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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3F312 it is the complementary color #5C0CED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3F312. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3F312 shade: #A8F30D, #B9FF20, #CAFF33, #DBFF46 and #ECFF59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3F312. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3F312 shade: #A3F312, #92E100, #81CF00, #70BD00 and #5FAB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3F312 shade: #A3F312, #DFF312, #F3C912, #F38D12 and #F35012

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3F312 shade: #A3F312, #66F312, #29F312, #12F337 and #12F373

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3F312 shade matches the following richer shades: #A3F312

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3F312 shade: #A3F312, #9DDE26, #97CA3A, #91B64E and #8BA262

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3F312 shade: #F3C912, #E0F312, #A4F312, #68F312 and #2CF312

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3F312 shade: #70A909, #8AD00B, #A3F312, #B2F539 and #C1F760

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3F312 shade: #A3F312, #12F38D and #E712F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3F312 shade: #A3F312, #12A4F3 and #F312A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3F312 shade: #A3F312, #12F38D, #6012F3 and #F31277

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3F312 shade: #A3F312, #12F3D1, #6012F3 and #F31233

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 93 / 5

HEX #A3F312

RGB 163 243 18

HSL 81.33, 0.9%, 0.51%

LAB 87.94, -51.87, 83.4

 

Complementary color

CMYK 61 / 95 / 0 / 7

HEX #5C0CED

RGB 92 12 237

HSL 261.33, 0.9%, 0.49%

LAB 35.31, 75.41, -92.57

 

CMYK 31 / 0 / 95 / 5

HEX #A8F30D

RGB 168 243 13

HSL 79.57, 0.91%, 0.5%

LAB 88.19, -50.16, 84.22

 

CMYK 27 / 0 / 87 / 0

HEX #B9FF20

RGB 185 255 32

HSL 78.83, 1%, 0.56%

LAB 92.55, -48.64, 85.66

 

CMYK 21 / 0 / 80 / 0

HEX #CAFF33

RGB 202 255 51

HSL 75.59, 1%, 0.6%

LAB 93.59, -41.75, 82.95

 

CMYK 14 / 0 / 73 / 0

HEX #DBFF46

RGB 219 255 70

HSL 71.68, 1%, 0.64%

LAB 94.75, -34.42, 78.97

 

CMYK 7 / 0 / 65 / 0

HEX #ECFF59

RGB 236 255 89

HSL 66.87, 1%, 0.67%

LAB 96.03, -26.76, 73.98

 

CMYK 33 / 0 / 93 / 5

HEX #A3F312

RGB 163 243 18

HSL 81.33, 0.9%, 0.51%

LAB 87.94, -51.87, 83.4

 

CMYK 35 / 0 / 100 / 12

HEX #92E100

RGB 146 225 0

HSL 81.07, 1%, 0.44%

LAB 81.82, -50.78, 79.85

 

CMYK 38 / 0 / 100 / 19

HEX #81CF00

RGB 129 207 0

HSL 82.61, 1%, 0.41%

LAB 75.63, -49.45, 74.71

 

CMYK 41 / 0 / 100 / 26

HEX #70BD00

RGB 112 189 0

HSL 84.44, 1%, 0.37%

LAB 69.36, -48.07, 69.49

 

CMYK 44 / 0 / 100 / 33

HEX #5FAB00

RGB 95 171 0

HSL 86.67, 1%, 0.34%

LAB 62.98, -46.62, 64.19

 

CMYK 33 / 0 / 93 / 5

HEX #A3F312

RGB 163 243 18

HSL 81.33, 0.9%, 0.51%

LAB 87.94, -51.87, 83.4

 

CMYK 8 / 0 / 93 / 5

HEX #DFF312

RGB 223 243 18

HSL 65.33, 0.9%, 0.51%

LAB 91.61, -28.83, 87.86

 

CMYK 0 / 17 / 93 / 5

HEX #F3C912

RGB 243 201 18

HSL 48.8, 0.9%, 0.51%

LAB 82.31, 0.25, 81.53

 

CMYK 0 / 42 / 93 / 5

HEX #F38D12

RGB 243 141 18

HSL 32.8, 0.9%, 0.51%

LAB 68.13, 31.62, 71.21

 

CMYK 0 / 67 / 93 / 5

HEX #F35012

RGB 243 80 18

HSL 16.53, 0.9%, 0.51%

LAB 56.91, 60.22, 63.61

 

CMYK 33 / 0 / 93 / 5

HEX #A3F312

RGB 163 243 18

HSL 81.33, 0.9%, 0.51%

LAB 87.94, -51.87, 83.4

 

CMYK 58 / 0 / 93 / 5

HEX #66F312

RGB 102 243 18

HSL 97.6, 0.9%, 0.51%

LAB 85.49, -70.28, 80.4

 

CMYK 83 / 0 / 93 / 5

HEX #29F312

RGB 41 243 18

HSL 113.87, 0.9%, 0.51%

LAB 84.29, -80.58, 78.92

 

CMYK 93 / 0 / 77 / 5

HEX #12F337

RGB 18 243 55

HSL 129.87, 0.9%, 0.51%

LAB 84.23, -80.63, 71.08

 

CMYK 93 / 0 / 53 / 5

HEX #12F373

RGB 18 243 115

HSL 145.87, 0.9%, 0.51%

LAB 84.72, -74.43, 48.03

 

CMYK 33 / 0 / 93 / 5

HEX #A3F312

RGB 163 243 18

HSL 81.33, 0.9%, 0.51%

LAB 87.94, -51.87, 83.4

 

CMYK 33 / 0 / 93 / 5

HEX #A3F312

RGB 163 243 18

HSL 81.33, 0.9%, 0.51%

LAB 87.94, -51.87, 83.4

 

CMYK 29 / 0 / 83 / 13

HEX #9DDE26

RGB 157 222 38

HSL 81.2, 0.74%, 0.51%

LAB 81.59, -44.8, 74.55

 

CMYK 25 / 0 / 71 / 21

HEX #97CA3A

RGB 151 202 58

HSL 81.25, 0.58%, 0.51%

LAB 75.53, -37.35, 62.84

 

CMYK 20 / 0 / 57 / 29

HEX #91B64E

RGB 145 182 78

HSL 81.35, 0.42%, 0.51%

LAB 69.49, -28.88, 48

 

CMYK 14 / 0 / 40 / 36

HEX #8BA262

RGB 139 162 98

HSL 81.56, 0.26%, 0.51%

LAB 63.52, -19.12, 30.66

 

CMYK 0 / 17 / 93 / 5

HEX #F3C912

RGB 243 201 18

HSL 48.8, 0.9%, 0.51%

LAB 82.31, 0.25, 81.53

 

CMYK 8 / 0 / 93 / 5

HEX #E0F312

RGB 224 243 18

HSL 65.07, 0.9%, 0.51%

LAB 91.68, -28.42, 87.95

 

CMYK 33 / 0 / 93 / 5

HEX #A4F312

RGB 164 243 18

HSL 81.07, 0.9%, 0.51%

LAB 87.99, -51.52, 83.46

 

CMYK 57 / 0 / 93 / 5

HEX #68F312

RGB 104 243 18

HSL 97.07, 0.9%, 0.51%

LAB 85.55, -69.79, 80.47

 

CMYK 82 / 0 / 93 / 5

HEX #2CF312

RGB 44 243 18

HSL 113.07, 0.9%, 0.51%

LAB 84.32, -80.28, 78.96

 

CMYK 34 / 0 / 95 / 34

HEX #70A909

RGB 112 169 9

HSL 81.38, 0.9%, 0.35%

LAB 63.21, -39.54, 63.54

 

CMYK 34 / 0 / 95 / 18

HEX #8AD00B

RGB 138 208 11

HSL 81.32, 0.9%, 0.43%

LAB 76.4, -46.5, 74.41

 

CMYK 33 / 0 / 93 / 5

HEX #A3F312

RGB 163 243 18

HSL 81.33, 0.9%, 0.51%

LAB 87.94, -51.87, 83.4

 

CMYK 27 / 0 / 77 / 4

HEX #B2F539

RGB 178 245 57

HSL 81.38, 0.9%, 0.59%

LAB 89.42, -46.13, 77.04

 

CMYK 22 / 0 / 61 / 3

HEX #C1F760

RGB 193 247 96

HSL 81.46, 0.9%, 0.67%

LAB 91.1, -39.09, 65.14

 

CMYK 33 / 0 / 93 / 5

HEX #A3F312

RGB 163 243 18

HSL 81.33, 0.9%, 0.51%

LAB 87.94, -51.87, 83.4

 

CMYK 93 / 0 / 42 / 5

HEX #12F38D

RGB 18 243 141

HSL 152.8, 0.9%, 0.51%

LAB 85.07, -70.23, 35.95

 

CMYK 5 / 93 / 0 / 5

HEX #E712F3

RGB 231 18 243

HSL 296.8, 0.9%, 0.51%

LAB 55.98, 91.61, -61.35

 

CMYK 33 / 0 / 93 / 5

HEX #A3F312

RGB 163 243 18

HSL 81.33, 0.9%, 0.51%

LAB 87.94, -51.87, 83.4

 

CMYK 93 / 33 / 0 / 5

HEX #12A4F3

RGB 18 164 243

HSL 201.07, 0.9%, 0.51%

LAB 64.28, -6.74, -49.02

 

CMYK 0 / 93 / 33 / 5

HEX #F312A4

RGB 243 18 164

HSL 321.07, 0.9%, 0.51%

LAB 54.2, 83.83, -18.63

 

CMYK 33 / 0 / 93 / 5

HEX #A3F312

RGB 163 243 18

HSL 81.33, 0.9%, 0.51%

LAB 87.94, -51.87, 83.4

 

CMYK 93 / 0 / 42 / 5

HEX #12F38D

RGB 18 243 141

HSL 152.8, 0.9%, 0.51%

LAB 85.07, -70.23, 35.95

 

CMYK 60 / 93 / 0 / 5

HEX #6012F3

RGB 96 18 243

HSL 260.8, 0.9%, 0.51%

LAB 36.73, 76.05, -93.6

 

CMYK 0 / 93 / 51 / 5

HEX #F31277

RGB 243 18 119

HSL 333.07, 0.9%, 0.51%

LAB 52.75, 79.93, 6.12

 

CMYK 33 / 0 / 93 / 5

HEX #A3F312

RGB 163 243 18

HSL 81.33, 0.9%, 0.51%

LAB 87.94, -51.87, 83.4

 

CMYK 93 / 0 / 14 / 5

HEX #12F3D1

RGB 18 243 209

HSL 170.93, 0.9%, 0.51%

LAB 86.42, -55.24, 2.91

 

CMYK 60 / 93 / 0 / 5

HEX #6012F3

RGB 96 18 243

HSL 260.8, 0.9%, 0.51%

LAB 36.73, 76.05, -93.6

 

CMYK 0 / 93 / 79 / 5

HEX #F31233

RGB 243 18 51

HSL 351.2, 0.9%, 0.51%

LAB 51.53, 76.56, 45.05

 

Description

Color code: HEX #A3F312 | qconv.com Color code: HEX #A3F312 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 243 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 243 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 93 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 93% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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