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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A390D43F it is the complementary color #5C6F2B3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A390D43F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A390D43F shade: #A890CF3F, #B9A2E23F, #CAB4F53F, #DBC6FF3F and #ECD8FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A390D43F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A390D43F shade: #A390D43F, #927EC13F, #816CAE3F, #705A9B3F and #5F48883F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A390D43F shade: #A491D4, #B691D4, #C891D4, #D491CE and #D491BC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A390D43F shade: #A491D4 and #9191D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A390D43F shade matches the following richer shades: #A491D4, #9E84E1, #9978ED and #936CF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A390D43F shade: #A491D4, #A99DC8, #AFAABB, #B4B6AF and #B9C2A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A390D43F shade: #91A3D4, #9191D4, #A391D4, #B591D4 and #C791D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A390D43F shade: #7255BD, #8B73C9, #A491D4, #BCAFE0 and #D5CCEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A390D43F shade: #A390D4, #D491B5 and #9AD491

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A390D43F shade: #A390D4, #D4A391 and #91D4A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A390D43F shade: #A390D4, #D491B5, #C2D491 and #91D4B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A390D43F shade: #A390D4, #D491A1, #C2D491 and #91D4C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 8 / 0 / 4

HEX #A390D43F

RGBA 163 144 212 0.25

HSLA 256.76, 0.44%, 0.7%, 0.25

LABA 63.74, 21.24, -32.29, 0.25

 

Complementary color

CMYK 4 / 0 / 15 / 14

HEX #5C6F2B3F

RGBA 92 111 43 0.25

HSLA 76.76, 0.44%, 0.3%, 0.25

LABA 43.97, -18.33, 34.78, 0.25

 

CMYK 5 / 8 / 0 / 5

HEX #A890CF3F

RGBA 168 144 207 0.25

HSLA 262.86, 0.4%, 0.69%, 0.25

LABA 63.98, 21.6, -29.1, 0.25

 

CMYK 5 / 7 / 0 / 3

HEX #B9A2E23F

RGBA 185 162 226 0.25

HSLA 261.56, 0.52%, 0.76%, 0.25

LABA 70.63, 21.03, -29.24, 0.25

 

CMYK 4 / 7 / 0 / 1

HEX #CAB4F53F

RGBA 202 180 245 0.25

HSLA 260.31, 0.76%, 0.83%, 0.25

LABA 77.16, 20.51, -29.4, 0.25

 

CMYK 4 / 6 / 0 / 0

HEX #DBC6FF3F

RGBA 219 198 255 0.25

HSLA 262.11, 1%, 0.89%, 0.25

LABA 83.27, 18.12, -25.27, 0.25

 

CMYK 2 / 4 / 0 / 0

HEX #ECD8FF3F

RGBA 236 216 255 0.25

HSLA 270.77, 1%, 0.92%, 0.25

LABA 89, 13.92, -16.47, 0.25

 

CMYK 6 / 8 / 0 / 4

HEX #A390D43F

RGBA 163 144 212 0.25

HSLA 256.76, 0.44%, 0.7%, 0.25

LABA 63.74, 21.24, -32.29, 0.25

 

CMYK 6 / 9 / 0 / 6

HEX #927EC13F

RGBA 146 126 193 0.25

HSLA 257.91, 0.35%, 0.63%, 0.25

LABA 56.96, 21.89, -32.25, 0.25

 

CMYK 6 / 9 / 0 / 8

HEX #816CAE3F

RGBA 129 108 174 0.25

HSLA 259.09, 0.29%, 0.55%, 0.25

LABA 50.04, 22.62, -32.24, 0.25

 

CMYK 7 / 10 / 0 / 10

HEX #705A9B3F

RGBA 112 90 155 0.25

HSLA 260.31, 0.27%, 0.48%, 0.25

LABA 42.95, 23.44, -32.28, 0.25

 

CMYK 8 / 12 / 0 / 12

HEX #5F48883F

RGBA 95 72 136 0.25

HSLA 261.56, 0.31%, 0.41%, 0.25

LABA 35.68, 24.38, -32.36, 0.25

 

CMYK 23 / 32 / 0 / 17

HEX #A491D4

RGB 164 145 212

HSL 257.01, 0.44%, 0.7%

LAB 64.08, 20.97, -31.77

 

CMYK 14 / 32 / 0 / 17

HEX #B691D4

RGB 182 145 212

HSL 273.13, 0.44%, 0.7%

LAB 65.71, 26.52, -29.11

 

CMYK 6 / 32 / 0 / 17

HEX #C891D4

RGB 200 145 212

HSL 289.25, 0.44%, 0.7%

LAB 67.49, 32.21, -26.22

 

CMYK 0 / 32 / 3 / 17

HEX #D491CE

RGB 212 145 206

HSL 305.37, 0.44%, 0.7%

LAB 68.54, 34.94, -21.18

 

CMYK 0 / 32 / 11 / 17

HEX #D491BC

RGB 212 145 188

HSL 321.49, 0.44%, 0.7%

LAB 67.93, 31.8, -12.07

 

CMYK 23 / 32 / 0 / 17

HEX #A491D4

RGB 164 145 212

HSL 257.01, 0.44%, 0.7%

LAB 64.08, 20.97, -31.77

 

CMYK 32 / 32 / 0 / 17

HEX #9191D4

RGB 145 145 212

HSL 240, 0.44%, 0.7%

LAB 62.53, 15.36, -34.29

 

CMYK 23 / 32 / 0 / 17

HEX #A491D4

RGB 164 145 212

HSL 257.01, 0.44%, 0.7%

LAB 64.08, 20.97, -31.77

 

CMYK 30 / 41 / 0 / 12

HEX #9E84E1

RGB 158 132 225

HSL 256.77, 0.61%, 0.7%

LAB 60.96, 29.83, -43.91

 

CMYK 35 / 49 / 0 / 7

HEX #9978ED

RGB 153 120 237

HSL 256.92, 0.76%, 0.7%

LAB 58.34, 38.43, -54.78

 

CMYK 41 / 57 / 0 / 2

HEX #936CF9

RGB 147 108 249

HSL 256.6, 0.92%, 0.7%

LAB 55.85, 46.93, -65.46

 

CMYK 23 / 32 / 0 / 17

HEX #A491D4

RGB 164 145 212

HSL 257.01, 0.44%, 0.7%

LAB 64.08, 20.97, -31.77

 

CMYK 16 / 22 / 0 / 22

HEX #A99DC8

RGB 169 157 200

HSL 256.74, 0.28%, 0.7%

LAB 67.07, 13.01, -20.46

 

CMYK 6 / 9 / 0 / 27

HEX #AFAABB

RGB 175 170 187

HSL 257.65, 0.11%, 0.7%

LAB 70.49, 5.06, -8.06

 

CMYK 1 / 0 / 4 / 29

HEX #B4B6AF

RGB 180 182 175

HSL 77.14, 0.05%, 0.7%

LAB 73.71, -1.99, 3.3

 

CMYK 5 / 0 / 16 / 24

HEX #B9C2A3

RGB 185 194 163

HSL 77.42, 0.2%, 0.7%

LAB 77.01, -8.58, 14.56

 

CMYK 32 / 23 / 0 / 17

HEX #91A3D4

RGB 145 163 212

HSL 223.88, 0.44%, 0.7%

LAB 67.25, 5.11, -26.99

 

CMYK 32 / 32 / 0 / 17

HEX #9191D4

RGB 145 145 212

HSL 240, 0.44%, 0.7%

LAB 62.53, 15.36, -34.29

 

CMYK 23 / 32 / 0 / 17

HEX #A391D4

RGB 163 145 212

HSL 256.12, 0.44%, 0.7%

LAB 63.99, 20.67, -31.91

 

CMYK 15 / 32 / 0 / 17

HEX #B591D4

RGB 181 145 212

HSL 272.24, 0.44%, 0.7%

LAB 65.61, 26.2, -29.27

 

CMYK 6 / 32 / 0 / 17

HEX #C791D4

RGB 199 145 212

HSL 288.36, 0.44%, 0.7%

LAB 67.39, 31.89, -26.39

 

CMYK 40 / 55 / 0 / 26

HEX #7255BD

RGB 114 85 189

HSL 256.73, 0.44%, 0.54%

LAB 43.87, 36.19, -50.85

 

CMYK 31 / 43 / 0 / 21

HEX #8B73C9

RGB 139 115 201

HSL 256.74, 0.44%, 0.62%

LAB 53.99, 28.29, -41.5

 

CMYK 23 / 32 / 0 / 17

HEX #A491D4

RGB 164 145 212

HSL 257.01, 0.44%, 0.7%

LAB 64.08, 20.97, -31.77

 

CMYK 16 / 22 / 0 / 12

HEX #BCAFE0

RGB 188 175 224

HSL 255.92, 0.44%, 0.78%

LAB 74.02, 14.33, -22.93

 

CMYK 9 / 13 / 0 / 8

HEX #D5CCEB

RGB 213 204 235

HSL 257.42, 0.44%, 0.86%

LAB 83.62, 8.93, -14.15

 

CMYK 23 / 32 / 0 / 17

HEX #A390D4

RGB 163 144 212

HSL 256.76, 0.44%, 0.7%

LAB 63.74, 21.24, -32.29

 

CMYK 0 / 32 / 15 / 17

HEX #D491B5

RGB 212 145 181

HSL 327.76, 0.44%, 0.7%

LAB 67.71, 30.64, -8.48

 

CMYK 27 / 0 / 32 / 17

HEX #9AD491

RGB 154 212 145

HSL 111.94, 0.44%, 0.7%

LAB 79.61, -31.35, 27.35

 

CMYK 23 / 32 / 0 / 17

HEX #A390D4

RGB 163 144 212

HSL 256.76, 0.44%, 0.7%

LAB 63.74, 21.24, -32.29

 

CMYK 0 / 23 / 32 / 17

HEX #D4A391

RGB 212 163 145

HSL 16.12, 0.44%, 0.7%

LAB 71.03, 15.59, 16.33

 

CMYK 32 / 0 / 23 / 17

HEX #91D4A3

RGB 145 212 163

HSL 136.12, 0.44%, 0.7%

LAB 79.47, -31.19, 17.64

 

CMYK 23 / 32 / 0 / 17

HEX #A390D4

RGB 163 144 212

HSL 256.76, 0.44%, 0.7%

LAB 63.74, 21.24, -32.29

 

CMYK 0 / 32 / 15 / 17

HEX #D491B5

RGB 212 145 181

HSL 327.76, 0.44%, 0.7%

LAB 67.71, 30.64, -8.48

 

CMYK 8 / 0 / 32 / 17

HEX #C2D491

RGB 194 212 145

HSL 76.12, 0.44%, 0.7%

LAB 82.16, -17.08, 31.2

 

CMYK 32 / 0 / 17 / 17

HEX #91D4B0

RGB 145 212 176

HSL 147.76, 0.44%, 0.7%

LAB 79.75, -28.71, 11.14

 

CMYK 23 / 32 / 0 / 17

HEX #A390D4

RGB 163 144 212

HSL 256.76, 0.44%, 0.7%

LAB 63.74, 21.24, -32.29

 

CMYK 0 / 32 / 24 / 17

HEX #D491A1

RGB 212 145 161

HSL 345.67, 0.44%, 0.7%

LAB 67.14, 27.56, 1.9

 

CMYK 8 / 0 / 32 / 17

HEX #C2D491

RGB 194 212 145

HSL 76.12, 0.44%, 0.7%

LAB 82.16, -17.08, 31.2

 

CMYK 32 / 0 / 8 / 17

HEX #91D4C4

RGB 145 212 196

HSL 165.67, 0.44%, 0.7%

LAB 80.23, -24.56, 1.17

 

Description

Color code: HEX #A390D43F | qconv.com Color code: HEX #A390D43F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 144 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 144 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 8 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 8% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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