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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4142F it is the complementary color #5BEBD0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4142F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4142F shade: #A9142A, #BA263D, #CB3850, #DC4A63 and #ED5C76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4142F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4142F shade: #A4142F, #93021C, #820009, #710000 and #600000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4142F shade: #A3142F and #A31414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4142F shade: #A3142F, #A31456, #A3147C, #A314A3 and #7D14A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4142F shade matches the following richer shades: #A3142F and #B20526

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4142F shade: #A3142F, #952338, #863242, #77414B and #685054

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4142F shade: #A3147D, #A31457, #A31431, #A31E14 and #A34414

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4142F shade: #5A0B1A, #7F1024, #A3142F, #C8193A and #E4264A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4142F shade: #A4142F, #A3A314 and #146AA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4142F shade: #A4142F, #31A314 and #1431A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4142F shade: #A4142F, #A3A314, #14A387 and #1414A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4142F shade: #A4142F, #78A314, #14A387 and #3F14A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 71 / 36

HEX #A4142F

RGB 164 20 47

HSL 348.75, 0.78%, 0.36%

LAB 35.2, 55.81, 24.67

 

Complementary color

CMYK 61 / 0 / 11 / 8

HEX #5BEBD0

RGB 91 235 208

HSL 168.75, 0.78%, 0.64%

LAB 85.1, -44.89, 1.64

 

CMYK 0 / 88 / 75 / 34

HEX #A9142A

RGB 169 20 42

HSL 351.14, 0.79%, 0.37%

LAB 36.18, 56.96, 29.23

 

CMYK 0 / 80 / 67 / 27

HEX #BA263D

RGB 186 38 61

HSL 350.68, 0.66%, 0.44%

LAB 41.47, 58.26, 24.65

 

CMYK 0 / 72 / 61 / 20

HEX #CB3850

RGB 203 56 80

HSL 350.2, 0.59%, 0.51%

LAB 47.11, 58.63, 20.89

 

CMYK 0 / 66 / 55 / 14

HEX #DC4A63

RGB 220 74 99

HSL 349.73, 0.68%, 0.58%

LAB 52.96, 58.42, 17.82

 

CMYK 0 / 61 / 50 / 7

HEX #ED5C76

RGB 237 92 118

HSL 349.24, 0.8%, 0.65%

LAB 58.94, 57.87, 15.28

 

CMYK 0 / 88 / 71 / 36

HEX #A4142F

RGB 164 20 47

HSL 348.75, 0.78%, 0.36%

LAB 35.2, 55.81, 24.67

 

CMYK 0 / 99 / 81 / 42

HEX #93021C

RGB 147 2 28

HSL 349.24, 0.97%, 0.29%

LAB 30.23, 53.39, 29.98

 

CMYK 0 / 100 / 93 / 49

HEX #820009

RGB 130 0 9

HSL 355.85, 1%, 0.25%

LAB 26.06, 48.75, 35.05

 

CMYK 0 / 100 / 100 / 56

HEX #710000

RGB 113 0 0

HSL 0, 1%, 0.22%

LAB 21.98, 43.95, 33.34

 

CMYK 0 / 100 / 100 / 62

HEX #600000

RGB 96 0 0

HSL 0, 1%, 0.19%

LAB 17.86, 39.18, 27.56

 

CMYK 0 / 88 / 71 / 36

HEX #A3142F

RGB 163 20 47

HSL 348.67, 0.78%, 0.36%

LAB 34.99, 55.54, 24.37

 

CMYK 0 / 88 / 88 / 36

HEX #A31414

RGB 163 20 20

HSL 0, 0.78%, 0.36%

LAB 34.68, 54.63, 39.91

 

CMYK 0 / 88 / 71 / 36

HEX #A3142F

RGB 163 20 47

HSL 348.67, 0.78%, 0.36%

LAB 34.99, 55.54, 24.37

 

CMYK 0 / 88 / 47 / 36

HEX #A31456

RGB 163 20 86

HSL 332.31, 0.78%, 0.36%

LAB 35.9, 58.17, 0.37

 

CMYK 0 / 88 / 24 / 36

HEX #A3147C

RGB 163 20 124

HSL 316.36, 0.78%, 0.36%

LAB 37.38, 62.25, -21.56

 

CMYK 0 / 88 / 0 / 36

HEX #A314A3

RGB 163 20 163

HSL 300, 0.78%, 0.36%

LAB 39.46, 67.76, -42.16

 

CMYK 23 / 88 / 0 / 36

HEX #7D14A3

RGB 125 20 163

HSL 284.06, 0.78%, 0.36%

LAB 32.93, 61.2, -53.02

 

CMYK 0 / 88 / 71 / 36

HEX #A3142F

RGB 163 20 47

HSL 348.67, 0.78%, 0.36%

LAB 34.99, 55.54, 24.37

 

CMYK 0 / 97 / 79 / 30

HEX #B20526

RGB 178 5 38

HSL 348.55, 0.95%, 0.36%

LAB 37.32, 61.3, 33.47

 

CMYK 0 / 88 / 71 / 36

HEX #A3142F

RGB 163 20 47

HSL 348.67, 0.78%, 0.36%

LAB 34.99, 55.54, 24.37

 

CMYK 0 / 77 / 62 / 42

HEX #952338

RGB 149 35 56

HSL 348.95, 0.62%, 0.36%

LAB 33.73, 47.88, 16.39

 

CMYK 0 / 63 / 51 / 47

HEX #863242

RGB 134 50 66

HSL 348.57, 0.46%, 0.36%

LAB 33.44, 37.41, 9.06

 

CMYK 0 / 45 / 37 / 53

HEX #77414B

RGB 119 65 75

HSL 348.89, 0.29%, 0.36%

LAB 34.42, 24.62, 4.31

 

CMYK 0 / 23 / 19 / 59

HEX #685054

RGB 104 80 84

HSL 350, 0.13%, 0.36%

LAB 36.59, 10.73, 1.51

 

CMYK 0 / 88 / 23 / 36

HEX #A3147D

RGB 163 20 125

HSL 315.94, 0.78%, 0.36%

LAB 37.42, 62.37, -22.12

 

CMYK 0 / 88 / 47 / 36

HEX #A31457

RGB 163 20 87

HSL 331.89, 0.78%, 0.36%

LAB 35.94, 58.26, -0.23

 

CMYK 0 / 88 / 70 / 36

HEX #A31431

RGB 163 20 49

HSL 347.83, 0.78%, 0.36%

LAB 35.02, 55.64, 23.13

 

CMYK 0 / 82 / 88 / 36

HEX #A31E14

RGB 163 30 20

HSL 4.2, 0.78%, 0.36%

LAB 35.53, 52.2, 40.62

 

CMYK 0 / 58 / 88 / 36

HEX #A34414

RGB 163 68 20

HSL 20.14, 0.78%, 0.36%

LAB 41.17, 36.92, 45.27

 

CMYK 0 / 88 / 71 / 65

HEX #5A0B1A

RGB 90 11 26

HSL 348.61, 0.78%, 0.2%

LAB 17.86, 35.23, 13.64

 

CMYK 0 / 87 / 72 / 50

HEX #7F1024

RGB 127 16 36

HSL 349.19, 0.78%, 0.28%

LAB 26.76, 45.71, 19.69

 

CMYK 0 / 88 / 71 / 36

HEX #A3142F

RGB 163 20 47

HSL 348.67, 0.78%, 0.36%

LAB 34.99, 55.54, 24.37

 

CMYK 0 / 88 / 71 / 22

HEX #C8193A

RGB 200 25 58

HSL 348.69, 0.78%, 0.44%

LAB 43.18, 64.97, 29.23

 

CMYK 0 / 83 / 68 / 11

HEX #E4264A

RGB 228 38 74

HSL 348.63, 0.78%, 0.52%

LAB 49.95, 70.42, 29.12

 

CMYK 0 / 88 / 71 / 36

HEX #A4142F

RGB 164 20 47

HSL 348.75, 0.78%, 0.36%

LAB 35.2, 55.81, 24.67

 

CMYK 0 / 0 / 88 / 36

HEX #A3A314

RGB 163 163 20

HSL 60, 0.78%, 0.36%

LAB 64.99, -15.1, 64.65

 

CMYK 88 / 35 / 0 / 36

HEX #146AA3

RGB 20 106 163

HSL 203.92, 0.78%, 0.36%

LAB 42.92, -2.74, -37.41

 

CMYK 0 / 88 / 71 / 36

HEX #A4142F

RGB 164 20 47

HSL 348.75, 0.78%, 0.36%

LAB 35.2, 55.81, 24.67

 

CMYK 70 / 0 / 88 / 36

HEX #31A314

RGB 49 163 20

HSL 107.83, 0.78%, 0.36%

LAB 58.88, -55.65, 57.06

 

CMYK 88 / 70 / 0 / 36

HEX #1431A3

RGB 20 49 163

HSL 227.83, 0.78%, 0.36%

LAB 26.71, 35.03, -63.62

 

CMYK 0 / 88 / 71 / 36

HEX #A4142F

RGB 164 20 47

HSL 348.75, 0.78%, 0.36%

LAB 35.2, 55.81, 24.67

 

CMYK 0 / 0 / 88 / 36

HEX #A3A314

RGB 163 163 20

HSL 60, 0.78%, 0.36%

LAB 64.99, -15.1, 64.65

 

CMYK 88 / 0 / 17 / 36

HEX #14A387

RGB 20 163 135

HSL 168.25, 0.78%, 0.36%

LAB 59.97, -41.62, 4.71

 

CMYK 88 / 88 / 0 / 36

HEX #1414A3

RGB 20 20 163

HSL 240, 0.78%, 0.36%

LAB 21.18, 50.8, -72.78

 

CMYK 0 / 88 / 71 / 36

HEX #A4142F

RGB 164 20 47

HSL 348.75, 0.78%, 0.36%

LAB 35.2, 55.81, 24.67

 

CMYK 26 / 0 / 88 / 36

HEX #78A314

RGB 120 163 20

HSL 78.04, 0.78%, 0.36%

LAB 61.86, -33.48, 60.79

 

CMYK 88 / 0 / 17 / 36

HEX #14A387

RGB 20 163 135

HSL 168.25, 0.78%, 0.36%

LAB 59.97, -41.62, 4.71

 

CMYK 61 / 88 / 0 / 36

HEX #3F14A3

RGB 63 20 163

HSL 258.04, 0.78%, 0.36%

LAB 24.33, 53.32, -67.46

 

Description

Color code: HEX #A4142F | qconv.com Color code: HEX #A4142F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 20 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 20 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 71 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 71% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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