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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3CE24 it is the complementary color #5C31DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3CE24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3CE24 shade: #A8CE1F, #B9E032, #CAF245, #DBFF58 and #ECFF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3CE24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3CE24 shade: #A3CE24, #92BC11, #81AA00, #709800 and #5F8600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3CE24 shade: #A1CC24, #CCC924, #CC9C24, #CC6E24 and #CC4124

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3CE24 shade: #A1CC24, #74CC24, #47CC24, #24CC2E and #24CC5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3CE24 shade matches the following richer shades: #A1CC24 and #ABDF11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3CE24 shade: #A1CC24, #98B837, #8EA54B, #85925E and #7B7E72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3CE24 shade: #CC9C24, #CCC924, #A2CC24, #75CC24 and #48CC24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3CE24 shade: #6A8618, #86A91E, #A1CC24, #B4DD3C and #C2E35F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3CE24 shade: #A3CE24, #24CC6F and #B324CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3CE24 shade: #A3CE24, #24A2CC and #CC24A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3CE24 shade: #A3CE24, #24CC6F, #4E24CC and #CC2480

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3CE24 shade: #A3CE24, #24CCA2, #4E24CC and #CC244E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 83 / 19

HEX #A3CE24

RGB 163 206 36

HSL 75.18, 0.7%, 0.47%

LAB 77.31, -35.52, 71.44

 

Complementary color

CMYK 58 / 78 / 0 / 14

HEX #5C31DB

RGB 92 49 219

HSL 255.18, 0.7%, 0.53%

LAB 37.09, 59.87, -79.34

 

CMYK 18 / 0 / 85 / 19

HEX #A8CE1F

RGB 168 206 31

HSL 73.03, 0.74%, 0.46%

LAB 77.62, -33.68, 72.97

 

CMYK 17 / 0 / 78 / 12

HEX #B9E032

RGB 185 224 50

HSL 73.45, 0.74%, 0.54%

LAB 83.89, -34.51, 74.12

 

CMYK 17 / 0 / 71 / 5

HEX #CAF245

RGB 202 242 69

HSL 73.87, 0.87%, 0.61%

LAB 90.09, -35.17, 74.42

 

CMYK 14 / 0 / 65 / 0

HEX #DBFF58

RGB 219 255 88

HSL 72.93, 1%, 0.67%

LAB 94.86, -33.44, 72.78

 

CMYK 7 / 0 / 58 / 0

HEX #ECFF6B

RGB 236 255 107

HSL 67.7, 1%, 0.71%

LAB 96.17, -25.58, 66.95

 

CMYK 21 / 0 / 83 / 19

HEX #A3CE24

RGB 163 206 36

HSL 75.18, 0.7%, 0.47%

LAB 77.31, -35.52, 71.44

 

CMYK 22 / 0 / 91 / 26

HEX #92BC11

RGB 146 188 17

HSL 74.74, 0.83%, 0.4%

LAB 70.95, -34.59, 69.49

 

CMYK 24 / 0 / 100 / 33

HEX #81AA00

RGB 129 170 0

HSL 74.47, 1%, 0.33%

LAB 64.5, -33.47, 66.15

 

CMYK 26 / 0 / 100 / 40

HEX #709800

RGB 112 152 0

HSL 75.79, 1%, 0.3%

LAB 57.94, -32.07, 60.7

 

CMYK 29 / 0 / 100 / 47

HEX #5F8600

RGB 95 134 0

HSL 77.46, 1%, 0.26%

LAB 51.25, -30.64, 55.12

 

CMYK 21 / 0 / 82 / 20

HEX #A1CC24

RGB 161 204 36

HSL 75.36, 0.7%, 0.47%

LAB 76.61, -35.4, 70.78

 

CMYK 0 / 1 / 82 / 20

HEX #CCC924

RGB 204 201 36

HSL 58.93, 0.7%, 0.47%

LAB 78.89, -16.14, 73.96

 

CMYK 0 / 24 / 82 / 20

HEX #CC9C24

RGB 204 156 36

HSL 42.86, 0.7%, 0.47%

LAB 67.08, 7.32, 63.88

 

CMYK 0 / 46 / 82 / 20

HEX #CC6E24

RGB 204 110 36

HSL 26.43, 0.7%, 0.47%

LAB 56.2, 32.19, 54.33

 

CMYK 0 / 68 / 82 / 20

HEX #CC4124

RGB 204 65 36

HSL 10.36, 0.7%, 0.47%

LAB 47.94, 53.54, 46.81

 

CMYK 21 / 0 / 82 / 20

HEX #A1CC24

RGB 161 204 36

HSL 75.36, 0.7%, 0.47%

LAB 76.61, -35.4, 70.78

 

CMYK 43 / 0 / 82 / 20

HEX #74CC24

RGB 116 204 36

HSL 91.43, 0.7%, 0.47%

LAB 74.21, -51.77, 67.73

 

CMYK 65 / 0 / 82 / 20

HEX #47CC24

RGB 71 204 36

HSL 107.5, 0.7%, 0.47%

LAB 72.66, -63.91, 65.76

 

CMYK 82 / 0 / 77 / 20

HEX #24CC2E

RGB 36 204 46

HSL 123.57, 0.7%, 0.47%

LAB 72.07, -68.86, 62.12

 

CMYK 82 / 0 / 55 / 20

HEX #24CC5C

RGB 36 204 92

HSL 140, 0.7%, 0.47%

LAB 72.45, -64.12, 43.96

 

CMYK 21 / 0 / 82 / 20

HEX #A1CC24

RGB 161 204 36

HSL 75.36, 0.7%, 0.47%

LAB 76.61, -35.4, 70.78

 

CMYK 23 / 0 / 92 / 13

HEX #ABDF11

RGB 171 223 17

HSL 75.15, 0.86%, 0.47%

LAB 82.63, -40.46, 79.48

 

CMYK 21 / 0 / 82 / 20

HEX #A1CC24

RGB 161 204 36

HSL 75.36, 0.7%, 0.47%

LAB 76.61, -35.4, 70.78

 

CMYK 17 / 0 / 70 / 28

HEX #98B837

RGB 152 184 55

HSL 74.88, 0.54%, 0.47%

LAB 70.34, -28.79, 58.77

 

CMYK 14 / 0 / 55 / 35

HEX #8EA54B

RGB 142 165 75

HSL 75.33, 0.38%, 0.47%

LAB 64.3, -22.03, 43.37

 

CMYK 9 / 0 / 36 / 43

HEX #85925E

RGB 133 146 94

HSL 75, 0.22%, 0.47%

LAB 58.37, -13.7, 26.05

 

CMYK 2 / 0 / 10 / 51

HEX #7B7E72

RGB 123 126 114

HSL 75, 0.05%, 0.47%

LAB 52.23, -3.45, 6.14

 

CMYK 0 / 24 / 82 / 20

HEX #CC9C24

RGB 204 156 36

HSL 42.86, 0.7%, 0.47%

LAB 67.08, 7.32, 63.88

 

CMYK 0 / 1 / 82 / 20

HEX #CCC924

RGB 204 201 36

HSL 58.93, 0.7%, 0.47%

LAB 78.89, -16.14, 73.96

 

CMYK 21 / 0 / 82 / 20

HEX #A2CC24

RGB 162 204 36

HSL 75, 0.7%, 0.47%

LAB 76.68, -35, 70.86

 

CMYK 43 / 0 / 82 / 20

HEX #75CC24

RGB 117 204 36

HSL 91.07, 0.7%, 0.47%

LAB 74.25, -51.45, 67.79

 

CMYK 65 / 0 / 82 / 20

HEX #48CC24

RGB 72 204 36

HSL 107.14, 0.7%, 0.47%

LAB 72.69, -63.7, 65.79

 

CMYK 21 / 0 / 82 / 47

HEX #6A8618

RGB 106 134 24

HSL 75.27, 0.7%, 0.31%

LAB 52.04, -25.29, 50.89

 

CMYK 21 / 0 / 82 / 34

HEX #86A91E

RGB 134 169 30

HSL 75.11, 0.7%, 0.39%

LAB 64.59, -30.25, 61.1

 

CMYK 21 / 0 / 82 / 20

HEX #A1CC24

RGB 161 204 36

HSL 75.36, 0.7%, 0.47%

LAB 76.61, -35.4, 70.78

 

CMYK 19 / 0 / 73 / 13

HEX #B4DD3C

RGB 180 221 60

HSL 75.28, 0.7%, 0.55%

LAB 82.78, -34.64, 69.85

 

CMYK 15 / 0 / 58 / 11

HEX #C2E35F

RGB 194 227 95

HSL 75, 0.7%, 0.63%

LAB 85.62, -29.66, 59.52

 

CMYK 21 / 0 / 83 / 19

HEX #A3CE24

RGB 163 206 36

HSL 75.18, 0.7%, 0.47%

LAB 77.31, -35.52, 71.44

 

CMYK 82 / 0 / 46 / 20

HEX #24CC6F

RGB 36 204 111

HSL 146.79, 0.7%, 0.47%

LAB 72.7, -61.16, 34.97

 

CMYK 12 / 82 / 0 / 20

HEX #B324CC

RGB 179 36 204

HSL 291.07, 0.7%, 0.47%

LAB 45.91, 74.02, -55.82

 

CMYK 21 / 0 / 83 / 19

HEX #A3CE24

RGB 163 206 36

HSL 75.18, 0.7%, 0.47%

LAB 77.31, -35.52, 71.44

 

CMYK 82 / 21 / 0 / 20

HEX #24A2CC

RGB 36 162 204

HSL 195, 0.7%, 0.47%

LAB 62.15, -18.43, -30.8

 

CMYK 0 / 82 / 21 / 20

HEX #CC24A2

RGB 204 36 162

HSL 315, 0.7%, 0.47%

LAB 47.89, 72.65, -27.78

 

CMYK 21 / 0 / 83 / 19

HEX #A3CE24

RGB 163 206 36

HSL 75.18, 0.7%, 0.47%

LAB 77.31, -35.52, 71.44

 

CMYK 82 / 0 / 46 / 20

HEX #24CC6F

RGB 36 204 111

HSL 146.79, 0.7%, 0.47%

LAB 72.7, -61.16, 34.97

 

CMYK 62 / 82 / 0 / 20

HEX #4E24CC

RGB 78 36 204

HSL 255, 0.7%, 0.47%

LAB 32.35, 59.81, -78.53

 

CMYK 0 / 82 / 37 / 20

HEX #CC2480

RGB 204 36 128

HSL 327.14, 0.7%, 0.47%

LAB 46.52, 68.77, -9.37

 

CMYK 21 / 0 / 83 / 19

HEX #A3CE24

RGB 163 206 36

HSL 75.18, 0.7%, 0.47%

LAB 77.31, -35.52, 71.44

 

CMYK 82 / 0 / 21 / 20

HEX #24CCA2

RGB 36 204 162

HSL 165, 0.7%, 0.47%

LAB 73.66, -50.45, 9.48

 

CMYK 62 / 82 / 0 / 20

HEX #4E24CC

RGB 78 36 204

HSL 255, 0.7%, 0.47%

LAB 32.35, 59.81, -78.53

 

CMYK 0 / 82 / 62 / 20

HEX #CC244E

RGB 204 36 78

HSL 345, 0.7%, 0.47%

LAB 45.15, 64.73, 19.56

 

Description

Color code: HEX #A3CE24 | qconv.com Color code: HEX #A3CE24 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 206 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 206 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 83 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 83% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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