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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A439CB it is the complementary color #5BC634. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A439CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A439CB shade: #A939C6, #BA4BD9, #CB5DEC, #DC6FFF and #ED81FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A439CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A439CB shade: #A439CB, #9327B8, #8215A5, #710392 and #60007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A439CB shade: #A43ACB, #CB3ACA, #CB3AA3, #CB3A7C and #CB3A55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A439CB shade: #A43ACB, #7D3ACB, #563ACB and #3A3ACB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A439CB shade matches the following richer shades: #A43ACB, #AD25DF and #B711F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A439CB shade: #A43ACB, #9A4EB6, #9162A2, #88768E and #7E8A7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A439CB shade: #543ACB, #7B3ACB, #A13ACB, #C83ACB and #CB3AA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A439CB shade: #71258C, #8B2EAD, #A43ACB, #B35AD3 and #C27BDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A439CB shade: #A439CB, #CB3A46 and #3ACB67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A439CB shade: #A439CB, #CBA13A and #3ACBA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A439CB shade: #A439CB, #CB3A46, #63CB3A and #3ACBBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A439CB shade: #A439CB, #CB593A, #63CB3A and #3AABCB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 72 / 0 / 20

HEX #A439CB

RGB 164 57 203

HSL 283.97, 0.58%, 0.51%

LAB 45.81, 64.48, -55.52

 

Complementary color

CMYK 54 / 0 / 74 / 22

HEX #5BC634

RGB 91 198 52

HSL 103.97, 0.58%, 0.49%

LAB 71.46, -56.08, 59.97

 

CMYK 15 / 71 / 0 / 22

HEX #A939C6

RGB 169 57 198

HSL 287.66, 0.55%, 0.5%

LAB 46.23, 64.54, -51.92

 

CMYK 14 / 65 / 0 / 15

HEX #BA4BD9

RGB 186 75 217

HSL 286.9, 0.65%, 0.57%

LAB 52.38, 64.64, -52.84

 

CMYK 14 / 61 / 0 / 7

HEX #CB5DEC

RGB 203 93 236

HSL 286.15, 0.79%, 0.65%

LAB 58.58, 64.37, -53.5

 

CMYK 14 / 56 / 0 / 0

HEX #DC6FFF

RGB 220 111 255

HSL 285.42, 1%, 0.72%

LAB 64.81, 63.88, -53.99

 

CMYK 7 / 49 / 0 / 0

HEX #ED81FF

RGB 237 129 255

HSL 291.43, 1%, 0.75%

LAB 70.12, 59.65, -45.46

 

CMYK 19 / 72 / 0 / 20

HEX #A439CB

RGB 164 57 203

HSL 283.97, 0.58%, 0.51%

LAB 45.81, 64.48, -55.52

 

CMYK 20 / 79 / 0 / 28

HEX #9327B8

RGB 147 39 184

HSL 284.69, 0.65%, 0.44%

LAB 39.77, 63.82, -54.31

 

CMYK 21 / 87 / 0 / 35

HEX #8215A5

RGB 130 21 165

HSL 285.42, 0.77%, 0.36%

LAB 33.98, 62.16, -52.49

 

CMYK 23 / 98 / 0 / 43

HEX #710392

RGB 113 3 146

HSL 286.15, 0.96%, 0.29%

LAB 28.51, 59.17, -49.9

 

CMYK 24 / 100 / 0 / 50

HEX #60007F

RGB 96 0 127

HSL 285.35, 1%, 0.25%

LAB 23.73, 53.67, -45.93

 

CMYK 19 / 71 / 0 / 20

HEX #A43ACB

RGB 164 58 203

HSL 283.86, 0.58%, 0.51%

LAB 45.95, 64.09, -55.3

 

CMYK 0 / 71 / 0 / 20

HEX #CB3ACA

RGB 203 58 202

HSL 300.41, 0.58%, 0.51%

LAB 51.82, 72.09, -45

 

CMYK 0 / 71 / 20 / 20

HEX #CB3AA3

RGB 203 58 163

HSL 316.55, 0.58%, 0.51%

LAB 49.94, 66.32, -25.21

 

CMYK 0 / 71 / 39 / 20

HEX #CB3A7C

RGB 203 58 124

HSL 332.69, 0.58%, 0.51%

LAB 48.48, 61.65, -4.03

 

CMYK 0 / 71 / 58 / 20

HEX #CB3A55

RGB 203 58 85

HSL 348.83, 0.58%, 0.51%

LAB 47.47, 58.26, 18.32

 

CMYK 19 / 71 / 0 / 20

HEX #A43ACB

RGB 164 58 203

HSL 283.86, 0.58%, 0.51%

LAB 45.95, 64.09, -55.3

 

CMYK 38 / 71 / 0 / 20

HEX #7D3ACB

RGB 125 58 203

HSL 267.72, 0.58%, 0.51%

LAB 40.73, 56.53, -64

 

CMYK 58 / 71 / 0 / 20

HEX #563ACB

RGB 86 58 203

HSL 251.59, 0.58%, 0.51%

LAB 36.59, 50.16, -70.94

 

CMYK 71 / 71 / 0 / 20

HEX #3A3ACB

RGB 58 58 203

HSL 240, 0.58%, 0.51%

LAB 34.47, 46.74, -74.5

 

CMYK 19 / 71 / 0 / 20

HEX #A43ACB

RGB 164 58 203

HSL 283.86, 0.58%, 0.51%

LAB 45.95, 64.09, -55.3

 

CMYK 22 / 83 / 0 / 13

HEX #AD25DF

RGB 173 37 223

HSL 283.87, 0.74%, 0.51%

LAB 46.36, 76.18, -66.05

 

CMYK 25 / 93 / 0 / 5

HEX #B711F3

RGB 183 17 243

HSL 284.07, 0.9%, 0.51%

LAB 48.18, 84.8, -74.34

 

CMYK 19 / 71 / 0 / 20

HEX #A43ACB

RGB 164 58 203

HSL 283.86, 0.58%, 0.51%

LAB 45.95, 64.09, -55.3

 

CMYK 15 / 57 / 0 / 29

HEX #9A4EB6

RGB 154 78 182

HSL 283.85, 0.42%, 0.51%

LAB 46.57, 48.47, -42.18

 

CMYK 10 / 40 / 0 / 36

HEX #9162A2

RGB 145 98 162

HSL 284.06, 0.26%, 0.51%

LAB 48.72, 30.66, -27.16

 

CMYK 4 / 17 / 0 / 44

HEX #88768E

RGB 136 118 142

HSL 285, 0.1%, 0.51%

LAB 52, 11.62, -10.46

 

CMYK 9 / 0 / 12 / 46

HEX #7E8A7A

RGB 126 138 122

HSL 105, 0.06%, 0.51%

LAB 56.11, -7.55, 7.08

 

CMYK 59 / 71 / 0 / 20

HEX #543ACB

RGB 84 58 203

HSL 250.76, 0.58%, 0.51%

LAB 36.41, 49.88, -71.24

 

CMYK 39 / 71 / 0 / 20

HEX #7B3ACB

RGB 123 58 203

HSL 266.9, 0.58%, 0.51%

LAB 40.49, 56.17, -64.4

 

CMYK 21 / 71 / 0 / 20

HEX #A13ACB

RGB 161 58 203

HSL 282.62, 0.58%, 0.51%

LAB 45.52, 63.48, -56.02

 

CMYK 1 / 71 / 0 / 20

HEX #C83ACB

RGB 200 58 203

HSL 298.76, 0.58%, 0.51%

LAB 51.4, 71.61, -46.27

 

CMYK 0 / 71 / 18 / 20

HEX #CB3AA6

RGB 203 58 166

HSL 315.31, 0.58%, 0.51%

LAB 50.07, 66.73, -26.78

 

CMYK 19 / 74 / 0 / 45

HEX #71258C

RGB 113 37 140

HSL 284.27, 0.58%, 0.35%

LAB 31.18, 48.9, -41.88

 

CMYK 20 / 73 / 0 / 32

HEX #8B2EAD

RGB 139 46 173

HSL 283.94, 0.58%, 0.43%

LAB 38.66, 57.62, -49.65

 

CMYK 19 / 71 / 0 / 20

HEX #A43ACB

RGB 164 58 203

HSL 283.86, 0.58%, 0.51%

LAB 45.95, 64.09, -55.3

 

CMYK 15 / 57 / 0 / 17

HEX #B35AD3

RGB 179 90 211

HSL 284.13, 0.58%, 0.59%

LAB 53.6, 54.96, -47.54

 

CMYK 12 / 44 / 0 / 14

HEX #C27BDC

RGB 194 123 220

HSL 283.92, 0.58%, 0.67%

LAB 62.34, 43.92, -38.71

 

CMYK 19 / 72 / 0 / 20

HEX #A439CB

RGB 164 57 203

HSL 283.97, 0.58%, 0.51%

LAB 45.81, 64.48, -55.52

 

CMYK 0 / 71 / 66 / 20

HEX #CB3A46

RGB 203 58 70

HSL 355.03, 0.58%, 0.51%

LAB 47.19, 57.31, 27.04

 

CMYK 71 / 0 / 49 / 20

HEX #3ACB67

RGB 58 203 103

HSL 138.62, 0.58%, 0.51%

LAB 72.62, -59.3, 38.93

 

CMYK 19 / 72 / 0 / 20

HEX #A439CB

RGB 164 57 203

HSL 283.97, 0.58%, 0.51%

LAB 45.81, 64.48, -55.52

 

CMYK 0 / 21 / 71 / 20

HEX #CBA13A

RGB 203 161 58

HSL 42.62, 0.58%, 0.51%

LAB 68.38, 5.07, 57.02

 

CMYK 71 / 0 / 21 / 20

HEX #3ACBA1

RGB 58 203 161

HSL 162.62, 0.58%, 0.51%

LAB 73.67, -47.83, 10.08

 

CMYK 19 / 72 / 0 / 20

HEX #A439CB

RGB 164 57 203

HSL 283.97, 0.58%, 0.51%

LAB 45.81, 64.48, -55.52

 

CMYK 0 / 71 / 66 / 20

HEX #CB3A46

RGB 203 58 70

HSL 355.03, 0.58%, 0.51%

LAB 47.19, 57.31, 27.04

 

CMYK 51 / 0 / 71 / 20

HEX #63CB3A

RGB 99 203 58

HSL 103.03, 0.58%, 0.51%

LAB 73.33, -55.29, 59.81

 

CMYK 71 / 0 / 6 / 20

HEX #3ACBBE

RGB 58 203 190

HSL 174.62, 0.58%, 0.51%

LAB 74.4, -40.39, -4.52

 

CMYK 19 / 72 / 0 / 20

HEX #A439CB

RGB 164 57 203

HSL 283.97, 0.58%, 0.51%

LAB 45.81, 64.48, -55.52

 

CMYK 0 / 56 / 71 / 20

HEX #CB593A

RGB 203 89 58

HSL 12.83, 0.58%, 0.51%

LAB 52, 43.36, 39.63

 

CMYK 51 / 0 / 71 / 20

HEX #63CB3A

RGB 99 203 58

HSL 103.03, 0.58%, 0.51%

LAB 73.33, -55.29, 59.81

 

CMYK 71 / 16 / 0 / 20

HEX #3AABCB

RGB 58 171 203

HSL 193.24, 0.58%, 0.51%

LAB 65.23, -21.09, -25.45

 

Description

Color code: HEX #A439CB | qconv.com Color code: HEX #A439CB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 57 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 57 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 72 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 72% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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