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Color name
HEX #A3EA59

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3EA59 it is the complementary color #5C15A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3EA59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3EA59 shade: #A8EA54, #B9FC67, #CAFF7A, #DBFF8D and #ECFFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3EA59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3EA59 shade: #A3EA59, #92D846, #81C633, #70B420 and #5FA20D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3EA59 shade: #A2EA57, #CAEA57, #EAE357, #EABB57 and #EA9457

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3EA59 shade: #A2EA57, #7AEA57, #57EA5B, #57EA83 and #57EAAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3EA59 shade matches the following richer shades: #A2EA57 and #A2FA48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3EA59 shade: #A2EA57, #A2DB66, #A2CC76, #A1BC85 and #A1AD94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3EA59 shade: #EAE357, #CAEA57, #A3EA57, #7CEA57 and #57EA5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3EA59 shade: #79D51A, #8EE632, #A2EA57, #B6EF7C and #CBF3A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3EA59 shade: #A3EA59, #57EABC and #EA57DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3EA59 shade: #A3EA59, #57A3EA and #EA57A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3EA59 shade: #A3EA59, #57EABC, #9E57EA and #EA5786

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3EA59 shade: #A3EA59, #57EAE8, #9E57EA and #EA575A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 62 / 8

HEX #A3EA59

RGB 163 234 89

HSL 89.38, 0.78%, 0.63%

LAB 85.68, -44.78, 61.61

 

Complementary color

CMYK 45 / 87 / 0 / 35

HEX #5C15A6

RGB 92 21 166

HSL 269.38, 0.78%, 0.37%

LAB 28.29, 56.87, -62.63

 

CMYK 28 / 0 / 64 / 8

HEX #A8EA54

RGB 168 234 84

HSL 86.4, 0.78%, 0.62%

LAB 85.91, -43.41, 63.97

 

CMYK 27 / 0 / 59 / 1

HEX #B9FC67

RGB 185 252 103

HSL 86.98, 0.96%, 0.7%

LAB 92.09, -43.62, 63.2

 

CMYK 21 / 0 / 52 / 0

HEX #CAFF7A

RGB 202 255 122

HSL 83.91, 1%, 0.74%

LAB 94.09, -37.13, 57.45

 

CMYK 14 / 0 / 45 / 0

HEX #DBFF8D

RGB 219 255 141

HSL 78.95, 1%, 0.78%

LAB 95.37, -28.99, 50.47

 

CMYK 7 / 0 / 37 / 0

HEX #ECFFA0

RGB 236 255 160

HSL 72, 1%, 0.81%

LAB 96.78, -20.6, 43.34

 

CMYK 30 / 0 / 62 / 8

HEX #A3EA59

RGB 163 234 89

HSL 89.38, 0.78%, 0.63%

LAB 85.68, -44.78, 61.61

 

CMYK 32 / 0 / 68 / 15

HEX #92D846

RGB 146 216 70

HSL 88.77, 0.65%, 0.56%

LAB 79.42, -44.53, 62.24

 

CMYK 35 / 0 / 74 / 22

HEX #81C633

RGB 129 198 51

HSL 88.16, 0.59%, 0.49%

LAB 73.09, -44.14, 62.46

 

CMYK 38 / 0 / 82 / 29

HEX #70B420

RGB 112 180 32

HSL 87.57, 0.7%, 0.42%

LAB 66.67, -43.55, 61.93

 

CMYK 41 / 0 / 92 / 36

HEX #5FA20D

RGB 95 162 13

HSL 86.98, 0.85%, 0.34%

LAB 60.16, -42.69, 60.12

 

CMYK 31 / 0 / 63 / 8

HEX #A2EA57

RGB 162 234 87

HSL 89.39, 0.78%, 0.63%

LAB 85.61, -45.3, 62.34

 

CMYK 14 / 0 / 63 / 8

HEX #CAEA57

RGB 202 234 87

HSL 73.06, 0.78%, 0.63%

LAB 88.01, -30.41, 65.63

 

CMYK 0 / 3 / 63 / 8

HEX #EAE357

RGB 234 227 87

HSL 57.14, 0.78%, 0.63%

LAB 88.5, -14.22, 66.86

 

CMYK 0 / 20 / 63 / 8

HEX #EABB57

RGB 234 187 87

HSL 40.82, 0.78%, 0.63%

LAB 78.3, 6.17, 55.8

 

CMYK 0 / 37 / 63 / 8

HEX #EA9457

RGB 234 148 87

HSL 24.9, 0.78%, 0.63%

LAB 69.01, 26.82, 45.2

 

CMYK 31 / 0 / 63 / 8

HEX #A2EA57

RGB 162 234 87

HSL 89.39, 0.78%, 0.63%

LAB 85.61, -45.3, 62.34

 

CMYK 48 / 0 / 63 / 8

HEX #7AEA57

RGB 122 234 87

HSL 105.71, 0.78%, 0.63%

LAB 83.79, -58.07, 59.82

 

CMYK 63 / 0 / 61 / 8

HEX #57EA5B

RGB 87 234 91

HSL 121.63, 0.78%, 0.63%

LAB 82.71, -66.29, 56.63

 

CMYK 63 / 0 / 44 / 8

HEX #57EA83

RGB 87 234 131

HSL 137.96, 0.78%, 0.63%

LAB 83.18, -60.96, 38.64

 

CMYK 63 / 0 / 27 / 8

HEX #57EAAB

RGB 87 234 171

HSL 154.29, 0.78%, 0.63%

LAB 83.87, -53.59, 19.24

 

CMYK 31 / 0 / 63 / 8

HEX #A2EA57

RGB 162 234 87

HSL 89.39, 0.78%, 0.63%

LAB 85.61, -45.3, 62.34

 

CMYK 35 / 0 / 71 / 2

HEX #A2FA48

RGB 162 250 72

HSL 89.66, 0.95%, 0.63%

LAB 90.1, -53.02, 72.66

 

CMYK 31 / 0 / 63 / 8

HEX #A2EA57

RGB 162 234 87

HSL 89.39, 0.78%, 0.63%

LAB 85.61, -45.3, 62.34

 

CMYK 26 / 0 / 53 / 14

HEX #A2DB66

RGB 162 219 102

HSL 89.23, 0.62%, 0.63%

LAB 81.46, -37.35, 51.08

 

CMYK 21 / 0 / 42 / 20

HEX #A2CC76

RGB 162 204 118

HSL 89.3, 0.46%, 0.63%

LAB 77.39, -28.57, 38.35

 

CMYK 14 / 0 / 29 / 26

HEX #A1BC85

RGB 161 188 133

HSL 89.45, 0.29%, 0.63%

LAB 73.05, -19.02, 24.89

 

CMYK 7 / 0 / 14 / 32

HEX #A1AD94

RGB 161 173 148

HSL 88.8, 0.13%, 0.63%

LAB 69.19, -8.84, 11.43

 

CMYK 0 / 3 / 63 / 8

HEX #EAE357

RGB 234 227 87

HSL 57.14, 0.78%, 0.63%

LAB 88.5, -14.22, 66.86

 

CMYK 14 / 0 / 63 / 8

HEX #CAEA57

RGB 202 234 87

HSL 73.06, 0.78%, 0.63%

LAB 88.01, -30.41, 65.63

 

CMYK 30 / 0 / 63 / 8

HEX #A3EA57

RGB 163 234 87

HSL 88.98, 0.78%, 0.63%

LAB 85.67, -44.95, 62.41

 

CMYK 47 / 0 / 63 / 8

HEX #7CEA57

RGB 124 234 87

HSL 104.9, 0.78%, 0.63%

LAB 83.87, -57.49, 59.93

 

CMYK 63 / 0 / 62 / 8

HEX #57EA5A

RGB 87 234 90

HSL 121.22, 0.78%, 0.63%

LAB 82.71, -66.4, 57.05

 

CMYK 43 / 0 / 88 / 16

HEX #79D51A

RGB 121 213 26

HSL 89.52, 0.78%, 0.47%

LAB 77.12, -54.02, 72.53

 

CMYK 38 / 0 / 78 / 10

HEX #8EE632

RGB 142 230 50

HSL 89.33, 0.78%, 0.55%

LAB 83.22, -52.88, 72.62

 

CMYK 31 / 0 / 63 / 8

HEX #A2EA57

RGB 162 234 87

HSL 89.39, 0.78%, 0.63%

LAB 85.61, -45.3, 62.34

 

CMYK 24 / 0 / 48 / 6

HEX #B6EF7C

RGB 182 239 124

HSL 89.74, 0.78%, 0.71%

LAB 88.51, -36.89, 49.55

 

CMYK 16 / 0 / 34 / 5

HEX #CBF3A0

RGB 203 243 160

HSL 88.92, 0.78%, 0.79%

LAB 91.39, -26.86, 35.9

 

CMYK 30 / 0 / 62 / 8

HEX #A3EA59

RGB 163 234 89

HSL 89.38, 0.78%, 0.63%

LAB 85.68, -44.78, 61.61

 

CMYK 63 / 0 / 20 / 8

HEX #57EABC

RGB 87 234 188

HSL 161.22, 0.78%, 0.63%

LAB 84.23, -49.88, 10.87

 

CMYK 0 / 63 / 5 / 8

HEX #EA57DE

RGB 234 87 222

HSL 304.9, 0.78%, 0.63%

LAB 61.29, 71.88, -41.1

 

CMYK 30 / 0 / 62 / 8

HEX #A3EA59

RGB 163 234 89

HSL 89.38, 0.78%, 0.63%

LAB 85.68, -44.78, 61.61

 

CMYK 63 / 30 / 0 / 8

HEX #57A3EA

RGB 87 163 234

HSL 208.98, 0.78%, 0.63%

LAB 65.09, -2.13, -42.71

 

CMYK 0 / 63 / 30 / 8

HEX #EA57A3

RGB 234 87 163

HSL 328.98, 0.78%, 0.63%

LAB 58.93, 63.67, -11.05

 

CMYK 30 / 0 / 62 / 8

HEX #A3EA59

RGB 163 234 89

HSL 89.38, 0.78%, 0.63%

LAB 85.68, -44.78, 61.61

 

CMYK 63 / 0 / 20 / 8

HEX #57EABC

RGB 87 234 188

HSL 161.22, 0.78%, 0.63%

LAB 84.23, -49.88, 10.87

 

CMYK 32 / 63 / 0 / 8

HEX #9E57EA

RGB 158 87 234

HSL 268.98, 0.78%, 0.63%

LAB 51.87, 56.61, -63.46

 

CMYK 0 / 63 / 43 / 8

HEX #EA5786

RGB 234 87 134

HSL 340.82, 0.78%, 0.63%

LAB 58.07, 60.51, 4.61

 

CMYK 30 / 0 / 62 / 8

HEX #A3EA59

RGB 163 234 89

HSL 89.38, 0.78%, 0.63%

LAB 85.68, -44.78, 61.61

 

CMYK 63 / 0 / 1 / 8

HEX #57EAE8

RGB 87 234 232

HSL 179.18, 0.78%, 0.63%

LAB 85.35, -38.91, -10.63

 

CMYK 32 / 63 / 0 / 8

HEX #9E57EA

RGB 158 87 234

HSL 268.98, 0.78%, 0.63%

LAB 51.87, 56.61, -63.46

 

CMYK 0 / 63 / 62 / 8

HEX #EA575A

RGB 234 87 90

HSL 358.78, 0.78%, 0.63%

LAB 57.12, 56.96, 29.02

 

Description

Color code: HEX #A3EA59 | qconv.com Color code: HEX #A3EA59 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 234 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 234 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 62 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 62% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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