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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3CC40 it is the complementary color #5C33BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3CC40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3CC40 shade: #A8CC3B, #B9DE4E, #CAF061, #DBFF74 and #ECFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3CC40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3CC40 shade: #A3CC40, #92BA2D, #81A81A, #709607 and #5F8400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3CC40 shade: #A4CD42, #C9CD42, #CDAA42, #CD8542 and #CD5F42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3CC40 shade: #A4CD42, #7ECD42, #59CD42, #42CD50 and #42CD75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3CC40 shade matches the following richer shades: #A4CD42, #ACE02E and #B4F31B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3CC40 shade: #A4CD42, #9CB955, #94A668, #8C927C and #847F8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3CC40 shade: #CDAA42, #CACD42, #A5CD42, #80CD42 and #5BCD42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3CC40 shade: #749427, #8EB530, #A4CD42, #B4D562 and #C3DE83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3CC40 shade: #A3CC40, #42CD85 and #BC42CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3CC40 shade: #A3CC40, #42A5CD and #CD42A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3CC40 shade: #A3CC40, #42CD85, #6942CD and #CD4289

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3CC40 shade: #A3CC40, #42CDAF, #6942CD and #CD4260

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 69 / 20

HEX #A3CC40

RGB 163 204 64

HSL 77.57, 0.58%, 0.53%

LAB 76.89, -33.25, 62.23

 

Complementary color

CMYK 52 / 73 / 0 / 25

HEX #5C33BF

RGB 92 51 191

HSL 257.57, 0.58%, 0.47%

LAB 34.81, 51.19, -66.82

 

CMYK 18 / 0 / 71 / 20

HEX #A8CC3B

RGB 168 204 59

HSL 74.9, 0.59%, 0.52%

LAB 77.18, -31.58, 64.47

 

CMYK 17 / 0 / 65 / 13

HEX #B9DE4E

RGB 185 222 78

HSL 75.42, 0.69%, 0.59%

LAB 83.5, -32.08, 64.1

 

CMYK 16 / 0 / 60 / 6

HEX #CAF061

RGB 202 240 97

HSL 75.94, 0.83%, 0.66%

LAB 89.74, -32.46, 63.39

 

CMYK 14 / 0 / 55 / 0

HEX #DBFF74

RGB 219 255 116

HSL 75.54, 1%, 0.73%

LAB 95.09, -31.39, 61.56

 

CMYK 7 / 0 / 47 / 0

HEX #ECFF87

RGB 236 255 135

HSL 69.5, 1%, 0.76%

LAB 96.45, -23.23, 54.86

 

CMYK 20 / 0 / 69 / 20

HEX #A3CC40

RGB 163 204 64

HSL 77.57, 0.58%, 0.53%

LAB 76.89, -33.25, 62.23

 

CMYK 22 / 0 / 76 / 27

HEX #92BA2D

RGB 146 186 45

HSL 77.02, 0.61%, 0.45%

LAB 70.47, -32.7, 62.28

 

CMYK 23 / 0 / 85 / 34

HEX #81A81A

RGB 129 168 26

HSL 76.48, 0.73%, 0.38%

LAB 63.96, -31.97, 61.44

 

CMYK 25 / 0 / 95 / 41

HEX #709607

RGB 112 150 7

HSL 75.94, 0.91%, 0.31%

LAB 57.34, -30.99, 59.14

 

CMYK 28 / 0 / 100 / 48

HEX #5F8400

RGB 95 132 0

HSL 76.82, 1%, 0.26%

LAB 50.61, -29.7, 54.63

 

CMYK 20 / 0 / 68 / 20

HEX #A4CD42

RGB 164 205 66

HSL 77.7, 0.58%, 0.53%

LAB 77.25, -33.2, 61.86

 

CMYK 2 / 0 / 68 / 20

HEX #C9CD42

RGB 201 205 66

HSL 61.73, 0.58%, 0.53%

LAB 79.88, -18.17, 65.38

 

CMYK 0 / 17 / 68 / 20

HEX #CDAA42

RGB 205 170 66

HSL 44.89, 0.58%, 0.53%

LAB 70.95, 1.55, 56.36

 

CMYK 0 / 35 / 68 / 20

HEX #CD8542

RGB 205 133 66

HSL 28.92, 0.58%, 0.53%

LAB 61.78, 21.57, 46.5

 

CMYK 0 / 54 / 68 / 20

HEX #CD5F42

RGB 205 95 66

HSL 12.52, 0.58%, 0.53%

LAB 53.55, 41.58, 37.14

 

CMYK 20 / 0 / 68 / 20

HEX #A4CD42

RGB 164 205 66

HSL 77.7, 0.58%, 0.53%

LAB 77.25, -33.2, 61.86

 

CMYK 39 / 0 / 68 / 20

HEX #7ECD42

RGB 126 205 66

HSL 94.1, 0.58%, 0.53%

LAB 75.13, -47.1, 59

 

CMYK 57 / 0 / 68 / 20

HEX #59CD42

RGB 89 205 66

HSL 110.07, 0.58%, 0.53%

LAB 73.66, -58.06, 57

 

CMYK 68 / 0 / 61 / 20

HEX #42CD50

RGB 66 205 80

HSL 126.04, 0.58%, 0.53%

LAB 73.15, -61.7, 50.4

 

CMYK 68 / 0 / 43 / 20

HEX #42CD75

RGB 66 205 117

HSL 142.01, 0.58%, 0.53%

LAB 73.61, -56.41, 33.21

 

CMYK 20 / 0 / 68 / 20

HEX #A4CD42

RGB 164 205 66

HSL 77.7, 0.58%, 0.53%

LAB 77.25, -33.2, 61.86

 

CMYK 23 / 0 / 79 / 12

HEX #ACE02E

RGB 172 224 46

HSL 77.53, 0.74%, 0.53%

LAB 83.06, -39.73, 74.17

 

CMYK 26 / 0 / 89 / 5

HEX #B4F31B

RGB 180 243 27

HSL 77.5, 0.9%, 0.53%

LAB 88.87, -45.53, 83.33

 

CMYK 20 / 0 / 68 / 20

HEX #A4CD42

RGB 164 205 66

HSL 77.7, 0.58%, 0.53%

LAB 77.25, -33.2, 61.86

 

CMYK 16 / 0 / 54 / 27

HEX #9CB955

RGB 156 185 85

HSL 77.4, 0.42%, 0.53%

LAB 71.16, -25.34, 46.85

 

CMYK 11 / 0 / 37 / 35

HEX #94A668

RGB 148 166 104

HSL 77.42, 0.26%, 0.53%

LAB 65.41, -16.84, 30.04

 

CMYK 4 / 0 / 15 / 43

HEX #8C927C

RGB 140 146 124

HSL 76.36, 0.09%, 0.53%

LAB 59.52, -6.28, 10.93

 

CMYK 8 / 11 / 0 / 44

HEX #847F8F

RGB 132 127 143

HSL 258.75, 0.07%, 0.53%

LAB 54.1, 5.14, -7.94

 

CMYK 0 / 17 / 68 / 20

HEX #CDAA42

RGB 205 170 66

HSL 44.89, 0.58%, 0.53%

LAB 70.95, 1.55, 56.36

 

CMYK 1 / 0 / 68 / 20

HEX #CACD42

RGB 202 205 66

HSL 61.29, 0.58%, 0.53%

LAB 79.96, -17.76, 65.49

 

CMYK 20 / 0 / 68 / 20

HEX #A5CD42

RGB 165 205 66

HSL 77.27, 0.58%, 0.53%

LAB 77.31, -32.8, 61.95

 

CMYK 38 / 0 / 68 / 20

HEX #80CD42

RGB 128 205 66

HSL 93.24, 0.58%, 0.53%

LAB 75.23, -46.43, 59.14

 

CMYK 56 / 0 / 68 / 20

HEX #5BCD42

RGB 91 205 66

HSL 109.21, 0.58%, 0.53%

LAB 73.73, -57.55, 57.09

 

CMYK 22 / 0 / 74 / 42

HEX #749427

RGB 116 148 39

HSL 77.61, 0.58%, 0.37%

LAB 57.11, -27.17, 50.83

 

CMYK 22 / 0 / 73 / 29

HEX #8EB530

RGB 142 181 48

HSL 77.59, 0.58%, 0.45%

LAB 68.76, -31.81, 59.54

 

CMYK 20 / 0 / 68 / 20

HEX #A4CD42

RGB 164 205 66

HSL 77.7, 0.58%, 0.53%

LAB 77.25, -33.2, 61.86

 

CMYK 15 / 0 / 54 / 16

HEX #B4D562

RGB 180 213 98

HSL 77.22, 0.58%, 0.61%

LAB 80.84, -28.21, 52.47

 

CMYK 12 / 0 / 41 / 13

HEX #C3DE83

RGB 195 222 131

HSL 77.8, 0.58%, 0.69%

LAB 84.73, -23.36, 41.63

 

CMYK 20 / 0 / 69 / 20

HEX #A3CC40

RGB 163 204 64

HSL 77.57, 0.58%, 0.53%

LAB 76.89, -33.25, 62.23

 

CMYK 68 / 0 / 35 / 20

HEX #42CD85

RGB 66 205 133

HSL 148.92, 0.58%, 0.53%

LAB 73.88, -53.48, 25.29

 

CMYK 8 / 68 / 0 / 20

HEX #BC42CD

RGB 188 66 205

HSL 292.66, 0.58%, 0.53%

LAB 50.68, 66.49, -48.68

 

CMYK 20 / 0 / 69 / 20

HEX #A3CC40

RGB 163 204 64

HSL 77.57, 0.58%, 0.53%

LAB 76.89, -33.25, 62.23

 

CMYK 68 / 20 / 0 / 20

HEX #42A5CD

RGB 66 165 205

HSL 197.27, 0.58%, 0.53%

LAB 63.73, -16.13, -28.85

 

CMYK 0 / 68 / 20 / 20

HEX #CD42A5

RGB 205 66 165

HSL 317.27, 0.58%, 0.53%

LAB 51.37, 64.24, -24.14

 

CMYK 20 / 0 / 69 / 20

HEX #A3CC40

RGB 163 204 64

HSL 77.57, 0.58%, 0.53%

LAB 76.89, -33.25, 62.23

 

CMYK 68 / 0 / 35 / 20

HEX #42CD85

RGB 66 205 133

HSL 148.92, 0.58%, 0.53%

LAB 73.88, -53.48, 25.29

 

CMYK 49 / 68 / 0 / 20

HEX #6942CD

RGB 105 66 205

HSL 256.83, 0.58%, 0.53%

LAB 40.09, 49.51, -66.29

 

CMYK 0 / 68 / 33 / 20

HEX #CD4289

RGB 205 66 137

HSL 329.35, 0.58%, 0.53%

LAB 50.31, 60.7, -9.12

 

CMYK 20 / 0 / 69 / 20

HEX #A3CC40

RGB 163 204 64

HSL 77.57, 0.58%, 0.53%

LAB 76.89, -33.25, 62.23

 

CMYK 68 / 0 / 15 / 20

HEX #42CDAF

RGB 66 205 175

HSL 167.05, 0.58%, 0.53%

LAB 74.77, -44.09, 4.15

 

CMYK 49 / 68 / 0 / 20

HEX #6942CD

RGB 105 66 205

HSL 256.83, 0.58%, 0.53%

LAB 40.09, 49.51, -66.29

 

CMYK 0 / 68 / 53 / 20

HEX #CD4260

RGB 205 66 96

HSL 347.05, 0.58%, 0.53%

LAB 49.15, 56.68, 13.99

 

Description

Color code: HEX #A3CC40 | qconv.com Color code: HEX #A3CC40 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 204 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 204 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 69 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 69% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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