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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A450F6 it is the complementary color #5BAF09. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A450F6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A450F6 shade: #A950F1, #BA62FF, #CB74FF, #DC86FF and #ED98FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A450F6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A450F6 shade: #A450F6, #933EE3, #822CD0, #711ABD and #6008AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A450F6 shade: #A451F6, #D151F6, #F651EE, #F651C2 and #F65195

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A450F6 shade: #A451F6, #7851F6 and #5151F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A450F6 shade matches the following richer shades: #A451F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A450F6 shade: #A451F6, #A45FE7, #A46ED8, #A47DC9 and #A38CBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A450F6 shade: #5156F6, #7751F6, #A351F6, #CF51F6 and #F651F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A450F6 shade: #7B0CE8, #9029F4, #A451F6, #B978F8 and #CD9FFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A450F6 shade: #A450F6, #F65182 and #51F661

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A450F6 shade: #A450F6, #F6A351 and #51F6A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A450F6 shade: #A450F6, #F65182, #A3F651 and #51F6C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A450F6 shade: #A450F6, #F65151, #A3F651 and #51F6F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 67 / 0 / 4

HEX #A450F6

RGB 164 80 246

HSL 270.36, 0.9%, 0.64%

LAB 52.16, 63.97, -69.68

 

Complementary color

CMYK 48 / 0 / 95 / 31

HEX #5BAF09

RGB 91 175 9

HSL 90.36, 0.9%, 0.36%

LAB 64.08, -49.32, 63.82

 

CMYK 30 / 67 / 0 / 5

HEX #A950F1

RGB 169 80 241

HSL 273.17, 0.85%, 0.63%

LAB 52.42, 63.82, -66.42

 

CMYK 27 / 62 / 0 / 0

HEX #BA62FF

RGB 186 98 255

HSL 273.63, 1%, 0.69%

LAB 58.41, 62.11, -64.45

 

CMYK 20 / 55 / 0 / 0

HEX #CB74FF

RGB 203 116 255

HSL 277.55, 1%, 0.73%

LAB 63.68, 57.27, -55.91

 

CMYK 14 / 47 / 0 / 0

HEX #DC86FF

RGB 220 134 255

HSL 282.64, 1%, 0.76%

LAB 69.1, 52.57, -47.21

 

CMYK 7 / 40 / 0 / 0

HEX #ED98FF

RGB 237 152 255

HSL 289.51, 1%, 0.8%

LAB 74.62, 48.09, -38.44

 

CMYK 33 / 67 / 0 / 4

HEX #A450F6

RGB 164 80 246

HSL 270.36, 0.9%, 0.64%

LAB 52.16, 63.97, -69.68

 

CMYK 35 / 73 / 0 / 11

HEX #933EE3

RGB 147 62 227

HSL 270.91, 0.75%, 0.57%

LAB 45.9, 64.38, -69.24

 

CMYK 38 / 79 / 0 / 18

HEX #822CD0

RGB 130 44 208

HSL 271.46, 0.65%, 0.49%

LAB 39.75, 64.31, -68.47

 

CMYK 40 / 86 / 0 / 26

HEX #711ABD

RGB 113 26 189

HSL 272.02, 0.76%, 0.42%

LAB 33.82, 63.4, -67.17

 

CMYK 44 / 95 / 0 / 33

HEX #6008AA

RGB 96 8 170

HSL 272.59, 0.91%, 0.35%

LAB 28.28, 61.12, -65.03

 

CMYK 33 / 67 / 0 / 4

HEX #A451F6

RGB 164 81 246

HSL 270.18, 0.9%, 0.64%

LAB 52.32, 63.51, -69.41

 

CMYK 15 / 67 / 0 / 4

HEX #D151F6

RGB 209 81 246

HSL 286.55, 0.9%, 0.64%

LAB 58.13, 72.69, -59.76

 

CMYK 0 / 67 / 3 / 4

HEX #F651EE

RGB 246 81 238

HSL 302.91, 0.9%, 0.64%

LAB 63.05, 79.37, -47.15

 

CMYK 0 / 67 / 21 / 4

HEX #F651C2

RGB 246 81 194

HSL 318.91, 0.9%, 0.64%

LAB 61.11, 73.1, -25.4

 

CMYK 0 / 67 / 39 / 4

HEX #F65195

RGB 246 81 149

HSL 335.27, 0.9%, 0.64%

LAB 59.57, 67.89, -1.74

 

CMYK 33 / 67 / 0 / 4

HEX #A451F6

RGB 164 81 246

HSL 270.18, 0.9%, 0.64%

LAB 52.32, 63.51, -69.41

 

CMYK 51 / 67 / 0 / 4

HEX #7851F6

RGB 120 81 246

HSL 254.18, 0.9%, 0.64%

LAB 47.66, 55.57, -77.19

 

CMYK 67 / 67 / 0 / 4

HEX #5151F6

RGB 81 81 246

HSL 240, 0.9%, 0.64%

LAB 44.64, 50.05, -82.26

 

CMYK 33 / 67 / 0 / 4

HEX #A451F6

RGB 164 81 246

HSL 270.18, 0.9%, 0.64%

LAB 52.32, 63.51, -69.41

 

CMYK 33 / 67 / 0 / 4

HEX #A451F6

RGB 164 81 246

HSL 270.18, 0.9%, 0.64%

LAB 52.32, 63.51, -69.41

 

CMYK 29 / 59 / 0 / 9

HEX #A45FE7

RGB 164 95 231

HSL 270.44, 0.74%, 0.64%

LAB 53.86, 53.19, -58.53

 

CMYK 24 / 49 / 0 / 15

HEX #A46ED8

RGB 164 110 216

HSL 270.57, 0.58%, 0.64%

LAB 56.09, 41.68, -46.53

 

CMYK 18 / 38 / 0 / 21

HEX #A47DC9

RGB 164 125 201

HSL 270.79, 0.41%, 0.64%

LAB 58.77, 29.81, -33.85

 

CMYK 12 / 25 / 0 / 27

HEX #A38CBA

RGB 163 140 186

HSL 270, 0.25%, 0.64%

LAB 61.73, 17.6, -20.8

 

CMYK 67 / 65 / 0 / 4

HEX #5156F6

RGB 81 86 246

HSL 238.18, 0.9%, 0.64%

LAB 45.71, 47.16, -80.5

 

CMYK 52 / 67 / 0 / 4

HEX #7751F6

RGB 119 81 246

HSL 253.82, 0.9%, 0.64%

LAB 47.57, 55.41, -77.34

 

CMYK 34 / 67 / 0 / 4

HEX #A351F6

RGB 163 81 246

HSL 269.82, 0.9%, 0.64%

LAB 52.2, 63.31, -69.61

 

CMYK 16 / 67 / 0 / 4

HEX #CF51F6

RGB 207 81 246

HSL 285.82, 0.9%, 0.64%

LAB 57.85, 72.27, -60.22

 

CMYK 0 / 67 / 2 / 4

HEX #F651F0

RGB 246 81 240

HSL 302.18, 0.9%, 0.64%

LAB 63.15, 79.68, -48.11

 

CMYK 47 / 95 / 0 / 9

HEX #7B0CE8

RGB 123 12 232

HSL 270.27, 0.9%, 0.48%

LAB 38.38, 76.59, -84.53

 

CMYK 41 / 83 / 0 / 4

HEX #9029F4

RGB 144 41 244

HSL 270.44, 0.9%, 0.56%

LAB 44.3, 75.23, -81.47

 

CMYK 33 / 67 / 0 / 4

HEX #A451F6

RGB 164 81 246

HSL 270.18, 0.9%, 0.64%

LAB 52.32, 63.51, -69.41

 

CMYK 25 / 52 / 0 / 3

HEX #B978F8

RGB 185 120 248

HSL 270.47, 0.9%, 0.72%

LAB 62.1, 49.16, -54.69

 

CMYK 18 / 36 / 0 / 2

HEX #CD9FFA

RGB 205 159 250

HSL 270.33, 0.9%, 0.8%

LAB 72.68, 33.99, -39

 

CMYK 33 / 67 / 0 / 4

HEX #A450F6

RGB 164 80 246

HSL 270.36, 0.9%, 0.64%

LAB 52.16, 63.97, -69.68

 

CMYK 0 / 67 / 47 / 4

HEX #F65182

RGB 246 81 130

HSL 342.18, 0.9%, 0.64%

LAB 59.06, 66.11, 8.63

 

CMYK 67 / 0 / 61 / 4

HEX #51F661

RGB 81 246 97

HSL 125.82, 0.9%, 0.64%

LAB 86.27, -70.84, 58.07

 

CMYK 33 / 67 / 0 / 4

HEX #A450F6

RGB 164 80 246

HSL 270.36, 0.9%, 0.64%

LAB 52.16, 63.97, -69.68

 

CMYK 0 / 34 / 67 / 4

HEX #F6A351

RGB 246 163 81

HSL 29.82, 0.9%, 0.64%

LAB 73.79, 23.44, 53.95

 

CMYK 67 / 0 / 34 / 4

HEX #51F6A3

RGB 81 246 163

HSL 149.82, 0.9%, 0.64%

LAB 87.15, -60.88, 27.82

 

CMYK 33 / 67 / 0 / 4

HEX #A450F6

RGB 164 80 246

HSL 270.36, 0.9%, 0.64%

LAB 52.16, 63.97, -69.68

 

CMYK 0 / 67 / 47 / 4

HEX #F65182

RGB 246 81 130

HSL 342.18, 0.9%, 0.64%

LAB 59.06, 66.11, 8.63

 

CMYK 34 / 0 / 67 / 4

HEX #A3F651

RGB 163 246 81

HSL 90.18, 0.9%, 0.64%

LAB 89.06, -50.45, 68.38

 

CMYK 67 / 0 / 20 / 4

HEX #51F6C4

RGB 81 246 196

HSL 161.82, 0.9%, 0.64%

LAB 87.8, -53.95, 11.77

 

CMYK 33 / 67 / 0 / 4

HEX #A450F6

RGB 164 80 246

HSL 270.36, 0.9%, 0.64%

LAB 52.16, 63.97, -69.68

 

CMYK 0 / 67 / 67 / 4

HEX #F65151

RGB 246 81 81

HSL 0, 0.9%, 0.64%

LAB 58.11, 62.73, 35.82

 

CMYK 34 / 0 / 67 / 4

HEX #A3F651

RGB 163 246 81

HSL 90.18, 0.9%, 0.64%

LAB 89.06, -50.45, 68.38

 

CMYK 67 / 0 / 0 / 4

HEX #51F6F6

RGB 81 246 246

HSL 180, 0.9%, 0.64%

LAB 89.07, -41.39, -12.43

 

Description

Color code: HEX #A450F6 | qconv.com Color code: HEX #A450F6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 80 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 80 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 67 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 67% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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