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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3C323 it is the complementary color #5C3CDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3C323. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3C323 shade: #A8C31E, #B9D531, #CAE744, #DBF957 and #ECFF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3C323. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3C323 shade: #A3C323, #92B110, #819F00, #708D00 and #5F7B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3C323 shade: #A3C322, #C3B822, #C38D22, #C36122 and #C33622

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3C323 shade: #A3C322, #78C322, #4CC322, #22C324 and #22C34F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3C323 shade matches the following richer shades: #A3C322 and #AED610

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3C323 shade: #A3C322, #98B135, #8D9E48, #828B5A and #76796D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3C323 shade: #C38E22, #C3B822, #A3C322, #78C322 and #4DC322

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3C323 shade: #687D16, #86A01C, #A3C322, #BADB34 and #C6E157

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3C323 shade: #A3C323, #22C363 and #A322C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3C323 shade: #A3C323, #22A3C3 and #C322A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3C323 shade: #A3C323, #22C363, #4322C3 and #C32283

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3C323 shade: #A3C323, #22C393, #4322C3 and #C32253

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 82 / 24

HEX #A3C323

RGB 163 195 35

HSL 72, 0.7%, 0.45%

LAB 74.15, -30.46, 68.93

 

Complementary color

CMYK 58 / 73 / 0 / 14

HEX #5C3CDC

RGB 92 60 220

HSL 252, 0.7%, 0.55%

LAB 39.03, 54.9, -76.73

 

CMYK 14 / 0 / 85 / 24

HEX #A8C31E

RGB 168 195 30

HSL 69.82, 0.73%, 0.44%

LAB 74.48, -28.56, 70.53

 

CMYK 13 / 0 / 77 / 16

HEX #B9D531

RGB 185 213 49

HSL 70.24, 0.66%, 0.51%

LAB 80.81, -29.45, 71.59

 

CMYK 13 / 0 / 71 / 9

HEX #CAE744

RGB 202 231 68

HSL 70.67, 0.77%, 0.59%

LAB 87.06, -30.16, 71.8

 

CMYK 12 / 0 / 65 / 2

HEX #DBF957

RGB 219 249 87

HSL 71.11, 0.93%, 0.66%

LAB 93.23, -30.75, 71.48

 

CMYK 7 / 0 / 58 / 0

HEX #ECFF6A

RGB 236 255 106

HSL 67.65, 1%, 0.71%

LAB 96.16, -25.65, 67.36

 

CMYK 16 / 0 / 82 / 24

HEX #A3C323

RGB 163 195 35

HSL 72, 0.7%, 0.45%

LAB 74.15, -30.46, 68.93

 

CMYK 18 / 0 / 91 / 31

HEX #92B110

RGB 146 177 16

HSL 71.55, 0.83%, 0.38%

LAB 67.72, -29.48, 67.04

 

CMYK 19 / 0 / 100 / 38

HEX #819F00

RGB 129 159 0

HSL 71.32, 1%, 0.31%

LAB 61.19, -28.29, 63.65

 

CMYK 21 / 0 / 100 / 45

HEX #708D00

RGB 112 141 0

HSL 72.34, 1%, 0.28%

LAB 54.55, -26.82, 58.12

 

CMYK 23 / 0 / 100 / 52

HEX #5F7B00

RGB 95 123 0

HSL 73.66, 1%, 0.24%

LAB 47.75, -25.34, 52.46

 

CMYK 16 / 0 / 83 / 24

HEX #A3C322

RGB 163 195 34

HSL 71.93, 0.7%, 0.45%

LAB 74.15, -30.49, 69.18

 

CMYK 0 / 6 / 83 / 24

HEX #C3B822

RGB 195 184 34

HSL 55.9, 0.7%, 0.45%

LAB 73.54, -11.48, 69.63

 

CMYK 0 / 28 / 83 / 24

HEX #C38D22

RGB 195 141 34

HSL 39.88, 0.7%, 0.45%

LAB 62.31, 11.44, 59.99

 

CMYK 0 / 50 / 83 / 24

HEX #C36122

RGB 195 97 34

HSL 23.48, 0.7%, 0.45%

LAB 52.14, 35.27, 51

 

CMYK 0 / 72 / 83 / 24

HEX #C33622

RGB 195 54 34

HSL 7.45, 0.7%, 0.45%

LAB 44.74, 54.72, 44.23

 

CMYK 16 / 0 / 83 / 24

HEX #A3C322

RGB 163 195 34

HSL 71.93, 0.7%, 0.45%

LAB 74.15, -30.49, 69.18

 

CMYK 38 / 0 / 83 / 24

HEX #78C322

RGB 120 195 34

HSL 87.95, 0.7%, 0.45%

LAB 71.65, -46.9, 66.02

 

CMYK 61 / 0 / 83 / 24

HEX #4CC322

RGB 76 195 34

HSL 104.35, 0.7%, 0.45%

LAB 69.95, -59.88, 63.86

 

CMYK 83 / 0 / 82 / 24

HEX #22C324

RGB 34 195 36

HSL 120.75, 0.7%, 0.45%

LAB 69.11, -67.03, 62.24

 

CMYK 83 / 0 / 59 / 24

HEX #22C34F

RGB 34 195 79

HSL 136.77, 0.7%, 0.45%

LAB 69.42, -63.15, 46.41

 

CMYK 16 / 0 / 83 / 24

HEX #A3C322

RGB 163 195 34

HSL 71.93, 0.7%, 0.45%

LAB 74.15, -30.49, 69.18

 

CMYK 19 / 0 / 93 / 16

HEX #AED610

RGB 174 214 16

HSL 72.12, 0.86%, 0.45%

LAB 80.25, -35.27, 77.79

 

CMYK 16 / 0 / 83 / 24

HEX #A3C322

RGB 163 195 34

HSL 71.93, 0.7%, 0.45%

LAB 74.15, -30.49, 69.18

 

CMYK 14 / 0 / 70 / 31

HEX #98B135

RGB 152 177 53

HSL 72.1, 0.54%, 0.45%

LAB 68.3, -25.53, 57.48

 

CMYK 11 / 0 / 54 / 38

HEX #8D9E48

RGB 141 158 72

HSL 71.86, 0.37%, 0.45%

LAB 62.16, -19.18, 42.32

 

CMYK 6 / 0 / 35 / 45

HEX #828B5A

RGB 130 139 90

HSL 71.02, 0.21%, 0.45%

LAB 56.04, -11.71, 25.15

 

CMYK 2 / 0 / 10 / 53

HEX #76796D

RGB 118 121 109

HSL 75, 0.05%, 0.45%

LAB 50.25, -3.48, 6.19

 

CMYK 0 / 27 / 83 / 24

HEX #C38E22

RGB 195 142 34

HSL 40.25, 0.7%, 0.45%

LAB 62.56, 10.89, 60.21

 

CMYK 0 / 6 / 83 / 24

HEX #C3B822

RGB 195 184 34

HSL 55.9, 0.7%, 0.45%

LAB 73.54, -11.48, 69.63

 

CMYK 16 / 0 / 83 / 24

HEX #A3C322

RGB 163 195 34

HSL 71.93, 0.7%, 0.45%

LAB 74.15, -30.49, 69.18

 

CMYK 38 / 0 / 83 / 24

HEX #78C322

RGB 120 195 34

HSL 87.95, 0.7%, 0.45%

LAB 71.65, -46.9, 66.02

 

CMYK 61 / 0 / 83 / 24

HEX #4DC322

RGB 77 195 34

HSL 103.98, 0.7%, 0.45%

LAB 69.98, -59.65, 63.89

 

CMYK 17 / 0 / 82 / 51

HEX #687D16

RGB 104 125 22

HSL 72.23, 0.7%, 0.29%

LAB 49.09, -21.72, 48.79

 

CMYK 16 / 0 / 83 / 37

HEX #86A01C

RGB 134 160 28

HSL 71.82, 0.7%, 0.37%

LAB 61.91, -25.99, 59.27

 

CMYK 16 / 0 / 83 / 24

HEX #A3C322

RGB 163 195 34

HSL 71.93, 0.7%, 0.45%

LAB 74.15, -30.49, 69.18

 

CMYK 15 / 0 / 76 / 14

HEX #BADB34

RGB 186 219 52

HSL 71.86, 0.7%, 0.53%

LAB 82.57, -31.72, 72.34

 

CMYK 12 / 0 / 61 / 12

HEX #C6E157

RGB 198 225 87

HSL 71.74, 0.7%, 0.61%

LAB 85.27, -27.76, 62.6

 

CMYK 16 / 0 / 82 / 24

HEX #A3C323

RGB 163 195 35

HSL 72, 0.7%, 0.45%

LAB 74.15, -30.46, 68.93

 

CMYK 83 / 0 / 49 / 24

HEX #22C363

RGB 34 195 99

HSL 144.22, 0.7%, 0.45%

LAB 69.66, -60.27, 37.13

 

CMYK 16 / 83 / 0 / 24

HEX #A322C3

RGB 163 34 195

HSL 288.07, 0.7%, 0.45%

LAB 42.57, 70.15, -56.12

 

CMYK 16 / 0 / 82 / 24

HEX #A3C323

RGB 163 195 35

HSL 72, 0.7%, 0.45%

LAB 74.15, -30.46, 68.93

 

CMYK 83 / 16 / 0 / 24

HEX #22A3C3

RGB 34 163 195

HSL 191.93, 0.7%, 0.45%

LAB 62.06, -22.18, -25.91

 

CMYK 0 / 83 / 16 / 24

HEX #C322A3

RGB 195 34 163

HSL 311.93, 0.7%, 0.45%

LAB 46.16, 71.3, -31.19

 

CMYK 16 / 0 / 82 / 24

HEX #A3C323

RGB 163 195 35

HSL 72, 0.7%, 0.45%

LAB 74.15, -30.46, 68.93

 

CMYK 83 / 0 / 49 / 24

HEX #22C363

RGB 34 195 99

HSL 144.22, 0.7%, 0.45%

LAB 69.66, -60.27, 37.13

 

CMYK 66 / 83 / 0 / 24

HEX #4322C3

RGB 67 34 195

HSL 252.3, 0.7%, 0.45%

LAB 30.1, 57.15, -77.01

 

CMYK 0 / 83 / 33 / 24

HEX #C32283

RGB 195 34 131

HSL 323.85, 0.7%, 0.45%

LAB 44.78, 67.41, -14

 

CMYK 16 / 0 / 82 / 24

HEX #A3C323

RGB 163 195 35

HSL 72, 0.7%, 0.45%

LAB 74.15, -30.46, 68.93

 

CMYK 83 / 0 / 25 / 24

HEX #22C393

RGB 34 195 147

HSL 162.11, 0.7%, 0.45%

LAB 70.51, -50.65, 13.11

 

CMYK 66 / 83 / 0 / 24

HEX #4322C3

RGB 67 34 195

HSL 252.3, 0.7%, 0.45%

LAB 30.1, 57.15, -77.01

 

CMYK 0 / 83 / 57 / 24

HEX #C32253

RGB 195 34 83

HSL 341.74, 0.7%, 0.45%

LAB 43.32, 63.14, 13.67

 

Description

Color code: HEX #A3C323 | qconv.com Color code: HEX #A3C323 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 195 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 195 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 82 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 82% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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