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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A39FB4 it is the complementary color #5C604B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A39FB4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A39FB4 shade: #A89FAF, #B9B1C2, #CAC3D5, #DBD5E8 and #ECE7FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A39FB4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A39FB4 shade: #A39FB4, #928DA1, #817B8E, #70697B and #5F5768

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A39FB4 shade: #A29EB3, #A79EB3, #AD9EB3, #B39EB3 and #B39EAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A39FB4 shade: #A29EB3 and #9E9EB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A39FB4 shade matches the following richer shades: #A29EB3, #9990C1, #9082CF, #8874DD and #7F66EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A39FB4 shade: #A29EB3, #ABACA5, #B3BA97, #BCC889 and #C5D67B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A39FB4 shade: #9EA5B3, #9EA0B3, #A29EB3, #A79EB3 and #AD9EB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A39FB4 shade: #76708E, #8C87A1, #A29EB3, #B8B5C5 and #CECCD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A39FB4 shade: #A39FB4, #B39EAB and #A2B39E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A39FB4 shade: #A39FB4, #B3A29E and #9EB3A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A39FB4 shade: #A39FB4, #B39EAB, #AFB39E and #9EB3A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A39FB4 shade: #A39FB4, #B39EA4, #AFB39E and #9EB3AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 12 / 0 / 29

HEX #A39FB4

RGB 163 159 180

HSL 251.43, 0.12%, 0.66%

LAB 66.43, 5.61, -10.33

 

Complementary color

CMYK 4 / 0 / 22 / 62

HEX #5C604B

RGB 92 96 75

HSL 71.43, 0.12%, 0.34%

LAB 39.83, -5.66, 11.5

 

CMYK 4 / 9 / 0 / 31

HEX #A89FAF

RGB 168 159 175

HSL 273.75, 0.09%, 0.65%

LAB 66.68, 6.31, -7.11

 

CMYK 5 / 9 / 0 / 24

HEX #B9B1C2

RGB 185 177 194

HSL 268.24, 0.12%, 0.73%

LAB 73.32, 6.04, -7.62

 

CMYK 5 / 8 / 0 / 16

HEX #CAC3D5

RGB 202 195 213

HSL 263.33, 0.18%, 0.8%

LAB 79.84, 5.79, -8.11

 

CMYK 6 / 8 / 0 / 9

HEX #DBD5E8

RGB 219 213 232

HSL 258.95, 0.29%, 0.87%

LAB 86.24, 5.55, -8.59

 

CMYK 6 / 8 / 0 / 2

HEX #ECE7FB

RGB 236 231 251

HSL 255, 0.71%, 0.95%

LAB 92.55, 5.33, -9.07

 

CMYK 9 / 12 / 0 / 29

HEX #A39FB4

RGB 163 159 180

HSL 251.43, 0.12%, 0.66%

LAB 66.43, 5.61, -10.33

 

CMYK 9 / 12 / 0 / 37

HEX #928DA1

RGB 146 141 161

HSL 255, 0.1%, 0.59%

LAB 59.65, 5.88, -9.9

 

CMYK 9 / 13 / 0 / 44

HEX #817B8E

RGB 129 123 142

HSL 258.95, 0.08%, 0.52%

LAB 52.71, 6.18, -9.46

 

CMYK 9 / 15 / 0 / 52

HEX #70697B

RGB 112 105 123

HSL 263.33, 0.08%, 0.45%

LAB 45.6, 6.51, -9.01

 

CMYK 9 / 16 / 0 / 59

HEX #5F5768

RGB 95 87 104

HSL 268.24, 0.09%, 0.37%

LAB 38.29, 6.88, -8.57

 

CMYK 9 / 12 / 0 / 30

HEX #A29EB3

RGB 162 158 179

HSL 251.43, 0.12%, 0.66%

LAB 66.05, 5.61, -10.34

 

CMYK 7 / 12 / 0 / 30

HEX #A79EB3

RGB 167 158 179

HSL 265.71, 0.12%, 0.66%

LAB 66.46, 7.33, -9.69

 

CMYK 3 / 12 / 0 / 30

HEX #AD9EB3

RGB 173 158 179

HSL 282.86, 0.12%, 0.66%

LAB 66.97, 9.41, -8.88

 

CMYK 0 / 12 / 0 / 30

HEX #B39EB3

RGB 179 158 179

HSL 300, 0.12%, 0.66%

LAB 67.5, 11.5, -8.04

 

CMYK 0 / 12 / 3 / 30

HEX #B39EAD

RGB 179 158 173

HSL 317.14, 0.12%, 0.66%

LAB 67.32, 10.37, -4.95

 

CMYK 9 / 12 / 0 / 30

HEX #A29EB3

RGB 162 158 179

HSL 251.43, 0.12%, 0.66%

LAB 66.05, 5.61, -10.34

 

CMYK 12 / 12 / 0 / 30

HEX #9E9EB3

RGB 158 158 179

HSL 240, 0.12%, 0.66%

LAB 65.73, 4.25, -10.86

 

CMYK 9 / 12 / 0 / 30

HEX #A29EB3

RGB 162 158 179

HSL 251.43, 0.12%, 0.66%

LAB 66.05, 5.61, -10.34

 

CMYK 21 / 25 / 0 / 24

HEX #9990C1

RGB 153 144 193

HSL 251.02, 0.28%, 0.66%

LAB 62.14, 13.66, -24.19

 

CMYK 30 / 37 / 0 / 19

HEX #9082CF

RGB 144 130 207

HSL 250.91, 0.45%, 0.66%

LAB 58.41, 22.48, -37.92

 

CMYK 38 / 48 / 0 / 13

HEX #8874DD

RGB 136 116 221

HSL 251.43, 0.61%, 0.66%

LAB 55.02, 32.23, -51.22

 

CMYK 46 / 57 / 0 / 8

HEX #7F66EB

RGB 127 102 235

HSL 251.28, 0.77%, 0.66%

LAB 51.85, 42.19, -64.2

 

CMYK 9 / 12 / 0 / 30

HEX #A29EB3

RGB 162 158 179

HSL 251.43, 0.12%, 0.66%

LAB 66.05, 5.61, -10.34

 

CMYK 1 / 0 / 4 / 33

HEX #ABACA5

RGB 171 172 165

HSL 68.57, 0.04%, 0.66%

LAB 70.09, -1.65, 3.46

 

CMYK 4 / 0 / 19 / 27

HEX #B3BA97

RGB 179 186 151

HSL 72, 0.2%, 0.66%

LAB 74.15, -8.54, 16.96

 

CMYK 6 / 0 / 32 / 22

HEX #BCC889

RGB 188 200 137

HSL 71.43, 0.36%, 0.66%

LAB 78.35, -14.37, 30.21

 

CMYK 8 / 0 / 43 / 16

HEX #C5D67B

RGB 197 214 123

HSL 71.21, 0.53%, 0.66%

LAB 82.59, -19.59, 42.92

 

CMYK 12 / 8 / 0 / 30

HEX #9EA5B3

RGB 158 165 179

HSL 220, 0.12%, 0.66%

LAB 67.6, 0.38, -8.07

 

CMYK 12 / 11 / 0 / 30

HEX #9EA0B3

RGB 158 160 179

HSL 234.29, 0.12%, 0.66%

LAB 66.26, 3.14, -10.06

 

CMYK 9 / 12 / 0 / 30

HEX #A29EB3

RGB 162 158 179

HSL 251.43, 0.12%, 0.66%

LAB 66.05, 5.61, -10.34

 

CMYK 7 / 12 / 0 / 30

HEX #A79EB3

RGB 167 158 179

HSL 265.71, 0.12%, 0.66%

LAB 66.46, 7.33, -9.69

 

CMYK 3 / 12 / 0 / 30

HEX #AD9EB3

RGB 173 158 179

HSL 282.86, 0.12%, 0.66%

LAB 66.97, 9.41, -8.88

 

CMYK 17 / 21 / 0 / 44

HEX #76708E

RGB 118 112 142

HSL 252, 0.12%, 0.5%

LAB 48.75, 8.82, -15.53

 

CMYK 13 / 16 / 0 / 37

HEX #8C87A1

RGB 140 135 161

HSL 251.54, 0.12%, 0.58%

LAB 57.54, 7.24, -13.12

 

CMYK 9 / 12 / 0 / 30

HEX #A29EB3

RGB 162 158 179

HSL 251.43, 0.12%, 0.66%

LAB 66.05, 5.61, -10.34

 

CMYK 7 / 8 / 0 / 23

HEX #B8B5C5

RGB 184 181 197

HSL 251.25, 0.12%, 0.74%

LAB 74.36, 4.12, -7.72

 

CMYK 4 / 5 / 0 / 16

HEX #CECCD7

RGB 206 204 215

HSL 250.91, 0.12%, 0.82%

LAB 82.49, 2.73, -5.21

 

CMYK 9 / 12 / 0 / 29

HEX #A39FB4

RGB 163 159 180

HSL 251.43, 0.12%, 0.66%

LAB 66.43, 5.61, -10.33

 

CMYK 0 / 12 / 4 / 30

HEX #B39EAB

RGB 179 158 171

HSL 322.86, 0.12%, 0.66%

LAB 67.26, 10, -3.92

 

CMYK 9 / 0 / 12 / 30

HEX #A2B39E

RGB 162 179 158

HSL 108.57, 0.12%, 0.66%

LAB 71.14, -9.89, 8.73

 

CMYK 9 / 12 / 0 / 29

HEX #A39FB4

RGB 163 159 180

HSL 251.43, 0.12%, 0.66%

LAB 66.43, 5.61, -10.33

 

CMYK 0 / 9 / 12 / 30

HEX #B3A29E

RGB 179 162 158

HSL 11.43, 0.12%, 0.66%

LAB 67.94, 5.5, 4.32

 

CMYK 12 / 0 / 9 / 30

HEX #9EB3A2

RGB 158 179 162

HSL 131.43, 0.12%, 0.66%

LAB 70.95, -10.56, 6.23

 

CMYK 9 / 12 / 0 / 29

HEX #A39FB4

RGB 163 159 180

HSL 251.43, 0.12%, 0.66%

LAB 66.43, 5.61, -10.33

 

CMYK 0 / 12 / 4 / 30

HEX #B39EAB

RGB 179 158 171

HSL 322.86, 0.12%, 0.66%

LAB 67.26, 10, -3.92

 

CMYK 2 / 0 / 12 / 30

HEX #AFB39E

RGB 175 179 158

HSL 71.43, 0.12%, 0.66%

LAB 72.11, -5.18, 10.24

 

CMYK 12 / 0 / 7 / 30

HEX #9EB3A6

RGB 158 179 166

HSL 142.86, 0.12%, 0.66%

LAB 71.05, -9.8, 4.18

 

CMYK 9 / 12 / 0 / 29

HEX #A39FB4

RGB 163 159 180

HSL 251.43, 0.12%, 0.66%

LAB 66.43, 5.61, -10.33

 

CMYK 0 / 12 / 8 / 30

HEX #B39EA4

RGB 179 158 164

HSL 342.86, 0.12%, 0.66%

LAB 67.06, 8.74, -0.3

 

CMYK 2 / 0 / 12 / 30

HEX #AFB39E

RGB 175 179 158

HSL 71.43, 0.12%, 0.66%

LAB 72.11, -5.18, 10.24

 

CMYK 12 / 0 / 4 / 30

HEX #9EB3AC

RGB 158 179 172

HSL 160, 0.12%, 0.66%

LAB 71.21, -8.62, 1.11

HEX #9EB3AC

Description

Color code: HEX #A39FB4 | qconv.com Color code: HEX #A39FB4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 159 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 159 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 12 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 12% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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