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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A37F34 it is the complementary color #5C80CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A37F34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A37F34 shade: #A87F2F, #B99142, #CAA355, #DBB568 and #ECC77B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A37F34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A37F34 shade: #A37F34, #926D21, #815B0E, #704900 and #5F3700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A37F34 shade: #A37F33, #A36133, #A34333 and #A33333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A37F34 shade: #A37F33, #A39D33, #8BA333, #6DA333 and #4FA333

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A37F34 shade matches the following richer shades: #A37F33, #B48522 and #C58B11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A37F34 shade: #A37F33, #917945, #807256, #6F6C67 and #5D6679

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A37F34 shade: #A34233, #A36033, #A37E33, #A39B33 and #8DA333

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A37F34 shade: #644E20, #83662A, #A37F33, #C2973E and #CCA85D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A37F34 shade: #A37F34, #42A333 and #5133A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A37F34 shade: #A37F34, #33A37E and #7E33A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A37F34 shade: #A37F34, #42A333, #3359A3 and #9433A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A37F34 shade: #A37F34, #33A346, #3359A3 and #A33390

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 68 / 36

HEX #A37F34

RGB 163 127 52

HSL 40.54, 0.52%, 0.42%

LAB 55.29, 5.7, 44.75

 

Complementary color

CMYK 55 / 37 / 0 / 20

HEX #5C80CB

RGB 92 128 203

HSL 220.54, 0.52%, 0.58%

LAB 54.05, 9.22, -42.77

 

CMYK 0 / 24 / 72 / 34

HEX #A87F2F

RGB 168 127 47

HSL 39.67, 0.56%, 0.42%

LAB 55.8, 7.67, 47.73

 

CMYK 0 / 22 / 64 / 27

HEX #B99142

RGB 185 145 66

HSL 39.83, 0.47%, 0.49%

LAB 62.47, 6.36, 46.62

 

CMYK 0 / 19 / 58 / 21

HEX #CAA355

RGB 202 163 85

HSL 40, 0.52%, 0.56%

LAB 69.04, 5.27, 45.35

 

CMYK 0 / 17 / 53 / 14

HEX #DBB568

RGB 219 181 104

HSL 40.17, 0.61%, 0.63%

LAB 75.52, 4.35, 44.04

 

CMYK 0 / 16 / 48 / 7

HEX #ECC77B

RGB 236 199 123

HSL 40.35, 0.75%, 0.7%

LAB 81.9, 3.56, 42.75

 

CMYK 0 / 22 / 68 / 36

HEX #A37F34

RGB 163 127 52

HSL 40.54, 0.52%, 0.42%

LAB 55.29, 5.7, 44.75

 

CMYK 0 / 25 / 77 / 43

HEX #926D21

RGB 146 109 33

HSL 40.35, 0.63%, 0.35%

LAB 48.46, 7.14, 45.64

 

CMYK 0 / 29 / 89 / 49

HEX #815B0E

RGB 129 91 14

HSL 40.17, 0.8%, 0.28%

LAB 41.5, 8.92, 45.61

 

CMYK 0 / 35 / 100 / 56

HEX #704900

RGB 112 73 0

HSL 39.11, 1%, 0.22%

LAB 34.42, 11.13, 43.6

 

CMYK 0 / 42 / 100 / 63

HEX #5F3700

RGB 95 55 0

HSL 34.74, 1%, 0.19%

LAB 27.2, 13.82, 37.22

 

CMYK 0 / 22 / 69 / 36

HEX #A37F33

RGB 163 127 51

HSL 40.71, 0.52%, 0.42%

LAB 55.28, 5.64, 45.21

 

CMYK 0 / 40 / 69 / 36

HEX #A36133

RGB 163 97 51

HSL 24.64, 0.52%, 0.42%

LAB 47.72, 22.62, 36.94

 

CMYK 0 / 59 / 69 / 36

HEX #A34333

RGB 163 67 51

HSL 8.57, 0.52%, 0.42%

LAB 41.28, 38.68, 29.49

 

CMYK 0 / 69 / 69 / 36

HEX #A33333

RGB 163 51 51

HSL 0, 0.52%, 0.42%

LAB 38.54, 46, 26.2

 

CMYK 0 / 22 / 69 / 36

HEX #A37F33

RGB 163 127 51

HSL 40.71, 0.52%, 0.42%

LAB 55.28, 5.64, 45.21

 

CMYK 0 / 4 / 69 / 36

HEX #A39D33

RGB 163 157 51

HSL 56.79, 0.52%, 0.42%

LAB 63.46, -10.76, 53.68

 

CMYK 15 / 0 / 69 / 36

HEX #8BA333

RGB 139 163 51

HSL 72.86, 0.52%, 0.42%

LAB 63.28, -24.19, 52.88

 

CMYK 33 / 0 / 69 / 36

HEX #6DA333

RGB 109 163 51

HSL 88.93, 0.52%, 0.42%

LAB 61.38, -36.14, 50.33

 

CMYK 52 / 0 / 69 / 36

HEX #4FA333

RGB 79 163 51

HSL 105, 0.52%, 0.42%

LAB 59.98, -46.21, 48.42

 

CMYK 0 / 22 / 69 / 36

HEX #A37F33

RGB 163 127 51

HSL 40.71, 0.52%, 0.42%

LAB 55.28, 5.64, 45.21

 

CMYK 0 / 26 / 81 / 29

HEX #B48522

RGB 180 133 34

HSL 40.68, 0.68%, 0.42%

LAB 58.6, 9.16, 56.07

 

CMYK 0 / 29 / 91 / 23

HEX #C58B11

RGB 197 139 17

HSL 40.67, 0.84%, 0.42%

LAB 61.98, 13.02, 64.35

 

CMYK 0 / 22 / 69 / 36

HEX #A37F33

RGB 163 127 51

HSL 40.71, 0.52%, 0.42%

LAB 55.28, 5.64, 45.21

 

CMYK 0 / 17 / 52 / 43

HEX #917945

RGB 145 121 69

HSL 41.05, 0.36%, 0.42%

LAB 51.98, 2.34, 31.79

 

CMYK 0 / 11 / 33 / 50

HEX #807256

RGB 128 114 86

HSL 40, 0.2%, 0.42%

LAB 48.63, 0.9, 17.53

 

CMYK 0 / 3 / 7 / 56

HEX #6F6C67

RGB 111 108 103

HSL 37.5, 0.04%, 0.42%

LAB 45.75, 0.18, 3.2

 

CMYK 23 / 16 / 0 / 53

HEX #5D6679

RGB 93 102 121

HSL 220.71, 0.13%, 0.42%

LAB 43.08, 1.08, -11.77

 

CMYK 0 / 60 / 69 / 36

HEX #A34233

RGB 163 66 51

HSL 8.04, 0.52%, 0.42%

LAB 41.09, 39.17, 29.27

 

CMYK 0 / 41 / 69 / 36

HEX #A36033

RGB 163 96 51

HSL 24.11, 0.52%, 0.42%

LAB 47.48, 23.19, 36.67

 

CMYK 0 / 23 / 69 / 36

HEX #A37E33

RGB 163 126 51

HSL 40.18, 0.52%, 0.42%

LAB 55.02, 6.2, 44.92

 

CMYK 0 / 5 / 69 / 36

HEX #A39B33

RGB 163 155 51

HSL 55.71, 0.52%, 0.42%

LAB 62.9, -9.7, 53.11

 

CMYK 13 / 0 / 69 / 36

HEX #8DA333

RGB 141 163 51

HSL 71.79, 0.52%, 0.42%

LAB 63.42, -23.35, 53.08

 

CMYK 0 / 22 / 68 / 61

HEX #644E20

RGB 100 78 32

HSL 40.59, 0.52%, 0.26%

LAB 34.52, 3.52, 30.06

 

CMYK 0 / 22 / 68 / 49

HEX #83662A

RGB 131 102 42

HSL 40.45, 0.51%, 0.34%

LAB 44.93, 4.69, 37.36

 

CMYK 0 / 22 / 69 / 36

HEX #A37F33

RGB 163 127 51

HSL 40.71, 0.52%, 0.42%

LAB 55.28, 5.64, 45.21

 

CMYK 0 / 22 / 68 / 24

HEX #C2973E

RGB 194 151 62

HSL 40.45, 0.52%, 0.5%

LAB 64.92, 6.77, 51.42

 

CMYK 0 / 18 / 54 / 20

HEX #CCA85D

RGB 204 168 93

HSL 40.54, 0.52%, 0.58%

LAB 70.62, 4.07, 43.28

 

CMYK 0 / 22 / 68 / 36

HEX #A37F34

RGB 163 127 52

HSL 40.54, 0.52%, 0.42%

LAB 55.29, 5.7, 44.75

 

CMYK 60 / 0 / 69 / 36

HEX #42A333

RGB 66 163 51

HSL 111.96, 0.52%, 0.42%

LAB 59.52, -49.77, 47.79

 

CMYK 50 / 69 / 0 / 36

HEX #5133A3

RGB 81 51 163

HSL 256.07, 0.52%, 0.42%

LAB 31.26, 41.35, -56

 

CMYK 0 / 22 / 68 / 36

HEX #A37F34

RGB 163 127 52

HSL 40.54, 0.52%, 0.42%

LAB 55.29, 5.7, 44.75

 

CMYK 69 / 0 / 23 / 36

HEX #33A37E

RGB 51 163 126

HSL 160.18, 0.52%, 0.42%

LAB 60.25, -40.33, 10.22

 

CMYK 23 / 69 / 0 / 36

HEX #7E33A3

RGB 126 51 163

HSL 280.18, 0.52%, 0.42%

LAB 36.83, 50.63, -46.7

 

CMYK 0 / 22 / 68 / 36

HEX #A37F34

RGB 163 127 52

HSL 40.54, 0.52%, 0.42%

LAB 55.29, 5.7, 44.75

 

CMYK 60 / 0 / 69 / 36

HEX #42A333

RGB 66 163 51

HSL 111.96, 0.52%, 0.42%

LAB 59.52, -49.77, 47.79

 

CMYK 69 / 45 / 0 / 36

HEX #3359A3

RGB 51 89 163

HSL 219.64, 0.52%, 0.42%

LAB 38.71, 11.81, -44.05

 

CMYK 9 / 69 / 0 / 36

HEX #9433A3

RGB 148 51 163

HSL 291.96, 0.52%, 0.42%

LAB 40.09, 55.65, -41.3

 

CMYK 0 / 22 / 68 / 36

HEX #A37F34

RGB 163 127 52

HSL 40.54, 0.52%, 0.42%

LAB 55.29, 5.7, 44.75

 

CMYK 69 / 0 / 57 / 36

HEX #33A346

RGB 51 163 70

HSL 130.18, 0.52%, 0.42%

LAB 59.29, -50.95, 38.82

 

CMYK 69 / 45 / 0 / 36

HEX #3359A3

RGB 51 89 163

HSL 219.64, 0.52%, 0.42%

LAB 38.71, 11.81, -44.05

 

CMYK 0 / 69 / 12 / 36

HEX #A33390

RGB 163 51 144

HSL 310.18, 0.52%, 0.42%

LAB 41.48, 56.04, -27.48

 

Description

Color code: HEX #A37F34 | qconv.com Color code: HEX #A37F34 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 127 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 127 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 68 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 68% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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