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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A46BF2 it is the complementary color #5B940D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A46BF2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A46BF2 shade: #A96BED, #BA7DFF, #CB8FFF, #DCA1FF and #EDB3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A46BF2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A46BF2 shade: #A46BF2, #9359DF, #8247CC, #7135B9 and #6023A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A46BF2 shade: #A369F2, #C869F2, #ED69F2, #F269D2 and #F269AD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A46BF2 shade: #A369F2, #7E69F2 and #6969F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A46BF2 shade matches the following richer shades: #A369F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A46BF2 shade: #A369F2, #A576E5, #A783D8, #A990CA and #AB9EBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A46BF2 shade: #6979F2, #7D69F2, #A269F2, #C769F2 and #EB69F2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A46BF2 shade: #741DEB, #8B43EF, #A369F2, #BA8FF5 and #D1B5F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A46BF2 shade: #A46BF2, #F2699D and #69F26B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A46BF2 shade: #A46BF2, #F2A269 and #69F2A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A46BF2 shade: #A46BF2, #F2699D, #B9F269 and #69F2BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A46BF2 shade: #A46BF2, #F26974, #B9F269 and #69F2E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 56 / 0 / 5

HEX #A46BF2

RGB 164 107 242

HSL 265.33, 0.84%, 0.68%

LAB 56.9, 49.53, -59.81

 

Complementary color

CMYK 39 / 0 / 91 / 42

HEX #5B940D

RGB 91 148 13

HSL 85.33, 0.84%, 0.32%

LAB 55.52, -38.19, 56.19

 

CMYK 29 / 55 / 0 / 7

HEX #A96BED

RGB 169 107 237

HSL 268.62, 0.78%, 0.67%

LAB 57.14, 49.52, -56.61

 

CMYK 27 / 51 / 0 / 0

HEX #BA7DFF

RGB 186 125 255

HSL 268.15, 1%, 0.75%

LAB 63.61, 48.36, -56.13

 

CMYK 20 / 44 / 0 / 0

HEX #CB8FFF

RGB 203 143 255

HSL 272.14, 1%, 0.78%

LAB 69.16, 43.2, -47.25

 

CMYK 14 / 37 / 0 / 0

HEX #DCA1FF

RGB 220 161 255

HSL 277.66, 1%, 0.82%

LAB 74.78, 38.37, -38.33

 

CMYK 7 / 30 / 0 / 0

HEX #EDB3FF

RGB 237 179 255

HSL 285.79, 1%, 0.85%

LAB 80.44, 33.89, -29.45

 

CMYK 32 / 56 / 0 / 5

HEX #A46BF2

RGB 164 107 242

HSL 265.33, 0.84%, 0.68%

LAB 56.9, 49.53, -59.81

 

CMYK 34 / 60 / 0 / 13

HEX #9359DF

RGB 147 89 223

HSL 265.97, 0.68%, 0.61%

LAB 50.31, 50.51, -59.84

 

CMYK 36 / 65 / 0 / 20

HEX #8247CC

RGB 130 71 204

HSL 266.62, 0.57%, 0.54%

LAB 43.67, 51.45, -59.78

 

CMYK 39 / 71 / 0 / 27

HEX #7135B9

RGB 113 53 185

HSL 267.27, 0.55%, 0.47%

LAB 37.04, 52.2, -59.55

 

CMYK 42 / 79 / 0 / 35

HEX #6023A6

RGB 96 35 166

HSL 267.94, 0.65%, 0.39%

LAB 30.5, 52.52, -58.98

 

CMYK 33 / 57 / 0 / 5

HEX #A369F2

RGB 163 105 242

HSL 265.4, 0.84%, 0.68%

LAB 56.39, 50.36, -60.63

 

CMYK 17 / 57 / 0 / 5

HEX #C869F2

RGB 200 105 242

HSL 281.61, 0.84%, 0.68%

LAB 60.6, 59.24, -53.66

 

CMYK 2 / 57 / 0 / 5

HEX #ED69F2

RGB 237 105 242

HSL 297.81, 0.84%, 0.68%

LAB 65.37, 68.43, -45.8

 

CMYK 0 / 57 / 13 / 5

HEX #F269D2

RGB 242 105 210

HSL 314.01, 0.84%, 0.68%

LAB 64.67, 64.61, -29.02

 

CMYK 0 / 57 / 29 / 5

HEX #F269AD

RGB 242 105 173

HSL 330.22, 0.84%, 0.68%

LAB 63.34, 59.51, -10.07

 

CMYK 33 / 57 / 0 / 5

HEX #A369F2

RGB 163 105 242

HSL 265.4, 0.84%, 0.68%

LAB 56.39, 50.36, -60.63

 

CMYK 48 / 57 / 0 / 5

HEX #7E69F2

RGB 126 105 242

HSL 249.2, 0.84%, 0.68%

LAB 52.89, 42.27, -66.44

 

CMYK 57 / 57 / 0 / 5

HEX #6969F2

RGB 105 105 242

HSL 240, 0.84%, 0.68%

LAB 51.29, 38.27, -69.12

 

CMYK 33 / 57 / 0 / 5

HEX #A369F2

RGB 163 105 242

HSL 265.4, 0.84%, 0.68%

LAB 56.39, 50.36, -60.63

 

CMYK 33 / 57 / 0 / 5

HEX #A369F2

RGB 163 105 242

HSL 265.4, 0.84%, 0.68%

LAB 56.39, 50.36, -60.63

 

CMYK 28 / 48 / 0 / 10

HEX #A576E5

RGB 165 118 229

HSL 265.41, 0.68%, 0.68%

LAB 58.61, 40.61, -49.82

 

CMYK 23 / 39 / 0 / 15

HEX #A783D8

RGB 167 131 216

HSL 265.41, 0.52%, 0.68%

LAB 61.14, 30.76, -38.56

 

CMYK 16 / 29 / 0 / 21

HEX #A990CA

RGB 169 144 202

HSL 265.86, 0.35%, 0.68%

LAB 63.87, 20.79, -26.46

 

CMYK 10 / 16 / 0 / 26

HEX #AB9EBD

RGB 171 158 189

HSL 265.16, 0.19%, 0.68%

LAB 67.12, 10.75, -14.25

 

CMYK 57 / 50 / 0 / 5

HEX #6979F2

RGB 105 121 242

HSL 232.99, 0.84%, 0.68%

LAB 55.16, 28.66, -62.86

 

CMYK 48 / 57 / 0 / 5

HEX #7D69F2

RGB 125 105 242

HSL 248.76, 0.84%, 0.68%

LAB 52.81, 42.07, -66.58

 

CMYK 33 / 57 / 0 / 5

HEX #A269F2

RGB 162 105 242

HSL 264.96, 0.84%, 0.68%

LAB 56.28, 50.13, -60.8

 

CMYK 18 / 57 / 0 / 5

HEX #C769F2

RGB 199 105 242

HSL 281.17, 0.84%, 0.68%

LAB 60.48, 58.99, -53.86

 

CMYK 3 / 57 / 0 / 5

HEX #EB69F2

RGB 235 105 242

HSL 296.93, 0.84%, 0.68%

LAB 65.1, 67.93, -46.24

 

CMYK 51 / 88 / 0 / 8

HEX #741DEB

RGB 116 29 235

HSL 265.34, 0.84%, 0.52%

LAB 38.88, 73.37, -85.43

 

CMYK 42 / 72 / 0 / 6

HEX #8B43EF

RGB 139 67 239

HSL 265.12, 0.84%, 0.6%

LAB 46.63, 63.68, -74.88

 

CMYK 33 / 57 / 0 / 5

HEX #A369F2

RGB 163 105 242

HSL 265.4, 0.84%, 0.68%

LAB 56.39, 50.36, -60.63

 

CMYK 24 / 42 / 0 / 4

HEX #BA8FF5

RGB 186 143 245

HSL 265.29, 0.84%, 0.76%

LAB 67.03, 36.23, -45.24

 

CMYK 16 / 27 / 0 / 2

HEX #D1B5F9

RGB 209 181 249

HSL 264.71, 0.85%, 0.84%

LAB 78.14, 22.96, -29.99

 

CMYK 32 / 56 / 0 / 5

HEX #A46BF2

RGB 164 107 242

HSL 265.33, 0.84%, 0.68%

LAB 56.9, 49.53, -59.81

 

CMYK 0 / 57 / 35 / 5

HEX #F2699D

RGB 242 105 157

HSL 337.23, 0.84%, 0.68%

LAB 62.86, 57.6, -1.62

 

CMYK 57 / 0 / 56 / 5

HEX #69F26B

RGB 105 242 107

HSL 120.88, 0.84%, 0.68%

LAB 85.79, -63.34, 53.31

 

CMYK 32 / 56 / 0 / 5

HEX #A46BF2

RGB 164 107 242

HSL 265.33, 0.84%, 0.68%

LAB 56.9, 49.53, -59.81

 

CMYK 0 / 33 / 57 / 5

HEX #F2A269

RGB 242 162 105

HSL 24.96, 0.84%, 0.68%

LAB 73.38, 23.93, 41.46

 

CMYK 57 / 0 / 33 / 5

HEX #69F2A2

RGB 105 242 162

HSL 144.96, 0.84%, 0.68%

LAB 86.56, -54.99, 27.64

 

CMYK 32 / 56 / 0 / 5

HEX #A46BF2

RGB 164 107 242

HSL 265.33, 0.84%, 0.68%

LAB 56.9, 49.53, -59.81

 

CMYK 0 / 57 / 35 / 5

HEX #F2699D

RGB 242 105 157

HSL 337.23, 0.84%, 0.68%

LAB 62.86, 57.6, -1.62

 

CMYK 24 / 0 / 57 / 5

HEX #B9F269

RGB 185 242 105

HSL 84.96, 0.84%, 0.68%

LAB 89.32, -39.05, 59.2

 

CMYK 57 / 0 / 22 / 5

HEX #69F2BD

RGB 105 242 189

HSL 156.79, 0.84%, 0.68%

LAB 87.09, -49.61, 14.47

 

CMYK 32 / 56 / 0 / 5

HEX #A46BF2

RGB 164 107 242

HSL 265.33, 0.84%, 0.68%

LAB 56.9, 49.53, -59.81

 

CMYK 0 / 57 / 52 / 5

HEX #F26974

RGB 242 105 116

HSL 355.18, 0.84%, 0.68%

LAB 61.86, 53.57, 20.56

 

CMYK 24 / 0 / 57 / 5

HEX #B9F269

RGB 185 242 105

HSL 84.96, 0.84%, 0.68%

LAB 89.32, -39.05, 59.2

 

CMYK 57 / 0 / 5 / 5

HEX #69F2E7

RGB 105 242 231

HSL 175.18, 0.84%, 0.68%

LAB 88.1, -39.77, -5.97

 

Description

Color code: HEX #A46BF2 | qconv.com Color code: HEX #A46BF2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 107 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 107 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 56 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 56% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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