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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A46FE8 it is the complementary color #5B9017. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A46FE8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A46FE8 shade: #A96FE3, #BA81F6, #CB93FF, #DCA5FF and #EDB7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A46FE8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A46FE8 shade: #A46FE8, #935DD5, #824BC2, #7139AF and #60279C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A46FE8 shade: #A36EE7, #C46EE7, #E56EE7, #E76ECA and #E76EA9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A46FE8 shade: #A36EE7, #836EE7 and #6E6EE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A46FE8 shade matches the following richer shades: #A36EE7 and #A261F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A46FE8 shade: #A36EE7, #A57CDA, #A789CC, #A897BF and #AAA5B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A46FE8 shade: #6E7AE7, #826EE7, #A36EE7, #C36EE7 and #E36EE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A46FE8 shade: #7627DC, #8D4BE2, #A36EE7, #BA92ED and #D0B5F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A46FE8 shade: #A46FE8, #E76E9B and #6EE772

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A46FE8 shade: #A46FE8, #E7A36E and #6EE7A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A46FE8 shade: #A46FE8, #E76E9B, #B3E76E and #6EE7BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A46FE8 shade: #A46FE8, #E76E76, #B3E76E and #6EE7DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 52 / 0 / 9

HEX #A46FE8

RGB 164 111 232

HSL 266.28, 0.72%, 0.67%

LAB 57.16, 44.94, -53.81

 

Complementary color

CMYK 37 / 0 / 84 / 44

HEX #5B9017

RGB 91 144 23

HSL 86.28, 0.72%, 0.33%

LAB 54.27, -36.09, 52.84

 

CMYK 26 / 51 / 0 / 11

HEX #A96FE3

RGB 169 111 227

HSL 270, 0.67%, 0.66%

LAB 57.41, 45.02, -50.58

 

CMYK 24 / 48 / 0 / 4

HEX #BA81F6

RGB 186 129 246

HSL 269.23, 0.87%, 0.74%

LAB 63.99, 44.13, -50.58

 

CMYK 20 / 42 / 0 / 0

HEX #CB93FF

RGB 203 147 255

HSL 271.11, 1%, 0.79%

LAB 70.02, 41.04, -45.88

 

CMYK 14 / 35 / 0 / 0

HEX #DCA5FF

RGB 220 165 255

HSL 276.67, 1%, 0.82%

LAB 75.67, 36.22, -36.95

 

CMYK 7 / 28 / 0 / 0

HEX #EDB7FF

RGB 237 183 255

HSL 285, 1%, 0.86%

LAB 81.34, 31.76, -28.07

 

CMYK 29 / 52 / 0 / 9

HEX #A46FE8

RGB 164 111 232

HSL 266.28, 0.72%, 0.67%

LAB 57.16, 44.94, -53.81

 

CMYK 31 / 56 / 0 / 16

HEX #935DD5

RGB 147 93 213

HSL 267, 0.59%, 0.6%

LAB 50.49, 45.91, -53.85

 

CMYK 33 / 61 / 0 / 24

HEX #824BC2

RGB 130 75 194

HSL 267.73, 0.49%, 0.53%

LAB 43.76, 46.87, -53.84

 

CMYK 35 / 67 / 0 / 31

HEX #7139AF

RGB 113 57 175

HSL 268.47, 0.51%, 0.45%

LAB 36.99, 47.74, -53.71

 

CMYK 38 / 75 / 0 / 39

HEX #60279C

RGB 96 39 156

HSL 269.23, 0.6%, 0.38%

LAB 30.25, 48.3, -53.32

 

CMYK 29 / 52 / 0 / 9

HEX #A36EE7

RGB 163 110 231

HSL 266.28, 0.72%, 0.67%

LAB 56.79, 44.99, -53.85

 

CMYK 15 / 52 / 0 / 9

HEX #C46EE7

RGB 196 110 231

HSL 282.64, 0.72%, 0.67%

LAB 60.48, 53.49, -47.77

 

CMYK 1 / 52 / 0 / 9

HEX #E56EE7

RGB 229 110 231

HSL 299.01, 0.72%, 0.67%

LAB 64.63, 62.23, -40.95

 

CMYK 0 / 52 / 13 / 9

HEX #E76ECA

RGB 231 110 202

HSL 314.38, 0.72%, 0.67%

LAB 63.68, 58.01, -26.17

 

CMYK 0 / 52 / 27 / 9

HEX #E76EA9

RGB 231 110 169

HSL 330.74, 0.72%, 0.67%

LAB 62.51, 53.27, -9.19

 

CMYK 29 / 52 / 0 / 9

HEX #A36EE7

RGB 163 110 231

HSL 266.28, 0.72%, 0.67%

LAB 56.79, 44.99, -53.85

 

CMYK 43 / 52 / 0 / 9

HEX #836EE7

RGB 131 110 231

HSL 250.41, 0.72%, 0.67%

LAB 53.76, 37.32, -58.88

 

CMYK 52 / 52 / 0 / 9

HEX #6E6EE7

RGB 110 110 231

HSL 240, 0.72%, 0.67%

LAB 52.1, 32.81, -61.62

 

CMYK 29 / 52 / 0 / 9

HEX #A36EE7

RGB 163 110 231

HSL 266.28, 0.72%, 0.67%

LAB 56.79, 44.99, -53.85

 

CMYK 34 / 60 / 0 / 4

HEX #A261F5

RGB 162 97 245

HSL 266.35, 0.88%, 0.67%

LAB 54.89, 55.05, -64.71

 

CMYK 29 / 52 / 0 / 9

HEX #A36EE7

RGB 163 110 231

HSL 266.28, 0.72%, 0.67%

LAB 56.79, 44.99, -53.85

 

CMYK 24 / 43 / 0 / 15

HEX #A57CDA

RGB 165 124 218

HSL 266.17, 0.56%, 0.67%

LAB 59.41, 34.62, -42.4

 

CMYK 18 / 33 / 0 / 20

HEX #A789CC

RGB 167 137 204

HSL 266.87, 0.4%, 0.67%

LAB 62.05, 24.59, -30.41

 

CMYK 12 / 21 / 0 / 25

HEX #A897BF

RGB 168 151 191

HSL 265.5, 0.24%, 0.67%

LAB 65.14, 14.1, -18.39

 

CMYK 4 / 7 / 0 / 31

HEX #AAA5B1

RGB 170 165 177

HSL 265, 0.07%, 0.67%

LAB 68.48, 4.09, -5.54

 

CMYK 52 / 47 / 0 / 9

HEX #6E7AE7

RGB 110 122 231

HSL 234.05, 0.72%, 0.67%

LAB 55.08, 25.59, -56.85

 

CMYK 44 / 52 / 0 / 9

HEX #826EE7

RGB 130 110 231

HSL 249.92, 0.72%, 0.67%

LAB 53.67, 37.09, -59.02

 

CMYK 29 / 52 / 0 / 9

HEX #A36EE7

RGB 163 110 231

HSL 266.28, 0.72%, 0.67%

LAB 56.79, 44.99, -53.85

 

CMYK 16 / 52 / 0 / 9

HEX #C36EE7

RGB 195 110 231

HSL 282.15, 0.72%, 0.67%

LAB 60.36, 53.23, -47.96

 

CMYK 2 / 52 / 0 / 9

HEX #E36EE7

RGB 227 110 231

HSL 298.02, 0.72%, 0.67%

LAB 64.36, 61.69, -41.38

 

CMYK 46 / 82 / 0 / 14

HEX #7627DC

RGB 118 39 220

HSL 266.19, 0.72%, 0.51%

LAB 38.67, 67.16, -77.21

 

CMYK 38 / 67 / 0 / 11

HEX #8D4BE2

RGB 141 75 226

HSL 266.23, 0.72%, 0.59%

LAB 47.22, 57.12, -66.56

 

CMYK 29 / 52 / 0 / 9

HEX #A36EE7

RGB 163 110 231

HSL 266.28, 0.72%, 0.67%

LAB 56.79, 44.99, -53.85

 

CMYK 22 / 38 / 0 / 7

HEX #BA92ED

RGB 186 146 237

HSL 266.37, 0.72%, 0.75%

LAB 67.36, 32.72, -40.34

 

CMYK 14 / 26 / 0 / 5

HEX #D0B5F3

RGB 208 181 243

HSL 266.13, 0.72%, 0.83%

LAB 77.83, 21.38, -27.24

 

CMYK 29 / 52 / 0 / 9

HEX #A46FE8

RGB 164 111 232

HSL 266.28, 0.72%, 0.67%

LAB 57.16, 44.94, -53.81

 

CMYK 0 / 52 / 33 / 9

HEX #E76E9B

RGB 231 110 155

HSL 337.69, 0.72%, 0.67%

LAB 62.09, 51.5, -1.79

 

CMYK 52 / 0 / 51 / 9

HEX #6EE772

RGB 110 231 114

HSL 121.98, 0.72%, 0.67%

LAB 82.74, -57.14, 46.45

 

CMYK 29 / 52 / 0 / 9

HEX #A46FE8

RGB 164 111 232

HSL 266.28, 0.72%, 0.67%

LAB 57.16, 44.94, -53.81

 

CMYK 0 / 29 / 52 / 9

HEX #E7A36E

RGB 231 163 110

HSL 26.28, 0.72%, 0.67%

LAB 72.43, 19.37, 37.42

 

CMYK 52 / 0 / 29 / 9

HEX #6EE7A3

RGB 110 231 163

HSL 146.28, 0.72%, 0.67%

LAB 83.5, -49.21, 22.98

 

CMYK 29 / 52 / 0 / 9

HEX #A46FE8

RGB 164 111 232

HSL 266.28, 0.72%, 0.67%

LAB 57.16, 44.94, -53.81

 

CMYK 0 / 52 / 33 / 9

HEX #E76E9B

RGB 231 110 155

HSL 337.69, 0.72%, 0.67%

LAB 62.09, 51.5, -1.79

 

CMYK 23 / 0 / 52 / 9

HEX #B3E76E

RGB 179 231 110

HSL 85.79, 0.72%, 0.67%

LAB 85.94, -35.81, 52.93

 

CMYK 52 / 0 / 19 / 9

HEX #6EE7BB

RGB 110 231 187

HSL 158.18, 0.72%, 0.67%

LAB 83.99, -44.29, 11.16

 

CMYK 29 / 52 / 0 / 9

HEX #A46FE8

RGB 164 111 232

HSL 266.28, 0.72%, 0.67%

LAB 57.16, 44.94, -53.81

 

CMYK 0 / 52 / 49 / 9

HEX #E76E76

RGB 231 110 118

HSL 356.03, 0.72%, 0.67%

LAB 61.18, 47.58, 18.21

 

CMYK 23 / 0 / 52 / 9

HEX #B3E76E

RGB 179 231 110

HSL 85.79, 0.72%, 0.67%

LAB 85.94, -35.81, 52.93

 

CMYK 52 / 0 / 3 / 9

HEX #6EE7DF

RGB 110 231 223

HSL 176.03, 0.72%, 0.67%

LAB 84.89, -35.81, -6.49

 

Description

Color code: HEX #A46FE8 | qconv.com Color code: HEX #A46FE8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 111 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 111 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 52 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 52% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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