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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4A2AB00 it is the complementary color #5B5D5400. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4A2AB00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4A2AB00 shade: #A9A2A600, #BAB4B900, #CBC6CC00, #DCD8DF00 and #EDEAF200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4A2AB00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4A2AB00 shade: #A4A2AB00, #93909800, #827E8500, #716C7200 and #605A5F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4A2AB00 shade: #A3A1AA, #A6A1AA, #A8A1AA, #AAA1AA and #AAA1A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4A2AB00 shade: #A3A1AA and #A1A1AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4A2AB00 shade matches the following richer shades: #A3A1AA, #9B93B9, #9384C7, #8B76D6 and #8368E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4A2AB00 shade: #A3A1AA, #ABB09C, #B3BE8D, #BBCD7F and #C3DB70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4A2AB00 shade: #A1A4AA, #A1A2AA, #A3A1AA, #A6A1AA and #A8A1AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4A2AB00 shade: #797683, #8E8C97, #A3A1AA, #B8B7BE and #CECDD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4A2AB00 shade: #A4A2AB, #AAA1A6 and #A3AAA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4A2AB00 shade: #A4A2AB, #AAA3A1 and #A1AAA3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4A2AB00 shade: #A4A2AB, #AAA1A6, #A8AAA1 and #A1AAA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4A2AB00 shade: #A4A2AB, #AAA1A4, #A8AAA1 and #A1AAA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #A4A2AB00

RGBA 164 162 171 0

HSLA 253.33, 0.05%, 0.65%, 0

LABA 67.03, 2.46, -4.4, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #5B5D5400

RGBA 91 93 84 0

HSLA 73.33, 0.05%, 0.35%, 0

LABA 39.06, -2.63, 4.89, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A9A2A600

RGBA 169 162 166 0

HSLA 325.71, 0.04%, 0.65%, 0

LABA 67.3, 3.27, -1.18, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BAB4B900

RGBA 186 180 185 0

HSLA 310, 0.04%, 0.72%, 0

LABA 73.92, 3.04, -1.79, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CBC6CC00

RGBA 203 198 204 0

HSLA 290, 0.06%, 0.79%, 0

LABA 80.43, 2.83, -2.39, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DCD8DF00

RGBA 220 216 223 0

HSLA 274.29, 0.1%, 0.86%, 0

LABA 86.83, 2.63, -2.96, 0

 

CMYK 0 / 0 / 0 / 0

HEX #EDEAF200

RGBA 237 234 242 0

HSLA 262.5, 0.24%, 0.93%, 0

LABA 93.13, 2.44, -3.52, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A4A2AB00

RGBA 164 162 171 0

HSLA 253.33, 0.05%, 0.65%, 0

LABA 67.03, 2.46, -4.4, 0

 

CMYK 0 / 0 / 0 / 0

HEX #93909800

RGBA 147 144 152 0

HSLA 262.5, 0.04%, 0.58%, 0

LABA 60.26, 2.67, -3.84, 0

 

CMYK 0 / 0 / 0 / 0

HEX #827E8500

RGBA 130 126 133 0

HSLA 274.29, 0.03%, 0.51%, 0

LABA 53.34, 2.9, -3.26, 0

 

CMYK 0 / 0 / 0 / 0

HEX #716C7200

RGBA 113 108 114 0

HSLA 290, 0.03%, 0.44%, 0

LABA 46.25, 3.16, -2.65, 0

 

CMYK 0 / 0 / 0 / 0

HEX #605A5F00

RGBA 96 90 95 0

HSLA 310, 0.03%, 0.36%, 0

LABA 38.94, 3.44, -2.01, 0

 

CMYK 4 / 5 / 0 / 33

HEX #A3A1AA

RGB 163 161 170

HSL 253.33, 0.05%, 0.65%

LAB 66.66, 2.46, -4.41

 

CMYK 2 / 5 / 0 / 33

HEX #A6A1AA

RGB 166 161 170

HSL 273.33, 0.05%, 0.65%

LAB 66.9, 3.52, -4.02

 

CMYK 1 / 5 / 0 / 33

HEX #A8A1AA

RGB 168 161 170

HSL 286.67, 0.05%, 0.65%

LAB 67.06, 4.23, -3.76

 

CMYK 0 / 5 / 0 / 33

HEX #AAA1AA

RGB 170 161 170

HSL 300, 0.05%, 0.65%

LAB 67.23, 4.94, -3.5

 

CMYK 0 / 5 / 1 / 33

HEX #AAA1A8

RGB 170 161 168

HSL 313.33, 0.05%, 0.65%

LAB 67.17, 4.56, -2.47

 

CMYK 4 / 5 / 0 / 33

HEX #A3A1AA

RGB 163 161 170

HSL 253.33, 0.05%, 0.65%

LAB 66.66, 2.46, -4.41

 

CMYK 5 / 5 / 0 / 33

HEX #A1A1AA

RGB 161 161 170

HSL 240, 0.05%, 0.65%

LAB 66.5, 1.76, -4.66

 

CMYK 4 / 5 / 0 / 33

HEX #A3A1AA

RGB 163 161 170

HSL 253.33, 0.05%, 0.65%

LAB 66.66, 2.46, -4.41

 

CMYK 16 / 21 / 0 / 27

HEX #9B93B9

RGB 155 147 185

HSL 252.63, 0.21%, 0.65%

LAB 62.79, 10.76, -18.68

 

CMYK 26 / 34 / 0 / 22

HEX #9384C7

RGB 147 132 199

HSL 253.43, 0.37%, 0.65%

LAB 58.82, 20.18, -32.76

 

CMYK 35 / 45 / 0 / 16

HEX #8B76D6

RGB 139 118 214

HSL 253.13, 0.54%, 0.65%

LAB 55.38, 29.95, -46.68

 

CMYK 43 / 54 / 0 / 11

HEX #8368E4

RGB 131 104 228

HSL 253.06, 0.7%, 0.65%

LAB 52.21, 39.94, -59.68

 

CMYK 4 / 5 / 0 / 33

HEX #A3A1AA

RGB 163 161 170

HSL 253.33, 0.05%, 0.65%

LAB 66.66, 2.46, -4.41

 

CMYK 3 / 0 / 11 / 31

HEX #ABB09C

RGB 171 176 156

HSL 75, 0.11%, 0.65%

LAB 70.95, -5.39, 9.64

 

CMYK 6 / 0 / 26 / 25

HEX #B3BE8D

RGB 179 190 141

HSL 73.47, 0.27%, 0.65%

LAB 75.03, -12.12, 23.54

 

CMYK 9 / 0 / 38 / 20

HEX #BBCD7F

RGB 187 205 127

HSL 73.85, 0.44%, 0.65%

LAB 79.48, -18.53, 36.82

 

CMYK 11 / 0 / 49 / 14

HEX #C3DB70

RGB 195 219 112

HSL 73.46, 0.6%, 0.65%

LAB 83.67, -23.95, 49.54

 

CMYK 5 / 4 / 0 / 33

HEX #A1A4AA

RGB 161 164 170

HSL 220, 0.05%, 0.65%

LAB 67.3, 0.11, -3.48

 

CMYK 5 / 5 / 0 / 33

HEX #A1A2AA

RGB 161 162 170

HSL 233.33, 0.05%, 0.65%

LAB 66.76, 1.21, -4.27

 

CMYK 4 / 5 / 0 / 33

HEX #A3A1AA

RGB 163 161 170

HSL 253.33, 0.05%, 0.65%

LAB 66.66, 2.46, -4.41

 

CMYK 2 / 5 / 0 / 33

HEX #A6A1AA

RGB 166 161 170

HSL 273.33, 0.05%, 0.65%

LAB 66.9, 3.52, -4.02

 

CMYK 1 / 5 / 0 / 33

HEX #A8A1AA

RGB 168 161 170

HSL 286.67, 0.05%, 0.65%

LAB 67.06, 4.23, -3.76

 

CMYK 8 / 10 / 0 / 49

HEX #797683

RGB 121 118 131

HSL 253.85, 0.05%, 0.49%

LAB 50.29, 3.84, -6.69

 

CMYK 6 / 7 / 0 / 41

HEX #8E8C97

RGB 142 140 151

HSL 250.91, 0.05%, 0.57%

LAB 58.73, 2.94, -5.58

 

CMYK 4 / 5 / 0 / 33

HEX #A3A1AA

RGB 163 161 170

HSL 253.33, 0.05%, 0.65%

LAB 66.66, 2.46, -4.41

 

CMYK 3 / 4 / 0 / 25

HEX #B8B7BE

RGB 184 183 190

HSL 248.57, 0.05%, 0.73%

LAB 74.68, 1.67, -3.42

 

CMYK 1 / 2 / 0 / 18

HEX #CECDD1

RGB 206 205 209

HSL 255, 0.04%, 0.81%

LAB 82.59, 1.08, -1.87

 

CMYK 4 / 5 / 0 / 33

HEX #A4A2AB

RGB 164 162 171

HSL 253.33, 0.05%, 0.65%

LAB 67.03, 2.46, -4.4

 

CMYK 0 / 5 / 2 / 33

HEX #AAA1A6

RGB 170 161 166

HSL 326.67, 0.05%, 0.65%

LAB 67.12, 4.18, -1.43

 

CMYK 4 / 0 / 5 / 33

HEX #A3AAA1

RGB 163 170 161

HSL 106.67, 0.05%, 0.65%

LAB 68.83, -4.18, 3.77

 

CMYK 4 / 5 / 0 / 33

HEX #A4A2AB

RGB 164 162 171

HSL 253.33, 0.05%, 0.65%

LAB 67.03, 2.46, -4.4

 

CMYK 0 / 4 / 5 / 33

HEX #AAA3A1

RGB 170 163 161

HSL 13.33, 0.05%, 0.65%

LAB 67.51, 2.16, 1.93

 

CMYK 5 / 0 / 4 / 33

HEX #A1AAA3

RGB 161 170 163

HSL 133.33, 0.05%, 0.65%

LAB 68.73, -4.52, 2.5

 

CMYK 4 / 5 / 0 / 33

HEX #A4A2AB

RGB 164 162 171

HSL 253.33, 0.05%, 0.65%

LAB 67.03, 2.46, -4.4

 

CMYK 0 / 5 / 2 / 33

HEX #AAA1A6

RGB 170 161 166

HSL 326.67, 0.05%, 0.65%

LAB 67.12, 4.18, -1.43

 

CMYK 1 / 0 / 5 / 33

HEX #A8AAA1

RGB 168 170 161

HSL 73.33, 0.05%, 0.65%

LAB 69.22, -2.38, 4.38

 

CMYK 5 / 0 / 3 / 33

HEX #A1AAA5

RGB 161 170 165

HSL 146.67, 0.05%, 0.65%

LAB 68.78, -4.13, 1.47

 

CMYK 4 / 5 / 0 / 33

HEX #A4A2AB

RGB 164 162 171

HSL 253.33, 0.05%, 0.65%

LAB 67.03, 2.46, -4.4

 

CMYK 0 / 5 / 4 / 33

HEX #AAA1A4

RGB 170 161 164

HSL 340, 0.05%, 0.65%

LAB 67.06, 3.81, -0.4

 

CMYK 1 / 0 / 5 / 33

HEX #A8AAA1

RGB 168 170 161

HSL 73.33, 0.05%, 0.65%

LAB 69.22, -2.38, 4.38

 

CMYK 5 / 0 / 1 / 33

HEX #A1AAA8

RGB 161 170 168

HSL 166.67, 0.05%, 0.65%

LAB 68.86, -3.55, -0.08

 

Description

Color code: HEX #A4A2AB00 | qconv.com Color code: HEX #A4A2AB00 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 162 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 162 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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