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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4259D it is the complementary color #5BDA62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4259D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4259D shade: #A92598, #BA37AB, #CB49BE, #DC5BD1 and #ED6DE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4259D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4259D shade: #A4259D, #93138A, #820177, #710064 and #600051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4259D shade: #A2259B, #A22579, #A22558, #A22536 and #A22525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4259D shade: #A2259B, #8725A2, #6525A2, #4425A2 and #2525A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4259D shade matches the following richer shades: #A2259B, #B215AA and #C205B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4259D shade: #A2259B, #92358D, #82457F, #725570 and #626562

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4259D shade: #6625A2, #8725A2, #A2259C, #A2257A and #A22559

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4259D shade: #5F165B, #801D7B, #A2259B, #C42CBB and #D545CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4259D shade: #A4259D, #A24425 and #25A276

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4259D shade: #A4259D, #9CA225 and #259CA2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4259D shade: #A4259D, #A24425, #25A22B and #2583A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4259D shade: #A4259D, #A26A25, #25A22B and #255DA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 4 / 36

HEX #A4259D

RGB 164 37 157

HSL 303.31, 0.63%, 0.39%

LAB 40.65, 63.06, -36.64

 

Complementary color

CMYK 58 / 0 / 55 / 15

HEX #5BDA62

RGB 91 218 98

HSL 123.31, 0.63%, 0.61%

LAB 78.02, -58.92, 48.1

 

CMYK 0 / 78 / 10 / 34

HEX #A92598

RGB 169 37 152

HSL 307.73, 0.64%, 0.4%

LAB 41.26, 63.38, -32.62

 

CMYK 0 / 70 / 8 / 27

HEX #BA37AB

RGB 186 55 171

HSL 306.87, 0.54%, 0.47%

LAB 47.12, 64.41, -34.54

 

CMYK 0 / 64 / 6 / 20

HEX #CB49BE

RGB 203 73 190

HSL 306, 0.56%, 0.54%

LAB 53.15, 64.74, -35.99

 

CMYK 0 / 59 / 5 / 14

HEX #DC5BD1

RGB 220 91 209

HSL 305.12, 0.65%, 0.61%

LAB 59.25, 64.66, -37.12

 

CMYK 0 / 54 / 4 / 7

HEX #ED6DE4

RGB 237 109 228

HSL 304.22, 0.78%, 0.68%

LAB 65.39, 64.3, -38.01

 

CMYK 0 / 77 / 4 / 36

HEX #A4259D

RGB 164 37 157

HSL 303.31, 0.63%, 0.39%

LAB 40.65, 63.06, -36.64

 

CMYK 0 / 87 / 6 / 42

HEX #93138A

RGB 147 19 138

HSL 304.22, 0.77%, 0.33%

LAB 35.01, 61.02, -34.19

 

CMYK 0 / 99 / 8 / 49

HEX #820177

RGB 130 1 119

HSL 305.12, 0.98%, 0.26%

LAB 29.66, 57.77, -30.97

 

CMYK 0 / 100 / 12 / 56

HEX #710064

RGB 113 0 100

HSL 306.9, 1%, 0.22%

LAB 25.05, 51.9, -26.25

 

CMYK 0 / 100 / 16 / 62

HEX #600051

RGB 96 0 81

HSL 309.38, 1%, 0.19%

LAB 20.36, 45.7, -21.23

 

CMYK 0 / 77 / 4 / 36

HEX #A2259B

RGB 162 37 155

HSL 303.36, 0.63%, 0.39%

LAB 40.2, 62.31, -36.18

 

CMYK 0 / 77 / 25 / 36

HEX #A22579

RGB 162 37 121

HSL 319.68, 0.63%, 0.39%

LAB 38.52, 57.4, -17.93

 

CMYK 0 / 77 / 46 / 36

HEX #A22558

RGB 162 37 88

HSL 335.52, 0.63%, 0.39%

LAB 37.32, 53.68, 1.11

 

CMYK 0 / 77 / 67 / 36

HEX #A22536

RGB 162 37 54

HSL 351.84, 0.63%, 0.39%

LAB 36.5, 51.08, 21.76

 

CMYK 0 / 77 / 77 / 36

HEX #A22525

RGB 162 37 37

HSL 0, 0.63%, 0.39%

LAB 36.25, 50.27, 31.93

 

CMYK 0 / 77 / 4 / 36

HEX #A2259B

RGB 162 37 155

HSL 303.36, 0.63%, 0.39%

LAB 40.2, 62.31, -36.18

 

CMYK 17 / 77 / 0 / 36

HEX #8725A2

RGB 135 37 162

HSL 287.04, 0.63%, 0.39%

LAB 36.14, 57.92, -47.14

 

CMYK 38 / 77 / 0 / 36

HEX #6525A2

RGB 101 37 162

HSL 270.72, 0.63%, 0.39%

LAB 31.11, 51.55, -55.54

 

CMYK 58 / 77 / 0 / 36

HEX #4425A2

RGB 68 37 162

HSL 254.88, 0.63%, 0.39%

LAB 27.19, 46.43, -62.12

 

CMYK 77 / 77 / 0 / 36

HEX #2525A2

RGB 37 37 162

HSL 240, 0.63%, 0.39%

LAB 24.72, 43.12, -66.27

 

CMYK 0 / 77 / 4 / 36

HEX #A2259B

RGB 162 37 155

HSL 303.36, 0.63%, 0.39%

LAB 40.2, 62.31, -36.18

 

CMYK 0 / 88 / 4 / 30

HEX #B215AA

RGB 178 21 170

HSL 303.06, 0.79%, 0.39%

LAB 42.62, 71.43, -41.16

 

CMYK 0 / 97 / 5 / 24

HEX #C205B8

RGB 194 5 184

HSL 303.17, 0.95%, 0.39%

LAB 45.69, 78.11, -44.38

 

CMYK 0 / 77 / 4 / 36

HEX #A2259B

RGB 162 37 155

HSL 303.36, 0.63%, 0.39%

LAB 40.2, 62.31, -36.18

 

CMYK 0 / 64 / 3 / 43

HEX #92358D

RGB 146 53 141

HSL 303.23, 0.47%, 0.39%

LAB 38.86, 50.3, -29.96

 

CMYK 0 / 47 / 2 / 49

HEX #82457F

RGB 130 69 127

HSL 302.95, 0.31%, 0.39%

LAB 38.78, 35.05, -21.67

 

CMYK 0 / 25 / 2 / 55

HEX #725570

RGB 114 85 112

HSL 304.14, 0.15%, 0.39%

LAB 39.99, 17.03, -10.76

 

CMYK 3 / 0 / 3 / 60

HEX #626562

RGB 98 101 98

HSL 120, 0.02%, 0.39%

LAB 42.44, -1.79, 1.28

 

CMYK 37 / 77 / 0 / 36

HEX #6625A2

RGB 102 37 162

HSL 271.2, 0.63%, 0.39%

LAB 31.25, 51.72, -55.31

 

CMYK 17 / 77 / 0 / 36

HEX #8725A2

RGB 135 37 162

HSL 287.04, 0.63%, 0.39%

LAB 36.14, 57.92, -47.14

 

CMYK 0 / 77 / 4 / 36

HEX #A2259C

RGB 162 37 156

HSL 302.88, 0.63%, 0.39%

LAB 40.25, 62.47, -36.69

 

CMYK 0 / 77 / 25 / 36

HEX #A2257A

RGB 162 37 122

HSL 319.2, 0.63%, 0.39%

LAB 38.57, 57.53, -18.49

 

CMYK 0 / 77 / 45 / 36

HEX #A22559

RGB 162 37 89

HSL 335.04, 0.63%, 0.39%

LAB 37.35, 53.78, 0.51

 

CMYK 0 / 77 / 4 / 63

HEX #5F165B

RGB 95 22 91

HSL 303.29, 0.62%, 0.23%

LAB 22.87, 40.99, -24

 

CMYK 0 / 77 / 4 / 50

HEX #801D7B

RGB 128 29 123

HSL 303.03, 0.63%, 0.31%

LAB 31.57, 52, -30.5

 

CMYK 0 / 77 / 4 / 36

HEX #A2259B

RGB 162 37 155

HSL 303.36, 0.63%, 0.39%

LAB 40.2, 62.31, -36.18

 

CMYK 0 / 78 / 5 / 23

HEX #C42CBB

RGB 196 44 187

HSL 303.55, 0.63%, 0.47%

LAB 48.42, 72.46, -41.78

 

CMYK 0 / 68 / 4 / 16

HEX #D545CD

RGB 213 69 205

HSL 303.33, 0.63%, 0.55%

LAB 54.88, 71.02, -41.79

 

CMYK 0 / 77 / 4 / 36

HEX #A4259D

RGB 164 37 157

HSL 303.31, 0.63%, 0.39%

LAB 40.65, 63.06, -36.64

 

CMYK 0 / 58 / 77 / 36

HEX #A24425

RGB 162 68 37

HSL 14.88, 0.63%, 0.39%

LAB 41.14, 37.1, 37.15

 

CMYK 77 / 0 / 27 / 36

HEX #25A276

RGB 37 162 118

HSL 158.88, 0.63%, 0.39%

LAB 59.47, -43.86, 13.55

 

CMYK 0 / 77 / 4 / 36

HEX #A4259D

RGB 164 37 157

HSL 303.31, 0.63%, 0.39%

LAB 40.65, 63.06, -36.64

 

CMYK 4 / 0 / 77 / 36

HEX #9CA225

RGB 156 162 37

HSL 62.88, 0.63%, 0.39%

LAB 64.2, -17.13, 59.28

 

CMYK 77 / 4 / 0 / 36

HEX #259CA2

RGB 37 156 162

HSL 182.88, 0.63%, 0.39%

LAB 58.77, -29.04, -12.32

 

CMYK 0 / 77 / 4 / 36

HEX #A4259D

RGB 164 37 157

HSL 303.31, 0.63%, 0.39%

LAB 40.65, 63.06, -36.64

 

CMYK 0 / 58 / 77 / 36

HEX #A24425

RGB 162 68 37

HSL 14.88, 0.63%, 0.39%

LAB 41.14, 37.1, 37.15

 

CMYK 77 / 0 / 73 / 36

HEX #25A22B

RGB 37 162 43

HSL 122.88, 0.63%, 0.39%

LAB 58.42, -55.98, 49.6

 

CMYK 77 / 19 / 0 / 36

HEX #2583A2

RGB 37 131 162

HSL 194.88, 0.63%, 0.39%

LAB 50.96, -16.04, -24.22

 

CMYK 0 / 77 / 4 / 36

HEX #A4259D

RGB 164 37 157

HSL 303.31, 0.63%, 0.39%

LAB 40.65, 63.06, -36.64

 

CMYK 0 / 35 / 77 / 36

HEX #A26A25

RGB 162 106 37

HSL 33.12, 0.63%, 0.39%

LAB 49.64, 16.35, 45.75

 

CMYK 77 / 0 / 73 / 36

HEX #25A22B

RGB 37 162 43

HSL 122.88, 0.63%, 0.39%

LAB 58.42, -55.98, 49.6

 

CMYK 77 / 43 / 0 / 36

HEX #255DA2

RGB 37 93 162

HSL 213.12, 0.63%, 0.39%

LAB 39.29, 6.79, -42.55

 

Description

Color code: HEX #A4259D | qconv.com Color code: HEX #A4259D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 37 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 37 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 4 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 4% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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