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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A40EEE it is the complementary color #5BF111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A40EEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A40EEE shade: #A90EE9, #BA20FC, #CB32FF, #DC44FF and #ED56FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A40EEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A40EEE shade: #A40EEE, #9300DB, #8200C8, #7100B5 and #6000A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A40EEE shade: #A30EEC, #DF0EEC, #EC0EBE, #EC0E82 and #EC0E46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A40EEE shade: #A30EEC, #670EEC, #2B0EEC and #0E0EEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A40EEE shade matches the following richer shades: #A30EEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A40EEE shade: #A30EEC, #9C22D8, #9536C4, #8E4AB0 and #875F9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A40EEE shade: #2B0EEC, #670EEC, #A20EEC, #DD0EEC and #EC0EC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A40EEE shade: #6D099E, #880BC5, #A30EEC, #B330F3 and #C157F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A40EEE shade: #A40EEE, #EC0E2B and #0EEC49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A40EEE shade: #A40EEE, #ECA20E and #0EECA2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A40EEE shade: #A40EEE, #EC0E2B, #58EC0E and #0EECCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A40EEE shade: #A40EEE, #EC330E, #58EC0E and #0EC7EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 94 / 0 / 7

HEX #A40EEE

RGB 164 14 238

HSL 280.18, 0.89%, 0.49%

LAB 44.77, 81.85, -77.21

 

Complementary color

CMYK 62 / 0 / 93 / 5

HEX #5BF111

RGB 91 241 17

HSL 100.18, 0.89%, 0.51%

LAB 84.57, -72.18, 79.64

 

CMYK 27 / 94 / 0 / 9

HEX #A90EE9

RGB 169 14 233

HSL 282.47, 0.89%, 0.48%

LAB 45.13, 81.54, -73.77

 

CMYK 26 / 87 / 0 / 1

HEX #BA20FC

RGB 186 32 252

HSL 282, 0.97%, 0.56%

LAB 50.1, 84.52, -76.24

 

CMYK 20 / 80 / 0 / 0

HEX #CB32FF

RGB 203 50 255

HSL 284.78, 1%, 0.6%

LAB 54.24, 83.52, -71.07

 

CMYK 14 / 73 / 0 / 0

HEX #DC44FF

RGB 220 68 255

HSL 288.77, 1%, 0.63%

LAB 58.57, 81.2, -63.95

 

CMYK 7 / 66 / 0 / 0

HEX #ED56FF

RGB 237 86 255

HSL 293.61, 1%, 0.67%

LAB 63.24, 78.35, -56.34

 

CMYK 31 / 94 / 0 / 7

HEX #A40EEE

RGB 164 14 238

HSL 280.18, 0.89%, 0.49%

LAB 44.77, 81.85, -77.21

 

CMYK 33 / 100 / 0 / 14

HEX #9300DB

RGB 147 0 219

HSL 280.27, 1%, 0.43%

LAB 40.11, 77.73, -74.12

 

CMYK 35 / 100 / 0 / 22

HEX #8200C8

RGB 130 0 200

HSL 279, 1%, 0.39%

LAB 35.82, 72.19, -70.25

 

CMYK 38 / 100 / 0 / 29

HEX #7100B5

RGB 113 0 181

HSL 277.46, 1%, 0.35%

LAB 31.46, 66.55, -66.31

 

CMYK 41 / 100 / 0 / 36

HEX #6000A2

RGB 96 0 162

HSL 275.56, 1%, 0.32%

LAB 27, 60.82, -62.29

 

CMYK 31 / 94 / 0 / 7

HEX #A30EEC

RGB 163 14 236

HSL 280.27, 0.89%, 0.49%

LAB 44.46, 81.35, -76.6

 

CMYK 6 / 94 / 0 / 7

HEX #DF0EEC

RGB 223 14 236

HSL 296.49, 0.89%, 0.49%

LAB 54.09, 89.68, -60.53

 

CMYK 0 / 94 / 19 / 7

HEX #EC0EBE

RGB 236 14 190

HSL 312.43, 0.89%, 0.49%

LAB 53.88, 85.7, -34.44

 

CMYK 0 / 94 / 45 / 7

HEX #EC0E82

RGB 236 14 130

HSL 328.65, 0.89%, 0.49%

LAB 51.56, 79.62, -2.43

 

CMYK 0 / 94 / 70 / 7

HEX #EC0E46

RGB 236 14 70

HSL 344.86, 0.89%, 0.49%

LAB 50.2, 75.92, 32.19

 

CMYK 31 / 94 / 0 / 7

HEX #A30EEC

RGB 163 14 236

HSL 280.27, 0.89%, 0.49%

LAB 44.46, 81.35, -76.6

 

CMYK 56 / 94 / 0 / 7

HEX #670EEC

RGB 103 14 236

HSL 264.05, 0.89%, 0.49%

LAB 36.47, 75.59, -90.04

 

CMYK 82 / 94 / 0 / 7

HEX #2B0EEC

RGB 43 14 236

HSL 247.84, 0.89%, 0.49%

LAB 31.54, 72.84, -98.37

 

CMYK 94 / 94 / 0 / 7

HEX #0E0EEC

RGB 14 14 236

HSL 240, 0.89%, 0.49%

LAB 30.55, 72.38, -100.05

 

CMYK 31 / 94 / 0 / 7

HEX #A30EEC

RGB 163 14 236

HSL 280.27, 0.89%, 0.49%

LAB 44.46, 81.35, -76.6

 

CMYK 31 / 94 / 0 / 7

HEX #A30EEC

RGB 163 14 236

HSL 280.27, 0.89%, 0.49%

LAB 44.46, 81.35, -76.6

 

CMYK 28 / 84 / 0 / 15

HEX #9C22D8

RGB 156 34 216

HSL 280.22, 0.73%, 0.49%

LAB 43.02, 72.98, -67.59

 

CMYK 24 / 72 / 0 / 23

HEX #9536C4

RGB 149 54 196

HSL 280.14, 0.57%, 0.49%

LAB 42.78, 61.23, -56.46

 

CMYK 19 / 58 / 0 / 31

HEX #8E4AB0

RGB 142 74 176

HSL 280, 0.41%, 0.49%

LAB 43.92, 46.09, -42.97

 

CMYK 13 / 39 / 0 / 39

HEX #875F9B

RGB 135 95 155

HSL 280, 0.24%, 0.49%

LAB 46.58, 27.65, -26.43

 

CMYK 82 / 94 / 0 / 7

HEX #2B0EEC

RGB 43 14 236

HSL 247.84, 0.89%, 0.49%

LAB 31.54, 72.84, -98.37

 

CMYK 56 / 94 / 0 / 7

HEX #670EEC

RGB 103 14 236

HSL 264.05, 0.89%, 0.49%

LAB 36.47, 75.59, -90.04

 

CMYK 31 / 94 / 0 / 7

HEX #A20EEC

RGB 162 14 236

HSL 280, 0.89%, 0.49%

LAB 44.31, 81.24, -76.85

 

CMYK 6 / 94 / 0 / 7

HEX #DD0EEC

RGB 221 14 236

HSL 295.95, 0.89%, 0.49%

LAB 53.75, 89.38, -61.09

 

CMYK 0 / 94 / 19 / 7

HEX #EC0EC0

RGB 236 14 192

HSL 311.89, 0.89%, 0.49%

LAB 53.98, 85.94, -35.45

 

CMYK 31 / 94 / 0 / 38

HEX #6D099E

RGB 109 9 158

HSL 280.27, 0.89%, 0.33%

LAB 29.2, 59.97, -56.18

 

CMYK 31 / 94 / 0 / 23

HEX #880BC5

RGB 136 11 197

HSL 280.32, 0.89%, 0.41%

LAB 36.94, 70.94, -66.63

 

CMYK 31 / 94 / 0 / 7

HEX #A30EEC

RGB 163 14 236

HSL 280.27, 0.89%, 0.49%

LAB 44.46, 81.35, -76.6

 

CMYK 26 / 80 / 0 / 5

HEX #B330F3

RGB 179 48 243

HSL 280.31, 0.89%, 0.57%

LAB 49.7, 77.99, -71.89

 

CMYK 21 / 64 / 0 / 4

HEX #C157F5

RGB 193 87 245

HSL 280.25, 0.89%, 0.65%

LAB 56.83, 66.57, -61.4

 

CMYK 31 / 94 / 0 / 7

HEX #A40EEE

RGB 164 14 238

HSL 280.18, 0.89%, 0.49%

LAB 44.77, 81.85, -77.21

 

CMYK 0 / 94 / 82 / 7

HEX #EC0E2B

RGB 236 14 43

HSL 352.16, 0.89%, 0.49%

LAB 49.88, 75.03, 47.29

 

CMYK 94 / 0 / 69 / 7

HEX #0EEC49

RGB 14 236 73

HSL 135.95, 0.89%, 0.49%

LAB 82.14, -77.47, 62.93

 

CMYK 31 / 94 / 0 / 7

HEX #A40EEE

RGB 164 14 238

HSL 280.18, 0.89%, 0.49%

LAB 44.77, 81.85, -77.21

 

CMYK 0 / 31 / 94 / 7

HEX #ECA20E

RGB 236 162 14

HSL 40, 0.89%, 0.49%

LAB 72.03, 17.6, 74.25

 

CMYK 94 / 0 / 31 / 7

HEX #0EECA2

RGB 14 236 162

HSL 160, 0.89%, 0.49%

LAB 83.28, -63.85, 22.92

 

CMYK 31 / 94 / 0 / 7

HEX #A40EEE

RGB 164 14 238

HSL 280.18, 0.89%, 0.49%

LAB 44.77, 81.85, -77.21

 

CMYK 0 / 94 / 82 / 7

HEX #EC0E2B

RGB 236 14 43

HSL 352.16, 0.89%, 0.49%

LAB 49.88, 75.03, 47.29

 

CMYK 63 / 0 / 94 / 7

HEX #58EC0E

RGB 88 236 14

HSL 100, 0.89%, 0.49%

LAB 82.97, -71.29, 78.61

 

CMYK 94 / 0 / 12 / 7

HEX #0EECCF

RGB 14 236 207

HSL 172.16, 0.89%, 0.49%

LAB 84.27, -53.07, 0.83

 

CMYK 31 / 94 / 0 / 7

HEX #A40EEE

RGB 164 14 238

HSL 280.18, 0.89%, 0.49%

LAB 44.77, 81.85, -77.21

 

CMYK 0 / 78 / 94 / 7

HEX #EC330E

RGB 236 51 14

HSL 10, 0.89%, 0.49%

LAB 52.1, 67.75, 61.1

 

CMYK 63 / 0 / 94 / 7

HEX #58EC0E

RGB 88 236 14

HSL 100, 0.89%, 0.49%

LAB 82.97, -71.29, 78.61

 

CMYK 94 / 16 / 0 / 7

HEX #0EC7EC

RGB 14 199 236

HSL 190, 0.89%, 0.49%

LAB 74.19, -27.83, -29.77

 

Description

Color code: HEX #A40EEE | qconv.com Color code: HEX #A40EEE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 14 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 14 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 94 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 94% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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