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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4AB04 it is the complementary color #5B54FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4AB04. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4AB04 shade: #A9AB00, #BABD12, #CBCF25, #DCE138 and #EDF34B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4AB04. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4AB04 shade: #A4AB04, #939900, #828700, #717500 and #606300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4AB04 shade: #A2A904, #A98404, #A95704, #A92B04 and #A90404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4AB04 shade: #A2A904, #76A904, #49A904, #1DA904 and #04A918

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4AB04 shade matches the following richer shades: #A2A904

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4AB04 shade: #A2A904, #959B12, #888D20, #7C7F2E and #6F713C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4AB04 shade: #A95704, #A98304, #A4A904, #78A904 and #4CA904

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4AB04 shade: #555902, #7C8103, #A2A904, #C9D105 and #EFF907

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4AB04 shade: #A4AB04, #04A92B and #6D04A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4AB04 shade: #A4AB04, #04A4A9 and #A904A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4AB04 shade: #A4AB04, #04A92B, #0A04A9 and #A90483

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4AB04 shade: #A4AB04, #04A95C, #0A04A9 and #A90451

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 98 / 33

HEX #A4AB04

RGB 164 171 4

HSL 62.51, 0.95%, 0.34%

LAB 67.3, -19.01, 68.86

 

Complementary color

CMYK 64 / 67 / 0 / 2

HEX #5B54FB

RGB 91 84 251

HSL 242.51, 0.95%, 0.66%

LAB 46.35, 51.16, -82.22

 

CMYK 1 / 0 / 100 / 33

HEX #A9AB00

RGB 169 171 0

HSL 60.7, 1%, 0.34%

LAB 67.7, -16.86, 69.84

 

CMYK 2 / 0 / 90 / 26

HEX #BABD12

RGB 186 189 18

HSL 61.05, 0.83%, 0.41%

LAB 74.11, -18.28, 73.06

 

CMYK 2 / 0 / 82 / 19

HEX #CBCF25

RGB 203 207 37

HSL 61.41, 0.7%, 0.48%

LAB 80.44, -19.51, 75

 

CMYK 2 / 0 / 75 / 12

HEX #DCE138

RGB 220 225 56

HSL 61.78, 0.74%, 0.55%

LAB 86.68, -20.55, 75.81

 

CMYK 2 / 0 / 69 / 5

HEX #EDF34B

RGB 237 243 75

HSL 62.14, 0.88%, 0.62%

LAB 92.85, -21.43, 75.89

 

CMYK 4 / 0 / 98 / 33

HEX #A4AB04

RGB 164 171 4

HSL 62.51, 0.95%, 0.34%

LAB 67.3, -19.01, 68.86

 

CMYK 4 / 0 / 100 / 40

HEX #939900

RGB 147 153 0

HSL 62.35, 1%, 0.3%

LAB 60.77, -17.42, 63.94

 

CMYK 4 / 0 / 100 / 47

HEX #828700

RGB 130 135 0

HSL 62.22, 1%, 0.26%

LAB 54.11, -15.74, 58.4

 

CMYK 3 / 0 / 100 / 54

HEX #717500

RGB 113 117 0

HSL 62.05, 1%, 0.23%

LAB 47.28, -14.01, 52.72

 

CMYK 3 / 0 / 100 / 61

HEX #606300

RGB 96 99 0

HSL 61.82, 1%, 0.19%

LAB 40.26, -12.23, 46.89

 

CMYK 4 / 0 / 98 / 34

HEX #A2A904

RGB 162 169 4

HSL 62.55, 0.95%, 0.34%

LAB 66.57, -18.87, 68.24

 

CMYK 0 / 22 / 98 / 34

HEX #A98404

RGB 169 132 4

HSL 46.55, 0.95%, 0.34%

LAB 57.02, 4.04, 61.52

 

CMYK 0 / 49 / 98 / 34

HEX #A95704

RGB 169 87 4

HSL 30.18, 0.95%, 0.34%

LAB 45.99, 29.17, 53.96

 

CMYK 0 / 75 / 98 / 34

HEX #A92B04

RGB 169 43 4

HSL 14.18, 0.95%, 0.34%

LAB 38.15, 49.68, 49.24

 

CMYK 0 / 98 / 98 / 34

HEX #A90404

RGB 169 4 4

HSL 0, 0.95%, 0.34%

LAB 35.06, 58.41, 47.65

 

CMYK 4 / 0 / 98 / 34

HEX #A2A904

RGB 162 169 4

HSL 62.55, 0.95%, 0.34%

LAB 66.57, -18.87, 68.24

 

CMYK 30 / 0 / 98 / 34

HEX #76A904

RGB 118 169 4

HSL 78.55, 0.95%, 0.34%

LAB 63.54, -37.33, 64.6

 

CMYK 57 / 0 / 98 / 34

HEX #49A904

RGB 73 169 4

HSL 94.91, 0.95%, 0.34%

LAB 61.48, -52.5, 62.1

 

CMYK 83 / 0 / 98 / 34

HEX #1DA904

RGB 29 169 4

HSL 110.91, 0.95%, 0.34%

LAB 60.47, -61.11, 60.86

 

CMYK 98 / 0 / 86 / 34

HEX #04A918

RGB 4 169 24

HSL 127.27, 0.95%, 0.34%

LAB 60.31, -62.35, 57.19

 

CMYK 4 / 0 / 98 / 34

HEX #A2A904

RGB 162 169 4

HSL 62.55, 0.95%, 0.34%

LAB 66.57, -18.87, 68.24

 

CMYK 4 / 0 / 98 / 34

HEX #A2A904

RGB 162 169 4

HSL 62.55, 0.95%, 0.34%

LAB 66.57, -18.87, 68.24

 

CMYK 4 / 0 / 88 / 39

HEX #959B12

RGB 149 155 18

HSL 62.63, 0.79%, 0.34%

LAB 61.55, -17.24, 61.79

 

CMYK 4 / 0 / 77 / 45

HEX #888D20

RGB 136 141 32

HSL 62.75, 0.63%, 0.34%

LAB 56.47, -15.3, 53.23

 

CMYK 2 / 0 / 64 / 50

HEX #7C7F2E

RGB 124 127 46

HSL 62.22, 0.47%, 0.34%

LAB 51.45, -12.41, 42.29

 

CMYK 2 / 0 / 47 / 56

HEX #6F713C

RGB 111 113 60

HSL 62.26, 0.31%, 0.34%

LAB 46.33, -9.25, 29.03

 

CMYK 0 / 49 / 98 / 34

HEX #A95704

RGB 169 87 4

HSL 30.18, 0.95%, 0.34%

LAB 45.99, 29.17, 53.96

 

CMYK 0 / 22 / 98 / 34

HEX #A98304

RGB 169 131 4

HSL 46.18, 0.95%, 0.34%

LAB 56.76, 4.6, 61.33

 

CMYK 3 / 0 / 98 / 34

HEX #A4A904

RGB 164 169 4

HSL 61.82, 0.95%, 0.34%

LAB 66.73, -17.99, 68.43

 

CMYK 29 / 0 / 98 / 34

HEX #78A904

RGB 120 169 4

HSL 77.82, 0.95%, 0.34%

LAB 63.65, -36.55, 64.74

 

CMYK 55 / 0 / 98 / 34

HEX #4CA904

RGB 76 169 4

HSL 93.82, 0.95%, 0.34%

LAB 61.59, -51.66, 62.22

 

CMYK 4 / 0 / 98 / 65

HEX #555902

RGB 85 89 2

HSL 62.76, 0.96%, 0.18%

LAB 36.14, -11.91, 42.78

 

CMYK 4 / 0 / 98 / 49

HEX #7C8103

RGB 124 129 3

HSL 62.38, 0.95%, 0.26%

LAB 51.83, -15.26, 55.93

 

CMYK 4 / 0 / 98 / 34

HEX #A2A904

RGB 162 169 4

HSL 62.55, 0.95%, 0.34%

LAB 66.57, -18.87, 68.24

 

CMYK 4 / 0 / 98 / 18

HEX #C9D105

RGB 201 209 5

HSL 62.35, 0.95%, 0.42%

LAB 80.76, -21.9, 80.11

 

CMYK 4 / 0 / 97 / 2

HEX #EFF907

RGB 239 249 7

HSL 62.48, 0.95%, 0.5%

LAB 94.36, -25.22, 91.4

 

CMYK 4 / 0 / 98 / 33

HEX #A4AB04

RGB 164 171 4

HSL 62.51, 0.95%, 0.34%

LAB 67.3, -19.01, 68.86

 

CMYK 98 / 0 / 75 / 34

HEX #04A92B

RGB 4 169 43

HSL 134.18, 0.95%, 0.34%

LAB 60.41, -61.1, 51.51

 

CMYK 36 / 98 / 0 / 34

HEX #6D04A9

RGB 109 4 169

HSL 278.18, 0.95%, 0.34%

LAB 29.92, 63.03, -61.67

 

CMYK 4 / 0 / 98 / 33

HEX #A4AB04

RGB 164 171 4

HSL 62.51, 0.95%, 0.34%

LAB 67.3, -19.01, 68.86

 

CMYK 98 / 3 / 0 / 34

HEX #04A4A9

RGB 4 164 169

HSL 181.82, 0.95%, 0.34%

LAB 61.17, -32.84, -12.7

 

CMYK 0 / 98 / 3 / 34

HEX #A904A4

RGB 169 4 164

HSL 301.82, 0.95%, 0.34%

LAB 39.92, 71.03, -41.97

 

CMYK 4 / 0 / 98 / 33

HEX #A4AB04

RGB 164 171 4

HSL 62.51, 0.95%, 0.34%

LAB 67.3, -19.01, 68.86

 

CMYK 98 / 0 / 75 / 34

HEX #04A92B

RGB 4 169 43

HSL 134.18, 0.95%, 0.34%

LAB 60.41, -61.1, 51.51

 

CMYK 94 / 98 / 0 / 34

HEX #0A04A9

RGB 10 4 169

HSL 242.18, 0.95%, 0.34%

LAB 20.11, 57.19, -78.22

 

CMYK 0 / 98 / 22 / 34

HEX #A90483

RGB 169 4 131

HSL 313.82, 0.95%, 0.34%

LAB 38.13, 66.55, -24.66

 

CMYK 4 / 0 / 98 / 33

HEX #A4AB04

RGB 164 171 4

HSL 62.51, 0.95%, 0.34%

LAB 67.3, -19.01, 68.86

 

CMYK 98 / 0 / 46 / 34

HEX #04A95C

RGB 4 169 92

HSL 152, 0.95%, 0.34%

LAB 60.94, -54.57, 29.57

 

CMYK 94 / 98 / 0 / 34

HEX #0A04A9

RGB 10 4 169

HSL 242.18, 0.95%, 0.34%

LAB 20.11, 57.19, -78.22

 

CMYK 0 / 98 / 52 / 34

HEX #A90451

RGB 169 4 81

HSL 332, 0.95%, 0.34%

LAB 36.21, 61.52, 4.2

 

Description

Color code: HEX #A4AB04 | qconv.com Color code: HEX #A4AB04 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 171 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 171 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 98 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 98% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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