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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A42D7E it is the complementary color #5BD281. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A42D7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A42D7E shade: #A92D79, #BA3F8C, #CB519F, #DC63B2 and #ED75C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A42D7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A42D7E shade: #A42D7E, #931B6B, #820958, #710045 and #600032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A42D7E shade: #A42D7E, #A42D5E, #A42D3E and #A42D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A42D7E shade: #A42D7E, #A42D9E, #8A2DA4, #6A2DA4 and #4A2DA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A42D7E shade matches the following richer shades: #A42D7E, #B51C84 and #C60B8A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A42D7E shade: #A42D7E, #933E78, #824F72, #71606C and #607166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A42D7E shade: #8A2DA4, #A42D9E, #A42D7E, #A42D5F and #A42D3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A42D7E shade: #631B4C, #842465, #A42D7E, #C53697 and #D054A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A42D7E shade: #A42D7E, #A46B2D and #2DA49A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A42D7E shade: #A42D7E, #7EA42D and #2D7EA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A42D7E shade: #A42D7E, #A46B2D, #2DA453 and #2D67A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A42D7E shade: #A42D7E, #A48E2D, #2DA453 and #2D43A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 23 / 36

HEX #A42D7E

RGB 164 45 126

HSL 319.16, 0.57%, 0.41%

LAB 40.04, 55.91, -18.67

 

Complementary color

CMYK 57 / 0 / 39 / 18

HEX #5BD281

RGB 91 210 129

HSL 139.16, 0.57%, 0.59%

LAB 76.01, -51.23, 30.33

 

CMYK 0 / 73 / 28 / 34

HEX #A92D79

RGB 169 45 121

HSL 323.23, 0.58%, 0.42%

LAB 40.72, 56.58, -14.46

 

CMYK 0 / 66 / 25 / 27

HEX #BA3F8C

RGB 186 63 140

HSL 322.44, 0.49%, 0.49%

LAB 46.83, 56.91, -16.5

 

CMYK 0 / 60 / 22 / 20

HEX #CB519F

RGB 203 81 159

HSL 321.64, 0.54%, 0.56%

LAB 53.04, 56.75, -18.08

 

CMYK 0 / 55 / 19 / 14

HEX #DC63B2

RGB 220 99 178

HSL 320.83, 0.63%, 0.63%

LAB 59.3, 56.31, -19.35

 

CMYK 0 / 51 / 17 / 7

HEX #ED75C5

RGB 237 117 197

HSL 320, 0.77%, 0.69%

LAB 65.56, 55.71, -20.4

 

CMYK 0 / 73 / 23 / 36

HEX #A42D7E

RGB 164 45 126

HSL 319.16, 0.57%, 0.41%

LAB 40.04, 55.91, -18.67

 

CMYK 0 / 82 / 27 / 42

HEX #931B6B

RGB 147 27 107

HSL 320, 0.69%, 0.34%

LAB 34.08, 54.79, -16.18

 

CMYK 0 / 93 / 32 / 49

HEX #820958

RGB 130 9 88

HSL 320.83, 0.87%, 0.27%

LAB 28.5, 52.33, -12.72

 

CMYK 0 / 100 / 39 / 56

HEX #710045

RGB 113 0 69

HSL 323.36, 1%, 0.22%

LAB 23.47, 47.92, -7.95

 

CMYK 0 / 100 / 48 / 62

HEX #600032

RGB 96 0 50

HSL 328.75, 1%, 0.19%

LAB 18.87, 41.89, -1.96

 

CMYK 0 / 73 / 23 / 36

HEX #A42D7E

RGB 164 45 126

HSL 319.16, 0.57%, 0.41%

LAB 40.04, 55.91, -18.67

 

CMYK 0 / 73 / 43 / 36

HEX #A42D5E

RGB 164 45 94

HSL 335.29, 0.57%, 0.41%

LAB 38.86, 52.09, -0.41

 

CMYK 0 / 73 / 62 / 36

HEX #A42D3E

RGB 164 45 62

HSL 351.43, 0.57%, 0.41%

LAB 38.05, 49.38, 18.78

 

CMYK 0 / 73 / 73 / 36

HEX #A42D2D

RGB 164 45 45

HSL 0, 0.57%, 0.41%

LAB 37.77, 48.41, 28.97

 

CMYK 0 / 73 / 23 / 36

HEX #A42D7E

RGB 164 45 126

HSL 319.16, 0.57%, 0.41%

LAB 40.04, 55.91, -18.67

 

CMYK 0 / 73 / 4 / 36

HEX #A42D9E

RGB 164 45 158

HSL 303.03, 0.57%, 0.41%

LAB 41.59, 60.7, -35.76

 

CMYK 16 / 73 / 0 / 36

HEX #8A2DA4

RGB 138 45 164

HSL 286.89, 0.57%, 0.41%

LAB 37.77, 56, -45.7

 

CMYK 35 / 73 / 0 / 36

HEX #6A2DA4

RGB 106 45 164

HSL 270.76, 0.57%, 0.41%

LAB 33.18, 49.42, -53.34

 

CMYK 55 / 73 / 0 / 36

HEX #4A2DA4

RGB 74 45 164

HSL 254.62, 0.57%, 0.41%

LAB 29.45, 43.75, -59.6

 

CMYK 0 / 73 / 23 / 36

HEX #A42D7E

RGB 164 45 126

HSL 319.16, 0.57%, 0.41%

LAB 40.04, 55.91, -18.67

 

CMYK 0 / 85 / 27 / 29

HEX #B51C84

RGB 181 28 132

HSL 319.22, 0.73%, 0.41%

LAB 41.72, 65.63, -19.53

 

CMYK 0 / 94 / 30 / 22

HEX #C60B8A

RGB 198 11 138

HSL 319.25, 0.89%, 0.41%

LAB 44.35, 72.56, -18.89

 

CMYK 0 / 73 / 23 / 36

HEX #A42D7E

RGB 164 45 126

HSL 319.16, 0.57%, 0.41%

LAB 40.04, 55.91, -18.67

 

CMYK 0 / 58 / 18 / 42

HEX #933E78

RGB 147 62 120

HSL 319.06, 0.41%, 0.41%

LAB 39.59, 42.91, -15.9

 

CMYK 0 / 39 / 12 / 49

HEX #824F72

RGB 130 79 114

HSL 318.82, 0.24%, 0.41%

LAB 40.5, 26.92, -11.04

 

CMYK 0 / 15 / 4 / 56

HEX #71606C

RGB 113 96 108

HSL 317.65, 0.08%, 0.41%

LAB 42.7, 9.13, -4.26

 

CMYK 15 / 0 / 10 / 56

HEX #607166

RGB 96 113 102

HSL 141.18, 0.08%, 0.41%

LAB 45.98, -8.72, 3.98

 

CMYK 16 / 73 / 0 / 36

HEX #8A2DA4

RGB 138 45 164

HSL 286.89, 0.57%, 0.41%

LAB 37.77, 56, -45.7

 

CMYK 0 / 73 / 4 / 36

HEX #A42D9E

RGB 164 45 158

HSL 303.03, 0.57%, 0.41%

LAB 41.59, 60.7, -35.76

 

CMYK 0 / 73 / 23 / 36

HEX #A42D7E

RGB 164 45 126

HSL 319.16, 0.57%, 0.41%

LAB 40.04, 55.91, -18.67

 

CMYK 0 / 73 / 42 / 36

HEX #A42D5F

RGB 164 45 95

HSL 334.79, 0.57%, 0.41%

LAB 38.89, 52.19, -1

 

CMYK 0 / 73 / 62 / 36

HEX #A42D3F

RGB 164 45 63

HSL 350.92, 0.57%, 0.41%

LAB 38.07, 49.45, 18.17

 

CMYK 0 / 73 / 23 / 61

HEX #631B4C

RGB 99 27 76

HSL 319.17, 0.57%, 0.25%

LAB 23.53, 37.59, -12.87

 

CMYK 0 / 73 / 23 / 48

HEX #842465

RGB 132 36 101

HSL 319.38, 0.57%, 0.33%

LAB 32.05, 47.13, -15.7

 

CMYK 0 / 73 / 23 / 36

HEX #A42D7E

RGB 164 45 126

HSL 319.16, 0.57%, 0.41%

LAB 40.04, 55.91, -18.67

 

CMYK 0 / 73 / 23 / 23

HEX #C53697

RGB 197 54 151

HSL 319.3, 0.57%, 0.49%

LAB 47.93, 64.59, -21.24

 

CMYK 0 / 60 / 19 / 18

HEX #D054A8

RGB 208 84 168

HSL 319.35, 0.57%, 0.57%

LAB 54.63, 58.14, -20.85

 

CMYK 0 / 73 / 23 / 36

HEX #A42D7E

RGB 164 45 126

HSL 319.16, 0.57%, 0.41%

LAB 40.04, 55.91, -18.67

 

CMYK 0 / 35 / 73 / 36

HEX #A46B2D

RGB 164 107 45

HSL 31.26, 0.57%, 0.41%

LAB 50.21, 17.07, 42.72

 

CMYK 73 / 0 / 6 / 36

HEX #2DA49A

RGB 45 164 154

HSL 174.96, 0.57%, 0.41%

LAB 61.17, -34.29, -4.2

 

CMYK 0 / 73 / 23 / 36

HEX #A42D7E

RGB 164 45 126

HSL 319.16, 0.57%, 0.41%

LAB 40.04, 55.91, -18.67

 

CMYK 23 / 0 / 73 / 36

HEX #7EA42D

RGB 126 164 45

HSL 79.16, 0.57%, 0.41%

LAB 62.66, -30.4, 54.28

 

CMYK 73 / 23 / 0 / 36

HEX #2D7EA4

RGB 45 126 164

HSL 199.16, 0.57%, 0.41%

LAB 49.69, -11.49, -27.34

 

CMYK 0 / 73 / 23 / 36

HEX #A42D7E

RGB 164 45 126

HSL 319.16, 0.57%, 0.41%

LAB 40.04, 55.91, -18.67

 

CMYK 0 / 35 / 73 / 36

HEX #A46B2D

RGB 164 107 45

HSL 31.26, 0.57%, 0.41%

LAB 50.21, 17.07, 42.72

 

CMYK 73 / 0 / 49 / 36

HEX #2DA453

RGB 45 164 83

HSL 139.16, 0.57%, 0.41%

LAB 59.65, -50.45, 32.71

 

CMYK 73 / 37 / 0 / 36

HEX #2D67A4

RGB 45 103 164

HSL 210.76, 0.57%, 0.41%

LAB 42.67, 2.28, -38.35

 

CMYK 0 / 73 / 23 / 36

HEX #A42D7E

RGB 164 45 126

HSL 319.16, 0.57%, 0.41%

LAB 40.04, 55.91, -18.67

 

CMYK 0 / 13 / 73 / 36

HEX #A48E2D

RGB 164 142 45

HSL 48.91, 0.57%, 0.41%

LAB 59.37, -2.57, 52.04

 

CMYK 73 / 0 / 49 / 36

HEX #2DA453

RGB 45 164 83

HSL 139.16, 0.57%, 0.41%

LAB 59.65, -50.45, 32.71

 

CMYK 73 / 59 / 0 / 36

HEX #2D43A4

RGB 45 67 164

HSL 228.91, 0.57%, 0.41%

LAB 32.38, 25.87, -54.9

 

Description

Color code: HEX #A42D7E | qconv.com Color code: HEX #A42D7E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 45 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 45 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 23 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 23% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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