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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A451BA it is the complementary color #5BAE45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A451BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A451BA shade: #A951B5, #BA63C8, #CB75DB, #DC87EE and #ED99FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A451BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A451BA shade: #A451BA, #933FA7, #822D94, #711B81 and #60096E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A451BA shade: #A350B9, #B950B3, #B95097, #B9507A and #B9505E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A451BA shade: #A350B9, #8750B9, #6A50B9 and #5050B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A451BA shade matches the following richer shades: #A350B9, #AF3CCD, #BA28E1 and #C615F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A451BA shade: #A350B9, #9864A5, #8C7892, #818B7E and #759F6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A451BA shade: #6A50B9, #8650B9, #A250B9, #B950B4 and #B95098

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A451BA shade: #723483, #8C40A0, #A350B9, #B36DC5 and #C28BD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A451BA shade: #A451BA, #B95052 and #50B978

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A451BA shade: #A451BA, #B9A250 and #50B9A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A451BA shade: #A451BA, #B95052, #67B950 and #50B9B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A451BA shade: #A451BA, #B96E50, #67B950 and #509BB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 56 / 0 / 27

HEX #A451BA

RGB 164 81 186

HSL 287.43, 0.43%, 0.52%

LAB 48.66, 50.43, -41.11

 

Complementary color

CMYK 48 / 0 / 60 / 32

HEX #5BAE45

RGB 91 174 69

HSL 107.43, 0.43%, 0.48%

LAB 64.1, -45.29, 45.23

 

CMYK 7 / 55 / 0 / 29

HEX #A951B5

RGB 169 81 181

HSL 292.8, 0.4%, 0.51%

LAB 49.08, 50.78, -37.51

 

CMYK 7 / 51 / 0 / 22

HEX #BA63C8

RGB 186 99 200

HSL 291.68, 0.48%, 0.59%

LAB 55.62, 50.15, -38.03

 

CMYK 7 / 47 / 0 / 14

HEX #CB75DB

RGB 203 117 219

HSL 290.59, 0.59%, 0.66%

LAB 62.11, 49.44, -38.43

 

CMYK 8 / 43 / 0 / 7

HEX #DC87EE

RGB 220 135 238

HSL 289.51, 0.75%, 0.73%

LAB 68.55, 48.7, -38.77

 

CMYK 7 / 40 / 0 / 0

HEX #ED99FF

RGB 237 153 255

HSL 289.41, 1%, 0.8%

LAB 74.83, 47.57, -38.12

 

CMYK 12 / 56 / 0 / 27

HEX #A451BA

RGB 164 81 186

HSL 287.43, 0.43%, 0.52%

LAB 48.66, 50.43, -41.11

 

CMYK 12 / 62 / 0 / 35

HEX #933FA7

RGB 147 63 167

HSL 288.46, 0.45%, 0.45%

LAB 42.07, 50.92, -40.54

 

CMYK 12 / 70 / 0 / 42

HEX #822D94

RGB 130 45 148

HSL 289.51, 0.53%, 0.38%

LAB 35.52, 51.04, -39.69

 

CMYK 12 / 79 / 0 / 49

HEX #711B81

RGB 113 27 129

HSL 290.59, 0.65%, 0.31%

LAB 29.11, 50.45, -38.36

 

CMYK 13 / 92 / 0 / 57

HEX #60096E

RGB 96 9 110

HSL 291.68, 0.85%, 0.23%

LAB 23.03, 48.47, -36.19

 

CMYK 12 / 57 / 0 / 27

HEX #A350B9

RGB 163 80 185

HSL 287.43, 0.43%, 0.52%

LAB 48.29, 50.46, -41.13

 

CMYK 0 / 57 / 3 / 27

HEX #B950B3

RGB 185 80 179

HSL 303.43, 0.43%, 0.52%

LAB 51.04, 55.24, -33.1

 

CMYK 0 / 57 / 18 / 27

HEX #B95097

RGB 185 80 151

HSL 319.43, 0.43%, 0.52%

LAB 49.84, 50.72, -18.49

 

CMYK 0 / 57 / 34 / 27

HEX #B9507A

RGB 185 80 122

HSL 336, 0.43%, 0.52%

LAB 48.83, 46.74, -2.65

 

CMYK 0 / 57 / 49 / 27

HEX #B9505E

RGB 185 80 94

HSL 352, 0.43%, 0.52%

LAB 48.08, 43.7, 13.2

 

CMYK 12 / 57 / 0 / 27

HEX #A350B9

RGB 163 80 185

HSL 287.43, 0.43%, 0.52%

LAB 48.29, 50.46, -41.13

 

CMYK 27 / 57 / 0 / 27

HEX #8750B9

RGB 135 80 185

HSL 271.43, 0.43%, 0.52%

LAB 44.79, 43.18, -46.92

 

CMYK 43 / 57 / 0 / 27

HEX #6A50B9

RGB 106 80 185

HSL 254.86, 0.43%, 0.52%

LAB 41.7, 36.14, -52.05

 

CMYK 57 / 57 / 0 / 27

HEX #5050B9

RGB 80 80 185

HSL 240, 0.43%, 0.52%

LAB 39.49, 30.63, -55.72

 

CMYK 12 / 57 / 0 / 27

HEX #A350B9

RGB 163 80 185

HSL 287.43, 0.43%, 0.52%

LAB 48.29, 50.46, -41.13

 

CMYK 15 / 71 / 0 / 20

HEX #AF3CCD

RGB 175 60 205

HSL 287.59, 0.59%, 0.52%

LAB 47.95, 65.98, -53.16

 

CMYK 17 / 82 / 0 / 12

HEX #BA28E1

RGB 186 40 225

HSL 287.35, 0.76%, 0.52%

LAB 48.75, 77.91, -63.22

 

CMYK 19 / 91 / 0 / 4

HEX #C615F5

RGB 198 21 245

HSL 287.41, 0.92%, 0.52%

LAB 50.84, 86.69, -71.03

 

CMYK 12 / 57 / 0 / 27

HEX #A350B9

RGB 163 80 185

HSL 287.43, 0.43%, 0.52%

LAB 48.29, 50.46, -41.13

 

CMYK 8 / 39 / 0 / 35

HEX #9864A5

RGB 152 100 165

HSL 288, 0.27%, 0.52%

LAB 50.1, 32.4, -26.7

 

CMYK 4 / 18 / 0 / 43

HEX #8C7892

RGB 140 120 146

HSL 286.15, 0.11%, 0.52%

LAB 53.04, 12.72, -11.2

 

CMYK 7 / 0 / 9 / 45

HEX #818B7E

RGB 129 139 126

HSL 106.15, 0.05%, 0.52%

LAB 56.72, -6.22, 5.7

 

CMYK 26 / 0 / 33 / 38

HEX #759F6A

RGB 117 159 106

HSL 107.55, 0.22%, 0.52%

LAB 61.32, -24.74, 23.2

 

CMYK 43 / 57 / 0 / 27

HEX #6A50B9

RGB 106 80 185

HSL 254.86, 0.43%, 0.52%

LAB 41.7, 36.14, -52.05

 

CMYK 28 / 57 / 0 / 27

HEX #8650B9

RGB 134 80 185

HSL 270.86, 0.43%, 0.52%

LAB 44.67, 42.93, -47.11

 

CMYK 12 / 57 / 0 / 27

HEX #A250B9

RGB 162 80 185

HSL 286.86, 0.43%, 0.52%

LAB 48.16, 50.19, -41.35

 

CMYK 0 / 57 / 3 / 27

HEX #B950B4

RGB 185 80 180

HSL 302.86, 0.43%, 0.52%

LAB 51.09, 55.41, -33.6

 

CMYK 0 / 57 / 18 / 27

HEX #B95098

RGB 185 80 152

HSL 318.86, 0.43%, 0.52%

LAB 49.88, 50.87, -19.02

 

CMYK 13 / 60 / 0 / 49

HEX #723483

RGB 114 52 131

HSL 287.09, 0.43%, 0.36%

LAB 33.29, 40.2, -32.92

 

CMYK 13 / 60 / 0 / 37

HEX #8C40A0

RGB 140 64 160

HSL 287.5, 0.43%, 0.44%

LAB 40.86, 47.21, -38.35

 

CMYK 12 / 57 / 0 / 27

HEX #A350B9

RGB 163 80 185

HSL 287.43, 0.43%, 0.52%

LAB 48.29, 50.46, -41.13

 

CMYK 9 / 45 / 0 / 23

HEX #B36DC5

RGB 179 109 197

HSL 287.73, 0.43%, 0.6%

LAB 56.64, 42.32, -34.78

 

CMYK 7 / 33 / 0 / 18

HEX #C28BD1

RGB 194 139 209

HSL 287.14, 0.43%, 0.68%

LAB 65.39, 33, -27.84

 

CMYK 12 / 56 / 0 / 27

HEX #A451BA

RGB 164 81 186

HSL 287.43, 0.43%, 0.52%

LAB 48.66, 50.43, -41.11

 

CMYK 0 / 57 / 56 / 27

HEX #B95052

RGB 185 80 82

HSL 358.86, 0.43%, 0.52%

LAB 47.83, 42.64, 20.08

 

CMYK 57 / 0 / 35 / 27

HEX #50B978

RGB 80 185 120

HSL 142.86, 0.43%, 0.52%

LAB 67.84, -45.15, 24.1

 

CMYK 12 / 56 / 0 / 27

HEX #A451BA

RGB 164 81 186

HSL 287.43, 0.43%, 0.52%

LAB 48.66, 50.43, -41.11

 

CMYK 0 / 12 / 57 / 27

HEX #B9A250

RGB 185 162 80

HSL 46.86, 0.43%, 0.52%

LAB 67.08, -1.85, 45.09

 

CMYK 57 / 0 / 12 / 27

HEX #50B9A2

RGB 80 185 162

HSL 166.86, 0.43%, 0.52%

LAB 68.76, -35.94, 2.56

 

CMYK 12 / 56 / 0 / 27

HEX #A451BA

RGB 164 81 186

HSL 287.43, 0.43%, 0.52%

LAB 48.66, 50.43, -41.11

 

CMYK 0 / 57 / 56 / 27

HEX #B95052

RGB 185 80 82

HSL 358.86, 0.43%, 0.52%

LAB 47.83, 42.64, 20.08

 

CMYK 44 / 0 / 57 / 27

HEX #67B950

RGB 103 185 80

HSL 106.86, 0.43%, 0.52%

LAB 68.14, -44.93, 44.92

 

CMYK 57 / 0 / 1 / 27

HEX #50B9B7

RGB 80 185 183

HSL 178.86, 0.43%, 0.52%

LAB 69.34, -30.46, -8.13

 

CMYK 12 / 56 / 0 / 27

HEX #A451BA

RGB 164 81 186

HSL 287.43, 0.43%, 0.52%

LAB 48.66, 50.43, -41.11

 

CMYK 0 / 41 / 57 / 27

HEX #B96E50

RGB 185 110 80

HSL 17.14, 0.43%, 0.52%

LAB 54.08, 26.76, 29.34

 

CMYK 44 / 0 / 57 / 27

HEX #67B950

RGB 103 185 80

HSL 106.86, 0.43%, 0.52%

LAB 68.14, -44.93, 44.92

 

CMYK 57 / 16 / 0 / 27

HEX #509BB9

RGB 80 155 185

HSL 197.14, 0.43%, 0.52%

LAB 60.47, -14.53, -22.63

 

Description

Color code: HEX #A451BA | qconv.com Color code: HEX #A451BA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 81 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 81 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 56 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 56% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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