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Color name
HEX #A48B12

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A48B12 it is the complementary color #5B74ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A48B12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A48B12 shade: #A98B0D, #BA9D20, #CBAF33, #DCC146 and #EDD359

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A48B12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A48B12 shade: #A48B12, #937900, #826700, #715500 and #604300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A48B12 shade: #A58C12, #A56412, #A53D12, #A51512 and #A51212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A48B12 shade: #A58C12, #97A512, #6FA512, #48A512 and #20A512

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A48B12 shade matches the following richer shades: #A58C12 and #B49604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A48B12 shade: #A58C12, #968221, #887930, #796F3F and #6A654E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A48B12 shade: #A53C12, #A56312, #A58A12, #99A512 and #72A512

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A48B12 shade: #5B4D0A, #806D0E, #A58C12, #CAAC16 and #E7C524

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A48B12 shade: #A48B12, #12A515 and #5012A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A48B12 shade: #A48B12, #12A58A and #8A12A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A48B12 shade: #A48B12, #12A515, #122DA5 and #A512A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A48B12 shade: #A48B12, #12A541, #122DA5 and #A51277

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 89 / 36

HEX #A48B12

RGB 164 139 18

HSL 49.73, 0.8%, 0.36%

LAB 58.42, -1.89, 59.83

 

Complementary color

CMYK 62 / 51 / 0 / 7

HEX #5B74ED

RGB 91 116 237

HSL 229.73, 0.8%, 0.64%

LAB 52.76, 27.54, -63.98

 

CMYK 0 / 18 / 92 / 34

HEX #A98B0D

RGB 169 139 13

HSL 48.46, 0.86%, 0.36%

LAB 58.91, 0.3, 61.44

 

CMYK 0 / 16 / 83 / 27

HEX #BA9D20

RGB 186 157 32

HSL 48.7, 0.71%, 0.43%

LAB 65.48, -1.33, 62.97

 

CMYK 0 / 14 / 75 / 20

HEX #CBAF33

RGB 203 175 51

HSL 48.95, 0.6%, 0.5%

LAB 71.96, -2.7, 63.23

 

CMYK 0 / 12 / 68 / 14

HEX #DCC146

RGB 220 193 70

HSL 49.2, 0.68%, 0.57%

LAB 78.34, -3.86, 62.79

 

CMYK 0 / 11 / 62 / 7

HEX #EDD359

RGB 237 211 89

HSL 49.46, 0.8%, 0.64%

LAB 84.65, -4.84, 61.97

 

CMYK 0 / 15 / 89 / 36

HEX #A48B12

RGB 164 139 18

HSL 49.73, 0.8%, 0.36%

LAB 58.42, -1.89, 59.83

 

CMYK 0 / 18 / 100 / 42

HEX #937900

RGB 147 121 0

HSL 49.39, 1%, 0.29%

LAB 51.7, -0.12, 57.39

 

CMYK 0 / 21 / 100 / 49

HEX #826700

RGB 130 103 0

HSL 47.54, 1%, 0.25%

LAB 44.87, 2.06, 51.76

 

CMYK 0 / 25 / 100 / 56

HEX #715500

RGB 113 85 0

HSL 45.13, 1%, 0.22%

LAB 37.86, 4.36, 45.98

 

CMYK 0 / 30 / 100 / 62

HEX #604300

RGB 96 67 0

HSL 41.88, 1%, 0.19%

LAB 30.64, 6.84, 40.03

 

CMYK 0 / 15 / 89 / 35

HEX #A58C12

RGB 165 140 18

HSL 49.8, 0.8%, 0.36%

LAB 58.79, -1.98, 60.17

 

CMYK 0 / 39 / 89 / 35

HEX #A56412

RGB 165 100 18

HSL 33.47, 0.8%, 0.36%

LAB 48.46, 20.47, 51.96

 

CMYK 0 / 63 / 89 / 35

HEX #A53D12

RGB 165 61 18

HSL 17.55, 0.8%, 0.36%

LAB 40.21, 41.03, 45.44

 

CMYK 0 / 87 / 89 / 35

HEX #A51512

RGB 165 21 18

HSL 1.22, 0.8%, 0.36%

LAB 35.16, 54.95, 41.46

 

CMYK 0 / 89 / 89 / 35

HEX #A51212

RGB 165 18 18

HSL 0, 0.8%, 0.36%

LAB 34.95, 55.54, 41.3

 

CMYK 0 / 15 / 89 / 35

HEX #A58C12

RGB 165 140 18

HSL 49.8, 0.8%, 0.36%

LAB 58.79, -1.98, 60.17

 

CMYK 8 / 0 / 89 / 35

HEX #97A512

RGB 151 165 18

HSL 65.71, 0.8%, 0.36%

LAB 64.59, -21.44, 64.32

 

CMYK 33 / 0 / 89 / 35

HEX #6FA512

RGB 111 165 18

HSL 82.04, 0.8%, 0.36%

LAB 61.94, -37.96, 61.05

 

CMYK 56 / 0 / 89 / 35

HEX #48A512

RGB 72 165 18

HSL 97.96, 0.8%, 0.36%

LAB 60.19, -50.96, 58.86

 

CMYK 81 / 0 / 89 / 35

HEX #20A512

RGB 32 165 18

HSL 114.29, 0.8%, 0.36%

LAB 59.22, -59.14, 57.64

 

CMYK 0 / 15 / 89 / 35

HEX #A58C12

RGB 165 140 18

HSL 49.8, 0.8%, 0.36%

LAB 58.79, -1.98, 60.17

 

CMYK 0 / 17 / 98 / 29

HEX #B49604

RGB 180 150 4

HSL 49.77, 0.96%, 0.36%

LAB 62.95, -0.81, 66.3

 

CMYK 0 / 15 / 89 / 35

HEX #A58C12

RGB 165 140 18

HSL 49.8, 0.8%, 0.36%

LAB 58.79, -1.98, 60.17

 

CMYK 0 / 13 / 78 / 41

HEX #968221

RGB 150 130 33

HSL 49.74, 0.64%, 0.36%

LAB 54.62, -2.9, 51.62

 

CMYK 0 / 11 / 65 / 47

HEX #887930

RGB 136 121 48

HSL 49.77, 0.48%, 0.36%

LAB 50.83, -3.48, 41.01

 

CMYK 0 / 8 / 48 / 53

HEX #796F3F

RGB 121 111 63

HSL 49.66, 0.32%, 0.36%

LAB 46.7, -3.3, 28.03

 

CMYK 0 / 5 / 26 / 58

HEX #6A654E

RGB 106 101 78

HSL 49.29, 0.15%, 0.36%

LAB 42.64, -2.14, 13.76

 

CMYK 0 / 64 / 89 / 35

HEX #A53C12

RGB 165 60 18

HSL 17.14, 0.8%, 0.36%

LAB 40.04, 41.49, 45.3

 

CMYK 0 / 40 / 89 / 35

HEX #A56312

RGB 165 99 18

HSL 33.06, 0.8%, 0.36%

LAB 48.22, 21.03, 51.77

 

CMYK 0 / 16 / 89 / 35

HEX #A58A12

RGB 165 138 18

HSL 48.98, 0.8%, 0.36%

LAB 58.25, -0.89, 59.74

 

CMYK 7 / 0 / 89 / 35

HEX #99A512

RGB 153 165 18

HSL 64.9, 0.8%, 0.36%

LAB 64.74, -20.57, 64.51

 

CMYK 31 / 0 / 89 / 35

HEX #72A512

RGB 114 165 18

HSL 80.82, 0.8%, 0.36%

LAB 62.11, -36.81, 61.26

 

CMYK 0 / 15 / 89 / 64

HEX #5B4D0A

RGB 91 77 10

HSL 49.63, 0.8%, 0.2%

LAB 33.04, -1.55, 37.97

 

CMYK 0 / 15 / 89 / 50

HEX #806D0E

RGB 128 109 14

HSL 50, 0.8%, 0.28%

LAB 46.39, -2.06, 49.56

 

CMYK 0 / 15 / 89 / 35

HEX #A58C12

RGB 165 140 18

HSL 49.8, 0.8%, 0.36%

LAB 58.79, -1.98, 60.17

 

CMYK 0 / 15 / 89 / 21

HEX #CAAC16

RGB 202 172 22

HSL 50, 0.8%, 0.44%

LAB 70.95, -2.45, 70.49

 

CMYK 0 / 15 / 84 / 9

HEX #E7C524

RGB 231 197 36

HSL 49.54, 0.8%, 0.52%

LAB 80.21, -2.52, 76.02

 

CMYK 0 / 15 / 89 / 36

HEX #A48B12

RGB 164 139 18

HSL 49.73, 0.8%, 0.36%

LAB 58.42, -1.89, 59.83

 

CMYK 89 / 0 / 87 / 35

HEX #12A515

RGB 18 165 21

HSL 121.22, 0.8%, 0.36%

LAB 59.06, -60.49, 56.81

 

CMYK 52 / 89 / 0 / 35

HEX #5012A5

RGB 80 18 165

HSL 265.31, 0.8%, 0.36%

LAB 26.32, 56.1, -65.32

 

CMYK 0 / 15 / 89 / 36

HEX #A48B12

RGB 164 139 18

HSL 49.73, 0.8%, 0.36%

LAB 58.42, -1.89, 59.83

 

CMYK 89 / 0 / 16 / 35

HEX #12A58A

RGB 18 165 138

HSL 168.98, 0.8%, 0.36%

LAB 60.67, -41.8, 4.02

 

CMYK 16 / 89 / 0 / 35

HEX #8A12A5

RGB 138 18 165

HSL 288.98, 0.8%, 0.36%

LAB 35.11, 64.1, -50.6

 

CMYK 0 / 15 / 89 / 36

HEX #A48B12

RGB 164 139 18

HSL 49.73, 0.8%, 0.36%

LAB 58.42, -1.89, 59.83

 

CMYK 89 / 0 / 87 / 35

HEX #12A515

RGB 18 165 21

HSL 121.22, 0.8%, 0.36%

LAB 59.06, -60.49, 56.81

 

CMYK 89 / 73 / 0 / 35

HEX #122DA5

RGB 18 45 165

HSL 228.98, 0.8%, 0.36%

LAB 25.93, 38.21, -66.12

 

CMYK 0 / 89 / 1 / 35

HEX #A512A3

RGB 165 18 163

HSL 300.82, 0.8%, 0.36%

LAB 39.71, 68.46, -41.75

 

CMYK 0 / 15 / 89 / 36

HEX #A48B12

RGB 164 139 18

HSL 49.73, 0.8%, 0.36%

LAB 58.42, -1.89, 59.83

 

CMYK 89 / 0 / 61 / 35

HEX #12A541

RGB 18 165 65

HSL 139.18, 0.8%, 0.36%

LAB 59.36, -56.7, 41.16

 

CMYK 89 / 73 / 0 / 35

HEX #122DA5

RGB 18 45 165

HSL 228.98, 0.8%, 0.36%

LAB 25.93, 38.21, -66.12

 

CMYK 0 / 89 / 28 / 35

HEX #A51277

RGB 165 18 119

HSL 318.78, 0.8%, 0.36%

LAB 37.42, 62.44, -18.34

 

Description

Color code: HEX #A48B12 | qconv.com Color code: HEX #A48B12 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 139 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 139 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 89 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 89% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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