88, -20.11, 59.11

 

CMYK 7 / 0 / 80 / 38

HEX #939E20

RGB 147 158 32

HSL 65.24, 0.66%, 0.37%

LAB 62.31, -19.23, 58.85

 

CMYK 7 / 0 / 91 / 45

HEX #828C0D

RGB 130 140 13

HSL 64.72, 0.83%, 0.3%

LAB 55.62, -18.1, 57.33

 

CMYK 7 / 0 / 100 / 52

HEX #717A00

RGB 113 122 0

HSL 64.43, 1%, 0.24%

LAB 48.8, -16.7, 53.84

 

CMYK 8 / 0 / 100 / 59

HEX #606800

RGB 96 104 0

HSL 64.62, 1%, 0.2%

LAB 41.83, -14.99, 48.04

 

CMYK 7 / 0 / 71 / 30

HEX #A6B234

RGB 166 178 52

HSL 65.71, 0.55%, 0.45%

LAB 69.61, -20.21, 59.5

 

CMYK 0 / 12 / 71 / 30

HEX #B29C34

RGB 178 156 52

HSL 49.52, 0.55%, 0.45%

LAB 64.56, -3.54, 54.82

 

CMYK 0 / 31 / 71 / 30

HEX #B27A34

RGB 178 122 52

HSL 33.33, 0.55%, 0.45%

LAB 55.72, 15.2, 45.71

 

CMYK 0 / 51 / 71 / 30

HEX #B25834

RGB 178 88 52

HSL 17.14, 0.55%, 0.45%

LAB 47.87, 33.86, 37.16

 

CMYK 0 / 70 / 71 / 30

HEX #B23634

RGB 178 54 52

HSL 0.95, 0.55%, 0.45%

LAB 41.77, 49.87, 30.13

 

CMYK 7 / 0 / 71 / 30

HEX #A6B234

RGB 166 178 52

HSL 65.71, 0.55%, 0.45%

LAB 69.61, -20.21, 59.5

 

CMYK 26 / 0 / 71 / 30

HEX #84B234

RGB 132 178 52

HSL 81.9, 0.55%, 0.45%

LAB 67.27, -34.13, 56.4

 

CMYK 45 / 0 / 71 / 30

HEX #62B234

RGB 98 178 52

HSL 98.1, 0.55%, 0.45%

LAB 65.5, -46.29, 54.03

 

CMYK 64 / 0 / 71 / 30

HEX #40B234

RGB 64 178 52

HSL 114.29, 0.55%, 0.45%

LAB 64.31, -55.57, 52.42

 

CMYK 71 / 0 / 58 / 30

HEX #34B24A

RGB 52 178 74

HSL 130.48, 0.55%, 0.45%

LAB 64.21, -55.6, 42.73

 

CMYK 7 / 0 / 71 / 30

HEX #A6B234

RGB 166 178 52

HSL 65.71, 0.55%, 0.45%

LAB 69.61, -20.21, 59.5

 

CMYK 8 / 0 / 83 / 23

HEX #B5C421

RGB 181 196 33

HSL 65.52, 0.71%, 0.45%

LAB 75.71, -23.52, 71.26

 

CMYK 9 / 0 / 93 / 16

HEX #C4D70F

RGB 196 215 15

HSL 65.7, 0.87%, 0.45%

LAB 82.04, -26.77, 79.96

 

CMYK 7 / 0 / 71 / 30

HEX #A6B234

RGB 166 178 52

HSL 65.71, 0.55%, 0.45%

LAB 69.61, -20.21, 59.5

 

CMYK 5 / 0 / 56 / 38

HEX #979F46

RGB 151 159 70

HSL 65.39, 0.39%, 0.45%

LAB 63.19, -15.67, 44.67

 

CMYK 4 / 0 / 37 / 45

HEX #888D59

RGB 136 141 89

HSL 65.77, 0.23%, 0.45%

LAB 57.08, -10.44, 27.15

 

CMYK 1 / 0 / 12 / 52

HEX #797A6B

RGB 121 122 107

HSL 64, 0.07%, 0.45%

LAB 50.74, -3.23, 8.09

 

CMYK 16 / 17 / 0 / 51

HEX #6A687E

RGB 106 104 126

HSL 245.45, 0.1%, 0.45%

LAB 44.9, 5.64, -11.93

 

CMYK 0 / 32 / 71 / 30

HEX #B27934

RGB 178 121 52

HSL 32.86, 0.55%, 0.45%

LAB 55.47, 15.76, 45.45

 

CMYK 0 / 13 / 71 / 30

HEX #B29B34

RGB 178 155 52

HSL 49.05, 0.55%, 0.45%

LAB 64.29, -3, 54.55

 

CMYK 6 / 0 / 71 / 30

HEX #A7B234

RGB 167 178 52

HSL 65.24, 0.55%, 0.45%

LAB 69.69, -19.78, 59.6

 

CMYK 25 / 0 / 71 / 30

HEX #86B234

RGB 134 178 52

HSL 80.95, 0.55%, 0.45%

LAB 67.39, -33.35, 56.56

 

CMYK 44 / 0 / 71 / 30

HEX #64B234

RGB 100 178 52

HSL 97.14, 0.55%, 0.45%

LAB 65.59, -45.64, 54.15

 

CMYK 7 / 0 / 71 / 55

HEX #6A7221

RGB 106 114 33

HSL 65.93, 0.55%, 0.29%

LAB 45.92, -14.43, 41.8

 

CMYK 7 / 0 / 71 / 43

HEX #88922A

RGB 136 146 42

HSL 65.77, 0.55%, 0.37%

LAB 58, -17.41, 51.05

 

CMYK 7 / 0 / 71 / 30

HEX #A6B234

RGB 166 178 52

HSL 65.71, 0.55%, 0.45%

LAB 69.61, -20.21, 59.5

 

CMYK 6 / 0 / 65 / 21

HEX #BDC946

RGB 189 201 70

HSL 65.5, 0.55%, 0.53%

LAB 77.9, -20.95, 61.51

 

CMYK 5 / 0 / 51 / 18

HEX #C8D266

RGB 200 210 102

HSL 65.56, 0.55%, 0.61%

LAB 81.47, -18.51, 51.73

 

CMYK 7 / 0 / 71 / 31

HEX #A4B033

RGB 164 176 51

HSL 65.76, 0.55%, 0.45%

LAB 68.88, -20.11, 59.11

 

CMYK 71 / 0 / 51 / 30

HEX #34B257

RGB 52 178 87

HSL 136.67, 0.55%, 0.45%

LAB 64.37, -53.78, 36.6

 

CMYK 22 / 71 / 0 / 30

HEX #8A34B2

RGB 138 52 178

HSL 280.95, 0.55%, 0.45%

LAB 39.7, 56.02, -50.94

 

CMYK 7 / 0 / 71 / 31

HEX #A4B033

RGB 164 176 51

HSL 65.76, 0.55%, 0.45%

LAB 68.88, -20.11, 59.11

 

CMYK 71 / 6 / 0 / 30

HEX #34A7B2

RGB 52 167 178

HSL 185.24, 0.55%, 0.45%

LAB 63, -27.7, -14.94

 

CMYK 0 / 71 / 6 / 30

HEX #B234A7

RGB 178 52 167

HSL 305.24, 0.55%, 0.45%

LAB 45.24, 62.95, -35.23

 

CMYK 7 / 0 / 71 / 31

HEX #A4B033

RGB 164 176 51

HSL 65.76, 0.55%, 0.45%

LAB 68.88, -20.11, 59.11

 

CMYK 71 / 0 / 51 / 30

HEX #34B257

RGB 52 178 87

HSL 136.67, 0.55%, 0.45%

LAB 64.37, -53.78, 36.6

 

CMYK 65 / 71 / 0 / 30

HEX #3E34B2

RGB 62 52 178

HSL 244.76, 0.55%, 0.45%

LAB 31.1, 42.48, -65.32

 

CMYK 0 / 71 / 20 / 30

HEX #B2348E

RGB 178 52 142

HSL 317.14, 0.55%, 0.45%

LAB 44.05, 59.24, -22.08

 

CMYK 7 / 0 / 71 / 31

HEX #A4B033

RGB 164 176 51

HSL 65.76, 0.55%, 0.45%

LAB 68.88, -20.11, 59.11

 

CMYK 71 / 0 / 30 / 30

HEX #34B27D

RGB 52 178 125

HSL 154.76, 0.55%, 0.45%

LAB 65, -46.7, 17.41

 

CMYK 65 / 71 / 0 / 30

HEX #3E34B2

RGB 62 52 178

HSL 244.76, 0.55%, 0.45%

LAB 31.1, 42.48, -65.32

 

CMYK 0 / 71 / 42 / 30

HEX #B23468

RGB 178 52 104

HSL 335.24, 0.55%, 0.45%

LAB 42.64, 54.63, -0.85

 

Description

Color code: HEX #A4B033 | qconv.com Color code: HEX #A4B033 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 176 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 176 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 71 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 71% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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