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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3AF07 it is the complementary color #5C50F8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3AF07. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3AF07 shade: #A8AF02, #B9C115, #CAD328, #DBE53B and #ECF74E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3AF07. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3AF07 shade: #A3AF07, #929D00, #818B00, #707900 and #5F6700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3AF07 shade: #A4B007, #B08F07, #B06107, #B03407 and #B00707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3AF07 shade: #A4B007, #77B007, #49B007, #1CB007 and #07B021

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3AF07 shade matches the following richer shades: #A4B007

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3AF07 shade: #A4B007, #97A116, #8B9325, #7E8434 and #717543

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3AF07 shade: #B06107, #B08E07, #A5B007, #78B007 and #4BB007

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3AF07 shade: #5A6104, #7F8906, #A4B007, #C9D809 and #E5F515

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3AF07 shade: #A3AF07, #07B034 and #7807B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3AF07 shade: #A3AF07, #07A5B0 and #B007A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3AF07 shade: #A3AF07, #07B034, #1307B0 and #B00783

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3AF07 shade: #A3AF07, #07B067, #1307B0 and #B00751

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 96 / 31

HEX #A3AF07

RGB 163 175 7

HSL 64.29, 0.92%, 0.36%

LAB 68.36, -21.41, 69.26

 

Complementary color

CMYK 63 / 68 / 0 / 3

HEX #5C50F8

RGB 92 80 248

HSL 244.29, 0.92%, 0.64%

LAB 45.35, 52.6, -82.2

 

CMYK 4 / 0 / 99 / 31

HEX #A8AF02

RGB 168 175 2

HSL 62.43, 0.98%, 0.35%

LAB 68.74, -19.3, 70.33

 

CMYK 4 / 0 / 89 / 24

HEX #B9C115

RGB 185 193 21

HSL 62.79, 0.8%, 0.42%

LAB 75.14, -20.64, 73.36

 

CMYK 4 / 0 / 81 / 17

HEX #CAD328

RGB 202 211 40

HSL 63.16, 0.68%, 0.49%

LAB 81.46, -21.8, 75.1

 

CMYK 4 / 0 / 74 / 10

HEX #DBE53B

RGB 219 229 59

HSL 63.53, 0.77%, 0.56%

LAB 87.69, -22.77, 75.79

 

CMYK 4 / 0 / 68 / 3

HEX #ECF74E

RGB 236 247 78

HSL 63.91, 0.91%, 0.64%

LAB 93.84, -23.59, 75.79

 

CMYK 7 / 0 / 96 / 31

HEX #A3AF07

RGB 163 175 7

HSL 64.29, 0.92%, 0.36%

LAB 68.36, -21.41, 69.26

 

CMYK 7 / 0 / 100 / 38

HEX #929D00

RGB 146 157 0

HSL 64.2, 1%, 0.31%

LAB 61.85, -19.91, 64.7

 

CMYK 7 / 0 / 100 / 45

HEX #818B00

RGB 129 139 0

HSL 64.32, 1%, 0.27%

LAB 55.21, -18.29, 59.17

 

CMYK 7 / 0 / 100 / 53

HEX #707900

RGB 112 121 0

HSL 64.46, 1%, 0.24%

LAB 48.41, -16.63, 53.52

 

CMYK 8 / 0 / 100 / 60

HEX #5F6700

RGB 95 103 0

HSL 64.66, 1%, 0.2%

LAB 41.43, -14.93, 47.71

 

CMYK 7 / 0 / 96 / 31

HEX #A4B007

RGB 164 176 7

HSL 64.26, 0.92%, 0.36%

LAB 68.72, -21.47, 69.57

 

CMYK 0 / 19 / 96 / 31

HEX #B08F07

RGB 176 143 7

HSL 48.28, 0.92%, 0.36%

LAB 60.68, 1.22, 64.03

 

CMYK 0 / 45 / 96 / 31

HEX #B06107

RGB 176 97 7

HSL 31.95, 0.92%, 0.36%

LAB 49.25, 26.77, 55.92

 

CMYK 0 / 70 / 96 / 31

HEX #B03407

RGB 176 52 7

HSL 15.98, 0.92%, 0.36%

LAB 40.74, 48.67, 50.43

 

CMYK 0 / 96 / 96 / 31

HEX #B00707

RGB 176 7 7

HSL 0, 0.92%, 0.36%

LAB 36.74, 59.91, 48.15

 

CMYK 7 / 0 / 96 / 31

HEX #A4B007

RGB 164 176 7

HSL 64.26, 0.92%, 0.36%

LAB 68.72, -21.47, 69.57

 

CMYK 32 / 0 / 96 / 31

HEX #77B007

RGB 119 176 7

HSL 80.24, 0.92%, 0.36%

LAB 65.74, -39.97, 65.97

 

CMYK 59 / 0 / 96 / 31

HEX #49B007

RGB 73 176 7

HSL 96.57, 0.92%, 0.36%

LAB 63.74, -54.93, 63.53

 

CMYK 84 / 0 / 96 / 31

HEX #1CB007

RGB 28 176 7

HSL 112.54, 0.92%, 0.36%

LAB 62.77, -63.21, 62.33

 

CMYK 96 / 0 / 81 / 31

HEX #07B021

RGB 7 176 33

HSL 129.23, 0.92%, 0.36%

LAB 62.68, -63.71, 56.99

 

CMYK 7 / 0 / 96 / 31

HEX #A4B007

RGB 164 176 7

HSL 64.26, 0.92%, 0.36%

LAB 68.72, -21.47, 69.57

 

CMYK 7 / 0 / 96 / 31

HEX #A4B007

RGB 164 176 7

HSL 64.26, 0.92%, 0.36%

LAB 68.72, -21.47, 69.57

 

CMYK 6 / 0 / 86 / 37

HEX #97A116

RGB 151 161 22

HSL 64.32, 0.76%, 0.36%

LAB 63.45, -19.33, 62.57

 

CMYK 5 / 0 / 75 / 42

HEX #8B9325

RGB 139 147 37

HSL 64.36, 0.6%, 0.36%

LAB 58.5, -16.87, 53.48

 

CMYK 5 / 0 / 61 / 48

HEX #7E8434

RGB 126 132 52

HSL 64.5, 0.43%, 0.36%

LAB 53.15, -13.76, 41.4

 

CMYK 3 / 0 / 43 / 54

HEX #717543

RGB 113 117 67

HSL 64.8, 0.27%, 0.36%

LAB 47.8, -9.79, 27.03

 

CMYK 0 / 45 / 96 / 31

HEX #B06107

RGB 176 97 7

HSL 31.95, 0.92%, 0.36%

LAB 49.25, 26.77, 55.92

 

CMYK 0 / 19 / 96 / 31

HEX #B08E07

RGB 176 142 7

HSL 47.93, 0.92%, 0.36%

LAB 60.42, 1.77, 63.84

 

CMYK 6 / 0 / 96 / 31

HEX #A5B007

RGB 165 176 7

HSL 63.91, 0.92%, 0.36%

LAB 68.8, -21.04, 69.66

 

CMYK 32 / 0 / 96 / 31

HEX #78B007

RGB 120 176 7

HSL 79.88, 0.92%, 0.36%

LAB 65.79, -39.59, 66.04

 

CMYK 57 / 0 / 96 / 31

HEX #4BB007

RGB 75 176 7

HSL 95.86, 0.92%, 0.36%

LAB 63.8, -54.4, 63.6

 

CMYK 7 / 0 / 96 / 62

HEX #5A6104

RGB 90 97 4

HSL 64.52, 0.92%, 0.2%

LAB 39.13, -13.9, 44.69

 

CMYK 7 / 0 / 96 / 46

HEX #7F8906

RGB 127 137 6

HSL 64.58, 0.92%, 0.28%

LAB 54.47, -18.04, 57.51

 

CMYK 7 / 0 / 96 / 31

HEX #A4B007

RGB 164 176 7

HSL 64.26, 0.92%, 0.36%

LAB 68.72, -21.47, 69.57

 

CMYK 7 / 0 / 96 / 15

HEX #C9D809

RGB 201 216 9

HSL 64.35, 0.92%, 0.44%

LAB 82.67, -25.24, 81.2

 

CMYK 7 / 0 / 91 / 4

HEX #E5F515

RGB 229 245 21

HSL 64.29, 0.92%, 0.52%

LAB 92.58, -27.28, 88.45

 

CMYK 7 / 0 / 96 / 31

HEX #A3AF07

RGB 163 175 7

HSL 64.29, 0.92%, 0.36%

LAB 68.36, -21.41, 69.26

 

CMYK 96 / 0 / 70 / 31

HEX #07B034

RGB 7 176 52

HSL 135.98, 0.92%, 0.36%

LAB 62.8, -62.23, 50.57

 

CMYK 32 / 96 / 0 / 31

HEX #7807B0

RGB 120 7 176

HSL 280.12, 0.92%, 0.36%

LAB 32.44, 65.32, -61.68

 

CMYK 7 / 0 / 96 / 31

HEX #A3AF07

RGB 163 175 7

HSL 64.29, 0.92%, 0.36%

LAB 68.36, -21.41, 69.26

 

CMYK 96 / 6 / 0 / 31

HEX #07A5B0

RGB 7 165 176

HSL 183.91, 0.92%, 0.36%

LAB 61.73, -30.97, -15.78

 

CMYK 0 / 96 / 6 / 31

HEX #B007A5

RGB 176 7 165

HSL 303.91, 0.92%, 0.36%

LAB 41.37, 72.09, -40.18

 

CMYK 7 / 0 / 96 / 31

HEX #A3AF07

RGB 163 175 7

HSL 64.29, 0.92%, 0.36%

LAB 68.36, -21.41, 69.26

 

CMYK 96 / 0 / 70 / 31

HEX #07B034

RGB 7 176 52

HSL 135.98, 0.92%, 0.36%

LAB 62.8, -62.23, 50.57

 

CMYK 89 / 96 / 0 / 31

HEX #1307B0

RGB 19 7 176

HSL 244.26, 0.92%, 0.36%

LAB 21.67, 58.39, -79.83

 

CMYK 0 / 96 / 26 / 31

HEX #B00783

RGB 176 7 131

HSL 315.98, 0.92%, 0.36%

LAB 39.62, 67.63, -22.24

 

CMYK 7 / 0 / 96 / 31

HEX #A3AF07

RGB 163 175 7

HSL 64.29, 0.92%, 0.36%

LAB 68.36, -21.41, 69.26

 

CMYK 96 / 0 / 41 / 31

HEX #07B067

RGB 7 176 103

HSL 154.08, 0.92%, 0.36%

LAB 63.4, -54.81, 26.99

 

CMYK 89 / 96 / 0 / 31

HEX #1307B0

RGB 19 7 176

HSL 244.26, 0.92%, 0.36%

LAB 21.67, 58.39, -79.83

 

CMYK 0 / 96 / 54 / 31

HEX #B00751

RGB 176 7 81

HSL 333.73, 0.92%, 0.36%

LAB 37.8, 62.83, 6.67

 

Description

Color code: HEX #A3AF07 | qconv.com Color code: HEX #A3AF07 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 175 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 175 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 96 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 96% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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