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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A48FEB it is the complementary color #5B7014. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A48FEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A48FEB shade: #A98FE6, #BAA1F9, #CBB3FF, #DCC5FF and #EDD7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A48FEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A48FEB shade: #A48FEB, #937DD8, #826BC5, #7159B2 and #60479F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A48FEB shade: #A38EEB, #BD8EEB, #D68EEB, #EB8EE8 and #EB8ECF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A48FEB shade: #A38EEB and #8E8EEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A48FEB shade matches the following richer shades: #A38EEB and #9E84F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A48FEB shade: #A38EEB, #A999E0, #AFA4D6, #B5AECB and #BBB9C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A48FEB shade: #8EACEB, #8E93EB, #A28EEB, #BB8EEB and #D48EEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A48FEB shade: #6B48DF, #876BE5, #A38EEB, #C0B1F1 and #DCD4F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A48FEB shade: #A48FEB, #EB8EC4 and #9FEB8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A48FEB shade: #A48FEB, #EBA28E and #8EEBA2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A48FEB shade: #A48FEB, #EB8EC4, #D7EB8E and #8EEBB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A48FEB shade: #A48FEB, #EB8EA9, #D7EB8E and #8EEBD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 39 / 0 / 8

HEX #A48FEB

RGB 164 143 235

HSL 253.7, 0.7%, 0.74%

LAB 64.59, 27.71, -43.71

 

Complementary color

CMYK 19 / 0 / 82 / 56

HEX #5B7014

RGB 91 112 20

HSL 73.7, 0.7%, 0.26%

LAB 44.04, -20.9, 44.49

 

CMYK 27 / 38 / 0 / 10

HEX #A98FE6

RGB 169 143 230

HSL 257.93, 0.64%, 0.73%

LAB 64.8, 27.88, -40.6

 

CMYK 25 / 35 / 0 / 2

HEX #BAA1F9

RGB 186 161 249

HSL 257.05, 0.88%, 0.8%

LAB 71.4, 27.17, -40.58

 

CMYK 20 / 30 / 0 / 0

HEX #CBB3FF

RGB 203 179 255

HSL 258.95, 1%, 0.85%

LAB 77.37, 23.56, -34.43

 

CMYK 14 / 23 / 0 / 0

HEX #DCC5FF

RGB 220 197 255

HSL 263.79, 1%, 0.89%

LAB 83.11, 18.97, -25.51

 

CMYK 7 / 16 / 0 / 0

HEX #EDD7FF

RGB 237 215 255

HSL 273, 1%, 0.92%

LAB 88.84, 14.77, -16.7

 

CMYK 30 / 39 / 0 / 8

HEX #A48FEB

RGB 164 143 235

HSL 253.7, 0.7%, 0.74%

LAB 64.59, 27.71, -43.71

 

CMYK 32 / 42 / 0 / 15

HEX #937DD8

RGB 147 125 216

HSL 254.51, 0.54%, 0.67%

LAB 57.87, 28.55, -43.82

 

CMYK 34 / 46 / 0 / 23

HEX #826BC5

RGB 130 107 197

HSL 255.33, 0.44%, 0.6%

LAB 51.03, 29.48, -43.96

 

CMYK 37 / 50 / 0 / 30

HEX #7159B2

RGB 113 89 178

HSL 256.18, 0.37%, 0.52%

LAB 44.05, 30.52, -44.14

 

CMYK 40 / 55 / 0 / 38

HEX #60479F

RGB 96 71 159

HSL 257.05, 0.38%, 0.45%

LAB 36.92, 31.69, -44.35

 

CMYK 31 / 40 / 0 / 8

HEX #A38EEB

RGB 163 142 235

HSL 253.55, 0.7%, 0.74%

LAB 64.27, 28.01, -44.23

 

CMYK 20 / 40 / 0 / 8

HEX #BD8EEB

RGB 189 142 235

HSL 270.32, 0.7%, 0.74%

LAB 66.64, 35.35, -40.33

 

CMYK 9 / 40 / 0 / 8

HEX #D68EEB

RGB 214 142 235

HSL 286.45, 0.7%, 0.74%

LAB 69.21, 42.69, -36.14

 

CMYK 0 / 40 / 1 / 8

HEX #EB8EE8

RGB 235 142 232

HSL 301.94, 0.7%, 0.74%

LAB 71.44, 48.41, -30.85

 

CMYK 0 / 40 / 12 / 8

HEX #EB8ECF

RGB 235 142 207

HSL 318.06, 0.7%, 0.74%

LAB 70.53, 44.16, -18.46

 

CMYK 31 / 40 / 0 / 8

HEX #A38EEB

RGB 163 142 235

HSL 253.55, 0.7%, 0.74%

LAB 64.27, 28.01, -44.23

 

CMYK 40 / 40 / 0 / 8

HEX #8E8EEB

RGB 142 142 235

HSL 240, 0.7%, 0.74%

LAB 62.59, 22.43, -46.99

 

CMYK 31 / 40 / 0 / 8

HEX #A38EEB

RGB 163 142 235

HSL 253.55, 0.7%, 0.74%

LAB 64.27, 28.01, -44.23

 

CMYK 36 / 46 / 0 / 4

HEX #9E84F6

RGB 158 132 246

HSL 253.68, 0.86%, 0.74%

LAB 62.02, 35.21, -53.88

 

CMYK 31 / 40 / 0 / 8

HEX #A38EEB

RGB 163 142 235

HSL 253.55, 0.7%, 0.74%

LAB 64.27, 28.01, -44.23

 

CMYK 25 / 32 / 0 / 12

HEX #A999E0

RGB 169 153 224

HSL 253.52, 0.53%, 0.74%

LAB 66.98, 20.78, -33.89

 

CMYK 18 / 23 / 0 / 16

HEX #AFA4D6

RGB 175 164 214

HSL 253.2, 0.38%, 0.74%

LAB 69.84, 14.12, -23.93

 

CMYK 11 / 14 / 0 / 20

HEX #B5AECB

RGB 181 174 203

HSL 254.48, 0.22%, 0.74%

LAB 72.5, 8.15, -13.81

 

CMYK 3 / 4 / 0 / 25

HEX #BBB9C0

RGB 187 185 192

HSL 257.14, 0.05%, 0.74%

LAB 75.49, 2.02, -3.29

 

CMYK 40 / 27 / 0 / 8

HEX #8EACEB

RGB 142 172 235

HSL 220.65, 0.7%, 0.74%

LAB 70.35, 5.28, -34.84

 

CMYK 40 / 37 / 0 / 8

HEX #8E93EB

RGB 142 147 235

HSL 236.77, 0.7%, 0.74%

LAB 63.85, 19.53, -45

 

CMYK 31 / 40 / 0 / 8

HEX #A28EEB

RGB 162 142 235

HSL 252.9, 0.7%, 0.74%

LAB 64.18, 27.73, -44.37

 

CMYK 20 / 40 / 0 / 8

HEX #BB8EEB

RGB 187 142 235

HSL 269.03, 0.7%, 0.74%

LAB 66.45, 34.78, -40.65

 

CMYK 10 / 40 / 0 / 8

HEX #D48EEB

RGB 212 142 235

HSL 285.16, 0.7%, 0.74%

LAB 69, 42.1, -36.49

 

CMYK 52 / 68 / 0 / 13

HEX #6B48DF

RGB 107 72 223

HSL 253.91, 0.7%, 0.58%

LAB 42.9, 51.73, -72.05

 

CMYK 41 / 53 / 0 / 10

HEX #876BE5

RGB 135 107 229

HSL 253.77, 0.7%, 0.66%

LAB 53.3, 39.4, -58.47

 

CMYK 31 / 40 / 0 / 8

HEX #A38EEB

RGB 163 142 235

HSL 253.55, 0.7%, 0.74%

LAB 64.27, 28.01, -44.23

 

CMYK 20 / 27 / 0 / 5

HEX #C0B1F1

RGB 192 177 241

HSL 254.06, 0.7%, 0.82%

LAB 75.45, 18.22, -29.93

 

CMYK 11 / 14 / 0 / 3

HEX #DCD4F7

RGB 220 212 247

HSL 253.71, 0.69%, 0.9%

LAB 86.51, 9.34, -16.12

 

CMYK 30 / 39 / 0 / 8

HEX #A48FEB

RGB 164 143 235

HSL 253.7, 0.7%, 0.74%

LAB 64.59, 27.71, -43.71

 

CMYK 0 / 40 / 17 / 8

HEX #EB8EC4

RGB 235 142 196

HSL 325.16, 0.7%, 0.74%

LAB 70.17, 42.43, -12.9

 

CMYK 32 / 0 / 40 / 8

HEX #9FEB8E

RGB 159 235 142

HSL 109.03, 0.7%, 0.74%

LAB 86.38, -40.66, 37.85

 

CMYK 30 / 39 / 0 / 8

HEX #A48FEB

RGB 164 143 235

HSL 253.7, 0.7%, 0.74%

LAB 64.59, 27.71, -43.71

 

CMYK 0 / 31 / 40 / 8

HEX #EBA28E

RGB 235 162 142

HSL 12.9, 0.7%, 0.74%

LAB 73.19, 24.66, 21.33

 

CMYK 40 / 0 / 31 / 8

HEX #8EEBA2

RGB 142 235 162

HSL 132.9, 0.7%, 0.74%

LAB 85.89, -42.73, 26.96

 

CMYK 30 / 39 / 0 / 8

HEX #A48FEB

RGB 164 143 235

HSL 253.7, 0.7%, 0.74%

LAB 64.59, 27.71, -43.71

 

CMYK 0 / 40 / 17 / 8

HEX #EB8EC4

RGB 235 142 196

HSL 325.16, 0.7%, 0.74%

LAB 70.17, 42.43, -12.9

 

CMYK 9 / 0 / 40 / 8

HEX #D7EB8E

RGB 215 235 142

HSL 72.9, 0.7%, 0.74%

LAB 89.77, -20.86, 42.9

 

CMYK 40 / 0 / 23 / 8

HEX #8EEBB5

RGB 142 235 181

HSL 145.16, 0.7%, 0.74%

LAB 86.26, -39.29, 17.66

 

CMYK 30 / 39 / 0 / 8

HEX #A48FEB

RGB 164 143 235

HSL 253.7, 0.7%, 0.74%

LAB 64.59, 27.71, -43.71

 

CMYK 0 / 40 / 28 / 8

HEX #EB8EA9

RGB 235 142 169

HSL 342.58, 0.7%, 0.74%

LAB 69.38, 38.54, 1

 

CMYK 9 / 0 / 40 / 8

HEX #D7EB8E

RGB 215 235 142

HSL 72.9, 0.7%, 0.74%

LAB 89.77, -20.86, 42.9

 

CMYK 40 / 0 / 11 / 8

HEX #8EEBD1

RGB 142 235 209

HSL 163.23, 0.7%, 0.74%

LAB 86.88, -33.55, 3.93

 

Description

Color code: HEX #A48FEB | qconv.com Color code: HEX #A48FEB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 143 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 143 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 39 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 39% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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