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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A41C73 it is the complementary color #5BE38C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A41C73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A41C73 shade: #A91C6E, #BA2E81, #CB4094, #DC52A7 and #ED64BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A41C73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A41C73 shade: #A41C73, #930A60, #82004D, #71003A and #600027

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A41C73 shade: #A61C74, #A61C4F, #A61C2A and #A61C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A41C73 shade: #A61C74, #A61C99, #8D1CA6, #681CA6 and #431CA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A41C73 shade matches the following richer shades: #A61C74 and #B50C78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A41C73 shade: #A61C74, #962C70, #863B6B, #774B67 and #675B63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A41C73 shade: #8C1CA6, #A61C9A, #A61C76, #A61C51 and #A61C2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A41C73 shade: #5F1043, #82165B, #A61C74, #C9228D and #DD37A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A41C73 shade: #A41C73, #A6681C and #1CA69F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A41C73 shade: #A41C73, #76A61C and #1C76A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A41C73 shade: #A41C73, #A6681C, #1CA64C and #1C5AA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A41C73 shade: #A41C73, #A6911C, #1CA64C and #1C31A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 30 / 36

HEX #A41C73

RGB 164 28 115

HSL 321.62, 0.71%, 0.38%

LAB 37.77, 59.65, -15.3

 

Complementary color

CMYK 60 / 0 / 38 / 11

HEX #5BE38C

RGB 91 227 140

HSL 141.62, 0.71%, 0.62%

LAB 81.32, -56.01, 31.73

 

CMYK 0 / 83 / 35 / 34

HEX #A91C6E

RGB 169 28 110

HSL 325.11, 0.72%, 0.39%

LAB 38.54, 60.29, -10.9

 

CMYK 0 / 75 / 31 / 27

HEX #BA2E81

RGB 186 46 129

HSL 324.43, 0.6%, 0.45%

LAB 44.2, 61.68, -13.81

 

CMYK 0 / 68 / 27 / 20

HEX #CB4094

RGB 203 64 148

HSL 323.74, 0.57%, 0.52%

LAB 50.1, 62.23, -16.05

 

CMYK 0 / 63 / 24 / 14

HEX #DC52A7

RGB 220 82 167

HSL 323.04, 0.66%, 0.59%

LAB 56.13, 62.25, -17.82

 

CMYK 0 / 58 / 22 / 7

HEX #ED64BA

RGB 237 100 186

HSL 322.34, 0.79%, 0.66%

LAB 62.22, 61.96, -19.25

 

CMYK 0 / 83 / 30 / 36

HEX #A41C73

RGB 164 28 115

HSL 321.62, 0.71%, 0.38%

LAB 37.77, 59.65, -15.3

 

CMYK 0 / 93 / 35 / 42

HEX #930A60

RGB 147 10 96

HSL 322.34, 0.87%, 0.31%

LAB 32.4, 57.01, -11.68

 

CMYK 0 / 100 / 41 / 49

HEX #82004D

RGB 130 0 77

HSL 324.46, 1%, 0.25%

LAB 27.52, 52.66, -6.89

 

CMYK 0 / 100 / 49 / 56

HEX #71003A

RGB 113 0 58

HSL 329.2, 1%, 0.22%

LAB 23.05, 46.82, -0.99

 

CMYK 0 / 100 / 59 / 62

HEX #600027

RGB 96 0 39

HSL 335.63, 1%, 0.19%

LAB 18.51, 40.94, 5.41

 

CMYK 0 / 83 / 30 / 35

HEX #A61C74

RGB 166 28 116

HSL 321.74, 0.71%, 0.38%

LAB 38.2, 60.25, -15.25

 

CMYK 0 / 83 / 52 / 35

HEX #A61C4F

RGB 166 28 79

HSL 337.83, 0.71%, 0.38%

LAB 36.93, 56.57, 6.44

 

CMYK 0 / 83 / 75 / 35

HEX #A61C2A

RGB 166 28 42

HSL 353.91, 0.71%, 0.38%

LAB 36.19, 54.32, 29.07

 

CMYK 0 / 83 / 83 / 35

HEX #A61C1C

RGB 166 28 28

HSL 0, 0.71%, 0.38%

LAB 36.03, 53.83, 37.12

 

CMYK 0 / 83 / 30 / 35

HEX #A61C74

RGB 166 28 116

HSL 321.74, 0.71%, 0.38%

LAB 38.2, 60.25, -15.25

 

CMYK 0 / 83 / 8 / 35

HEX #A61C99

RGB 166 28 153

HSL 305.65, 0.71%, 0.38%

LAB 39.98, 65.2, -35.27

 

CMYK 15 / 83 / 0 / 35

HEX #8D1CA6

RGB 141 28 166

HSL 289.13, 0.71%, 0.38%

LAB 36.45, 62.53, -49

 

CMYK 37 / 83 / 0 / 35

HEX #681CA6

RGB 104 28 166

HSL 273.04, 0.71%, 0.38%

LAB 30.7, 56.35, -58.6

 

CMYK 60 / 83 / 0 / 35

HEX #431CA6

RGB 67 28 166

HSL 256.96, 0.71%, 0.38%

LAB 26.09, 51.54, -66.35

 

CMYK 0 / 83 / 30 / 35

HEX #A61C74

RGB 166 28 116

HSL 321.74, 0.71%, 0.38%

LAB 38.2, 60.25, -15.25

 

CMYK 0 / 93 / 34 / 29

HEX #B50C78

RGB 181 12 120

HSL 321.66, 0.88%, 0.38%

LAB 40.32, 66.92, -14.25

 

CMYK 0 / 83 / 30 / 35

HEX #A61C74

RGB 166 28 116

HSL 321.74, 0.71%, 0.38%

LAB 38.2, 60.25, -15.25

 

CMYK 0 / 71 / 25 / 41

HEX #962C70

RGB 150 44 112

HSL 321.51, 0.55%, 0.38%

LAB 36.85, 50.59, -15.06

 

CMYK 0 / 56 / 20 / 47

HEX #863B6B

RGB 134 59 107

HSL 321.6, 0.39%, 0.38%

LAB 36.48, 38.18, -12.72

 

CMYK 0 / 37 / 13 / 53

HEX #774B67

RGB 119 75 103

HSL 321.82, 0.23%, 0.38%

LAB 37.72, 23.19, -8.53

 

CMYK 0 / 12 / 4 / 60

HEX #675B63

RGB 103 91 99

HSL 320, 0.06%, 0.38%

LAB 40.03, 6.43, -2.81

 

CMYK 16 / 83 / 0 / 35

HEX #8C1CA6

RGB 140 28 166

HSL 288.7, 0.71%, 0.38%

LAB 36.29, 62.35, -49.27

 

CMYK 0 / 83 / 7 / 35

HEX #A61C9A

RGB 166 28 154

HSL 305.22, 0.71%, 0.38%

LAB 40.03, 65.35, -35.79

 

CMYK 0 / 83 / 29 / 35

HEX #A61C76

RGB 166 28 118

HSL 320.87, 0.71%, 0.38%

LAB 38.28, 60.48, -16.37

 

CMYK 0 / 83 / 51 / 35

HEX #A61C51

RGB 166 28 81

HSL 336.96, 0.71%, 0.38%

LAB 36.99, 56.73, 5.23

 

CMYK 0 / 83 / 73 / 35

HEX #A61C2C

RGB 166 28 44

HSL 353.04, 0.71%, 0.38%

LAB 36.21, 54.41, 27.87

 

CMYK 0 / 83 / 29 / 63

HEX #5F1043

RGB 95 16 67

HSL 321.27, 0.71%, 0.22%

LAB 20.86, 39.29, -10.9

 

CMYK 0 / 83 / 30 / 49

HEX #82165B

RGB 130 22 91

HSL 321.67, 0.71%, 0.3%

LAB 29.6, 49.89, -13.01

 

CMYK 0 / 83 / 30 / 35

HEX #A61C74

RGB 166 28 116

HSL 321.74, 0.71%, 0.38%

LAB 38.2, 60.25, -15.25

 

CMYK 0 / 83 / 30 / 21

HEX #C9228D

RGB 201 34 141

HSL 321.56, 0.71%, 0.46%

LAB 46.29, 69.91, -17.68

 

CMYK 0 / 75 / 27 / 13

HEX #DD37A1

RGB 221 55 161

HSL 321.69, 0.71%, 0.54%

LAB 52.59, 71.44, -19.68

 

CMYK 0 / 83 / 30 / 36

HEX #A41C73

RGB 164 28 115

HSL 321.62, 0.71%, 0.38%

LAB 37.77, 59.65, -15.3

 

CMYK 0 / 37 / 83 / 35

HEX #A6681C

RGB 166 104 28

HSL 33.04, 0.71%, 0.38%

LAB 49.61, 18.93, 49.59

 

CMYK 83 / 0 / 4 / 35

HEX #1CA69F

RGB 28 166 159

HSL 176.96, 0.71%, 0.38%

LAB 61.67, -35.57, -6.3

 

CMYK 0 / 83 / 30 / 36

HEX #A41C73

RGB 164 28 115

HSL 321.62, 0.71%, 0.38%

LAB 37.77, 59.65, -15.3

 

CMYK 29 / 0 / 83 / 35

HEX #76A61C

RGB 118 166 28

HSL 80.87, 0.71%, 0.38%

LAB 62.68, -35.36, 59.56

 

CMYK 83 / 29 / 0 / 35

HEX #1C76A6

RGB 28 118 166

HSL 200.87, 0.71%, 0.38%

LAB 46.92, -8.15, -32.86

 

CMYK 0 / 83 / 30 / 36

HEX #A41C73

RGB 164 28 115

HSL 321.62, 0.71%, 0.38%

LAB 37.77, 59.65, -15.3

 

CMYK 0 / 37 / 83 / 35

HEX #A6681C

RGB 166 104 28

HSL 33.04, 0.71%, 0.38%

LAB 49.61, 18.93, 49.59

 

CMYK 83 / 0 / 54 / 35

HEX #1CA64C

RGB 28 166 76

HSL 140.87, 0.71%, 0.38%

LAB 59.93, -54.57, 36.54

 

CMYK 83 / 46 / 0 / 35

HEX #1C5AA6

RGB 28 90 166

HSL 213.04, 0.71%, 0.38%

LAB 38.4, 9.32, -46.39

 

CMYK 0 / 83 / 30 / 36

HEX #A41C73

RGB 164 28 115

HSL 321.62, 0.71%, 0.38%

LAB 37.77, 59.65, -15.3

 

CMYK 0 / 13 / 83 / 35

HEX #A6911C

RGB 166 145 28

HSL 50.87, 0.71%, 0.38%

LAB 60.29, -3.99, 58.9

 

CMYK 83 / 0 / 54 / 35

HEX #1CA64C

RGB 28 166 76

HSL 140.87, 0.71%, 0.38%

LAB 59.93, -54.57, 36.54

 

CMYK 83 / 70 / 0 / 35

HEX #1C31A6

RGB 28 49 166

HSL 230.87, 0.71%, 0.38%

LAB 27.29, 36.66, -64.47

 

Description

Color code: HEX #A41C73 | qconv.com Color code: HEX #A41C73 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 28 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 28 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 30 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 30% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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