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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4636C it is the complementary color #5B9C93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4636C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4636C shade: #A96367, #BA757A, #CB878D, #DC99A0 and #EDABB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4636C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4636C shade: #A4636C, #935159, #823F46, #712D33 and #601B20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4636C shade: #A4656E and #A46565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4636C shade: #A4656E, #A4657F, #A46590, #A465A1 and #9765A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4636C shade matches the following richer shades: #A4656E, #B8515F, #CC3D51, #E02943 and #F41634

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4636C shade: #A4656E, #91797C, #7D8C8A, #69A099 and #55B4A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4636C shade: #A46590, #A4657F, #A4656E, #A46C65 and #A47D65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4636C shade: #73444A, #8D535B, #A4656E, #B47F86 and #C3999F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4636C shade: #A4636C, #A1A465 and #6588A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4636C shade: #A4636C, #6EA465 and #656EA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4636C shade: #A4636C, #A1A465, #65A49B and #6865A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4636C shade: #A4636C, #8EA465, #65A49B and #7B65A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 34 / 36

HEX #A4636C

RGB 164 99 108

HSL 351.69, 0.26%, 0.52%

LAB 49.37, 27.42, 6.18

 

Complementary color

CMYK 42 / 0 / 6 / 39

HEX #5B9C93

RGB 91 156 147

HSL 171.69, 0.26%, 0.48%

LAB 59.99, -23.02, -1.82

 

CMYK 0 / 41 / 39 / 34

HEX #A96367

RGB 169 99 103

HSL 356.57, 0.29%, 0.53%

LAB 49.9, 28.74, 10

 

CMYK 0 / 37 / 34 / 27

HEX #BA757A

RGB 186 117 122

HSL 355.65, 0.33%, 0.59%

LAB 56.65, 27.75, 8.68

 

CMYK 0 / 33 / 31 / 20

HEX #CB878D

RGB 203 135 141

HSL 354.71, 0.4%, 0.66%

LAB 63.3, 26.86, 7.52

 

CMYK 0 / 30 / 27 / 14

HEX #DC99A0

RGB 220 153 160

HSL 353.73, 0.49%, 0.73%

LAB 69.85, 26.05, 6.48

 

CMYK 0 / 28 / 24 / 7

HEX #EDABB3

RGB 237 171 179

HSL 352.73, 0.65%, 0.8%

LAB 76.3, 25.32, 5.53

 

CMYK 0 / 40 / 34 / 36

HEX #A4636C

RGB 164 99 108

HSL 351.69, 0.26%, 0.52%

LAB 49.37, 27.42, 6.18

 

CMYK 0 / 45 / 39 / 42

HEX #935159

RGB 147 81 89

HSL 352.73, 0.29%, 0.45%

LAB 42.47, 28.44, 7.56

 

CMYK 0 / 52 / 46 / 49

HEX #823F46

RGB 130 63 70

HSL 353.73, 0.35%, 0.38%

LAB 35.48, 29.53, 9.24

 

CMYK 0 / 60 / 55 / 56

HEX #712D33

RGB 113 45 51

HSL 354.71, 0.43%, 0.31%

LAB 28.45, 30.64, 11.4

 

CMYK 0 / 72 / 67 / 62

HEX #601B20

RGB 96 27 32

HSL 355.65, 0.56%, 0.24%

LAB 21.49, 31.54, 14.36

 

CMYK 0 / 38 / 33 / 36

HEX #A4656E

RGB 164 101 110

HSL 351.43, 0.26%, 0.52%

LAB 49.89, 26.57, 5.72

 

CMYK 0 / 38 / 38 / 36

HEX #A46565

RGB 164 101 101

HSL 0, 0.26%, 0.52%

LAB 49.66, 25.4, 10.76

 

CMYK 0 / 38 / 33 / 36

HEX #A4656E

RGB 164 101 110

HSL 351.43, 0.26%, 0.52%

LAB 49.89, 26.57, 5.72

 

CMYK 0 / 38 / 23 / 36

HEX #A4657F

RGB 164 101 127

HSL 335.24, 0.26%, 0.52%

LAB 50.37, 29.04, -3.7

 

CMYK 0 / 38 / 12 / 36

HEX #A46590

RGB 164 101 144

HSL 319.05, 0.26%, 0.52%

LAB 50.94, 31.83, -12.94

 

CMYK 0 / 38 / 2 / 36

HEX #A465A1

RGB 164 101 161

HSL 302.86, 0.26%, 0.52%

LAB 51.58, 34.93, -21.96

 

CMYK 8 / 38 / 0 / 36

HEX #9765A4

RGB 151 101 164

HSL 287.62, 0.26%, 0.52%

LAB 50.18, 31.3, -26.01

 

CMYK 0 / 38 / 33 / 36

HEX #A4656E

RGB 164 101 110

HSL 351.43, 0.26%, 0.52%

LAB 49.89, 26.57, 5.72

 

CMYK 0 / 56 / 48 / 28

HEX #B8515F

RGB 184 81 95

HSL 351.84, 0.42%, 0.52%

LAB 48.14, 42.95, 12.65

 

CMYK 0 / 70 / 60 / 20

HEX #CC3D51

RGB 204 61 81

HSL 351.61, 0.58%, 0.52%

LAB 47.97, 57.19, 21.45

 

CMYK 0 / 82 / 70 / 12

HEX #E02943

RGB 224 41 67

HSL 351.48, 0.75%, 0.52%

LAB 49.3, 68.34, 32.32

 

CMYK 0 / 91 / 79 / 4

HEX #F41634

RGB 244 22 52

HSL 351.89, 0.91%, 0.52%

LAB 51.9, 76.37, 44.95

 

CMYK 0 / 38 / 33 / 36

HEX #A4656E

RGB 164 101 110

HSL 351.43, 0.26%, 0.52%

LAB 49.89, 26.57, 5.72

 

CMYK 0 / 17 / 14 / 43

HEX #91797C

RGB 145 121 124

HSL 352.5, 0.1%, 0.52%

LAB 53.11, 9.8, 1.83

 

CMYK 11 / 0 / 1 / 45

HEX #7D8C8A

RGB 125 140 138

HSL 172, 0.06%, 0.52%

LAB 57.03, -5.82, -0.79

 

CMYK 34 / 0 / 4 / 37

HEX #69A099

RGB 105 160 153

HSL 172.36, 0.22%, 0.52%

LAB 62.04, -19.69, -2.12

 

CMYK 53 / 0 / 7 / 29

HEX #55B4A7

RGB 85 180 167

HSL 171.79, 0.39%, 0.52%

LAB 67.55, -31.27, -1.94

 

CMYK 0 / 38 / 12 / 36

HEX #A46590

RGB 164 101 144

HSL 319.05, 0.26%, 0.52%

LAB 50.94, 31.83, -12.94

 

CMYK 0 / 38 / 23 / 36

HEX #A4657F

RGB 164 101 127

HSL 335.24, 0.26%, 0.52%

LAB 50.37, 29.04, -3.7

 

CMYK 0 / 38 / 33 / 36

HEX #A4656E

RGB 164 101 110

HSL 351.43, 0.26%, 0.52%

LAB 49.89, 26.57, 5.72

 

CMYK 0 / 34 / 38 / 36

HEX #A46C65

RGB 164 108 101

HSL 6.67, 0.26%, 0.52%

LAB 51.33, 21.45, 13.09

 

CMYK 0 / 24 / 38 / 36

HEX #A47D65

RGB 164 125 101

HSL 22.86, 0.26%, 0.52%

LAB 55.58, 11.78, 18.92

 

CMYK 0 / 41 / 36 / 55

HEX #73444A

RGB 115 68 74

HSL 352.34, 0.26%, 0.36%

LAB 34.55, 21.07, 5.06

 

CMYK 0 / 41 / 35 / 45

HEX #8D535B

RGB 141 83 91

HSL 351.72, 0.26%, 0.44%

LAB 42.16, 25.19, 5.77

 

CMYK 0 / 38 / 33 / 36

HEX #A4656E

RGB 164 101 110

HSL 351.43, 0.26%, 0.52%

LAB 49.89, 26.57, 5.72

 

CMYK 0 / 29 / 26 / 29

HEX #B47F86

RGB 180 127 134

HSL 352.08, 0.26%, 0.6%

LAB 58.61, 21.54, 4.44

 

CMYK 0 / 22 / 18 / 24

HEX #C3999F

RGB 195 153 159

HSL 351.43, 0.26%, 0.68%

LAB 67.19, 16.59, 2.87

 

CMYK 0 / 40 / 34 / 36

HEX #A4636C

RGB 164 99 108

HSL 351.69, 0.26%, 0.52%

LAB 49.37, 27.42, 6.18

 

CMYK 2 / 0 / 38 / 36

HEX #A1A465

RGB 161 164 101

HSL 62.86, 0.26%, 0.52%

LAB 65.8, -10.94, 32.33

 

CMYK 38 / 17 / 0 / 36

HEX #6588A4

RGB 101 136 164

HSL 206.67, 0.26%, 0.52%

LAB 55.13, -4.94, -18.76

 

CMYK 0 / 40 / 34 / 36

HEX #A4636C

RGB 164 99 108

HSL 351.69, 0.26%, 0.52%

LAB 49.37, 27.42, 6.18

 

CMYK 33 / 0 / 38 / 36

HEX #6EA465

RGB 110 164 101

HSL 111.43, 0.26%, 0.52%

LAB 62.34, -30.44, 27.18

 

CMYK 38 / 33 / 0 / 36

HEX #656EA4

RGB 101 110 164

HSL 231.43, 0.26%, 0.52%

LAB 47.75, 10.44, -30.15

 

CMYK 0 / 40 / 34 / 36

HEX #A4636C

RGB 164 99 108

HSL 351.69, 0.26%, 0.52%

LAB 49.37, 27.42, 6.18

 

CMYK 2 / 0 / 38 / 36

HEX #A1A465

RGB 161 164 101

HSL 62.86, 0.26%, 0.52%

LAB 65.8, -10.94, 32.33

 

CMYK 38 / 0 / 5 / 36

HEX #65A49B

RGB 101 164 155

HSL 171.43, 0.26%, 0.52%

LAB 63.08, -22.4, -1.73

 

CMYK 37 / 38 / 0 / 36

HEX #6865A4

RGB 104 101 164

HSL 242.86, 0.26%, 0.52%

LAB 45.54, 16.81, -33.59

 

CMYK 0 / 40 / 34 / 36

HEX #A4636C

RGB 164 99 108

HSL 351.69, 0.26%, 0.52%

LAB 49.37, 27.42, 6.18

 

CMYK 13 / 0 / 38 / 36

HEX #8EA465

RGB 142 164 101

HSL 80.95, 0.26%, 0.52%

LAB 64.36, -18.57, 30.19

 

CMYK 38 / 0 / 5 / 36

HEX #65A49B

RGB 101 164 155

HSL 171.43, 0.26%, 0.52%

LAB 63.08, -22.4, -1.73

 

CMYK 25 / 38 / 0 / 36

HEX #7B65A4

RGB 123 101 164

HSL 260.95, 0.26%, 0.52%

LAB 47.23, 22.45, -30.82

 

Description

Color code: HEX #A4636C | qconv.com Color code: HEX #A4636C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 99 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 99 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 34 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 34% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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