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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A38223 it is the complementary color #5C7DDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A38223. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A38223 shade: #A8821E, #B99431, #CAA644, #DBB857 and #ECCA6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A38223. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A38223 shade: #A38223, #927010, #815E00, #704C00 and #5F3A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A38223 shade: #A48323, #A46023, #A43D23 and #A42323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A38223 shade: #A48323, #A3A423, #80A423, #5DA423 and #3AA423

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A38223 shade matches the following richer shades: #A48323, #B48B13 and #C49203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A38223 shade: #A48323, #947B33, #847343, #746B53 and #646463

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A38223 shade: #A43D23, #A45F23, #A48223, #A4A423 and #82A423

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A38223 shade: #604D14, #82681C, #A48323, #C69E2A and #D7B142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A38223 shade: #A38223, #2BA423 and #4E23A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A38223 shade: #A38223, #23A482 and #8223A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A38223 shade: #A38223, #2BA423, #2345A4 and #9B23A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A38223 shade: #A38223, #23A441, #2345A4 and #A42386

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 79 / 36

HEX #A38223

RGB 163 130 35

HSL 44.53, 0.65%, 0.39%

LAB 55.96, 3.16, 52.62

 

Complementary color

CMYK 58 / 43 / 0 / 14

HEX #5C7DDC

RGB 92 125 220

HSL 224.53, 0.65%, 0.61%

LAB 54.14, 16.58, -52.23

 

CMYK 0 / 23 / 82 / 34

HEX #A8821E

RGB 168 130 30

HSL 43.48, 0.7%, 0.39%

LAB 56.47, 5.25, 55.04

 

CMYK 0 / 20 / 74 / 27

HEX #B99431

RGB 185 148 49

HSL 43.68, 0.58%, 0.46%

LAB 63.11, 3.75, 54.83

 

CMYK 0 / 18 / 66 / 21

HEX #CAA644

RGB 202 166 68

HSL 43.88, 0.56%, 0.53%

LAB 69.64, 2.5, 54.01

 

CMYK 0 / 16 / 60 / 14

HEX #DBB857

RGB 219 184 87

HSL 44.09, 0.65%, 0.6%

LAB 76.09, 1.45, 52.92

 

CMYK 0 / 14 / 55 / 7

HEX #ECCA6A

RGB 236 202 106

HSL 44.31, 0.77%, 0.67%

LAB 82.44, 0.55, 51.73

 

CMYK 0 / 20 / 79 / 36

HEX #A38223

RGB 163 130 35

HSL 44.53, 0.65%, 0.39%

LAB 55.96, 3.16, 52.62

 

CMYK 0 / 23 / 89 / 43

HEX #927010

RGB 146 112 16

HSL 44.31, 0.8%, 0.32%

LAB 49.18, 4.82, 52.11

 

CMYK 0 / 27 / 100 / 49

HEX #815E00

RGB 129 94 0

HSL 43.72, 1%, 0.25%

LAB 42.27, 6.84, 49.91

 

CMYK 0 / 32 / 100 / 56

HEX #704C00

RGB 112 76 0

HSL 40.71, 1%, 0.22%

LAB 35.23, 9.31, 44.14

 

CMYK 0 / 39 / 100 / 63

HEX #5F3A00

RGB 95 58 0

HSL 36.63, 1%, 0.19%

LAB 28, 11.95, 37.91

 

CMYK 0 / 20 / 79 / 36

HEX #A48323

RGB 164 131 35

HSL 44.65, 0.65%, 0.39%

LAB 56.33, 3.05, 53

 

CMYK 0 / 41 / 79 / 36

HEX #A46023

RGB 164 96 35

HSL 28.37, 0.65%, 0.39%

LAB 47.47, 22.81, 44.6

 

CMYK 0 / 63 / 79 / 36

HEX #A43D23

RGB 164 61 35

HSL 12.09, 0.65%, 0.39%

LAB 40.17, 41.17, 37.32

 

CMYK 0 / 79 / 79 / 36

HEX #A42323

RGB 164 35 35

HSL 0, 0.65%, 0.39%

LAB 36.4, 51.46, 33.39

 

CMYK 0 / 20 / 79 / 36

HEX #A48323

RGB 164 131 35

HSL 44.65, 0.65%, 0.39%

LAB 56.33, 3.05, 53

 

CMYK 1 / 0 / 79 / 36

HEX #A3A423

RGB 163 164 35

HSL 60.47, 0.65%, 0.39%

LAB 65.33, -15.16, 61.14

 

CMYK 22 / 0 / 79 / 36

HEX #80A423

RGB 128 164 35

HSL 76.74, 0.65%, 0.39%

LAB 62.73, -30.13, 57.82

 

CMYK 43 / 0 / 79 / 36

HEX #5DA423

RGB 93 164 35

HSL 93.02, 0.65%, 0.39%

LAB 60.78, -43.33, 55.3

 

CMYK 65 / 0 / 79 / 36

HEX #3AA423

RGB 58 164 35

HSL 109.3, 0.65%, 0.39%

LAB 59.5, -53.3, 53.63

 

CMYK 0 / 20 / 79 / 36

HEX #A48323

RGB 164 131 35

HSL 44.65, 0.65%, 0.39%

LAB 56.33, 3.05, 53

 

CMYK 0 / 23 / 89 / 29

HEX #B48B13

RGB 180 139 19

HSL 44.72, 0.81%, 0.39%

LAB 60.08, 5.43, 61.64

 

CMYK 0 / 26 / 98 / 23

HEX #C49203

RGB 196 146 3

HSL 44.46, 0.97%, 0.39%

LAB 63.59, 8.57, 67.68

 

CMYK 0 / 20 / 79 / 36

HEX #A48323

RGB 164 131 35

HSL 44.65, 0.65%, 0.39%

LAB 56.33, 3.05, 53

 

CMYK 0 / 17 / 66 / 42

HEX #947B33

RGB 148 123 51

HSL 44.54, 0.49%, 0.39%

LAB 52.62, 1.09, 41.87

 

CMYK 0 / 13 / 49 / 48

HEX #847343

RGB 132 115 67

HSL 44.31, 0.33%, 0.39%

LAB 48.97, -0.24, 28.87

 

CMYK 0 / 8 / 28 / 55

HEX #746B53

RGB 116 107 83

HSL 43.64, 0.17%, 0.39%

LAB 45.43, -0.6, 14.75

 

CMYK 0 / 0 / 1 / 61

HEX #646463

RGB 100 100 99

HSL 60, 0.01%, 0.39%

LAB 42.35, -0.2, 0.56

 

CMYK 0 / 63 / 79 / 36

HEX #A43D23

RGB 164 61 35

HSL 12.09, 0.65%, 0.39%

LAB 40.17, 41.17, 37.32

 

CMYK 0 / 42 / 79 / 36

HEX #A45F23

RGB 164 95 35

HSL 27.91, 0.65%, 0.39%

LAB 47.23, 23.37, 44.37

 

CMYK 0 / 21 / 79 / 36

HEX #A48223

RGB 164 130 35

HSL 44.19, 0.65%, 0.39%

LAB 56.07, 3.61, 52.75

 

CMYK 0 / 0 / 79 / 36

HEX #A4A423

RGB 164 164 35

HSL 60, 0.65%, 0.39%

LAB 65.41, -14.72, 61.25

 

CMYK 21 / 0 / 79 / 36

HEX #82A423

RGB 130 164 35

HSL 75.81, 0.65%, 0.39%

LAB 62.86, -29.31, 57.99

 

CMYK 0 / 20 / 79 / 62

HEX #604D14

RGB 96 77 20

HSL 45, 0.66%, 0.23%

LAB 33.66, 1.4, 34.9

 

CMYK 0 / 20 / 78 / 49

HEX #82681C

RGB 130 104 28

HSL 44.71, 0.65%, 0.31%

LAB 45.26, 2.28, 44

 

CMYK 0 / 20 / 79 / 36

HEX #A48323

RGB 164 131 35

HSL 44.65, 0.65%, 0.39%

LAB 56.33, 3.05, 53

 

CMYK 0 / 20 / 79 / 22

HEX #C69E2A

RGB 198 158 42

HSL 44.62, 0.65%, 0.47%

LAB 67, 3.8, 61.6

 

CMYK 0 / 18 / 69 / 16

HEX #D7B142

RGB 215 177 66

HSL 44.7, 0.65%, 0.55%

LAB 73.73, 2.15, 59.54

 

CMYK 0 / 20 / 79 / 36

HEX #A38223

RGB 163 130 35

HSL 44.53, 0.65%, 0.39%

LAB 55.96, 3.16, 52.62

 

CMYK 74 / 0 / 79 / 36

HEX #2BA423

RGB 43 164 35

HSL 116.28, 0.65%, 0.39%

LAB 59.15, -56.28, 53.16

 

CMYK 52 / 79 / 0 / 36

HEX #4E23A4

RGB 78 35 164

HSL 260, 0.65%, 0.39%

LAB 28.12, 49.31, -61.76

 

CMYK 0 / 20 / 79 / 36

HEX #A38223

RGB 163 130 35

HSL 44.53, 0.65%, 0.39%

LAB 55.96, 3.16, 52.62

 

CMYK 79 / 0 / 21 / 36

HEX #23A482

RGB 35 164 130

HSL 164.19, 0.65%, 0.39%

LAB 60.36, -42, 8.09

 

CMYK 21 / 79 / 0 / 36

HEX #8223A4

RGB 130 35 164

HSL 284.19, 0.65%, 0.39%

LAB 35.26, 58.03, -49.81

 

CMYK 0 / 20 / 79 / 36

HEX #A38223

RGB 163 130 35

HSL 44.53, 0.65%, 0.39%

LAB 55.96, 3.16, 52.62

 

CMYK 74 / 0 / 79 / 36

HEX #2BA423

RGB 43 164 35

HSL 116.28, 0.65%, 0.39%

LAB 59.15, -56.28, 53.16

 

CMYK 79 / 58 / 0 / 36

HEX #2345A4

RGB 35 69 164

HSL 224.19, 0.65%, 0.39%

LAB 32.47, 23.31, -54.77

 

CMYK 5 / 79 / 0 / 36

HEX #9B23A4

RGB 155 35 164

HSL 295.81, 0.65%, 0.39%

LAB 39.33, 62.92, -43.06

 

CMYK 0 / 20 / 79 / 36

HEX #A38223

RGB 163 130 35

HSL 44.53, 0.65%, 0.39%

LAB 55.96, 3.16, 52.62

 

CMYK 79 / 0 / 60 / 36

HEX #23A441

RGB 35 164 65

HSL 133.95, 0.65%, 0.39%

LAB 59.24, -54.58, 41.08

 

CMYK 79 / 58 / 0 / 36

HEX #2345A4

RGB 35 69 164

HSL 224.19, 0.65%, 0.39%

LAB 32.47, 23.31, -54.77

 

CMYK 0 / 79 / 18 / 36

HEX #A42386

RGB 164 35 134

HSL 313.95, 0.65%, 0.39%

LAB 39.27, 60.23, -24.81

 

Description

Color code: HEX #A38223 | qconv.com Color code: HEX #A38223 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 130 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 130 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 79 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 79% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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