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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3D343 it is the complementary color #5C2CBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3D343. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3D343 shade: #A8D33E, #B9E551, #CAF764, #DBFF77 and #ECFF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3D343. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3D343 shade: #A3D343, #92C130, #81AF1D, #709D0A and #5F8B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3D343 shade: #A4D345, #CAD345, #D3B645, #D39045 and #D36945

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3D343 shade: #A4D345, #7ED345, #57D345, #45D359 and #45D380

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3D343 shade matches the following richer shades: #A4D345, #AAE633 and #B0F920

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3D343 shade: #A4D345, #9EC158, #98AE6A, #919C7D and #8B898F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3D343 shade: #D3B745, #CAD345, #A4D345, #7ED345 and #58D345

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3D343 shade: #77A026, #90C22D, #A4D345, #B4DB67 and #C5E388

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3D343 shade: #A3D343, #45D391 and #CA45D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3D343 shade: #A3D343, #45A4D3 and #D345A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3D343 shade: #A3D343, #45D391, #7545D3 and #D34588

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3D343 shade: #A3D343, #45D3BC, #7545D3 and #D3455D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 68 / 17

HEX #A3D343

RGB 163 211 67

HSL 80, 0.62%, 0.55%

LAB 78.91, -36.27, 63.17

 

Complementary color

CMYK 51 / 77 / 0 / 26

HEX #5C2CBC

RGB 92 44 188

HSL 260, 0.62%, 0.45%

LAB 33.37, 53.71, -67.42

 

CMYK 20 / 0 / 71 / 17

HEX #A8D33E

RGB 168 211 62

HSL 77.32, 0.63%, 0.54%

LAB 79.19, -34.64, 65.39

 

CMYK 19 / 0 / 65 / 10

HEX #B9E551

RGB 185 229 81

HSL 77.84, 0.74%, 0.61%

LAB 85.48, -35.09, 65

 

CMYK 18 / 0 / 60 / 3

HEX #CAF764

RGB 202 247 100

HSL 78.37, 0.9%, 0.68%

LAB 91.68, -35.43, 64.28

 

CMYK 14 / 0 / 53 / 0

HEX #DBFF77

RGB 219 255 119

HSL 75.88, 1%, 0.73%

LAB 95.12, -31.13, 60.27

 

CMYK 7 / 0 / 46 / 0

HEX #ECFF8A

RGB 236 255 138

HSL 69.74, 1%, 0.77%

LAB 96.49, -22.95, 53.51

 

CMYK 23 / 0 / 68 / 17

HEX #A3D343

RGB 163 211 67

HSL 80, 0.62%, 0.55%

LAB 78.91, -36.27, 63.17

 

CMYK 24 / 0 / 75 / 24

HEX #92C130

RGB 146 193 48

HSL 79.45, 0.6%, 0.47%

LAB 72.54, -35.77, 63.26

 

CMYK 26 / 0 / 83 / 31

HEX #81AF1D

RGB 129 175 29

HSL 78.9, 0.72%, 0.4%

LAB 66.07, -35.09, 62.54

 

CMYK 29 / 0 / 94 / 38

HEX #709D0A

RGB 112 157 10

HSL 78.37, 0.88%, 0.33%

LAB 59.51, -34.17, 60.43

 

CMYK 32 / 0 / 100 / 45

HEX #5F8B00

RGB 95 139 0

HSL 78.99, 1%, 0.27%

LAB 52.84, -32.96, 56.34

 

CMYK 22 / 0 / 67 / 17

HEX #A4D345

RGB 164 211 69

HSL 79.86, 0.62%, 0.55%

LAB 78.99, -35.75, 62.5

 

CMYK 4 / 0 / 67 / 17

HEX #CAD345

RGB 202 211 69

HSL 63.8, 0.62%, 0.55%

LAB 81.61, -20.55, 66.01

 

CMYK 0 / 14 / 67 / 17

HEX #D3B645

RGB 211 182 69

HSL 47.75, 0.62%, 0.55%

LAB 74.66, -2.03, 59.13

 

CMYK 0 / 32 / 67 / 17

HEX #D39045

RGB 211 144 69

HSL 31.69, 0.62%, 0.55%

LAB 65.14, 18.31, 48.95

 

CMYK 0 / 50 / 67 / 17

HEX #D36945

RGB 211 105 69

HSL 15.21, 0.62%, 0.55%

LAB 56.47, 39.02, 39.14

 

CMYK 22 / 0 / 67 / 17

HEX #A4D345

RGB 164 211 69

HSL 79.86, 0.62%, 0.55%

LAB 78.99, -35.75, 62.5

 

CMYK 40 / 0 / 67 / 17

HEX #7ED345

RGB 126 211 69

HSL 95.92, 0.62%, 0.55%

LAB 76.95, -49.34, 59.74

 

CMYK 59 / 0 / 67 / 17

HEX #57D345

RGB 87 211 69

HSL 112.39, 0.62%, 0.55%

LAB 75.48, -60.43, 57.73

 

CMYK 67 / 0 / 58 / 17

HEX #45D359

RGB 69 211 89

HSL 128.45, 0.62%, 0.55%

LAB 75.19, -62.14, 48.74

 

CMYK 67 / 0 / 39 / 17

HEX #45D380

RGB 69 211 128

HSL 144.93, 0.62%, 0.55%

LAB 75.71, -56.21, 30.33

 

CMYK 22 / 0 / 67 / 17

HEX #A4D345

RGB 164 211 69

HSL 79.86, 0.62%, 0.55%

LAB 78.99, -35.75, 62.5

 

CMYK 26 / 0 / 78 / 10

HEX #AAE633

RGB 170 230 51

HSL 80.11, 0.78%, 0.55%

LAB 84.68, -42.9, 74.21

 

CMYK 29 / 0 / 87 / 2

HEX #B0F920

RGB 176 249 32

HSL 80.18, 0.95%, 0.55%

LAB 90.36, -49.41, 83.65

 

CMYK 22 / 0 / 67 / 17

HEX #A4D345

RGB 164 211 69

HSL 79.86, 0.62%, 0.55%

LAB 78.99, -35.75, 62.5

 

CMYK 18 / 0 / 54 / 24

HEX #9EC158

RGB 158 193 88

HSL 80, 0.46%, 0.55%

LAB 73.62, -28.14, 48.34

 

CMYK 13 / 0 / 39 / 32

HEX #98AE6A

RGB 152 174 106

HSL 79.41, 0.3%, 0.55%

LAB 68.01, -19.11, 32.4

 

CMYK 7 / 0 / 20 / 39

HEX #919C7D

RGB 145 156 125

HSL 81.29, 0.14%, 0.55%

LAB 62.74, -9.64, 14.94

 

CMYK 3 / 4 / 0 / 44

HEX #8B898F

RGB 139 137 143

HSL 260, 0.03%, 0.55%

LAB 57.43, 1.93, -2.94

 

CMYK 0 / 13 / 67 / 17

HEX #D3B745

RGB 211 183 69

HSL 48.17, 0.62%, 0.55%

LAB 74.92, -2.56, 59.4

 

CMYK 4 / 0 / 67 / 17

HEX #CAD345

RGB 202 211 69

HSL 63.8, 0.62%, 0.55%

LAB 81.61, -20.55, 66.01

 

CMYK 22 / 0 / 67 / 17

HEX #A4D345

RGB 164 211 69

HSL 79.86, 0.62%, 0.55%

LAB 78.99, -35.75, 62.5

 

CMYK 40 / 0 / 67 / 17

HEX #7ED345

RGB 126 211 69

HSL 95.92, 0.62%, 0.55%

LAB 76.95, -49.34, 59.74

 

CMYK 58 / 0 / 67 / 17

HEX #58D345

RGB 88 211 69

HSL 111.97, 0.62%, 0.55%

LAB 75.51, -60.19, 57.78

 

CMYK 26 / 0 / 76 / 37

HEX #77A026

RGB 119 160 38

HSL 80.16, 0.62%, 0.39%

LAB 60.96, -31.74, 54.97

 

CMYK 26 / 0 / 77 / 24

HEX #90C22D

RGB 144 194 45

HSL 80.13, 0.62%, 0.47%

LAB 72.7, -37.15, 64.33

 

CMYK 22 / 0 / 67 / 17

HEX #A4D345

RGB 164 211 69

HSL 79.86, 0.62%, 0.55%

LAB 78.99, -35.75, 62.5

 

CMYK 18 / 0 / 53 / 14

HEX #B4DB67

RGB 180 219 103

HSL 80.17, 0.62%, 0.63%

LAB 82.56, -30.58, 52.19

 

CMYK 13 / 0 / 40 / 11

HEX #C5E388

RGB 197 227 136

HSL 79.78, 0.62%, 0.71%

LAB 86.3, -24.44, 41.18

 

CMYK 23 / 0 / 68 / 17

HEX #A3D343

RGB 163 211 67

HSL 80, 0.62%, 0.55%

LAB 78.91, -36.27, 63.17

 

CMYK 67 / 0 / 31 / 17

HEX #45D391

RGB 69 211 145

HSL 152.11, 0.62%, 0.55%

LAB 76.01, -52.93, 21.9

 

CMYK 4 / 67 / 0 / 17

HEX #CA45D3

RGB 202 69 211

HSL 296.2, 0.62%, 0.55%

LAB 53.51, 69.52, -47.49

 

CMYK 23 / 0 / 68 / 17

HEX #A3D343

RGB 163 211 67

HSL 80, 0.62%, 0.55%

LAB 78.91, -36.27, 63.17

 

CMYK 67 / 22 / 0 / 17

HEX #45A4D3

RGB 69 164 211

HSL 199.86, 0.62%, 0.55%

LAB 63.77, -13.18, -32.12

 

CMYK 0 / 67 / 22 / 17

HEX #D345A4

RGB 211 69 164

HSL 319.86, 0.62%, 0.55%

LAB 52.71, 64.55, -21.41

 

CMYK 23 / 0 / 68 / 17

HEX #A3D343

RGB 163 211 67

HSL 80, 0.62%, 0.55%

LAB 78.91, -36.27, 63.17

 

CMYK 67 / 0 / 31 / 17

HEX #45D391

RGB 69 211 145

HSL 152.11, 0.62%, 0.55%

LAB 76.01, -52.93, 21.9

 

CMYK 45 / 67 / 0 / 17

HEX #7545D3

RGB 117 69 211

HSL 260.28, 0.62%, 0.55%

LAB 42.37, 51.73, -65.99

 

CMYK 0 / 67 / 36 / 17

HEX #D34588

RGB 211 69 136

HSL 331.69, 0.62%, 0.55%

LAB 51.7, 61.13, -6.33

 

CMYK 23 / 0 / 68 / 17

HEX #A3D343

RGB 163 211 67

HSL 80, 0.62%, 0.55%

LAB 78.91, -36.27, 63.17

 

CMYK 67 / 0 / 11 / 17

HEX #45D3BC

RGB 69 211 188

HSL 170.28, 0.62%, 0.55%

LAB 76.97, -42.95, 0.36

 

CMYK 45 / 67 / 0 / 17

HEX #7545D3

RGB 117 69 211

HSL 260.28, 0.62%, 0.55%

LAB 42.37, 51.73, -65.99

 

CMYK 0 / 67 / 56 / 17

HEX #D3455D

RGB 211 69 93

HSL 349.86, 0.62%, 0.55%

LAB 50.56, 57.14, 17.9

 

Description

Color code: HEX #A3D343 | qconv.com Color code: HEX #A3D343 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 211 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 211 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 68 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 68% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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