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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3C353 it is the complementary color #5C3CAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3C353. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3C353 shade: #A8C34E, #B9D561, #CAE774, #DBF987 and #ECFF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3C353. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3C353 shade: #A3C353, #92B140, #819F2D, #708D1A and #5F7B07

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3C353 shade: #A4C355, #C2C355, #C3A755, #C38A55 and #C36C55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3C353 shade: #A4C355, #86C355, #68C355, #55C360 and #55C37D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3C353 shade matches the following richer shades: #A4C355, #ACD643, #B4E830 and #BCFB1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3C353 shade: #A4C355, #9CB168, #949E7A, #8C8C8D and #84799F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3C353 shade: #C3A855, #C1C355, #A4C355, #87C355 and #69C355

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3C353 shade: #779333, #90B13E, #A4C355, #B4CE74 and #C5D992

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3C353 shade: #A3C353, #55C38A and #B655C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3C353 shade: #A3C353, #55A4C3 and #C355A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3C353 shade: #A3C353, #55C38A, #7455C3 and #C3558E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3C353 shade: #A3C353, #55C3AB, #7455C3 and #C3556D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 57 / 24

HEX #A3C353

RGB 163 195 83

HSL 77.14, 0.48%, 0.55%

LAB 74.47, -27.59, 51.7

 

Complementary color

CMYK 47 / 65 / 0 / 33

HEX #5C3CAC

RGB 92 60 172

HSL 257.14, 0.48%, 0.45%

LAB 34.97, 41, -55.3

 

CMYK 14 / 0 / 60 / 24

HEX #A8C34E

RGB 168 195 78

HSL 73.85, 0.49%, 0.54%

LAB 74.77, -26.02, 54.35

 

CMYK 13 / 0 / 54 / 16

HEX #B9D561

RGB 185 213 97

HSL 74.48, 0.58%, 0.61%

LAB 81.16, -26.36, 53.4

 

CMYK 13 / 0 / 50 / 9

HEX #CAE774

RGB 202 231 116

HSL 75.13, 0.71%, 0.68%

LAB 87.47, -26.61, 52.34

 

CMYK 12 / 0 / 46 / 2

HEX #DBF987

RGB 219 249 135

HSL 75.79, 0.9%, 0.75%

LAB 93.69, -26.81, 51.23

 

CMYK 7 / 0 / 40 / 0

HEX #ECFF9A

RGB 236 255 154

HSL 71.29, 1%, 0.8%

LAB 96.69, -21.28, 46.15

 

CMYK 16 / 0 / 57 / 24

HEX #A3C353

RGB 163 195 83

HSL 77.14, 0.48%, 0.55%

LAB 74.47, -27.59, 51.7

 

CMYK 18 / 0 / 64 / 31

HEX #92B140

RGB 146 177 64

HSL 76.46, 0.47%, 0.47%

LAB 67.97, -27.25, 52.57

 

CMYK 19 / 0 / 72 / 38

HEX #819F2D

RGB 129 159 45

HSL 75.79, 0.56%, 0.4%

LAB 61.35, -26.77, 53.06

 

CMYK 21 / 0 / 82 / 45

HEX #708D1A

RGB 112 141 26

HSL 75.13, 0.69%, 0.33%

LAB 54.63, -26.1, 52.78

 

CMYK 23 / 0 / 94 / 52

HEX #5F7B07

RGB 95 123 7

HSL 74.48, 0.89%, 0.25%

LAB 47.77, -25.15, 51.03

 

CMYK 16 / 0 / 56 / 24

HEX #A4C355

RGB 164 195 85

HSL 76.91, 0.48%, 0.55%

LAB 74.56, -27.02, 50.91

 

CMYK 1 / 0 / 56 / 24

HEX #C2C355

RGB 194 195 85

HSL 60.55, 0.48%, 0.55%

LAB 76.77, -14.85, 54.02

 

CMYK 0 / 14 / 56 / 24

HEX #C3A755

RGB 195 167 85

HSL 44.73, 0.48%, 0.55%

LAB 69.39, 0.14, 45.59

 

CMYK 0 / 29 / 56 / 24

HEX #C38A55

RGB 195 138 85

HSL 28.91, 0.48%, 0.55%

LAB 62.03, 15.92, 36.77

 

CMYK 0 / 45 / 56 / 24

HEX #C36C55

RGB 195 108 85

HSL 12.55, 0.48%, 0.55%

LAB 55.05, 32.29, 28.04

 

CMYK 16 / 0 / 56 / 24

HEX #A4C355

RGB 164 195 85

HSL 76.91, 0.48%, 0.55%

LAB 74.56, -27.02, 50.91

 

CMYK 31 / 0 / 56 / 24

HEX #86C355

RGB 134 195 85

HSL 93.27, 0.48%, 0.55%

LAB 72.73, -38.33, 48.33

 

CMYK 47 / 0 / 56 / 24

HEX #68C355

RGB 104 195 85

HSL 109.64, 0.48%, 0.55%

LAB 71.3, -48.17, 46.3

 

CMYK 56 / 0 / 51 / 24

HEX #55C360

RGB 85 195 96

HSL 126, 0.48%, 0.55%

LAB 70.74, -51.92, 40.19

 

CMYK 56 / 0 / 36 / 24

HEX #55C37D

RGB 85 195 125

HSL 141.82, 0.48%, 0.55%

LAB 71.17, -47.22, 25.95

 

CMYK 16 / 0 / 56 / 24

HEX #A4C355

RGB 164 195 85

HSL 76.91, 0.48%, 0.55%

LAB 74.56, -27.02, 50.91

 

CMYK 20 / 0 / 69 / 16

HEX #ACD643

RGB 172 214 67

HSL 77.14, 0.64%, 0.55%

LAB 80.33, -34.16, 64.79

 

CMYK 22 / 0 / 79 / 9

HEX #B4E830

RGB 180 232 48

HSL 76.96, 0.8%, 0.55%

LAB 85.82, -40.12, 76.3

 

CMYK 25 / 0 / 88 / 2

HEX #BCFB1D

RGB 188 251 29

HSL 77.03, 0.97%, 0.55%

LAB 91.58, -45.91, 85.42

 

CMYK 16 / 0 / 56 / 24

HEX #A4C355

RGB 164 195 85

HSL 76.91, 0.48%, 0.55%

LAB 74.56, -27.02, 50.91

 

CMYK 12 / 0 / 41 / 31

HEX #9CB168

RGB 156 177 104

HSL 77.26, 0.32%, 0.55%

LAB 69.12, -19.31, 34.92

 

CMYK 6 / 0 / 23 / 38

HEX #949E7A

RGB 148 158 122

HSL 76.67, 0.16%, 0.55%

LAB 63.47, -10.04, 17.66

 

CMYK 1 / 1 / 0 / 45

HEX #8C8C8D

RGB 140 140 141

HSL 240, 0%, 0.55%

LAB 58.28, 0.2, -0.54

 

CMYK 17 / 24 / 0 / 38

HEX #84799F

RGB 132 121 159

HSL 257.37, 0.17%, 0.55%

LAB 53.04, 12.22, -18.85

 

CMYK 0 / 14 / 56 / 24

HEX #C3A855

RGB 195 168 85

HSL 45.27, 0.48%, 0.55%

LAB 69.66, -0.39, 45.89

 

CMYK 1 / 0 / 56 / 24

HEX #C1C355

RGB 193 195 85

HSL 61.09, 0.48%, 0.55%

LAB 76.69, -15.27, 53.91

 

CMYK 16 / 0 / 56 / 24

HEX #A4C355

RGB 164 195 85

HSL 76.91, 0.48%, 0.55%

LAB 74.56, -27.02, 50.91

 

CMYK 31 / 0 / 56 / 24

HEX #87C355

RGB 135 195 85

HSL 92.73, 0.48%, 0.55%

LAB 72.78, -37.98, 48.41

 

CMYK 46 / 0 / 56 / 24

HEX #69C355

RGB 105 195 85

HSL 109.09, 0.48%, 0.55%

LAB 71.34, -47.88, 46.36

 

CMYK 19 / 0 / 65 / 42

HEX #779333

RGB 119 147 51

HSL 77.5, 0.48%, 0.39%

LAB 57.1, -24.61, 45.99

 

CMYK 19 / 0 / 65 / 31

HEX #90B13E

RGB 144 177 62

HSL 77.22, 0.48%, 0.47%

LAB 67.81, -28.21, 53.21

 

CMYK 16 / 0 / 56 / 24

HEX #A4C355

RGB 164 195 85

HSL 76.91, 0.48%, 0.55%

LAB 74.56, -27.02, 50.91

 

CMYK 13 / 0 / 44 / 19

HEX #B4CE74

RGB 180 206 116

HSL 77.33, 0.48%, 0.63%

LAB 79.1, -23, 41.77

 

CMYK 9 / 0 / 33 / 15

HEX #C5D992

RGB 197 217 146

HSL 76.9, 0.48%, 0.71%

LAB 83.74, -18.31, 32.82

 

CMYK 16 / 0 / 57 / 24

HEX #A3C353

RGB 163 195 83

HSL 77.14, 0.48%, 0.55%

LAB 74.47, -27.59, 51.7

 

CMYK 56 / 0 / 29 / 24

HEX #55C38A

RGB 85 195 138

HSL 148.91, 0.48%, 0.55%

LAB 71.42, -44.7, 19.38

 

CMYK 7 / 56 / 0 / 24

HEX #B655C3

RGB 182 85 195

HSL 292.91, 0.48%, 0.55%

LAB 52.27, 54.99, -40.47

 

CMYK 16 / 0 / 57 / 24

HEX #A3C353

RGB 163 195 83

HSL 77.14, 0.48%, 0.55%

LAB 74.47, -27.59, 51.7

 

CMYK 56 / 16 / 0 / 24

HEX #55A4C3

RGB 85 164 195

HSL 196.91, 0.48%, 0.55%

LAB 63.69, -15.33, -23.29

 

CMYK 0 / 56 / 16 / 24

HEX #C355A4

RGB 195 85 164

HSL 316.91, 0.48%, 0.55%

LAB 52.71, 53.32, -21.63

 

CMYK 16 / 0 / 57 / 24

HEX #A3C353

RGB 163 195 83

HSL 77.14, 0.48%, 0.55%

LAB 74.47, -27.59, 51.7

 

CMYK 56 / 0 / 29 / 24

HEX #55C38A

RGB 85 195 138

HSL 148.91, 0.48%, 0.55%

LAB 71.42, -44.7, 19.38

 

CMYK 41 / 56 / 0 / 24

HEX #7455C3

RGB 116 85 195

HSL 256.91, 0.48%, 0.55%

LAB 44.45, 38.33, -53.39

 

CMYK 0 / 56 / 27 / 24

HEX #C3558E

RGB 195 85 142

HSL 328.91, 0.48%, 0.55%

LAB 51.9, 50.17, -9.89

 

CMYK 16 / 0 / 57 / 24

HEX #A3C353

RGB 163 195 83

HSL 77.14, 0.48%, 0.55%

LAB 74.47, -27.59, 51.7

 

CMYK 56 / 0 / 12 / 24

HEX #55C3AB

RGB 85 195 171

HSL 166.91, 0.48%, 0.55%

LAB 72.16, -37.28, 2.6

 

CMYK 41 / 56 / 0 / 24

HEX #7455C3

RGB 116 85 195

HSL 256.91, 0.48%, 0.55%

LAB 44.45, 38.33, -53.39

 

CMYK 0 / 56 / 44 / 24

HEX #C3556D

RGB 195 85 109

HSL 346.91, 0.48%, 0.55%

LAB 50.92, 46.25, 8.39

 

Description

Color code: HEX #A3C353 | qconv.com Color code: HEX #A3C353 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 195 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 195 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 57 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 57% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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