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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A47719 it is the complementary color #5B88E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A47719. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A47719 shade: #A97714, #BA8927, #CB9B3A, #DCAD4D and #EDBF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A47719. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A47719 shade: #A47719, #936506, #825300, #714100 and #602F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A47719 shade: #A47719, #A45119, #A42C19 and #A41919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A47719 shade: #A47719, #A49D19, #86A419, #60A419 and #3BA419

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A47719 shade matches the following richer shades: #A47719 and #B37C09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A47719 shade: #A47719, #957228, #866C37, #766746 and #676156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A47719 shade: #A42B19, #A45019, #A47619, #A49B19 and #88A419

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A47719 shade: #5C430E, #805D13, #A47719, #C8911E and #E0A72F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A47719 shade: #A47719, #2BA419 and #3E19A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A47719 shade: #A47719, #19A476 and #7619A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A47719 shade: #A47719, #2BA419, #1947A4 and #9219A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A47719 shade: #A47719, #19A430, #1947A4 and #A4198D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 85 / 36

HEX #A47719

RGB 164 119 25

HSL 40.58, 0.74%, 0.37%

LAB 53.12, 9.44, 53.59

 

Complementary color

CMYK 60 / 41 / 0 / 10

HEX #5B88E6

RGB 91 136 230

HSL 220.58, 0.74%, 0.63%

LAB 57.6, 13.05, -52.32

 

CMYK 0 / 30 / 88 / 34

HEX #A97714

RGB 169 119 20

HSL 39.87, 0.79%, 0.37%

LAB 53.68, 11.6, 55.78

 

CMYK 0 / 26 / 79 / 27

HEX #BA8927

RGB 186 137 39

HSL 40, 0.65%, 0.44%

LAB 60.32, 9.81, 56.08

 

CMYK 0 / 24 / 71 / 20

HEX #CB9B3A

RGB 203 155 58

HSL 40.14, 0.58%, 0.51%

LAB 66.86, 8.31, 55.48

 

CMYK 0 / 21 / 65 / 14

HEX #DCAD4D

RGB 220 173 77

HSL 40.28, 0.67%, 0.58%

LAB 73.31, 7.03, 54.46

 

CMYK 0 / 19 / 59 / 7

HEX #EDBF60

RGB 237 191 96

HSL 40.43, 0.8%, 0.65%

LAB 79.68, 5.93, 53.27

 

CMYK 0 / 27 / 85 / 36

HEX #A47719

RGB 164 119 25

HSL 40.58, 0.74%, 0.37%

LAB 53.12, 9.44, 53.59

 

CMYK 0 / 31 / 96 / 42

HEX #936506

RGB 147 101 6

HSL 40.43, 0.92%, 0.3%

LAB 46.34, 11.43, 52.3

 

CMYK 0 / 36 / 100 / 49

HEX #825300

RGB 130 83 0

HSL 38.31, 1%, 0.25%

LAB 39.47, 13.82, 48.1

 

CMYK 0 / 42 / 100 / 56

HEX #714100

RGB 113 65 0

HSL 34.51, 1%, 0.22%

LAB 32.46, 16.45, 42.4

 

CMYK 0 / 51 / 100 / 62

HEX #602F00

RGB 96 47 0

HSL 29.38, 1%, 0.19%

LAB 25.32, 19.2, 35.58

 

CMYK 0 / 27 / 85 / 36

HEX #A47719

RGB 164 119 25

HSL 40.58, 0.74%, 0.37%

LAB 53.12, 9.44, 53.59

 

CMYK 0 / 51 / 85 / 36

HEX #A45119

RGB 164 81 25

HSL 24.17, 0.74%, 0.37%

LAB 44.01, 30.71, 45.72

 

CMYK 0 / 73 / 85 / 36

HEX #A42C19

RGB 164 44 25

HSL 8.2, 0.74%, 0.37%

LAB 37.42, 48.04, 39.85

 

CMYK 0 / 85 / 85 / 36

HEX #A41919

RGB 164 25 25

HSL 0, 0.74%, 0.37%

LAB 35.32, 53.92, 37.94

 

CMYK 0 / 27 / 85 / 36

HEX #A47719

RGB 164 119 25

HSL 40.58, 0.74%, 0.37%

LAB 53.12, 9.44, 53.59

 

CMYK 0 / 4 / 85 / 36

HEX #A49D19

RGB 164 157 25

HSL 56.98, 0.74%, 0.37%

LAB 63.41, -11.4, 62.27

 

CMYK 18 / 0 / 85 / 36

HEX #86A419

RGB 134 164 25

HSL 72.95, 0.74%, 0.37%

LAB 63.09, -28.04, 61.06

 

CMYK 41 / 0 / 85 / 36

HEX #60A419

RGB 96 164 25

HSL 89.35, 0.74%, 0.37%

LAB 60.88, -42.78, 58.28

 

CMYK 64 / 0 / 85 / 36

HEX #3BA419

RGB 59 164 25

HSL 105.32, 0.74%, 0.37%

LAB 59.48, -53.63, 56.51

 

CMYK 0 / 27 / 85 / 36

HEX #A47719

RGB 164 119 25

HSL 40.58, 0.74%, 0.37%

LAB 53.12, 9.44, 53.59

 

CMYK 0 / 31 / 95 / 30

HEX #B37C09

RGB 179 124 9

HSL 40.59, 0.9%, 0.37%

LAB 56.11, 13.13, 60.54

 

CMYK 0 / 27 / 85 / 36

HEX #A47719

RGB 164 119 25

HSL 40.58, 0.74%, 0.37%

LAB 53.12, 9.44, 53.59

 

CMYK 0 / 23 / 73 / 42

HEX #957228

RGB 149 114 40

HSL 40.73, 0.58%, 0.37%

LAB 50.19, 6, 44.45

 

CMYK 0 / 19 / 59 / 47

HEX #866C37

RGB 134 108 55

HSL 40.25, 0.42%, 0.37%

LAB 47.07, 3.57, 33.14

 

CMYK 0 / 13 / 41 / 54

HEX #766746

RGB 118 103 70

HSL 41.25, 0.26%, 0.37%

LAB 44.22, 0.82, 20.82

 

CMYK 0 / 6 / 17 / 60

HEX #676156

RGB 103 97 86

HSL 38.82, 0.09%, 0.37%

LAB 41.38, 0.31, 7.13

 

CMYK 0 / 74 / 85 / 36

HEX #A42B19

RGB 164 43 25

HSL 7.77, 0.74%, 0.37%

LAB 37.28, 48.41, 39.73

 

CMYK 0 / 51 / 85 / 36

HEX #A45019

RGB 164 80 25

HSL 23.74, 0.74%, 0.37%

LAB 43.8, 31.24, 45.53

 

CMYK 0 / 28 / 85 / 36

HEX #A47619

RGB 164 118 25

HSL 40.14, 0.74%, 0.37%

LAB 52.86, 10.01, 53.37

 

CMYK 0 / 5 / 85 / 36

HEX #A49B19

RGB 164 155 25

HSL 56.12, 0.74%, 0.37%

LAB 62.85, -10.34, 61.8

 

CMYK 17 / 0 / 85 / 36

HEX #88A419

RGB 136 164 25

HSL 72.09, 0.74%, 0.37%

LAB 63.22, -27.2, 61.23

 

CMYK 0 / 27 / 85 / 64

HEX #5C430E

RGB 92 67 14

HSL 40.77, 0.74%, 0.21%

LAB 30.21, 5.29, 34.04

 

CMYK 0 / 27 / 85 / 50

HEX #805D13

RGB 128 93 19

HSL 40.73, 0.74%, 0.29%

LAB 41.95, 7.41, 44.3

 

CMYK 0 / 27 / 85 / 36

HEX #A47719

RGB 164 119 25

HSL 40.58, 0.74%, 0.37%

LAB 53.12, 9.44, 53.59

 

CMYK 0 / 28 / 85 / 22

HEX #C8911E

RGB 200 145 30

HSL 40.59, 0.74%, 0.45%

LAB 63.86, 11.35, 62.76

 

CMYK 0 / 25 / 79 / 12

HEX #E0A72F

RGB 224 167 47

HSL 40.68, 0.74%, 0.53%

LAB 72.02, 10.51, 65.46

 

CMYK 0 / 27 / 85 / 36

HEX #A47719

RGB 164 119 25

HSL 40.58, 0.74%, 0.37%

LAB 53.12, 9.44, 53.59

 

CMYK 74 / 0 / 85 / 36

HEX #2BA419

RGB 43 164 25

HSL 112.23, 0.74%, 0.37%

LAB 59.1, -56.86, 56.02

 

CMYK 62 / 85 / 0 / 36

HEX #3E19A4

RGB 62 25 164

HSL 255.97, 0.74%, 0.37%

LAB 24.95, 51.68, -67.04

 

CMYK 0 / 27 / 85 / 36

HEX #A47719

RGB 164 119 25

HSL 40.58, 0.74%, 0.37%

LAB 53.12, 9.44, 53.59

 

CMYK 85 / 0 / 28 / 36

HEX #19A476

RGB 25 164 118

HSL 160.14, 0.74%, 0.37%

LAB 59.95, -45.95, 14.19

 

CMYK 28 / 85 / 0 / 36

HEX #7619A4

RGB 118 25 164

HSL 280.14, 0.74%, 0.37%

LAB 32.32, 59.02, -54.67

 

CMYK 0 / 27 / 85 / 36

HEX #A47719

RGB 164 119 25

HSL 40.58, 0.74%, 0.37%

LAB 53.12, 9.44, 53.59

 

CMYK 74 / 0 / 85 / 36

HEX #2BA419

RGB 43 164 25

HSL 112.23, 0.74%, 0.37%

LAB 59.1, -56.86, 56.02

 

CMYK 85 / 57 / 0 / 36

HEX #1947A4

RGB 25 71 164

HSL 220.14, 0.74%, 0.37%

LAB 32.69, 21, -54.43

 

CMYK 11 / 85 / 0 / 36

HEX #9219A4

RGB 146 25 164

HSL 292.23, 0.74%, 0.37%

LAB 36.9, 63.82, -47.03

 

CMYK 0 / 27 / 85 / 36

HEX #A47719

RGB 164 119 25

HSL 40.58, 0.74%, 0.37%

LAB 53.12, 9.44, 53.59

 

CMYK 85 / 0 / 71 / 36

HEX #19A430

RGB 25 164 48

HSL 129.93, 0.74%, 0.37%

LAB 58.95, -57.68, 48.14

 

CMYK 85 / 57 / 0 / 36

HEX #1947A4

RGB 25 71 164

HSL 220.14, 0.74%, 0.37%

LAB 32.69, 21, -54.43

 

CMYK 0 / 85 / 14 / 36

HEX #A4198D

RGB 164 25 141

HSL 309.93, 0.74%, 0.37%

LAB 38.74, 63.72, -29.93

 

Description

Color code: HEX #A47719 | qconv.com Color code: HEX #A47719 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 119 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 119 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 85 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 85% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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