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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4AA30 it is the complementary color #5B55CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4AA30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4AA30 shade: #A9AA2B, #BABC3E, #CBCE51, #DCE064 and #EDF277

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4AA30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4AA30 shade: #A4AA30, #93981D, #82860A, #717400 and #606200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4AA30 shade: #A5AB30, #AB9030, #AB6F30, #AB4E30 and #AB3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4AA30 shade: #A5AB30, #84AB30, #63AB30, #42AB30 and #30AB40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4AA30 shade matches the following richer shades: #A5AB30, #B5BD1F and #C5CF0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4AA30 shade: #A5AB30, #959942, #858854, #757665 and #656477

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4AA30 shade: #AB6E30, #AB8E30, #A7AB30, #86AB30 and #65AB30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4AA30 shade: #676B1E, #868B27, #A5AB30, #C1C83C and #CBD15D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4AA30 shade: #A4AA30, #30AB4D and #7E30AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4AA30 shade: #A4AA30, #30A7AB and #AB30A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4AA30 shade: #A4AA30, #30AB4D, #3430AB and #AB308E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4AA30 shade: #A4AA30, #30AB72, #3430AB and #AB306A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 72 / 33

HEX #A4AA30

RGB 164 170 48

HSL 62.95, 0.56%, 0.43%

LAB 67.17, -17.23, 58.53

 

Complementary color

CMYK 56 / 59 / 0 / 19

HEX #5B55CF

RGB 91 85 207

HSL 242.95, 0.56%, 0.57%

LAB 43.1, 36.71, -62.61

 

CMYK 1 / 0 / 75 / 33

HEX #A9AA2B

RGB 169 170 43

HSL 60.47, 0.6%, 0.42%

LAB 67.55, -15.3, 60.79

 

CMYK 1 / 0 / 67 / 26

HEX #BABC3E

RGB 186 188 62

HSL 60.95, 0.5%, 0.49%

LAB 74.03, -16.2, 60.63

 

CMYK 1 / 0 / 61 / 19

HEX #CBCE51

RGB 203 206 81

HSL 61.44, 0.56%, 0.56%

LAB 80.42, -16.93, 59.98

 

CMYK 2 / 0 / 55 / 12

HEX #DCE064

RGB 220 224 100

HSL 61.94, 0.67%, 0.64%

LAB 86.72, -17.54, 59.08

 

CMYK 2 / 0 / 51 / 5

HEX #EDF277

RGB 237 242 119

HSL 62.44, 0.83%, 0.71%

LAB 92.94, -18.04, 58.05

 

CMYK 4 / 0 / 72 / 33

HEX #A4AA30

RGB 164 170 48

HSL 62.95, 0.56%, 0.43%

LAB 67.17, -17.23, 58.53

 

CMYK 3 / 0 / 81 / 40

HEX #93981D

RGB 147 152 29

HSL 62.44, 0.68%, 0.35%

LAB 60.56, -16.25, 58.18

 

CMYK 3 / 0 / 93 / 47

HEX #82860A

RGB 130 134 10

HSL 61.94, 0.86%, 0.28%

LAB 53.83, -15.02, 56.44

 

CMYK 3 / 0 / 100 / 55

HEX #717400

RGB 113 116 0

HSL 61.55, 1%, 0.23%

LAB 46.98, -13.47, 52.5

 

CMYK 2 / 0 / 100 / 62

HEX #606200

RGB 96 98 0

HSL 61.22, 1%, 0.19%

LAB 39.95, -11.67, 46.66

 

CMYK 4 / 0 / 72 / 33

HEX #A5AB30

RGB 165 171 48

HSL 62.93, 0.56%, 0.43%

LAB 67.53, -17.31, 58.91

 

CMYK 0 / 16 / 72 / 33

HEX #AB9030

RGB 171 144 48

HSL 46.83, 0.56%, 0.43%

LAB 60.62, -0.36, 52.29

 

CMYK 0 / 35 / 72 / 33

HEX #AB6F30

RGB 171 111 48

HSL 30.73, 0.56%, 0.43%

LAB 52.11, 18.07, 43.54

 

CMYK 0 / 54 / 72 / 33

HEX #AB4E30

RGB 171 78 48

HSL 14.63, 0.56%, 0.43%

LAB 44.69, 36.07, 35.47

 

CMYK 0 / 72 / 72 / 33

HEX #AB3030

RGB 171 48 48

HSL 0, 0.56%, 0.43%

LAB 39.56, 49.7, 29.59

 

CMYK 4 / 0 / 72 / 33

HEX #A5AB30

RGB 165 171 48

HSL 62.93, 0.56%, 0.43%

LAB 67.53, -17.31, 58.91

 

CMYK 23 / 0 / 72 / 33

HEX #84AB30

RGB 132 171 48

HSL 79.02, 0.56%, 0.43%

LAB 65.16, -31.12, 55.78

 

CMYK 42 / 0 / 72 / 33

HEX #63AB30

RGB 99 171 48

HSL 95.12, 0.56%, 0.43%

LAB 63.34, -43.38, 53.35

 

CMYK 61 / 0 / 72 / 33

HEX #42AB30

RGB 66 171 48

HSL 111.22, 0.56%, 0.43%

LAB 62.08, -52.96, 51.67

 

CMYK 72 / 0 / 63 / 33

HEX #30AB40

RGB 48 171 64

HSL 127.8, 0.56%, 0.43%

LAB 61.76, -55.09, 44.49

 

CMYK 4 / 0 / 72 / 33

HEX #A5AB30

RGB 165 171 48

HSL 62.93, 0.56%, 0.43%

LAB 67.53, -17.31, 58.91

 

CMYK 4 / 0 / 84 / 26

HEX #B5BD1F

RGB 181 189 31

HSL 63.04, 0.72%, 0.43%

LAB 73.75, -20.14, 70.08

 

CMYK 5 / 0 / 94 / 19

HEX #C5CF0D

RGB 197 207 13

HSL 63.09, 0.88%, 0.43%

LAB 79.91, -22.53, 78.57

 

CMYK 4 / 0 / 72 / 33

HEX #A5AB30

RGB 165 171 48

HSL 62.93, 0.56%, 0.43%

LAB 67.53, -17.31, 58.91

 

CMYK 3 / 0 / 57 / 40

HEX #959942

RGB 149 153 66

HSL 62.76, 0.4%, 0.43%

LAB 61.28, -13.72, 44.36

 

CMYK 2 / 0 / 38 / 47

HEX #858854

RGB 133 136 84

HSL 63.46, 0.24%, 0.43%

LAB 55.31, -9.61, 27.56

 

CMYK 1 / 0 / 14 / 54

HEX #757665

RGB 117 118 101

HSL 63.53, 0.08%, 0.43%

LAB 49.1, -3.6, 9.25

 

CMYK 15 / 16 / 0 / 53

HEX #656477

RGB 101 100 119

HSL 243.16, 0.09%, 0.43%

LAB 43.08, 4.62, -10.49

 

CMYK 0 / 36 / 72 / 33

HEX #AB6E30

RGB 171 110 48

HSL 30.24, 0.56%, 0.43%

LAB 51.86, 18.63, 43.28

 

CMYK 0 / 17 / 72 / 33

HEX #AB8E30

RGB 171 142 48

HSL 45.85, 0.56%, 0.43%

LAB 60.08, 0.74, 51.75

 

CMYK 2 / 0 / 72 / 33

HEX #A7AB30

RGB 167 171 48

HSL 61.95, 0.56%, 0.43%

LAB 67.69, -16.44, 59.12

 

CMYK 22 / 0 / 72 / 33

HEX #86AB30

RGB 134 171 48

HSL 78.05, 0.56%, 0.43%

LAB 65.28, -30.31, 55.95

 

CMYK 41 / 0 / 72 / 33

HEX #65AB30

RGB 101 171 48

HSL 94.15, 0.56%, 0.43%

LAB 63.43, -42.7, 53.48

 

CMYK 4 / 0 / 72 / 58

HEX #676B1E

RGB 103 107 30

HSL 63.12, 0.56%, 0.27%

LAB 43.5, -12.16, 40.55

 

CMYK 4 / 0 / 72 / 45

HEX #868B27

RGB 134 139 39

HSL 63, 0.56%, 0.35%

LAB 55.77, -14.79, 49.96

 

CMYK 4 / 0 / 72 / 33

HEX #A5AB30

RGB 165 171 48

HSL 62.93, 0.56%, 0.43%

LAB 67.53, -17.31, 58.91

 

CMYK 4 / 0 / 70 / 22

HEX #C1C83C

RGB 193 200 60

HSL 63, 0.56%, 0.51%

LAB 77.86, -19.36, 65.38

 

CMYK 3 / 0 / 56 / 18

HEX #CBD15D

RGB 203 209 93

HSL 63.1, 0.56%, 0.59%

LAB 81.34, -17.55, 55.76

 

CMYK 4 / 0 / 72 / 33

HEX #A4AA30

RGB 164 170 48

HSL 62.95, 0.56%, 0.43%

LAB 67.17, -17.23, 58.53

 

CMYK 72 / 0 / 55 / 33

HEX #30AB4D

RGB 48 171 77

HSL 134.15, 0.56%, 0.43%

LAB 61.9, -53.41, 38.52

 

CMYK 26 / 72 / 0 / 33

HEX #7E30AB

RGB 126 48 171

HSL 278.05, 0.56%, 0.43%

LAB 36.91, 53.71, -51.37

 

CMYK 4 / 0 / 72 / 33

HEX #A4AA30

RGB 164 170 48

HSL 62.95, 0.56%, 0.43%

LAB 67.17, -17.23, 58.53

 

CMYK 72 / 2 / 0 / 33

HEX #30A7AB

RGB 48 167 171

HSL 181.95, 0.56%, 0.43%

LAB 62.68, -30.35, -11.5

 

CMYK 0 / 72 / 2 / 33

HEX #AB30A7

RGB 171 48 167

HSL 301.95, 0.56%, 0.43%

LAB 43.6, 62.73, -37.89

 

CMYK 4 / 0 / 72 / 33

HEX #A4AA30

RGB 164 170 48

HSL 62.95, 0.56%, 0.43%

LAB 67.17, -17.23, 58.53

 

CMYK 72 / 0 / 55 / 33

HEX #30AB4D

RGB 48 171 77

HSL 134.15, 0.56%, 0.43%

LAB 61.9, -53.41, 38.52

 

CMYK 70 / 72 / 0 / 33

HEX #3430AB

RGB 52 48 171

HSL 241.95, 0.56%, 0.43%

LAB 28.86, 41.28, -64.84

 

CMYK 0 / 72 / 17 / 33

HEX #AB308E

RGB 171 48 142

HSL 314.15, 0.56%, 0.43%

LAB 42.35, 58.88, -24.82

 

CMYK 4 / 0 / 72 / 33

HEX #A4AA30

RGB 164 170 48

HSL 62.95, 0.56%, 0.43%

LAB 67.17, -17.23, 58.53

 

CMYK 72 / 0 / 33 / 33

HEX #30AB72

RGB 48 171 114

HSL 152.2, 0.56%, 0.43%

LAB 62.48, -46.86, 19.93

 

CMYK 70 / 72 / 0 / 33

HEX #3430AB

RGB 52 48 171

HSL 241.95, 0.56%, 0.43%

LAB 28.86, 41.28, -64.84

 

CMYK 0 / 72 / 38 / 33

HEX #AB306A

RGB 171 48 106

HSL 331.71, 0.56%, 0.43%

LAB 40.92, 54.29, -4.79

 

Description

Color code: HEX #A4AA30 | qconv.com Color code: HEX #A4AA30 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 170 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 170 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 72 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 72% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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