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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A47C92 it is the complementary color #5B836D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A47C92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A47C92 shade: #A97C8D, #BA8EA0, #CBA0B3, #DCB2C6 and #EDC4D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A47C92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A47C92 shade: #A47C92, #936A7F, #82586C, #714659 and #603446

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A47C92 shade: #A37B91, #A37B86 and #A37B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A47C92 shade: #A37B91, #A37B9C, #9F7BA3, #947BA3 and #8A7BA3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A47C92 shade matches the following richer shades: #A37B91, #B56893, #C75694, #D94496 and #EC3298

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A47C92 shade: #A37B91, #918D8F, #7F9F8D, #6DB18B and #5AC38A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A47C92 shade: #A07BA3, #A37B9C, #A37B91, #A37B86 and #A37B7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A47C92 shade: #785367, #90647C, #A37B91, #B493A5 and #C5ABB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A47C92 shade: #A47C92, #A3957B and #7BA1A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A47C92 shade: #A47C92, #91A37B and #7B91A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A47C92 shade: #A47C92, #A3957B, #7BA38D and #7B89A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A47C92 shade: #A47C92, #A3A17B, #7BA38D and #7B7DA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 11 / 36

HEX #A47C92

RGB 164 124 146

HSL 327, 0.18%, 0.56%

LAB 56.47, 19.16, -5.83

 

Complementary color

CMYK 31 / 0 / 17 / 49

HEX #5B836D

RGB 91 131 109

HSL 147, 0.18%, 0.44%

LAB 51.34, -18.9, 7.48

 

CMYK 0 / 27 / 17 / 34

HEX #A97C8D

RGB 169 124 141

HSL 337.33, 0.21%, 0.57%

LAB 56.85, 20.16, -2.3

 

CMYK 0 / 24 / 14 / 27

HEX #BA8EA0

RGB 186 142 160

HSL 335.45, 0.24%, 0.64%

LAB 63.61, 19.52, -3.04

 

CMYK 0 / 21 / 12 / 20

HEX #CBA0B3

RGB 203 160 179

HSL 333.49, 0.29%, 0.71%

LAB 70.24, 18.94, -3.72

 

CMYK 0 / 19 / 10 / 14

HEX #DCB2C6

RGB 220 178 198

HSL 331.43, 0.38%, 0.78%

LAB 76.76, 18.41, -4.37

 

CMYK 0 / 17 / 8 / 7

HEX #EDC4D9

RGB 237 196 217

HSL 329.27, 0.53%, 0.85%

LAB 83.18, 17.93, -4.98

 

CMYK 0 / 24 / 11 / 36

HEX #A47C92

RGB 164 124 146

HSL 327, 0.18%, 0.56%

LAB 56.47, 19.16, -5.83

 

CMYK 0 / 28 / 14 / 42

HEX #936A7F

RGB 147 106 127

HSL 329.27, 0.16%, 0.5%

LAB 49.55, 19.82, -5.15

 

CMYK 0 / 32 / 17 / 49

HEX #82586C

RGB 130 88 108

HSL 331.43, 0.19%, 0.43%

LAB 42.47, 20.56, -4.39

 

CMYK 0 / 38 / 21 / 56

HEX #714659

RGB 113 70 89

HSL 333.49, 0.23%, 0.36%

LAB 35.23, 21.4, -3.52

 

CMYK 0 / 46 / 27 / 62

HEX #603446

RGB 96 52 70

HSL 335.45, 0.3%, 0.29%

LAB 27.8, 22.33, -2.47

 

CMYK 0 / 25 / 11 / 36

HEX #A37B91

RGB 163 123 145

HSL 327, 0.18%, 0.56%

LAB 56.08, 19.18, -5.83

 

CMYK 0 / 25 / 18 / 36

HEX #A37B86

RGB 163 123 134

HSL 343.5, 0.18%, 0.56%

LAB 55.76, 17.29, 0.08

 

CMYK 0 / 25 / 25 / 36

HEX #A37B7B

RGB 163 123 123

HSL 0, 0.18%, 0.56%

LAB 55.46, 15.55, 6.04

 

CMYK 0 / 25 / 11 / 36

HEX #A37B91

RGB 163 123 145

HSL 327, 0.18%, 0.56%

LAB 56.08, 19.18, -5.83

 

CMYK 0 / 25 / 4 / 36

HEX #A37B9C

RGB 163 123 156

HSL 310.5, 0.18%, 0.56%

LAB 56.44, 21.2, -11.67

 

CMYK 2 / 25 / 0 / 36

HEX #9F7BA3

RGB 159 123 163

HSL 294, 0.18%, 0.56%

LAB 56.27, 21.16, -16.02

 

CMYK 9 / 25 / 0 / 36

HEX #947BA3

RGB 148 123 163

HSL 277.5, 0.18%, 0.56%

LAB 55.18, 17.37, -17.77

 

CMYK 15 / 25 / 0 / 36

HEX #8A7BA3

RGB 138 123 163

HSL 262.5, 0.18%, 0.56%

LAB 54.25, 13.98, -19.27

 

CMYK 0 / 25 / 11 / 36

HEX #A37B91

RGB 163 123 145

HSL 327, 0.18%, 0.56%

LAB 56.08, 19.18, -5.83

 

CMYK 0 / 43 / 19 / 29

HEX #B56893

RGB 181 104 147

HSL 326.49, 0.34%, 0.56%

LAB 53.85, 36.59, -10.11

 

CMYK 0 / 57 / 26 / 22

HEX #C75694

RGB 199 86 148

HSL 327.08, 0.5%, 0.56%

LAB 52.88, 51.76, -11.9

 

CMYK 0 / 69 / 31 / 15

HEX #D94496

RGB 217 68 150

HSL 326.98, 0.66%, 0.56%

LAB 53.05, 64.78, -12.55

 

CMYK 0 / 79 / 36 / 7

HEX #EC3298

RGB 236 50 152

HSL 327.1, 0.83%, 0.56%

LAB 54.43, 75.44, -11.33

 

CMYK 0 / 25 / 11 / 36

HEX #A37B91

RGB 163 123 145

HSL 327, 0.18%, 0.56%

LAB 56.08, 19.18, -5.83

 

CMYK 0 / 3 / 1 / 43

HEX #918D8F

RGB 145 141 143

HSL 330, 0.02%, 0.56%

LAB 59.02, 1.86, -0.54

 

CMYK 20 / 0 / 11 / 38

HEX #7F9F8D

RGB 127 159 141

HSL 146.25, 0.14%, 0.56%

LAB 62.7, -14.83, 5.76

 

CMYK 38 / 0 / 21 / 31

HEX #6DB18B

RGB 109 177 139

HSL 146.47, 0.3%, 0.56%

LAB 66.95, -30.11, 12.76

 

CMYK 54 / 0 / 29 / 24

HEX #5AC38A

RGB 90 195 138

HSL 147.43, 0.47%, 0.56%

LAB 71.58, -43.55, 19.63

 

CMYK 2 / 25 / 0 / 36

HEX #A07BA3

RGB 160 123 163

HSL 295.5, 0.18%, 0.56%

LAB 56.37, 21.5, -15.85

 

CMYK 0 / 25 / 4 / 36

HEX #A37B9C

RGB 163 123 156

HSL 310.5, 0.18%, 0.56%

LAB 56.44, 21.2, -11.67

 

CMYK 0 / 25 / 11 / 36

HEX #A37B91

RGB 163 123 145

HSL 327, 0.18%, 0.56%

LAB 56.08, 19.18, -5.83

 

CMYK 0 / 25 / 18 / 36

HEX #A37B86

RGB 163 123 134

HSL 343.5, 0.18%, 0.56%

LAB 55.76, 17.29, 0.08

 

CMYK 0 / 25 / 25 / 36

HEX #A37B7B

RGB 163 123 123

HSL 0, 0.18%, 0.56%

LAB 55.46, 15.55, 6.04

 

CMYK 0 / 31 / 14 / 53

HEX #785367

RGB 120 83 103

HSL 327.57, 0.18%, 0.4%

LAB 39.85, 18.78, -5.34

 

CMYK 0 / 31 / 14 / 44

HEX #90647C

RGB 144 100 124

HSL 327.27, 0.18%, 0.48%

LAB 47.62, 21.65, -6.25

 

CMYK 0 / 25 / 11 / 36

HEX #A37B91

RGB 163 123 145

HSL 327, 0.18%, 0.56%

LAB 56.08, 19.18, -5.83

 

CMYK 0 / 18 / 8 / 29

HEX #B493A5

RGB 180 147 165

HSL 327.27, 0.18%, 0.64%

LAB 64.39, 15.4, -4.78

 

CMYK 0 / 13 / 6 / 23

HEX #C5ABB9

RGB 197 171 185

HSL 327.69, 0.18%, 0.72%

LAB 72.56, 11.82, -3.69

 

CMYK 0 / 24 / 11 / 36

HEX #A47C92

RGB 164 124 146

HSL 327, 0.18%, 0.56%

LAB 56.47, 19.16, -5.83

 

CMYK 0 / 9 / 25 / 36

HEX #A3957B

RGB 163 149 123

HSL 39, 0.18%, 0.56%

LAB 62.26, 0.91, 15.63

 

CMYK 25 / 1 / 0 / 36

HEX #7BA1A3

RGB 123 161 163

HSL 183, 0.18%, 0.56%

LAB 63.63, -12.42, -5.28

 

CMYK 0 / 24 / 11 / 36

HEX #A47C92

RGB 164 124 146

HSL 327, 0.18%, 0.56%

LAB 56.47, 19.16, -5.83

 

CMYK 11 / 0 / 25 / 36

HEX #91A37B

RGB 145 163 123

HSL 87, 0.18%, 0.56%

LAB 64.68, -13.68, 18.73

 

CMYK 25 / 11 / 0 / 36

HEX #7B91A3

RGB 123 145 163

HSL 207, 0.18%, 0.56%

LAB 59.07, -3.64, -12.08

 

CMYK 0 / 24 / 11 / 36

HEX #A47C92

RGB 164 124 146

HSL 327, 0.18%, 0.56%

LAB 56.47, 19.16, -5.83

 

CMYK 0 / 9 / 25 / 36

HEX #A3957B

RGB 163 149 123

HSL 39, 0.18%, 0.56%

LAB 62.26, 0.91, 15.63

 

CMYK 25 / 0 / 13 / 36

HEX #7BA38D

RGB 123 163 141

HSL 147, 0.18%, 0.56%

LAB 63.61, -18.28, 7.03

 

CMYK 25 / 16 / 0 / 36

HEX #7B89A3

RGB 123 137 163

HSL 219, 0.18%, 0.56%

LAB 56.83, 0.9, -15.46

 

CMYK 0 / 24 / 11 / 36

HEX #A47C92

RGB 164 124 146

HSL 327, 0.18%, 0.56%

LAB 56.47, 19.16, -5.83

 

CMYK 0 / 1 / 25 / 36

HEX #A3A17B

RGB 163 161 123

HSL 57, 0.18%, 0.56%

LAB 65.52, -5.64, 20.11

 

CMYK 25 / 0 / 13 / 36

HEX #7BA38D

RGB 123 163 141

HSL 147, 0.18%, 0.56%

LAB 63.61, -18.28, 7.03

 

CMYK 25 / 23 / 0 / 36

HEX #7B7DA3

RGB 123 125 163

HSL 237, 0.18%, 0.56%

LAB 53.52, 7.88, -20.51

 

Description

Color code: HEX #A47C92 | qconv.com Color code: HEX #A47C92 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 124 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 124 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 11 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 11% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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