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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3BC5E it is the complementary color #5C43A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3BC5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3BC5E shade: #A8BC59, #B9CE6C, #CAE07F, #DBF292 and #ECFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3BC5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3BC5E shade: #A3BC5E, #92AA4B, #819838, #708625 and #5F7412

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3BC5E shade: #A2BB5D, #BBBA5D, #BBA15D, #BB885D and #BB6E5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3BC5E shade: #A2BB5D, #88BB5D, #6FBB5D, #5DBB64 and #5DBB7D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3BC5E shade matches the following richer shades: #A2BB5D, #AACD4A, #B3E038 and #BCF225

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3BC5E shade: #A2BB5D, #99A86F, #909682, #888394 and #7F71A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3BC5E shade: #BBA05D, #BBB95D, #A3BB5D, #8ABB5D and #71BB5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3BC5E shade: #758B3A, #8EA846, #A2BB5D, #B2C77A and #C3D397

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3BC5E shade: #A3BC5E, #5DBB87 and #AD5DBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3BC5E shade: #A3BC5E, #5DA3BB and #BB5DA3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3BC5E shade: #A3BC5E, #5DBB87, #745DBB and #BB5D90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3BC5E shade: #A3BC5E, #5DBBA3, #745DBB and #BB5D74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 50 / 26

HEX #A3BC5E

RGB 163 188 94

HSL 75.96, 0.41%, 0.55%

LAB 72.6, -23.15, 44.35

 

Complementary color

CMYK 43 / 58 / 0 / 37

HEX #5C43A1

RGB 92 67 161

HSL 255.96, 0.41%, 0.45%

LAB 35.72, 33.72, -47.51

 

CMYK 11 / 0 / 53 / 26

HEX #A8BC59

RGB 168 188 89

HSL 72.12, 0.42%, 0.54%

LAB 72.9, -21.65, 47.2

 

CMYK 10 / 0 / 48 / 19

HEX #B9CE6C

RGB 185 206 108

HSL 72.86, 0.5%, 0.62%

LAB 79.35, -21.92, 46.07

 

CMYK 10 / 0 / 43 / 12

HEX #CAE07F

RGB 202 224 127

HSL 73.61, 0.61%, 0.69%

LAB 85.71, -22.13, 44.93

 

CMYK 10 / 0 / 40 / 5

HEX #DBF292

RGB 219 242 146

HSL 74.38, 0.79%, 0.76%

LAB 91.97, -22.29, 43.79

 

CMYK 7 / 0 / 35 / 0

HEX #ECFFA5

RGB 236 255 165

HSL 72.67, 1%, 0.82%

LAB 96.85, -20.02, 40.99

 

CMYK 13 / 0 / 50 / 26

HEX #A3BC5E

RGB 163 188 94

HSL 75.96, 0.41%, 0.55%

LAB 72.6, -23.15, 44.35

 

CMYK 14 / 0 / 56 / 33

HEX #92AA4B

RGB 146 170 75

HSL 75.16, 0.39%, 0.48%

LAB 66.03, -22.9, 45.46

 

CMYK 15 / 0 / 63 / 40

HEX #819838

RGB 129 152 56

HSL 74.38, 0.46%, 0.41%

LAB 59.35, -22.54, 46.41

 

CMYK 16 / 0 / 72 / 47

HEX #708625

RGB 112 134 37

HSL 73.61, 0.57%, 0.34%

LAB 52.54, -22.02, 46.97

 

CMYK 18 / 0 / 84 / 55

HEX #5F7412

RGB 95 116 18

HSL 72.86, 0.73%, 0.26%

LAB 45.59, -21.27, 46.62

 

CMYK 13 / 0 / 50 / 27

HEX #A2BB5D

RGB 162 187 93

HSL 75.96, 0.41%, 0.55%

LAB 72.24, -23.16, 44.38

 

CMYK 0 / 1 / 50 / 27

HEX #BBBA5D

RGB 187 186 93

HSL 59.36, 0.41%, 0.55%

LAB 73.85, -12.51, 46.77

 

CMYK 0 / 14 / 50 / 27

HEX #BBA15D

RGB 187 161 93

HSL 43.4, 0.41%, 0.55%

LAB 67.16, 0.66, 38.7

 

CMYK 0 / 27 / 50 / 27

HEX #BB885D

RGB 187 136 93

HSL 27.45, 0.41%, 0.55%

LAB 60.75, 14.37, 30.67

 

CMYK 0 / 41 / 50 / 27

HEX #BB6E5D

RGB 187 110 93

HSL 10.85, 0.41%, 0.55%

LAB 54.56, 28.73, 22.62

 

CMYK 13 / 0 / 50 / 27

HEX #A2BB5D

RGB 162 187 93

HSL 75.96, 0.41%, 0.55%

LAB 72.24, -23.16, 44.38

 

CMYK 27 / 0 / 50 / 27

HEX #88BB5D

RGB 136 187 93

HSL 92.55, 0.41%, 0.55%

LAB 70.57, -33.1, 41.98

 

CMYK 41 / 0 / 50 / 27

HEX #6FBB5D

RGB 111 187 93

HSL 108.51, 0.41%, 0.55%

LAB 69.26, -41.69, 40.09

 

CMYK 50 / 0 / 47 / 27

HEX #5DBB64

RGB 93 187 100

HSL 124.47, 0.41%, 0.55%

LAB 68.6, -46.07, 35.59

 

CMYK 50 / 0 / 33 / 27

HEX #5DBB7D

RGB 93 187 125

HSL 140.43, 0.41%, 0.55%

LAB 69, -41.87, 23.07

 

CMYK 13 / 0 / 50 / 27

HEX #A2BB5D

RGB 162 187 93

HSL 75.96, 0.41%, 0.55%

LAB 72.24, -23.16, 44.38

 

CMYK 17 / 0 / 64 / 20

HEX #AACD4A

RGB 170 205 74

HSL 76.03, 0.57%, 0.55%

LAB 77.7, -30.29, 59.27

 

CMYK 20 / 0 / 75 / 12

HEX #B3E038

RGB 179 224 56

HSL 76.07, 0.73%, 0.55%

LAB 83.54, -36.59, 71.85

 

CMYK 22 / 0 / 85 / 5

HEX #BCF225

RGB 188 242 37

HSL 75.8, 0.89%, 0.55%

LAB 89.08, -41.83, 81.9

 

CMYK 13 / 0 / 50 / 27

HEX #A2BB5D

RGB 162 187 93

HSL 75.96, 0.41%, 0.55%

LAB 72.24, -23.16, 44.38

 

CMYK 9 / 0 / 34 / 34

HEX #99A86F

RGB 153 168 111

HSL 75.79, 0.25%, 0.55%

LAB 66.46, -14.98, 27.75

 

CMYK 4 / 0 / 13 / 41

HEX #909682

RGB 144 150 130

HSL 78, 0.09%, 0.55%

LAB 61.09, -5.91, 9.81

 

CMYK 8 / 11 / 0 / 42

HEX #888394

RGB 136 131 148

HSL 257.65, 0.07%, 0.55%

LAB 55.69, 5.32, -8.43

 

CMYK 24 / 32 / 0 / 35

HEX #7F71A7

RGB 127 113 167

HSL 255.56, 0.23%, 0.55%

LAB 50.82, 17.27, -26.96

 

CMYK 0 / 14 / 50 / 27

HEX #BBA05D

RGB 187 160 93

HSL 42.77, 0.41%, 0.55%

LAB 66.9, 1.2, 38.38

 

CMYK 0 / 1 / 50 / 27

HEX #BBB95D

RGB 187 185 93

HSL 58.72, 0.41%, 0.55%

LAB 73.58, -11.99, 46.45

 

CMYK 13 / 0 / 50 / 27

HEX #A3BB5D

RGB 163 187 93

HSL 75.32, 0.41%, 0.55%

LAB 72.31, -22.76, 44.49

 

CMYK 26 / 0 / 50 / 27

HEX #8ABB5D

RGB 138 187 93

HSL 91.28, 0.41%, 0.55%

LAB 70.69, -32.36, 42.15

 

CMYK 40 / 0 / 50 / 27

HEX #71BB5D

RGB 113 187 93

HSL 107.23, 0.41%, 0.55%

LAB 69.36, -41.04, 40.22

 

CMYK 16 / 0 / 58 / 45

HEX #758B3A

RGB 117 139 58

HSL 76.3, 0.41%, 0.39%

LAB 54.61, -20.81, 39.96

 

CMYK 15 / 0 / 58 / 34

HEX #8EA846

RGB 142 168 70

HSL 75.92, 0.41%, 0.47%

LAB 65.12, -23.99, 46.68

 

CMYK 13 / 0 / 50 / 27

HEX #A2BB5D

RGB 162 187 93

HSL 75.96, 0.41%, 0.55%

LAB 72.24, -23.16, 44.38

 

CMYK 11 / 0 / 39 / 22

HEX #B2C77A

RGB 178 199 122

HSL 76.36, 0.41%, 0.63%

LAB 77.11, -19.61, 36.19

 

CMYK 8 / 0 / 28 / 17

HEX #C3D397

RGB 195 211 151

HSL 76, 0.41%, 0.71%

LAB 82.07, -15.39, 27.99

 

CMYK 13 / 0 / 50 / 26

HEX #A3BC5E

RGB 163 188 94

HSL 75.96, 0.41%, 0.55%

LAB 72.6, -23.15, 44.35

 

CMYK 50 / 0 / 28 / 27

HEX #5DBB87

RGB 93 187 135

HSL 146.81, 0.41%, 0.55%

LAB 69.2, -39.93, 17.97

 

CMYK 7 / 50 / 0 / 27

HEX #AD5DBB

RGB 173 93 187

HSL 291.06, 0.41%, 0.55%

LAB 52.18, 47.02, -36.08

 

CMYK 13 / 0 / 50 / 26

HEX #A3BC5E

RGB 163 188 94

HSL 75.96, 0.41%, 0.55%

LAB 72.6, -23.15, 44.35

 

CMYK 50 / 13 / 0 / 27

HEX #5DA3BB

RGB 93 163 187

HSL 195.32, 0.41%, 0.55%

LAB 63.43, -15.41, -19.19

 

CMYK 0 / 50 / 13 / 27

HEX #BB5DA3

RGB 187 93 163

HSL 315.32, 0.41%, 0.55%

LAB 52.99, 46.87, -20.71

 

CMYK 13 / 0 / 50 / 26

HEX #A3BC5E

RGB 163 188 94

HSL 75.96, 0.41%, 0.55%

LAB 72.6, -23.15, 44.35

 

CMYK 50 / 0 / 28 / 27

HEX #5DBB87

RGB 93 187 135

HSL 146.81, 0.41%, 0.55%

LAB 69.2, -39.93, 17.97

 

CMYK 38 / 50 / 0 / 27

HEX #745DBB

RGB 116 93 187

HSL 254.68, 0.41%, 0.55%

LAB 45.81, 31.4, -46.56

 

CMYK 0 / 50 / 23 / 27

HEX #BB5D90

RGB 187 93 144

HSL 327.45, 0.41%, 0.55%

LAB 52.29, 43.94, -10.59

 

CMYK 13 / 0 / 50 / 26

HEX #A3BC5E

RGB 163 188 94

HSL 75.96, 0.41%, 0.55%

LAB 72.6, -23.15, 44.35

 

CMYK 50 / 0 / 13 / 27

HEX #5DBBA3

RGB 93 187 163

HSL 164.68, 0.41%, 0.55%

LAB 69.83, -33.77, 3.63

 

CMYK 38 / 50 / 0 / 27

HEX #745DBB

RGB 116 93 187

HSL 254.68, 0.41%, 0.55%

LAB 45.81, 31.4, -46.56

 

CMYK 0 / 50 / 38 / 27

HEX #BB5D74

RGB 187 93 116

HSL 345.32, 0.41%, 0.55%

LAB 51.44, 40.23, 4.79

 

Description

Color code: HEX #A3BC5E | qconv.com Color code: HEX #A3BC5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 188 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 188 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 50 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 50% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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