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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4AF4D it is the complementary color #5B50B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4AF4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4AF4D shade: #A9AF48, #BAC15B, #CBD36E, #DCE581 and #EDF794

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4AF4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4AF4D shade: #A4AF4D, #939D3A, #828B27, #717914 and #606701

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4AF4D shade: #A3AE4C, #AE9E4C, #AE844C, #AE6A4C and #AE4F4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4AF4D shade: #A3AE4C, #88AE4C, #6EAE4C, #54AE4C and #4CAE5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4AF4D shade matches the following richer shades: #A3AE4C, #B2C238, #C2D624 and #D2EA10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4AF4D shade: #A3AE4C, #939960, #838575, #747189 and #645D9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4AF4D shade: #AE834C, #AE9D4C, #A4AE4C, #8AAE4C and #70AE4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4AF4D shade: #6D7433, #889140, #A3AE4C, #B3BC67 and #C1C984

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4AF4D shade: #A4AF4D, #4CAE69 and #904CAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4AF4D shade: #A4AF4D, #4CA4AE and #AE4CA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4AF4D shade: #A4AF4D, #4CAE69, #564CAE and #AE4C90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4AF4D shade: #A4AF4D, #4CAE87, #564CAE and #AE4C73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 56 / 31

HEX #A4AF4D

RGB 164 175 77

HSL 66.73, 0.39%, 0.49%

LAB 68.82, -17.82, 48.05

 

Complementary color

CMYK 49 / 55 / 0 / 30

HEX #5B50B2

RGB 91 80 178

HSL 246.73, 0.39%, 0.51%

LAB 39.88, 30.67, -50.94

 

CMYK 3 / 0 / 59 / 31

HEX #A9AF48

RGB 169 175 72

HSL 63.5, 0.42%, 0.48%

LAB 69.16, -16.13, 50.84

 

CMYK 4 / 0 / 53 / 24

HEX #BAC15B

RGB 186 193 91

HSL 64.12, 0.45%, 0.56%

LAB 75.66, -16.65, 49.82

 

CMYK 4 / 0 / 48 / 17

HEX #CBD36E

RGB 203 211 110

HSL 64.75, 0.53%, 0.63%

LAB 82.06, -17.07, 48.7

 

CMYK 4 / 0 / 44 / 10

HEX #DCE581

RGB 220 229 129

HSL 65.4, 0.66%, 0.7%

LAB 88.37, -17.42, 47.55

 

CMYK 4 / 0 / 40 / 3

HEX #EDF794

RGB 237 247 148

HSL 66.06, 0.86%, 0.77%

LAB 94.6, -17.7, 46.41

 

CMYK 6 / 0 / 56 / 31

HEX #A4AF4D

RGB 164 175 77

HSL 66.73, 0.39%, 0.49%

LAB 68.82, -17.82, 48.05

 

CMYK 6 / 0 / 63 / 38

HEX #939D3A

RGB 147 157 58

HSL 66.06, 0.46%, 0.42%

LAB 62.19, -17.28, 48.98

 

CMYK 6 / 0 / 72 / 45

HEX #828B27

RGB 130 139 39

HSL 65.4, 0.56%, 0.35%

LAB 55.44, -16.58, 49.52

 

CMYK 7 / 0 / 83 / 53

HEX #717914

RGB 113 121 20

HSL 64.75, 0.72%, 0.28%

LAB 48.56, -15.63, 49.18

 

CMYK 7 / 0 / 99 / 60

HEX #606701

RGB 96 103 1

HSL 64.12, 0.98%, 0.2%

LAB 41.52, -14.42, 47.55

 

CMYK 6 / 0 / 56 / 32

HEX #A3AE4C

RGB 163 174 76

HSL 66.73, 0.39%, 0.49%

LAB 68.45, -17.81, 48.08

 

CMYK 0 / 9 / 56 / 32

HEX #AE9E4C

RGB 174 158 76

HSL 50.2, 0.39%, 0.49%

LAB 64.94, -4.76, 44.3

 

CMYK 0 / 24 / 56 / 32

HEX #AE844C

RGB 174 132 76

HSL 34.29, 0.39%, 0.49%

LAB 58.06, 9.51, 36.16

 

CMYK 0 / 39 / 56 / 32

HEX #AE6A4C

RGB 174 106 76

HSL 18.37, 0.39%, 0.49%

LAB 51.64, 24.09, 28.22

 

CMYK 0 / 55 / 56 / 32

HEX #AE4F4C

RGB 174 79 76

HSL 1.84, 0.39%, 0.49%

LAB 45.79, 38.59, 20.66

 

CMYK 6 / 0 / 56 / 32

HEX #A3AE4C

RGB 163 174 76

HSL 66.73, 0.39%, 0.49%

LAB 68.45, -17.81, 48.08

 

CMYK 22 / 0 / 56 / 32

HEX #88AE4C

RGB 136 174 76

HSL 83.27, 0.39%, 0.49%

LAB 66.54, -28.75, 45.4

 

CMYK 37 / 0 / 56 / 32

HEX #6EAE4C

RGB 110 174 76

HSL 99.18, 0.39%, 0.49%

LAB 65.05, -38.35, 43.28

 

CMYK 52 / 0 / 56 / 32

HEX #54AE4C

RGB 84 174 76

HSL 115.1, 0.39%, 0.49%

LAB 63.9, -46.52, 41.64

 

CMYK 56 / 0 / 45 / 32

HEX #4CAE5F

RGB 76 174 95

HSL 131.63, 0.39%, 0.49%

LAB 63.86, -45.95, 32.02

 

CMYK 6 / 0 / 56 / 32

HEX #A3AE4C

RGB 163 174 76

HSL 66.73, 0.39%, 0.49%

LAB 68.45, -17.81, 48.08

 

CMYK 8 / 0 / 71 / 24

HEX #B2C238

RGB 178 194 56

HSL 66.96, 0.55%, 0.49%

LAB 75.04, -22.87, 63.67

 

CMYK 9 / 0 / 83 / 16

HEX #C2D624

RGB 194 214 36

HSL 66.74, 0.71%, 0.49%

LAB 81.67, -26.69, 76.01

 

CMYK 10 / 0 / 93 / 8

HEX #D2EA10

RGB 210 234 16

HSL 66.61, 0.87%, 0.49%

LAB 88.25, -29.95, 85.08

 

CMYK 6 / 0 / 56 / 32

HEX #A3AE4C

RGB 163 174 76

HSL 66.73, 0.39%, 0.49%

LAB 68.45, -17.81, 48.08

 

CMYK 4 / 0 / 37 / 40

HEX #939960

RGB 147 153 96

HSL 66.32, 0.23%, 0.49%

LAB 61.51, -11.45, 29.25

 

CMYK 2 / 0 / 12 / 48

HEX #838575

RGB 131 133 117

HSL 67.5, 0.06%, 0.49%

LAB 54.95, -3.76, 8.38

 

CMYK 15 / 18 / 0 / 46

HEX #747189

RGB 116 113 137

HSL 247.5, 0.1%, 0.49%

LAB 48.67, 6.35, -12.71

 

CMYK 36 / 41 / 0 / 38

HEX #645D9D

RGB 100 93 157

HSL 246.56, 0.26%, 0.49%

LAB 42.72, 18.62, -33.91

 

CMYK 0 / 25 / 56 / 32

HEX #AE834C

RGB 174 131 76

HSL 33.67, 0.39%, 0.49%

LAB 57.8, 10.07, 35.85

 

CMYK 0 / 10 / 56 / 32

HEX #AE9D4C

RGB 174 157 76

HSL 49.59, 0.39%, 0.49%

LAB 64.67, -4.23, 43.99

 

CMYK 6 / 0 / 56 / 32

HEX #A4AE4C

RGB 164 174 76

HSL 66.12, 0.39%, 0.49%

LAB 68.52, -17.4, 48.19

 

CMYK 21 / 0 / 56 / 32

HEX #8AAE4C

RGB 138 174 76

HSL 82.04, 0.39%, 0.49%

LAB 66.67, -27.97, 45.58

 

CMYK 36 / 0 / 56 / 32

HEX #70AE4C

RGB 112 174 76

HSL 97.96, 0.39%, 0.49%

LAB 65.15, -37.66, 43.42

 

CMYK 6 / 0 / 56 / 55

HEX #6D7433

RGB 109 116 51

HSL 66.46, 0.39%, 0.33%

LAB 46.95, -12.73, 34.5

 

CMYK 6 / 0 / 56 / 43

HEX #889140

RGB 136 145 64

HSL 66.67, 0.39%, 0.41%

LAB 57.9, -15.28, 41.19

 

CMYK 6 / 0 / 56 / 32

HEX #A3AE4C

RGB 163 174 76

HSL 66.73, 0.39%, 0.49%

LAB 68.45, -17.81, 48.08

 

CMYK 5 / 0 / 45 / 26

HEX #B3BC67

RGB 179 188 103

HSL 66.35, 0.39%, 0.57%

LAB 73.89, -15.83, 41.75

 

CMYK 4 / 0 / 34 / 21

HEX #C1C984

RGB 193 201 132

HSL 66.96, 0.39%, 0.65%

LAB 78.91, -13.59, 33.61

 

CMYK 6 / 0 / 56 / 31

HEX #A4AF4D

RGB 164 175 77

HSL 66.73, 0.39%, 0.49%

LAB 68.82, -17.82, 48.05

 

CMYK 56 / 0 / 40 / 32

HEX #4CAE69

RGB 76 174 105

HSL 137.76, 0.39%, 0.49%

LAB 64.02, -44.26, 26.97

 

CMYK 17 / 56 / 0 / 32

HEX #904CAE

RGB 144 76 174

HSL 281.63, 0.39%, 0.49%

LAB 44.45, 45.14, -40.93

 

CMYK 6 / 0 / 56 / 31

HEX #A4AF4D

RGB 164 175 77

HSL 66.73, 0.39%, 0.49%

LAB 68.82, -17.82, 48.05

 

CMYK 56 / 6 / 0 / 32

HEX #4CA4AE

RGB 76 164 174

HSL 186.12, 0.39%, 0.49%

LAB 62.63, -23.34, -13.18

 

CMYK 0 / 56 / 6 / 32

HEX #AE4CA4

RGB 174 76 164

HSL 306.12, 0.39%, 0.49%

LAB 48.07, 51.47, -29.06

 

CMYK 6 / 0 / 56 / 31

HEX #A4AF4D

RGB 164 175 77

HSL 66.73, 0.39%, 0.49%

LAB 68.82, -17.82, 48.05

 

CMYK 56 / 0 / 40 / 32

HEX #4CAE69

RGB 76 174 105

HSL 137.76, 0.39%, 0.49%

LAB 64.02, -44.26, 26.97

 

CMYK 51 / 56 / 0 / 32

HEX #564CAE

RGB 86 76 174

HSL 246.12, 0.39%, 0.49%

LAB 38.2, 30.81, -51.29

 

CMYK 0 / 56 / 17 / 32

HEX #AE4C90

RGB 174 76 144

HSL 318.37, 0.39%, 0.49%

LAB 47.21, 48.21, -18.48

 

CMYK 6 / 0 / 56 / 31

HEX #A4AF4D

RGB 164 175 77

HSL 66.73, 0.39%, 0.49%

LAB 68.82, -17.82, 48.05

 

CMYK 56 / 0 / 22 / 32

HEX #4CAE87

RGB 76 174 135

HSL 156.12, 0.39%, 0.49%

LAB 64.61, -38.2, 11.48

 

CMYK 51 / 56 / 0 / 32

HEX #564CAE

RGB 86 76 174

HSL 246.12, 0.39%, 0.49%

LAB 38.2, 30.81, -51.29

 

CMYK 0 / 56 / 34 / 32

HEX #AE4C73

RGB 174 76 115

HSL 336.12, 0.39%, 0.49%

LAB 46.18, 44.15, -2.5

 

Description

Color code: HEX #A4AF4D | qconv.com Color code: HEX #A4AF4D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 175 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 175 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 56 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 56% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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