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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A499F0 it is the complementary color #5B660F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A499F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A499F0: #A999EB, #BAABFE, #CBBDFF, #DCCFFF and #EDE1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A499F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A499F0: #A499F0, #9387DD, #8275CA, #7163B7 and #6051A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 36 / 0 / 6

HEX #A499F0

RGB 164 153 240

HSL 247.59, 0.74%, 0.77%

LAB 67.25, 23.29, -42.29

 

Complementary color

CMYK 11 / 0 / 85 / 60

HEX #5B660F

RGB 91 102 15

HSL 67.59, 0.74%, 0.23%

LAB 40.83, -15.8, 43.19

 

CMYK 28 / 35 / 0 / 8

HEX #A999EB

RGB 169 153 235

HSL 251.71, 0.67%, 0.76%

LAB 67.44, 23.44, -39.23

 

CMYK 27 / 33 / 0 / 0

HEX #BAABFE

RGB 186 171 254

HSL 250.84, 0.98%, 0.83%

LAB 74.01, 22.79, -39.22

 

CMYK 20 / 26 / 0 / 0

HEX #CBBDFF

RGB 203 189 255

HSL 252.73, 1%, 0.87%

LAB 79.79, 18.1, -30.71

 

CMYK 14 / 19 / 0 / 0

HEX #DCCFFF

RGB 220 207 255

HSL 256.25, 1%, 0.91%

LAB 85.53, 13.62, -21.82

 

CMYK 7 / 12 / 0 / 0

HEX #EDE1FF

RGB 237 225 255

HSL 264, 1%, 0.94%

LAB 91.27, 9.53, -13.06

 

CMYK 32 / 36 / 0 / 6

HEX #A499F0

RGB 164 153 240

HSL 247.59, 0.74%, 0.77%

LAB 67.25, 23.29, -42.29

 

CMYK 33 / 39 / 0 / 13

HEX #9387DD

RGB 147 135 221

HSL 248.37, 0.56%, 0.7%

LAB 60.56, 24.05, -42.38

 

CMYK 36 / 42 / 0 / 21

HEX #8275CA

RGB 130 117 202

HSL 249.18, 0.45%, 0.63%

LAB 53.74, 24.91, -42.52

 

CMYK 38 / 46 / 0 / 28

HEX #7163B7

RGB 113 99 183

HSL 250, 0.37%, 0.55%

LAB 46.78, 25.89, -42.71

 

CMYK 41 / 51 / 0 / 36

HEX #6051A4

RGB 96 81 164

HSL 250.84, 0.34%, 0.48%

LAB 39.67, 27.02, -42.95

 

CMYK 32 / 36 / 0 / 6

HEX #A499F0

RGB 164 153 240

HSL 247.59, 0.74%, 0.77%

LAB 67.25, 23.29, -42.29

 

CMYK 26 / 36 / 0 / 6

HEX #B198EF

RGB 177 152 239

HSL 257.24, 0.73%, 0.77%

LAB 68.05, 27.25, -40.42

 

CMYK 20 / 36 / 0 / 6

HEX #C098EF

RGB 192 152 239

HSL 267.59, 0.73%, 0.77%

LAB 69.39, 31.6, -38.22

 

CMYK 14 / 36 / 0 / 6

HEX #CE98EF

RGB 206 152 239

HSL 277.24, 0.73%, 0.77%

LAB 70.74, 35.75, -36.02

 

CMYK 8 / 36 / 0 / 6

HEX #DC98EF

RGB 220 152 239

HSL 286.9, 0.73%, 0.77%

LAB 72.16, 39.95, -33.7

 

CMYK 32 / 36 / 0 / 6

HEX #A499F0

RGB 164 153 240

HSL 247.59, 0.74%, 0.77%

LAB 67.25, 23.29, -42.29

 

CMYK 31 / 36 / 0 / 86

HEX #191724

RGB 25 23 36

HSL 249.23, 0.22%, 0.12%

LAB 8.54, 4.72, -8.62

 

CMYK 32 / 37 / 0 / 66

HEX #3B3757

RGB 59 55 87

HSL 247.5, 0.23%, 0.28%

LAB 24.8, 10.11, -18.67

 

CMYK 32 / 36 / 0 / 46

HEX #5E588A

RGB 94 88 138

HSL 247.2, 0.22%, 0.44%

LAB 39.91, 14.6, -26.95

 

CMYK 32 / 37 / 0 / 26

HEX #8178BD

RGB 129 120 189

HSL 247.83, 0.34%, 0.61%

LAB 53.79, 19.36, -35.03

 

CMYK 32 / 36 / 0 / 6

HEX #A499F0

RGB 164 153 240

HSL 247.59, 0.74%, 0.77%

LAB 67.25, 23.29, -42.29

 

CMYK 0 / 36 / 11 / 6

HEX #EF98D4

RGB 239 152 212

HSL 318.62, 0.73%, 0.77%

LAB 73.26, 41.08, -17.05

 

CMYK 26 / 0 / 36 / 6

HEX #B1EF98

RGB 177 239 152

HSL 102.76, 0.73%, 0.77%

LAB 88.61, -35.11, 35.96

 

CMYK 32 / 36 / 0 / 6

HEX #A499F0

RGB 164 153 240

HSL 247.59, 0.74%, 0.77%

LAB 67.25, 23.29, -42.29

 

CMYK 0 / 32 / 36 / 6

HEX #EFA398

RGB 239 163 152

HSL 7.59, 0.73%, 0.77%

LAB 74.07, 26.81, 17.15

 

CMYK 36 / 0 / 32 / 6

HEX #98EFA3

RGB 152 239 163

HSL 127.59, 0.73%, 0.77%

LAB 87.51, -41.4, 28.72

 

CMYK 32 / 36 / 0 / 6

HEX #A499F0

RGB 164 153 240

HSL 247.59, 0.74%, 0.77%

LAB 67.25, 23.29, -42.29

 

CMYK 0 / 36 / 11 / 6

HEX #EF98D4

RGB 239 152 212

HSL 318.62, 0.73%, 0.77%

LAB 73.26, 41.08, -17.05

 

CMYK 4 / 0 / 36 / 6

HEX #E5EF98

RGB 229 239 152

HSL 66.9, 0.73%, 0.77%

LAB 91.98, -16.39, 40.99

 

CMYK 36 / 0 / 25 / 6

HEX #98EFB4

RGB 152 239 180

HSL 139.31, 0.73%, 0.77%

LAB 87.83, -38.45, 20.43

 

CMYK 32 / 36 / 0 / 6

HEX #A499F0

RGB 164 153 240

HSL 247.59, 0.74%, 0.77%

LAB 67.25, 23.29, -42.29

 

CMYK 0 / 36 / 22 / 6

HEX #EF98BA

RGB 239 152 186

HSL 336.55, 0.73%, 0.77%

LAB 72.46, 37.08, -3.89

 

CMYK 4 / 0 / 36 / 6

HEX #E5EF98

RGB 229 239 152

HSL 66.9, 0.73%, 0.77%

LAB 91.98, -16.39, 40.99

 

CMYK 36 / 0 / 14 / 6

HEX #98EFCE

RGB 152 239 206

HSL 157.24, 0.73%, 0.77%

LAB 88.38, -33.38, 7.72

 

Description

Color code: HEX #A499F0 | qconv.com Color code: HEX #A499F0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 153 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 153 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 36 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 36% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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