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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A44FEA it is the complementary color #5BB015. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A44FEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A44FEA shade: #A94FE5, #BA61F8, #CB73FF, #DC85FF and #ED97FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A44FEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A44FEA shade: #A44FEA, #933DD7, #822BC4, #7119B1 and #60079E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A44FEA shade: #A34DEA, #CE4DEA, #EA4DDC, #EA4DB2 and #EA4D88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A44FEA shade: #A34DEA, #794DEA, #4E4DEA and #4D4DEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A44FEA shade matches the following richer shades: #A34DEA and #A53DFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A44FEA shade: #A34DEA, #A25DDA, #A06DCA, #9E7DBA and #9D8DAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A44FEA shade: #4D4DEA, #774DEA, #A14DEA, #CB4DEA and #EA4DE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A44FEA shade: #7B18CD, #9028E6, #A34DEA, #B672EE and #C997F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A44FEA shade: #A44FEA, #EA4D77 and #4DEA62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A44FEA shade: #A44FEA, #EAA14D and #4DEAA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A44FEA shade: #A44FEA, #EA4D77, #96EA4D and #4DEAC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A44FEA shade: #A44FEA, #EA524D, #96EA4D and #4DE5EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 66 / 0 / 8

HEX #A44FEA

RGB 164 79 234

HSL 272.9, 0.79%, 0.61%

LAB 51.18, 61.7, -64.53

 

Complementary color

CMYK 48 / 0 / 88 / 31

HEX #5BB015

RGB 91 176 21

HSL 92.9, 0.79%, 0.39%

LAB 64.43, -49.39, 62.18

 

CMYK 26 / 66 / 0 / 10

HEX #A94FE5

RGB 169 79 229

HSL 276, 0.74%, 0.6%

LAB 51.48, 61.63, -61.2

 

CMYK 25 / 61 / 0 / 3

HEX #BA61F8

RGB 186 97 248

HSL 275.36, 0.92%, 0.68%

LAB 57.81, 61.06, -61.53

 

CMYK 20 / 55 / 0 / 0

HEX #CB73FF

RGB 203 115 255

HSL 277.71, 1%, 0.73%

LAB 63.49, 57.77, -56.21

 

CMYK 14 / 48 / 0 / 0

HEX #DC85FF

RGB 220 133 255

HSL 282.79, 1%, 0.76%

LAB 68.9, 53.08, -47.52

 

CMYK 7 / 41 / 0 / 0

HEX #ED97FF

RGB 237 151 255

HSL 289.62, 1%, 0.8%

LAB 74.42, 48.61, -38.75

 

CMYK 30 / 66 / 0 / 8

HEX #A44FEA

RGB 164 79 234

HSL 272.9, 0.79%, 0.61%

LAB 51.18, 61.7, -64.53

 

CMYK 32 / 72 / 0 / 16

HEX #933DD7

RGB 147 61 215

HSL 273.51, 0.66%, 0.54%

LAB 44.87, 62.08, -64.07

 

CMYK 34 / 78 / 0 / 23

HEX #822BC4

RGB 130 43 196

HSL 274.12, 0.64%, 0.47%

LAB 38.65, 61.98, -63.28

 

CMYK 36 / 86 / 0 / 31

HEX #7119B1

RGB 113 25 177

HSL 274.74, 0.75%, 0.4%

LAB 32.66, 61.03, -61.95

 

CMYK 39 / 96 / 0 / 38

HEX #60079E

RGB 96 7 158

HSL 275.36, 0.92%, 0.32%

LAB 27.04, 58.68, -59.8

 

CMYK 30 / 67 / 0 / 8

HEX #A34DEA

RGB 163 77 234

HSL 272.87, 0.79%, 0.61%

LAB 50.73, 62.41, -65.27

 

CMYK 12 / 67 / 0 / 8

HEX #CE4DEA

RGB 206 77 234

HSL 289.3, 0.79%, 0.61%

LAB 56.46, 71.4, -55.76

 

CMYK 0 / 67 / 6 / 8

HEX #EA4DDC

RGB 234 77 220

HSL 305.35, 0.79%, 0.61%

LAB 59.86, 75.31, -42.23

 

CMYK 0 / 67 / 24 / 8

HEX #EA4DB2

RGB 234 77 178

HSL 321.4, 0.79%, 0.61%

LAB 58.05, 69.42, -21.07

 

CMYK 0 / 67 / 42 / 8

HEX #EA4D88

RGB 234 77 136

HSL 337.45, 0.79%, 0.61%

LAB 56.66, 64.68, 1.4

 

CMYK 30 / 67 / 0 / 8

HEX #A34DEA

RGB 163 77 234

HSL 272.87, 0.79%, 0.61%

LAB 50.73, 62.41, -65.27

 

CMYK 48 / 67 / 0 / 8

HEX #794DEA

RGB 121 77 234

HSL 256.82, 0.79%, 0.61%

LAB 46.06, 54.52, -73.06

 

CMYK 67 / 67 / 0 / 8

HEX #4E4DEA

RGB 78 77 234

HSL 240.38, 0.79%, 0.61%

LAB 42.56, 48.14, -78.92

 

CMYK 67 / 67 / 0 / 8

HEX #4D4DEA

RGB 77 77 234

HSL 240, 0.79%, 0.61%

LAB 42.5, 48.02, -79.03

 

CMYK 30 / 67 / 0 / 8

HEX #A34DEA

RGB 163 77 234

HSL 272.87, 0.79%, 0.61%

LAB 50.73, 62.41, -65.27

 

CMYK 34 / 76 / 0 / 2

HEX #A53DFA

RGB 165 61 250

HSL 273.02, 0.95%, 0.61%

LAB 49.78, 72.91, -75.76

 

CMYK 30 / 67 / 0 / 8

HEX #A34DEA

RGB 163 77 234

HSL 272.87, 0.79%, 0.61%

LAB 50.73, 62.41, -65.27

 

CMYK 26 / 57 / 0 / 15

HEX #A25DDA

RGB 162 93 218

HSL 273.12, 0.63%, 0.61%

LAB 52.48, 50.74, -53.42

 

CMYK 21 / 46 / 0 / 21

HEX #A06DCA

RGB 160 109 202

HSL 272.9, 0.47%, 0.61%

LAB 54.74, 37.89, -40.76

 

CMYK 15 / 33 / 0 / 27

HEX #9E7DBA

RGB 158 125 186

HSL 272.46, 0.31%, 0.61%

LAB 57.54, 24.56, -27.27

 

CMYK 8 / 17 / 0 / 33

HEX #9D8DAA

RGB 157 141 170

HSL 273.1, 0.15%, 0.61%

LAB 60.89, 11.59, -13.06

 

CMYK 67 / 67 / 0 / 8

HEX #4D4DEA

RGB 77 77 234

HSL 240, 0.79%, 0.61%

LAB 42.5, 48.02, -79.03

 

CMYK 49 / 67 / 0 / 8

HEX #774DEA

RGB 119 77 234

HSL 256.05, 0.79%, 0.61%

LAB 45.87, 54.18, -73.39

 

CMYK 31 / 67 / 0 / 8

HEX #A14DEA

RGB 161 77 234

HSL 272.1, 0.79%, 0.61%

LAB 50.48, 62.01, -65.68

 

CMYK 13 / 67 / 0 / 8

HEX #CB4DEA

RGB 203 77 234

HSL 288.15, 0.79%, 0.61%

LAB 56.03, 70.76, -56.46

 

CMYK 0 / 67 / 4 / 8

HEX #EA4DE0

RGB 234 77 224

HSL 303.82, 0.79%, 0.61%

LAB 60.05, 75.92, -44.18

 

CMYK 40 / 88 / 0 / 20

HEX #7B18CD

RGB 123 24 205

HSL 272.82, 0.79%, 0.45%

LAB 36.5, 68.66, -72.09

 

CMYK 37 / 83 / 0 / 10

HEX #9028E6

RGB 144 40 230

HSL 272.84, 0.79%, 0.53%

LAB 43, 72.5, -75.68

 

CMYK 30 / 67 / 0 / 8

HEX #A34DEA

RGB 163 77 234

HSL 272.87, 0.79%, 0.61%

LAB 50.73, 62.41, -65.27

 

CMYK 24 / 52 / 0 / 7

HEX #B672EE

RGB 182 114 238

HSL 272.9, 0.78%, 0.69%

LAB 60.03, 49.29, -52.48

 

CMYK 17 / 38 / 0 / 5

HEX #C997F3

RGB 201 151 243

HSL 272.61, 0.79%, 0.77%

LAB 70.19, 35.67, -39.1

 

CMYK 30 / 66 / 0 / 8

HEX #A44FEA

RGB 164 79 234

HSL 272.9, 0.79%, 0.61%

LAB 51.18, 61.7, -64.53

 

CMYK 0 / 67 / 49 / 8

HEX #EA4D77

RGB 234 77 119

HSL 343.95, 0.79%, 0.61%

LAB 56.22, 63.14, 10.81

 

CMYK 67 / 0 / 58 / 8

HEX #4DEA62

RGB 77 234 98

HSL 128.03, 0.79%, 0.61%

LAB 82.54, -67.44, 53.33

 

CMYK 30 / 66 / 0 / 8

HEX #A44FEA

RGB 164 79 234

HSL 272.9, 0.79%, 0.61%

LAB 51.18, 61.7, -64.53

 

CMYK 0 / 31 / 67 / 8

HEX #EAA14D

RGB 234 161 77

HSL 32.1, 0.79%, 0.61%

LAB 71.91, 19.32, 53.36

 

CMYK 67 / 0 / 31 / 8

HEX #4DEAA1

RGB 77 234 161

HSL 152.1, 0.79%, 0.61%

LAB 83.44, -57.34, 23.78

 

CMYK 30 / 66 / 0 / 8

HEX #A44FEA

RGB 164 79 234

HSL 272.9, 0.79%, 0.61%

LAB 51.18, 61.7, -64.53

 

CMYK 0 / 67 / 49 / 8

HEX #EA4D77

RGB 234 77 119

HSL 343.95, 0.79%, 0.61%

LAB 56.22, 63.14, 10.81

 

CMYK 36 / 0 / 67 / 8

HEX #96EA4D

RGB 150 234 77

HSL 92.1, 0.79%, 0.61%

LAB 84.93, -50.19, 65.38

 

CMYK 67 / 0 / 18 / 8

HEX #4DEAC0

RGB 77 234 192

HSL 163.95, 0.79%, 0.61%

LAB 84.08, -50.57, 8.54

 

CMYK 30 / 66 / 0 / 8

HEX #A44FEA

RGB 164 79 234

HSL 272.9, 0.79%, 0.61%

LAB 51.18, 61.7, -64.53

 

CMYK 0 / 65 / 67 / 8

HEX #EA524D

RGB 234 82 77

HSL 1.91, 0.79%, 0.61%

LAB 56.15, 58.28, 35.23

 

CMYK 36 / 0 / 67 / 8

HEX #96EA4D

RGB 150 234 77

HSL 92.1, 0.79%, 0.61%

LAB 84.93, -50.19, 65.38

 

CMYK 67 / 2 / 0 / 8

HEX #4DE5EA

RGB 77 229 234

HSL 181.91, 0.79%, 0.61%

LAB 83.73, -37.52, -14.12

 

Description

Color code: HEX #A44FEA | qconv.com Color code: HEX #A44FEA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 79 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 79 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 66 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 66% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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