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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A49624 it is the complementary color #5B69DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A49624. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A49624 shade: #A9961F, #BAA832, #CBBA45, #DCCC58 and #EDDE6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A49624. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A49624 shade: #A49624, #938411, #827200, #716000 and #604E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A49624 shade: #A39524, #A37324, #A35124, #A32E24 and #A32424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A49624 shade: #A39524, #8FA324, #6CA324, #4AA324 and #28A324

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A49624 shade matches the following richer shades: #A39524, #B3A214 and #C3AE04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A49624 shade: #A39524, #938934, #837C44, #736F54 and #636364

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A49624 shade: #A35024, #A37224, #A39424, #90A324 and #6EA324

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A49624 shade: #5F5715, #81761C, #A39524, #C5B42B and #D6C644

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A49624 shade: #A49624, #24A32E and #6124A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A49624 shade: #A49624, #24A394 and #9424A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A49624 shade: #A49624, #24A32E, #2433A3 and #A32498

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A49624 shade: #A49624, #24A355, #2433A3 and #A32472

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 78 / 36

HEX #A49624

RGB 164 150 36

HSL 53.44, 0.64%, 0.39%

LAB 61.51, -7.31, 57.41

 

Complementary color

CMYK 58 / 52 / 0 / 14

HEX #5B69DB

RGB 91 105 219

HSL 233.44, 0.64%, 0.61%

LAB 48.81, 28.34, -60.22

 

CMYK 0 / 11 / 82 / 34

HEX #A9961F

RGB 169 150 31

HSL 51.74, 0.69%, 0.39%

LAB 61.95, -5.24, 59.57

 

CMYK 0 / 10 / 73 / 27

HEX #BAA832

RGB 186 168 50

HSL 52.06, 0.58%, 0.46%

LAB 68.51, -6.49, 59.75

 

CMYK 0 / 8 / 66 / 20

HEX #CBBA45

RGB 203 186 69

HSL 52.39, 0.56%, 0.53%

LAB 74.98, -7.54, 59.24

 

CMYK 0 / 7 / 60 / 14

HEX #DCCC58

RGB 220 204 88

HSL 52.73, 0.65%, 0.6%

LAB 81.35, -8.41, 58.37

 

CMYK 0 / 6 / 55 / 7

HEX #EDDE6B

RGB 237 222 107

HSL 53.08, 0.78%, 0.67%

LAB 87.63, -9.14, 57.34

 

CMYK 0 / 9 / 78 / 36

HEX #A49624

RGB 164 150 36

HSL 53.44, 0.64%, 0.39%

LAB 61.51, -7.31, 57.41

 

CMYK 0 / 10 / 88 / 42

HEX #938411

RGB 147 132 17

HSL 53.08, 0.79%, 0.32%

LAB 54.81, -5.92, 56.46

 

CMYK 0 / 12 / 100 / 49

HEX #827200

RGB 130 114 0

HSL 52.62, 1%, 0.25%

LAB 47.98, -4.25, 53.95

 

CMYK 0 / 15 / 100 / 56

HEX #716000

RGB 113 96 0

HSL 50.97, 1%, 0.22%

LAB 41.02, -2.16, 48.19

 

CMYK 0 / 19 / 100 / 62

HEX #604E00

RGB 96 78 0

HSL 48.75, 1%, 0.19%

LAB 33.85, 0.05, 42.27

 

CMYK 0 / 9 / 78 / 36

HEX #A39524

RGB 163 149 36

HSL 53.39, 0.64%, 0.39%

LAB 61.14, -7.22, 57.04

 

CMYK 0 / 29 / 78 / 36

HEX #A37324

RGB 163 115 36

HSL 37.32, 0.64%, 0.39%

LAB 52.03, 11.65, 48.53

 

CMYK 0 / 50 / 78 / 36

HEX #A35124

RGB 163 81 36

HSL 21.26, 0.64%, 0.39%

LAB 43.94, 30.69, 40.59

 

CMYK 0 / 72 / 78 / 36

HEX #A32E24

RGB 163 46 36

HSL 4.72, 0.64%, 0.39%

LAB 37.6, 47.3, 34.03

 

CMYK 0 / 78 / 78 / 36

HEX #A32424

RGB 163 36 36

HSL 0, 0.64%, 0.39%

LAB 36.32, 50.87, 32.66

 

CMYK 0 / 9 / 78 / 36

HEX #A39524

RGB 163 149 36

HSL 53.39, 0.64%, 0.39%

LAB 61.14, -7.22, 57.04

 

CMYK 12 / 0 / 78 / 36

HEX #8FA324

RGB 143 163 36

HSL 69.45, 0.64%, 0.39%

LAB 63.48, -23.31, 58.57

 

CMYK 34 / 0 / 78 / 36

HEX #6CA324

RGB 108 163 36

HSL 85.98, 0.64%, 0.39%

LAB 61.23, -37.48, 55.67

 

CMYK 55 / 0 / 78 / 36

HEX #4AA324

RGB 74 163 36

HSL 102.05, 0.64%, 0.39%

LAB 59.69, -48.79, 53.66

 

CMYK 75 / 0 / 78 / 36

HEX #28A324

RGB 40 163 36

HSL 118.11, 0.64%, 0.39%

LAB 58.76, -56.38, 52.44

 

CMYK 0 / 9 / 78 / 36

HEX #A39524

RGB 163 149 36

HSL 53.39, 0.64%, 0.39%

LAB 61.14, -7.22, 57.04

 

CMYK 0 / 9 / 89 / 30

HEX #B3A214

RGB 179 162 20

HSL 53.58, 0.8%, 0.39%

LAB 66.12, -7.44, 66.15

 

CMYK 0 / 11 / 98 / 24

HEX #C3AE04

RGB 195 174 4

HSL 53.4, 0.96%, 0.39%

LAB 70.79, -6.84, 72.64

 

CMYK 0 / 9 / 78 / 36

HEX #A39524

RGB 163 149 36

HSL 53.39, 0.64%, 0.39%

LAB 61.14, -7.22, 57.04

 

CMYK 0 / 7 / 65 / 42

HEX #938934

RGB 147 137 52

HSL 53.68, 0.48%, 0.39%

LAB 56.43, -7.08, 45.49

 

CMYK 0 / 5 / 48 / 49

HEX #837C44

RGB 131 124 68

HSL 53.33, 0.32%, 0.39%

LAB 51.45, -5.68, 31.37

 

CMYK 0 / 3 / 27 / 55

HEX #736F54

RGB 115 111 84

HSL 52.26, 0.16%, 0.39%

LAB 46.52, -3.2, 15.63

 

CMYK 1 / 1 / 0 / 61

HEX #636364

RGB 99 99 100

HSL 240, 0.01%, 0.39%

LAB 41.99, 0.21, -0.57

 

CMYK 0 / 51 / 78 / 36

HEX #A35024

RGB 163 80 36

HSL 20.79, 0.64%, 0.39%

LAB 43.73, 31.22, 40.37

 

CMYK 0 / 30 / 78 / 36

HEX #A37224

RGB 163 114 36

HSL 36.85, 0.64%, 0.39%

LAB 51.78, 12.22, 48.28

 

CMYK 0 / 9 / 78 / 36

HEX #A39424

RGB 163 148 36

HSL 52.91, 0.64%, 0.39%

LAB 60.86, -6.68, 56.78

 

CMYK 12 / 0 / 78 / 36

HEX #90A324

RGB 144 163 36

HSL 68.98, 0.64%, 0.39%

LAB 63.55, -22.88, 58.67

 

CMYK 33 / 0 / 78 / 36

HEX #6EA324

RGB 110 163 36

HSL 85.04, 0.64%, 0.39%

LAB 61.34, -36.73, 55.81

 

CMYK 0 / 8 / 78 / 63

HEX #5F5715

RGB 95 87 21

HSL 53.51, 0.64%, 0.23%

LAB 36.56, -5.06, 37.25

 

CMYK 0 / 9 / 78 / 49

HEX #81761C

RGB 129 118 28

HSL 53.47, 0.64%, 0.31%

LAB 49.14, -6.19, 47.61

 

CMYK 0 / 9 / 78 / 36

HEX #A39524

RGB 163 149 36

HSL 53.39, 0.64%, 0.39%

LAB 61.14, -7.22, 57.04

 

CMYK 0 / 9 / 78 / 23

HEX #C5B42B

RGB 197 180 43

HSL 53.38, 0.64%, 0.47%

LAB 72.69, -8.25, 66.39

 

CMYK 0 / 7 / 68 / 16

HEX #D6C644

RGB 214 198 68

HSL 53.42, 0.64%, 0.55%

LAB 79.1, -9.08, 64.18

 

CMYK 0 / 9 / 78 / 36

HEX #A49624

RGB 164 150 36

HSL 53.44, 0.64%, 0.39%

LAB 61.51, -7.31, 57.41

 

CMYK 78 / 0 / 72 / 36

HEX #24A32E

RGB 36 163 46

HSL 124.72, 0.64%, 0.39%

LAB 58.76, -56.19, 48.79

 

CMYK 40 / 78 / 0 / 36

HEX #6124A3

RGB 97 36 163

HSL 268.82, 0.64%, 0.39%

LAB 30.51, 51.53, -57.14

 

CMYK 0 / 9 / 78 / 36

HEX #A49624

RGB 164 150 36

HSL 53.44, 0.64%, 0.39%

LAB 61.51, -7.31, 57.41

 

CMYK 78 / 0 / 9 / 36

HEX #24A394

RGB 36 163 148

HSL 172.91, 0.64%, 0.39%

LAB 60.52, -36.62, -1.79

 

CMYK 9 / 78 / 0 / 36

HEX #9424A3

RGB 148 36 163

HSL 292.91, 0.64%, 0.39%

LAB 38.2, 61.03, -44.32

 

CMYK 0 / 9 / 78 / 36

HEX #A49624

RGB 164 150 36

HSL 53.44, 0.64%, 0.39%

LAB 61.51, -7.31, 57.41

 

CMYK 78 / 0 / 72 / 36

HEX #24A32E

RGB 36 163 46

HSL 124.72, 0.64%, 0.39%

LAB 58.76, -56.19, 48.79

 

CMYK 78 / 69 / 0 / 36

HEX #2433A3

RGB 36 51 163

HSL 232.91, 0.64%, 0.39%

LAB 27.81, 34.95, -61.78

 

CMYK 0 / 78 / 7 / 36

HEX #A32498

RGB 163 36 152

HSL 305.2, 0.64%, 0.39%

LAB 40.11, 62.35, -34.5

 

CMYK 0 / 9 / 78 / 36

HEX #A49624

RGB 164 150 36

HSL 53.44, 0.64%, 0.39%

LAB 61.51, -7.31, 57.41

 

CMYK 78 / 0 / 48 / 36

HEX #24A355

RGB 36 163 85

HSL 143.15, 0.64%, 0.39%

LAB 59.18, -51.1, 31.06

 

CMYK 78 / 69 / 0 / 36

HEX #2433A3

RGB 36 51 163

HSL 232.91, 0.64%, 0.39%

LAB 27.81, 34.95, -61.78

 

CMYK 0 / 78 / 30 / 36

HEX #A32472

RGB 163 36 114

HSL 323.15, 0.64%, 0.39%

LAB 38.31, 57.08, -13.87

 

Description

Color code: HEX #A49624 | qconv.com Color code: HEX #A49624 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 150 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 150 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 78 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 78% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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