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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3EB8C it is the complementary color #5C1473. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3EB8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3EB8C shade: #A8EB87, #B9FD9A, #CAFFAD, #DBFFC0 and #ECFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3EB8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3EB8C shade: #A3EB8C, #92D979, #81C766, #70B553 and #5FA340

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3EB8C shade: #A5EB8E, #BEEB8E, #D7EB8E, #EBE68E and #EBCD8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3EB8C shade: #A5EB8E, #8EEB91, #8EEBAA, #8EEBC3 and #8EEBDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3EB8C shade matches the following richer shades: #A5EB8E and #9FF684

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3EB8C shade: #A5EB8E, #AAE099, #B0D6A4, #B5CBAE and #BBC0B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3EB8C shade: #D7EB8E, #BEEB8E, #A5EB8E, #8EEB90 and #8EEBA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3EB8C shade: #6DDF48, #89E56B, #A5EB8E, #C1F1B1 and #DDF7D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3EB8C shade: #A3EB8C, #8EEBE6 and #EB8ECB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3EB8C shade: #A3EB8C, #8EA5EB and #EB8EA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3EB8C shade: #A3EB8C, #8EEBE6, #D48EEB and #EB8E93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3EB8C shade: #A3EB8C, #8ED4EB, #D48EEB and #EBA58E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 40 / 8

HEX #A3EB8C

RGB 163 235 140

HSL 105.47, 0.7%, 0.74%

LAB 86.55, -39.63, 39.11

 

Complementary color

CMYK 20 / 83 / 0 / 55

HEX #5C1473

RGB 92 20 115

HSL 285.47, 0.7%, 0.26%

LAB 23.72, 45.7, -38.34

 

CMYK 29 / 0 / 43 / 8

HEX #A8EB87

RGB 168 235 135

HSL 100.2, 0.71%, 0.73%

LAB 86.75, -38.63, 41.88

 

CMYK 27 / 0 / 39 / 1

HEX #B9FD9A

RGB 185 253 154

HSL 101.21, 0.96%, 0.8%

LAB 92.97, -38.49, 40.74

 

CMYK 21 / 0 / 32 / 0

HEX #CAFFAD

RGB 202 255 173

HSL 98.78, 1%, 0.84%

LAB 94.78, -31.05, 33.89

 

CMYK 14 / 0 / 25 / 0

HEX #DBFFC0

RGB 219 255 192

HSL 94.29, 1%, 0.88%

LAB 96.16, -22.45, 26.37

 

CMYK 7 / 0 / 17 / 0

HEX #ECFFD3

RGB 236 255 211

HSL 85.91, 1%, 0.91%

LAB 97.65, -13.69, 18.97

 

CMYK 31 / 0 / 40 / 8

HEX #A3EB8C

RGB 163 235 140

HSL 105.47, 0.7%, 0.74%

LAB 86.55, -39.63, 39.11

 

CMYK 33 / 0 / 44 / 15

HEX #92D979

RGB 146 217 121

HSL 104.38, 0.56%, 0.66%

LAB 80.25, -39.79, 40.29

 

CMYK 35 / 0 / 49 / 22

HEX #81C766

RGB 129 199 102

HSL 103.3, 0.46%, 0.59%

LAB 73.85, -39.91, 41.49

 

CMYK 38 / 0 / 54 / 29

HEX #70B553

RGB 112 181 83

HSL 102.24, 0.4%, 0.52%

LAB 67.36, -39.97, 42.68

 

CMYK 42 / 0 / 61 / 36

HEX #5FA340

RGB 95 163 64

HSL 101.21, 0.44%, 0.45%

LAB 60.78, -39.92, 43.8

 

CMYK 30 / 0 / 40 / 8

HEX #A5EB8E

RGB 165 235 142

HSL 105.16, 0.7%, 0.74%

LAB 86.69, -38.7, 38.32

 

CMYK 19 / 0 / 40 / 8

HEX #BEEB8E

RGB 190 235 142

HSL 89.03, 0.7%, 0.74%

LAB 88.12, -30.06, 40.45

 

CMYK 9 / 0 / 40 / 8

HEX #D7EB8E

RGB 215 235 142

HSL 72.9, 0.7%, 0.74%

LAB 89.77, -20.86, 42.9

 

CMYK 0 / 2 / 40 / 8

HEX #EBE68E

RGB 235 230 142

HSL 56.77, 0.7%, 0.74%

LAB 89.96, -10.75, 43.44

 

CMYK 0 / 13 / 40 / 8

HEX #EBCD8E

RGB 235 205 142

HSL 40.65, 0.7%, 0.74%

LAB 83.59, 1.97, 35.24

 

CMYK 30 / 0 / 40 / 8

HEX #A5EB8E

RGB 165 235 142

HSL 105.16, 0.7%, 0.74%

LAB 86.69, -38.7, 38.32

 

CMYK 40 / 0 / 38 / 8

HEX #8EEB91

RGB 142 235 145

HSL 121.94, 0.7%, 0.74%

LAB 85.61, -45.49, 35.2

 

CMYK 40 / 0 / 28 / 8

HEX #8EEBAA

RGB 142 235 170

HSL 138.06, 0.7%, 0.74%

LAB 86.04, -41.33, 23.05

 

CMYK 40 / 0 / 17 / 8

HEX #8EEBC3

RGB 142 235 195

HSL 154.19, 0.7%, 0.74%

LAB 86.56, -36.52, 10.79

 

CMYK 40 / 0 / 6 / 8

HEX #8EEBDC

RGB 142 235 220

HSL 170.32, 0.7%, 0.74%

LAB 87.16, -31.1, -1.44

 

CMYK 30 / 0 / 40 / 8

HEX #A5EB8E

RGB 165 235 142

HSL 105.16, 0.7%, 0.74%

LAB 86.69, -38.7, 38.32

 

CMYK 35 / 0 / 46 / 4

HEX #9FF684

RGB 159 246 132

HSL 105.79, 0.86%, 0.74%

LAB 89.37, -46.77, 46.54

 

CMYK 30 / 0 / 40 / 8

HEX #A5EB8E

RGB 165 235 142

HSL 105.16, 0.7%, 0.74%

LAB 86.69, -38.7, 38.32

 

CMYK 24 / 0 / 32 / 12

HEX #AAE099

RGB 170 224 153

HSL 105.63, 0.53%, 0.74%

LAB 84.05, -30.37, 29.33

 

CMYK 18 / 0 / 23 / 16

HEX #B0D6A4

RGB 176 214 164

HSL 105.6, 0.38%, 0.74%

LAB 81.84, -21.76, 20.67

 

CMYK 11 / 0 / 14 / 20

HEX #B5CBAE

RGB 181 203 174

HSL 105.52, 0.22%, 0.74%

LAB 79.38, -12.81, 11.98

 

CMYK 3 / 0 / 4 / 25

HEX #BBC0B9

RGB 187 192 185

HSL 102.86, 0.05%, 0.74%

LAB 77.14, -3.02, 2.91

 

CMYK 9 / 0 / 40 / 8

HEX #D7EB8E

RGB 215 235 142

HSL 72.9, 0.7%, 0.74%

LAB 89.77, -20.86, 42.9

 

CMYK 19 / 0 / 40 / 8

HEX #BEEB8E

RGB 190 235 142

HSL 89.03, 0.7%, 0.74%

LAB 88.12, -30.06, 40.45

 

CMYK 30 / 0 / 40 / 8

HEX #A5EB8E

RGB 165 235 142

HSL 105.16, 0.7%, 0.74%

LAB 86.69, -38.7, 38.32

 

CMYK 40 / 0 / 39 / 8

HEX #8EEB90

RGB 142 235 144

HSL 121.29, 0.7%, 0.74%

LAB 85.6, -45.64, 35.68

 

CMYK 40 / 0 / 28 / 8

HEX #8EEBA9

RGB 142 235 169

HSL 137.42, 0.7%, 0.74%

LAB 86.02, -41.51, 23.54

 

CMYK 51 / 0 / 68 / 13

HEX #6DDF48

RGB 109 223 72

HSL 105.3, 0.7%, 0.58%

LAB 79.89, -58.88, 61.47

 

CMYK 40 / 0 / 53 / 10

HEX #89E56B

RGB 137 229 107

HSL 105.25, 0.7%, 0.66%

LAB 83.14, -49.55, 50.45

 

CMYK 30 / 0 / 40 / 8

HEX #A5EB8E

RGB 165 235 142

HSL 105.16, 0.7%, 0.74%

LAB 86.69, -38.7, 38.32

 

CMYK 20 / 0 / 27 / 5

HEX #C1F1B1

RGB 193 241 177

HSL 105, 0.7%, 0.82%

LAB 90.52, -26.93, 26.02

 

CMYK 11 / 0 / 14 / 3

HEX #DDF7D4

RGB 221 247 212

HSL 104.57, 0.69%, 0.9%

LAB 94.59, -14.71, 13.99

 

CMYK 31 / 0 / 40 / 8

HEX #A3EB8C

RGB 163 235 140

HSL 105.47, 0.7%, 0.74%

LAB 86.55, -39.63, 39.11

 

CMYK 40 / 0 / 2 / 8

HEX #8EEBE6

RGB 142 235 230

HSL 176.77, 0.7%, 0.74%

LAB 87.43, -28.78, -6.29

 

CMYK 0 / 40 / 14 / 8

HEX #EB8ECB

RGB 235 142 203

HSL 320.65, 0.7%, 0.74%

LAB 70.4, 43.52, -16.44

 

CMYK 31 / 0 / 40 / 8

HEX #A3EB8C

RGB 163 235 140

HSL 105.47, 0.7%, 0.74%

LAB 86.55, -39.63, 39.11

 

CMYK 40 / 30 / 0 / 8

HEX #8EA5EB

RGB 142 165 235

HSL 225.16, 0.7%, 0.74%

LAB 68.5, 9.22, -37.71

 

CMYK 0 / 40 / 30 / 8

HEX #EB8EA5

RGB 235 142 165

HSL 345.16, 0.7%, 0.74%

LAB 69.27, 38.01, 3.08

 

CMYK 31 / 0 / 40 / 8

HEX #A3EB8C

RGB 163 235 140

HSL 105.47, 0.7%, 0.74%

LAB 86.55, -39.63, 39.11

 

CMYK 40 / 0 / 2 / 8

HEX #8EEBE6

RGB 142 235 230

HSL 176.77, 0.7%, 0.74%

LAB 87.43, -28.78, -6.29

 

CMYK 10 / 40 / 0 / 8

HEX #D48EEB

RGB 212 142 235

HSL 285.16, 0.7%, 0.74%

LAB 69, 42.1, -36.49

 

CMYK 0 / 40 / 37 / 8

HEX #EB8E93

RGB 235 142 147

HSL 356.77, 0.7%, 0.74%

LAB 68.83, 35.8, 12.52

 

CMYK 31 / 0 / 40 / 8

HEX #A3EB8C

RGB 163 235 140

HSL 105.47, 0.7%, 0.74%

LAB 86.55, -39.63, 39.11

 

CMYK 40 / 10 / 0 / 8

HEX #8ED4EB

RGB 142 212 235

HSL 194.84, 0.7%, 0.74%

LAB 81.2, -16.17, -18.24

 

CMYK 10 / 40 / 0 / 8

HEX #D48EEB

RGB 212 142 235

HSL 285.16, 0.7%, 0.74%

LAB 69, 42.1, -36.49

 

CMYK 0 / 30 / 40 / 8

HEX #EBA58E

RGB 235 165 142

HSL 14.84, 0.7%, 0.74%

LAB 73.89, 23.07, 22.28

 

Description

Color code: HEX #A3EB8C | qconv.com Color code: HEX #A3EB8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 235 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 235 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 40 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 40% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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