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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A37454 it is the complementary color #5C8BAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A37454. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A37454 shade: #A8744F, #B98662, #CA9875, #DBAA88 and #ECBC9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A37454. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A37454 shade: #A37454, #926241, #81502E, #703E1B and #5F2C08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A37454 shade: #A27353, #A25E53 and #A25353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A37454 shade: #A27353, #A28853, #A29D53, #91A253 and #7CA253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A37454 shade matches the following richer shades: #A27353, #B56F3F, #C96B2C, #DD6818 and #F16404

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A37454 shade: #A27353, #8E7767, #7A7A7B, #667E8F and #5282A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A37454 shade: #A2535E, #A25E53, #A27353, #A28753 and #A29C53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A37454 shade: #6B4C37, #866045, #A27353, #B3886B and #C19E86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A37454 shade: #A37454, #73A253 and #5353A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A37454 shade: #A37454, #53A273 and #7353A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A37454 shade: #A37454, #73A253, #5382A2 and #8253A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A37454 shade: #A37454, #5BA253, #5382A2 and #9A53A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 48 / 36

HEX #A37454

RGB 163 116 84

HSL 24.3, 0.32%, 0.48%

LAB 52.86, 14.55, 24.97

 

Complementary color

CMYK 46 / 19 / 0 / 33

HEX #5C8BAB

RGB 92 139 171

HSL 204.3, 0.32%, 0.52%

LAB 55.77, -7.08, -21.84

 

CMYK 0 / 31 / 53 / 34

HEX #A8744F

RGB 168 116 79

HSL 24.94, 0.36%, 0.48%

LAB 53.36, 16.19, 28.55

 

CMYK 0 / 28 / 47 / 27

HEX #B98662

RGB 185 134 98

HSL 24.83, 0.38%, 0.55%

LAB 60.11, 15.14, 27.05

 

CMYK 0 / 25 / 42 / 21

HEX #CA9875

RGB 202 152 117

HSL 24.71, 0.45%, 0.63%

LAB 66.75, 14.23, 25.68

 

CMYK 0 / 22 / 38 / 14

HEX #DBAA88

RGB 219 170 136

HSL 24.58, 0.54%, 0.7%

LAB 73.28, 13.45, 24.42

 

CMYK 0 / 20 / 34 / 7

HEX #ECBC9B

RGB 236 188 155

HSL 24.44, 0.68%, 0.77%

LAB 79.71, 12.76, 23.26

 

CMYK 0 / 29 / 48 / 36

HEX #A37454

RGB 163 116 84

HSL 24.3, 0.32%, 0.48%

LAB 52.86, 14.55, 24.97

 

CMYK 0 / 33 / 55 / 43

HEX #926241

RGB 146 98 65

HSL 24.44, 0.38%, 0.41%

LAB 45.94, 15.68, 26.55

 

CMYK 0 / 38 / 64 / 49

HEX #81502E

RGB 129 80 46

HSL 24.58, 0.47%, 0.34%

LAB 38.9, 17.05, 28.3

 

CMYK 0 / 45 / 76 / 56

HEX #703E1B

RGB 112 62 27

HSL 24.71, 0.61%, 0.27%

LAB 31.74, 18.73, 30.17

 

CMYK 0 / 54 / 92 / 63

HEX #5F2C08

RGB 95 44 8

HSL 24.83, 0.84%, 0.2%

LAB 24.49, 20.78, 31.46

 

CMYK 0 / 29 / 49 / 36

HEX #A27353

RGB 162 115 83

HSL 24.3, 0.32%, 0.48%

LAB 52.47, 14.58, 25.01

 

CMYK 0 / 42 / 49 / 36

HEX #A25E53

RGB 162 94 83

HSL 8.35, 0.32%, 0.48%

LAB 47.38, 26.49, 18.29

 

CMYK 0 / 49 / 49 / 36

HEX #A25353

RGB 162 83 83

HSL 0, 0.32%, 0.48%

LAB 44.93, 32.54, 14.97

 

CMYK 0 / 29 / 49 / 36

HEX #A27353

RGB 162 115 83

HSL 24.3, 0.32%, 0.48%

LAB 52.47, 14.58, 25.01

 

CMYK 0 / 16 / 49 / 36

HEX #A28853

RGB 162 136 83

HSL 40.25, 0.32%, 0.48%

LAB 57.96, 2.72, 32.01

 

CMYK 0 / 3 / 49 / 36

HEX #A29D53

RGB 162 157 83

HSL 56.2, 0.32%, 0.48%

LAB 63.69, -8.75, 39.07

 

CMYK 10 / 0 / 49 / 36

HEX #91A253

RGB 145 162 83

HSL 72.91, 0.32%, 0.48%

LAB 63.74, -18.48, 38.81

 

CMYK 23 / 0 / 49 / 36

HEX #7CA253

RGB 124 162 83

HSL 88.86, 0.32%, 0.48%

LAB 62.3, -26.84, 36.72

 

CMYK 0 / 29 / 49 / 36

HEX #A27353

RGB 162 115 83

HSL 24.3, 0.32%, 0.48%

LAB 52.47, 14.58, 25.01

 

CMYK 0 / 39 / 65 / 29

HEX #B56F3F

RGB 181 111 63

HSL 24.41, 0.48%, 0.48%

LAB 53.55, 23.28, 37.89

 

CMYK 0 / 47 / 78 / 21

HEX #C96B2C

RGB 201 107 44

HSL 24.08, 0.64%, 0.48%

LAB 55.19, 32.82, 49.84

 

CMYK 0 / 53 / 89 / 13

HEX #DD6818

RGB 221 104 24

HSL 24.37, 0.8%, 0.48%

LAB 57.4, 41.76, 60.55

 

CMYK 0 / 59 / 98 / 5

HEX #F16404

RGB 241 100 4

HSL 24.3, 0.97%, 0.48%

LAB 59.73, 50.93, 68.01

 

CMYK 0 / 29 / 49 / 36

HEX #A27353

RGB 162 115 83

HSL 24.3, 0.32%, 0.48%

LAB 52.47, 14.58, 25.01

 

CMYK 0 / 16 / 27 / 44

HEX #8E7767

RGB 142 119 103

HSL 24.62, 0.16%, 0.48%

LAB 51.75, 6.36, 12.13

 

CMYK 1 / 1 / 0 / 52

HEX #7A7A7B

RGB 122 122 123

HSL 240, 0%, 0.48%

LAB 51.25, 0.2, -0.55

 

CMYK 29 / 12 / 0 / 44

HEX #667E8F

RGB 102 126 143

HSL 204.88, 0.17%, 0.48%

LAB 51.53, -4.49, -12.03

 

CMYK 49 / 20 / 0 / 36

HEX #5282A2

RGB 82 130 162

HSL 204, 0.33%, 0.48%

LAB 52.25, -7.14, -22.1

 

CMYK 0 / 49 / 42 / 36

HEX #A2535E

RGB 162 83 94

HSL 351.65, 0.32%, 0.48%

LAB 45.19, 33.73, 8.64

 

CMYK 0 / 42 / 49 / 36

HEX #A25E53

RGB 162 94 83

HSL 8.35, 0.32%, 0.48%

LAB 47.38, 26.49, 18.29

 

CMYK 0 / 29 / 49 / 36

HEX #A27353

RGB 162 115 83

HSL 24.3, 0.32%, 0.48%

LAB 52.47, 14.58, 25.01

 

CMYK 0 / 17 / 49 / 36

HEX #A28753

RGB 162 135 83

HSL 39.49, 0.32%, 0.48%

LAB 57.69, 3.27, 31.68

 

CMYK 0 / 4 / 49 / 36

HEX #A29C53

RGB 162 156 83

HSL 55.44, 0.32%, 0.48%

LAB 63.41, -8.22, 38.73

 

CMYK 0 / 29 / 49 / 58

HEX #6B4C37

RGB 107 76 55

HSL 24.23, 0.32%, 0.32%

LAB 35.14, 10.26, 17.64

 

CMYK 0 / 28 / 49 / 47

HEX #866045

RGB 134 96 69

HSL 24.92, 0.32%, 0.4%

LAB 44.04, 11.95, 21.49

 

CMYK 0 / 29 / 49 / 36

HEX #A27353

RGB 162 115 83

HSL 24.3, 0.32%, 0.48%

LAB 52.47, 14.58, 25.01

 

CMYK 0 / 24 / 40 / 30

HEX #B3886B

RGB 179 136 107

HSL 24.17, 0.32%, 0.56%

LAB 60.12, 12.52, 21.92

 

CMYK 0 / 18 / 31 / 24

HEX #C19E86

RGB 193 158 134

HSL 24.41, 0.32%, 0.64%

LAB 67.66, 9.42, 17.42

 

CMYK 0 / 29 / 48 / 36

HEX #A37454

RGB 163 116 84

HSL 24.3, 0.32%, 0.48%

LAB 52.86, 14.55, 24.97

 

CMYK 29 / 0 / 49 / 36

HEX #73A253

RGB 115 162 83

HSL 95.7, 0.32%, 0.48%

LAB 61.75, -30.23, 35.92

 

CMYK 49 / 49 / 0 / 36

HEX #5353A2

RGB 83 83 162

HSL 240, 0.32%, 0.48%

LAB 38.96, 21.93, -42.95

 

CMYK 0 / 29 / 48 / 36

HEX #A37454

RGB 163 116 84

HSL 24.3, 0.32%, 0.48%

LAB 52.86, 14.55, 24.97

 

CMYK 49 / 0 / 29 / 36

HEX #53A273

RGB 83 162 115

HSL 144.3, 0.32%, 0.48%

LAB 60.71, -35.33, 17.13

 

CMYK 29 / 49 / 0 / 36

HEX #7353A2

RGB 115 83 162

HSL 264.3, 0.32%, 0.48%

LAB 41.91, 30.36, -38.08

 

CMYK 0 / 29 / 48 / 36

HEX #A37454

RGB 163 116 84

HSL 24.3, 0.32%, 0.48%

LAB 52.86, 14.55, 24.97

 

CMYK 29 / 0 / 49 / 36

HEX #73A253

RGB 115 162 83

HSL 95.7, 0.32%, 0.48%

LAB 61.75, -30.23, 35.92

 

CMYK 49 / 20 / 0 / 36

HEX #5382A2

RGB 83 130 162

HSL 204.3, 0.32%, 0.48%

LAB 52.3, -6.89, -22.02

 

CMYK 20 / 49 / 0 / 36

HEX #8253A2

RGB 130 83 162

HSL 275.7, 0.32%, 0.48%

LAB 43.57, 34.68, -35.34

 

CMYK 0 / 29 / 48 / 36

HEX #A37454

RGB 163 116 84

HSL 24.3, 0.32%, 0.48%

LAB 52.86, 14.55, 24.97

 

CMYK 44 / 0 / 49 / 36

HEX #5BA253

RGB 91 162 83

HSL 113.92, 0.32%, 0.48%

LAB 60.51, -38.47, 34.11

 

CMYK 49 / 20 / 0 / 36

HEX #5382A2

RGB 83 130 162

HSL 204.3, 0.32%, 0.48%

LAB 52.3, -6.89, -22.02

 

CMYK 5 / 49 / 0 / 36

HEX #9A53A2

RGB 154 83 162

HSL 293.92, 0.32%, 0.48%

LAB 46.53, 41.78, -30.48

 

Description

Color code: HEX #A37454 | qconv.com Color code: HEX #A37454 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 116 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 116 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 48 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 48% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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