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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A39B3C it is the complementary color #5C64C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A39B3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A39B3C shade: #A89B37, #B9AD4A, #CABF5D, #DBD170 and #ECE383

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A39B3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A39B3C shade: #A39B3C, #928929, #817716, #706503 and #5F5300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A39B3C shade: #A39B3C, #A37F3C, #A3643C, #A3483C and #A33C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A39B3C shade: #A39B3C, #8FA33C, #74A33C, #58A33C and #3CA33C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A39B3C shade matches the following richer shades: #A39B3C, #B5AB2A, #C8BA18 and #DAC906

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A39B3C shade: #A39B3C, #918C4E, #7F7D60, #6D6D73 and #5B5E85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A39B3C shade: #A3643C, #A37F3C, #A39B3C, #90A33C and #75A33C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A39B3C shade: #676226, #857F31, #A39B3C, #BDB44C and #C8C06A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A39B3C shade: #A39B3C, #3CA348 and #713CA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A39B3C shade: #A39B3C, #3CA39B and #9B3CA3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A39B3C shade: #A39B3C, #3CA348, #3C45A3 and #A33C97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A39B3C shade: #A39B3C, #3CA367, #3C45A3 and #A33C78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 63 / 36

HEX #A39B3C

RGB 163 155 60

HSL 55.34, 0.46%, 0.44%

LAB 62.97, -9.14, 49.34

 

Complementary color

CMYK 53 / 49 / 0 / 24

HEX #5C64C3

RGB 92 100 195

HSL 235.34, 0.46%, 0.56%

LAB 46.08, 23.84, -50.88

 

CMYK 0 / 8 / 67 / 34

HEX #A89B37

RGB 168 155 55

HSL 53.1, 0.51%, 0.44%

LAB 63.38, -7.26, 52.08

 

CMYK 0 / 6 / 60 / 27

HEX #B9AD4A

RGB 185 173 74

HSL 53.51, 0.44%, 0.51%

LAB 69.96, -8.14, 51.2

 

CMYK 0 / 5 / 54 / 21

HEX #CABF5D

RGB 202 191 93

HSL 53.94, 0.51%, 0.58%

LAB 76.44, -8.86, 50.12

 

CMYK 0 / 5 / 49 / 14

HEX #DBD170

RGB 219 209 112

HSL 54.39, 0.6%, 0.65%

LAB 82.82, -9.46, 48.96

 

CMYK 0 / 4 / 44 / 7

HEX #ECE383

RGB 236 227 131

HSL 54.86, 0.73%, 0.72%

LAB 89.12, -9.97, 47.78

 

CMYK 0 / 5 / 63 / 36

HEX #A39B3C

RGB 163 155 60

HSL 55.34, 0.46%, 0.44%

LAB 62.97, -9.14, 49.34

 

CMYK 0 / 6 / 72 / 43

HEX #928929

RGB 146 137 41

HSL 54.86, 0.56%, 0.37%

LAB 56.25, -8.19, 50

 

CMYK 0 / 8 / 83 / 49

HEX #817716

RGB 129 119 22

HSL 54.39, 0.71%, 0.3%

LAB 49.4, -6.99, 49.87

 

CMYK 0 / 10 / 97 / 56

HEX #706503

RGB 112 101 3

HSL 53.94, 0.95%, 0.23%

LAB 42.4, -5.48, 48.35

 

CMYK 0 / 13 / 100 / 63

HEX #5F5300

RGB 95 83 0

HSL 52.42, 1%, 0.19%

LAB 35.24, -3.47, 43.21

 

CMYK 0 / 5 / 63 / 36

HEX #A39B3C

RGB 163 155 60

HSL 55.34, 0.46%, 0.44%

LAB 62.97, -9.14, 49.34

 

CMYK 0 / 22 / 63 / 36

HEX #A37F3C

RGB 163 127 60

HSL 39.03, 0.46%, 0.44%

LAB 55.37, 6.23, 40.95

 

CMYK 0 / 39 / 63 / 36

HEX #A3643C

RGB 163 100 60

HSL 23.3, 0.46%, 0.44%

LAB 48.54, 21.53, 33.04

 

CMYK 0 / 56 / 63 / 36

HEX #A3483C

RGB 163 72 60

HSL 6.99, 0.46%, 0.44%

LAB 42.38, 36.75, 25.51

 

CMYK 0 / 63 / 63 / 36

HEX #A33C3C

RGB 163 60 60

HSL 0, 0.46%, 0.44%

LAB 40.15, 42.6, 22.71

 

CMYK 0 / 5 / 63 / 36

HEX #A39B3C

RGB 163 155 60

HSL 55.34, 0.46%, 0.44%

LAB 62.97, -9.14, 49.34

 

CMYK 12 / 0 / 63 / 36

HEX #8FA33C

RGB 143 163 60

HSL 71.65, 0.46%, 0.44%

LAB 63.64, -21.89, 49.58

 

CMYK 29 / 0 / 63 / 36

HEX #74A33C

RGB 116 163 60

HSL 87.38, 0.46%, 0.44%

LAB 61.86, -32.76, 47.12

 

CMYK 46 / 0 / 63 / 36

HEX #58A33C

RGB 88 163 60

HSL 103.69, 0.46%, 0.44%

LAB 60.42, -42.61, 45.13

 

CMYK 63 / 0 / 63 / 36

HEX #3CA33C

RGB 60 163 60

HSL 120, 0.46%, 0.44%

LAB 59.42, -50.29, 43.73

 

CMYK 0 / 5 / 63 / 36

HEX #A39B3C

RGB 163 155 60

HSL 55.34, 0.46%, 0.44%

LAB 62.97, -9.14, 49.34

 

CMYK 0 / 6 / 77 / 29

HEX #B5AB2A

RGB 181 171 42

HSL 55.68, 0.62%, 0.44%

LAB 68.84, -10.61, 62.69

 

CMYK 0 / 7 / 88 / 22

HEX #C8BA18

RGB 200 186 24

HSL 55.23, 0.79%, 0.44%

LAB 74.49, -10.57, 72.82

 

CMYK 0 / 8 / 97 / 15

HEX #DAC906

RGB 218 201 6

HSL 55.19, 0.95%, 0.44%

LAB 80.01, -10.64, 80.09

 

CMYK 0 / 5 / 63 / 36

HEX #A39B3C

RGB 163 155 60

HSL 55.34, 0.46%, 0.44%

LAB 62.97, -9.14, 49.34

 

CMYK 0 / 3 / 46 / 43

HEX #918C4E

RGB 145 140 78

HSL 55.52, 0.3%, 0.44%

LAB 57.39, -7.36, 33.63

 

CMYK 0 / 2 / 24 / 50

HEX #7F7D60

RGB 127 125 96

HSL 56.13, 0.14%, 0.44%

LAB 51.86, -4.34, 16.13

 

CMYK 5 / 5 / 0 / 55

HEX #6D6D73

RGB 109 109 115

HSL 240, 0.03%, 0.44%

LAB 46.21, 1.26, -3.34

 

CMYK 32 / 29 / 0 / 48

HEX #5B5E85

RGB 91 94 133

HSL 235.71, 0.19%, 0.44%

LAB 41.09, 8.52, -22.09

 

CMYK 0 / 39 / 63 / 36

HEX #A3643C

RGB 163 100 60

HSL 23.3, 0.46%, 0.44%

LAB 48.54, 21.53, 33.04

 

CMYK 0 / 22 / 63 / 36

HEX #A37F3C

RGB 163 127 60

HSL 39.03, 0.46%, 0.44%

LAB 55.37, 6.23, 40.95

 

CMYK 0 / 5 / 63 / 36

HEX #A39B3C

RGB 163 155 60

HSL 55.34, 0.46%, 0.44%

LAB 62.97, -9.14, 49.34

 

CMYK 12 / 0 / 63 / 36

HEX #90A33C

RGB 144 163 60

HSL 71.07, 0.46%, 0.44%

LAB 63.71, -21.47, 49.68

 

CMYK 28 / 0 / 63 / 36

HEX #75A33C

RGB 117 163 60

HSL 86.8, 0.46%, 0.44%

LAB 61.91, -32.38, 47.2

 

CMYK 0 / 5 / 63 / 60

HEX #676226

RGB 103 98 38

HSL 55.38, 0.46%, 0.28%

LAB 40.83, -6.49, 34.03

 

CMYK 0 / 5 / 63 / 48

HEX #857F31

RGB 133 127 49

HSL 55.71, 0.46%, 0.36%

LAB 52.27, -8.12, 42.02

 

CMYK 0 / 5 / 63 / 36

HEX #A39B3C

RGB 163 155 60

HSL 55.34, 0.46%, 0.44%

LAB 62.97, -9.14, 49.34

 

CMYK 0 / 5 / 60 / 26

HEX #BDB44C

RGB 189 180 76

HSL 55.22, 0.46%, 0.52%

LAB 72.22, -9.94, 52.88

 

CMYK 0 / 4 / 47 / 22

HEX #C8C06A

RGB 200 192 106

HSL 54.89, 0.46%, 0.6%

LAB 76.69, -9.05, 44.08

 

CMYK 0 / 5 / 63 / 36

HEX #A39B3C

RGB 163 155 60

HSL 55.34, 0.46%, 0.44%

LAB 62.97, -9.14, 49.34

 

CMYK 63 / 0 / 56 / 36

HEX #3CA348

RGB 60 163 72

HSL 126.99, 0.46%, 0.44%

LAB 59.55, -48.81, 38.21

 

CMYK 31 / 63 / 0 / 36

HEX #713CA3

RGB 113 60 163

HSL 270.87, 0.46%, 0.44%

LAB 36.72, 43.19, -46.98

 

CMYK 0 / 5 / 63 / 36

HEX #A39B3C

RGB 163 155 60

HSL 55.34, 0.46%, 0.44%

LAB 62.97, -9.14, 49.34

 

CMYK 63 / 0 / 5 / 36

HEX #3CA39B

RGB 60 163 155

HSL 175.34, 0.46%, 0.44%

LAB 61.24, -31.25, -4.62

 

CMYK 5 / 63 / 0 / 36

HEX #9B3CA3

RGB 155 60 163

HSL 295.34, 0.46%, 0.44%

LAB 42.53, 53.52, -37.36

 

CMYK 0 / 5 / 63 / 36

HEX #A39B3C

RGB 163 155 60

HSL 55.34, 0.46%, 0.44%

LAB 62.97, -9.14, 49.34

 

CMYK 63 / 0 / 56 / 36

HEX #3CA348

RGB 60 163 72

HSL 126.99, 0.46%, 0.44%

LAB 59.55, -48.81, 38.21

 

CMYK 63 / 58 / 0 / 36

HEX #3C45A3

RGB 60 69 163

HSL 234.76, 0.46%, 0.44%

LAB 33.69, 26.5, -52.12

 

CMYK 0 / 63 / 7 / 36

HEX #A33C97

RGB 163 60 151

HSL 306.99, 0.46%, 0.44%

LAB 43.14, 53.49, -29.12

 

CMYK 0 / 5 / 63 / 36

HEX #A39B3C

RGB 163 155 60

HSL 55.34, 0.46%, 0.44%

LAB 62.97, -9.14, 49.34

 

CMYK 63 / 0 / 37 / 36

HEX #3CA367

RGB 60 163 103

HSL 145.05, 0.46%, 0.44%

LAB 60.01, -43.68, 22.63

 

CMYK 63 / 58 / 0 / 36

HEX #3C45A3

RGB 60 69 163

HSL 234.76, 0.46%, 0.44%

LAB 33.69, 26.5, -52.12

 

CMYK 0 / 63 / 26 / 36

HEX #A33C78

RGB 163 60 120

HSL 325.05, 0.46%, 0.44%

LAB 41.8, 48.78, -12.29

 

Description

Color code: HEX #A39B3C | qconv.com Color code: HEX #A39B3C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 155 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 155 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 63 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 63% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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