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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A49C48 it is the complementary color #5B63B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A49C48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A49C48 shade: #A99C43, #BAAE56, #CBC069, #DCD27C and #EDE48F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A49C48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A49C48 shade: #A49C48, #938A35, #827822, #71660F and #605400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A49C48 shade: #A39B48, #A38248, #A36A48, #A35148 and #A34848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A49C48 shade: #A39B48, #92A348, #7AA348, #61A348 and #48A348

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A49C48 shade matches the following richer shades: #A39B48, #B6AB35, #C9BA22 and #DCCA0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A49C48 shade: #A39B48, #908B5B, #7D7C6E, #6A6C80 and #575C93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A49C48 shade: #A36948, #A38148, #A39A48, #94A348 and #7BA348

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A49C48 shade: #6A652E, #86803B, #A39B48, #B8B05C and #C4BE79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A49C48 shade: #A49C48, #48A351 and #7548A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A49C48 shade: #A49C48, #48A39A and #9A48A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A49C48 shade: #A49C48, #48A351, #4851A3 and #A3489A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A49C48 shade: #A49C48, #48A36C, #4851A3 and #A3487E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 56 / 36

HEX #A49C48

RGB 164 156 72

HSL 54.78, 0.39%, 0.46%

LAB 63.46, -8.34, 44.3

 

Complementary color

CMYK 50 / 46 / 0 / 28

HEX #5B63B7

RGB 91 99 183

HSL 234.78, 0.39%, 0.54%

LAB 45.03, 20.41, -45.59

 

CMYK 0 / 8 / 60 / 34

HEX #A99C43

RGB 169 156 67

HSL 52.35, 0.43%, 0.46%

LAB 63.85, -6.56, 47.25

 

CMYK 0 / 6 / 54 / 27

HEX #BAAE56

RGB 186 174 86

HSL 52.8, 0.42%, 0.53%

LAB 70.44, -7.3, 46.12

 

CMYK 0 / 5 / 48 / 20

HEX #CBC069

RGB 203 192 105

HSL 53.27, 0.49%, 0.6%

LAB 76.93, -7.92, 44.92

 

CMYK 0 / 5 / 44 / 14

HEX #DCD27C

RGB 220 210 124

HSL 53.75, 0.58%, 0.67%

LAB 83.32, -8.43, 43.72

 

CMYK 0 / 4 / 40 / 7

HEX #EDE48F

RGB 237 228 143

HSL 54.26, 0.72%, 0.75%

LAB 89.61, -8.87, 42.54

 

CMYK 0 / 5 / 56 / 36

HEX #A49C48

RGB 164 156 72

HSL 54.78, 0.39%, 0.46%

LAB 63.46, -8.34, 44.3

 

CMYK 0 / 6 / 64 / 42

HEX #938A35

RGB 147 138 53

HSL 54.26, 0.47%, 0.39%

LAB 56.72, -7.56, 45.35

 

CMYK 0 / 8 / 74 / 49

HEX #827822

RGB 130 120 34

HSL 53.75, 0.59%, 0.32%

LAB 49.85, -6.55, 46.01

 

CMYK 0 / 10 / 87 / 56

HEX #71660F

RGB 113 102 15

HSL 53.27, 0.77%, 0.25%

LAB 42.84, -5.25, 45.7

 

CMYK 0 / 13 / 100 / 62

HEX #605400

RGB 96 84 0

HSL 52.5, 1%, 0.19%

LAB 35.65, -3.56, 43.55

 

CMYK 0 / 5 / 56 / 36

HEX #A39B48

RGB 163 155 72

HSL 54.73, 0.39%, 0.46%

LAB 63.09, -8.24, 43.86

 

CMYK 0 / 20 / 56 / 36

HEX #A38248

RGB 163 130 72

HSL 38.24, 0.39%, 0.46%

LAB 56.31, 5.48, 35.88

 

CMYK 0 / 35 / 56 / 36

HEX #A36A48

RGB 163 106 72

HSL 22.42, 0.39%, 0.46%

LAB 50.17, 19.09, 28.33

 

CMYK 0 / 50 / 56 / 36

HEX #A35148

RGB 163 81 72

HSL 5.93, 0.39%, 0.46%

LAB 44.43, 32.98, 20.96

 

CMYK 0 / 56 / 56 / 36

HEX #A34848

RGB 163 72 72

HSL 0, 0.39%, 0.46%

LAB 42.6, 37.67, 18.54

 

CMYK 0 / 5 / 56 / 36

HEX #A39B48

RGB 163 155 72

HSL 54.73, 0.39%, 0.46%

LAB 63.09, -8.24, 43.86

 

CMYK 10 / 0 / 56 / 36

HEX #92A348

RGB 146 163 72

HSL 71.21, 0.39%, 0.46%

LAB 63.98, -19.65, 44.52

 

CMYK 25 / 0 / 56 / 36

HEX #7AA348

RGB 122 163 72

HSL 87.03, 0.39%, 0.46%

LAB 62.34, -29.31, 42.2

 

CMYK 40 / 0 / 56 / 36

HEX #61A348

RGB 97 163 72

HSL 103.52, 0.39%, 0.46%

LAB 60.96, -38.37, 40.24

 

CMYK 56 / 0 / 56 / 36

HEX #48A348

RGB 72 163 72

HSL 120, 0.39%, 0.46%

LAB 59.92, -45.88, 38.75

 

CMYK 0 / 5 / 56 / 36

HEX #A39B48

RGB 163 155 72

HSL 54.73, 0.39%, 0.46%

LAB 63.09, -8.24, 43.86

 

CMYK 0 / 6 / 71 / 29

HEX #B6AB35

RGB 182 171 53

HSL 54.88, 0.55%, 0.46%

LAB 68.99, -9.67, 58.96

 

CMYK 0 / 7 / 83 / 21

HEX #C9BA22

RGB 201 186 34

HSL 54.61, 0.71%, 0.46%

LAB 74.6, -9.89, 70.73

 

CMYK 0 / 8 / 93 / 14

HEX #DCCA0F

RGB 220 202 15

HSL 54.73, 0.87%, 0.46%

LAB 80.46, -10.19, 79.58

 

CMYK 0 / 5 / 56 / 36

HEX #A39B48

RGB 163 155 72

HSL 54.73, 0.39%, 0.46%

LAB 63.09, -8.24, 43.86

 

CMYK 0 / 3 / 37 / 44

HEX #908B5B

RGB 144 139 91

HSL 54.34, 0.23%, 0.46%

LAB 57.22, -5.74, 26.37

 

CMYK 0 / 1 / 12 / 51

HEX #7D7C6E

RGB 125 124 110

HSL 56, 0.06%, 0.46%

LAB 51.73, -2.26, 7.78

 

CMYK 17 / 16 / 0 / 50

HEX #6A6C80

RGB 106 108 128

HSL 234.55, 0.09%, 0.46%

LAB 46.11, 3.71, -11.31

 

CMYK 41 / 37 / 0 / 42

HEX #575C93

RGB 87 92 147

HSL 235, 0.26%, 0.46%

LAB 40.88, 12.62, -30.9

 

CMYK 0 / 36 / 56 / 36

HEX #A36948

RGB 163 105 72

HSL 21.76, 0.39%, 0.46%

LAB 49.93, 19.66, 28.02

 

CMYK 0 / 21 / 56 / 36

HEX #A38148

RGB 163 129 72

HSL 37.58, 0.39%, 0.46%

LAB 56.04, 6.05, 35.56

 

CMYK 0 / 6 / 56 / 36

HEX #A39A48

RGB 163 154 72

HSL 54.07, 0.39%, 0.46%

LAB 62.82, -7.7, 43.54

 

CMYK 9 / 0 / 56 / 36

HEX #94A348

RGB 148 163 72

HSL 69.89, 0.39%, 0.46%

LAB 64.13, -18.82, 44.73

 

CMYK 25 / 0 / 56 / 36

HEX #7BA348

RGB 123 163 72

HSL 86.37, 0.39%, 0.46%

LAB 62.4, -28.93, 42.29

 

CMYK 0 / 5 / 57 / 58

HEX #6A652E

RGB 106 101 46

HSL 55, 0.39%, 0.3%

LAB 42.11, -6.13, 31.41

 

CMYK 0 / 4 / 56 / 47

HEX #86803B

RGB 134 128 59

HSL 55.2, 0.39%, 0.38%

LAB 52.75, -7.43, 37.7

 

CMYK 0 / 5 / 56 / 36

HEX #A39B48

RGB 163 155 72

HSL 54.73, 0.39%, 0.46%

LAB 63.09, -8.24, 43.86

 

CMYK 0 / 4 / 50 / 28

HEX #B8B05C

RGB 184 176 92

HSL 54.78, 0.39%, 0.54%

LAB 70.88, -8.67, 43.66

 

CMYK 0 / 3 / 38 / 23

HEX #C4BE79

RGB 196 190 121

HSL 55.2, 0.39%, 0.62%

LAB 76.03, -8.07, 35.6

 

CMYK 0 / 5 / 56 / 36

HEX #A49C48

RGB 164 156 72

HSL 54.78, 0.39%, 0.46%

LAB 63.46, -8.34, 44.3

 

CMYK 56 / 0 / 50 / 36

HEX #48A351

RGB 72 163 81

HSL 125.93, 0.39%, 0.46%

LAB 60.04, -44.64, 34.39

 

CMYK 28 / 56 / 0 / 36

HEX #7548A3

RGB 117 72 163

HSL 269.67, 0.39%, 0.46%

LAB 39.68, 37.58, -42.2

 

CMYK 0 / 5 / 56 / 36

HEX #A49C48

RGB 164 156 72

HSL 54.78, 0.39%, 0.46%

LAB 63.46, -8.34, 44.3

 

CMYK 56 / 0 / 6 / 36

HEX #48A39A

RGB 72 163 154

HSL 174.07, 0.39%, 0.46%

LAB 61.57, -29.23, -3.53

 

CMYK 6 / 56 / 0 / 36

HEX #9A48A3

RGB 154 72 163

HSL 294.07, 0.39%, 0.46%

LAB 44.45, 47.63, -34.35

 

CMYK 0 / 5 / 56 / 36

HEX #A49C48

RGB 164 156 72

HSL 54.78, 0.39%, 0.46%

LAB 63.46, -8.34, 44.3

 

CMYK 56 / 0 / 50 / 36

HEX #48A351

RGB 72 163 81

HSL 125.93, 0.39%, 0.46%

LAB 60.04, -44.64, 34.39

 

CMYK 56 / 50 / 0 / 36

HEX #4851A3

RGB 72 81 163

HSL 234.07, 0.39%, 0.46%

LAB 37.67, 21.04, -45.65

 

CMYK 0 / 56 / 6 / 36

HEX #A3489A

RGB 163 72 154

HSL 305.93, 0.39%, 0.46%

LAB 45.3, 48.52, -27.56

 

CMYK 0 / 5 / 56 / 36

HEX #A49C48

RGB 164 156 72

HSL 54.78, 0.39%, 0.46%

LAB 63.46, -8.34, 44.3

 

CMYK 56 / 0 / 34 / 36

HEX #48A36C

RGB 72 163 108

HSL 143.74, 0.39%, 0.46%

LAB 60.48, -39.99, 20.6

 

CMYK 56 / 50 / 0 / 36

HEX #4851A3

RGB 72 81 163

HSL 234.07, 0.39%, 0.46%

LAB 37.67, 21.04, -45.65

 

CMYK 0 / 56 / 23 / 36

HEX #A3487E

RGB 163 72 126

HSL 324.4, 0.39%, 0.46%

LAB 44.13, 43.99, -12.45

 

Description

Color code: HEX #A49C48 | qconv.com Color code: HEX #A49C48 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 156 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 156 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 56 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 56% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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