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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A36AC0 it is the complementary color #5C953F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A36AC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A36AC0 shade: #A86ABB, #B97CCE, #CA8EE1, #DBA0F4 and #ECB2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A36AC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A36AC0 shade: #A36AC0, #9258AD, #81469A, #703487 and #5F2274

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A36AC0 shade: #A268C0, #BA68C0, #C068AE, #C06896 and #C0687F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A36AC0 shade: #A268C0, #8B68C0, #7368C0 and #6868C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A36AC0 shade matches the following richer shades: #A268C0, #A857D1, #AD45E2 and #B334F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A36AC0 shade: #A268C0, #9D79AE, #978B9D, #919C8C and #8CAD7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A36AC0 shade: #7268C0, #8A68C0, #A168C0, #B868C0 and #C068B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A36AC0 shade: #793F96, #904BB3, #A268C0, #B485CC and #C6A2D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A36AC0 shade: #A36AC0, #C06875 and #68C07E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A36AC0 shade: #A36AC0, #C0A168 and #68C0A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A36AC0 shade: #A36AC0, #C06875, #87C068 and #68C0B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A36AC0 shade: #A36AC0, #C07568, #87C068 and #68B3C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 45 / 0 / 25

HEX #A36AC0

RGB 163 106 192

HSL 279.77, 0.41%, 0.58%

LAB 53.92, 38.19, -36.3

 

Complementary color

CMYK 38 / 0 / 58 / 42

HEX #5C953F

RGB 92 149 63

HSL 99.77, 0.41%, 0.42%

LAB 56.22, -34.87, 38.99

 

CMYK 10 / 43 / 0 / 27

HEX #A86ABB

RGB 168 106 187

HSL 285.93, 0.37%, 0.57%

LAB 54.26, 38.61, -32.86

 

CMYK 10 / 40 / 0 / 19

HEX #B97CCE

RGB 185 124 206

HSL 284.63, 0.46%, 0.65%

LAB 60.95, 37.83, -33.11

 

CMYK 10 / 37 / 0 / 12

HEX #CA8EE1

RGB 202 142 225

HSL 283.37, 0.58%, 0.72%

LAB 67.53, 37.08, -33.34

 

CMYK 10 / 34 / 0 / 4

HEX #DBA0F4

RGB 219 160 244

HSL 282.14, 0.79%, 0.79%

LAB 74.02, 36.36, -33.56

 

CMYK 7 / 30 / 0 / 0

HEX #ECB2FF

RGB 236 178 255

HSL 285.19, 1%, 0.85%

LAB 80.12, 34.11, -29.95

 

CMYK 15 / 45 / 0 / 25

HEX #A36AC0

RGB 163 106 192

HSL 279.77, 0.41%, 0.58%

LAB 53.92, 38.19, -36.3

 

CMYK 16 / 49 / 0 / 32

HEX #9258AD

RGB 146 88 173

HSL 280.94, 0.34%, 0.51%

LAB 47.12, 39.02, -36.12

 

CMYK 16 / 55 / 0 / 40

HEX #81469A

RGB 129 70 154

HSL 282.14, 0.38%, 0.44%

LAB 40.21, 39.83, -35.87

 

CMYK 17 / 61 / 0 / 47

HEX #703487

RGB 112 52 135

HSL 283.37, 0.44%, 0.37%

LAB 33.24, 40.54, -35.49

 

CMYK 18 / 71 / 0 / 55

HEX #5F2274

RGB 95 34 116

HSL 284.63, 0.55%, 0.29%

LAB 26.27, 40.91, -34.84

 

CMYK 16 / 46 / 0 / 25

HEX #A268C0

RGB 162 104 192

HSL 279.55, 0.41%, 0.58%

LAB 53.37, 39, -37.17

 

CMYK 3 / 46 / 0 / 25

HEX #BA68C0

RGB 186 104 192

HSL 295.91, 0.41%, 0.58%

LAB 56.23, 46.06, -32.49

 

CMYK 0 / 46 / 9 / 25

HEX #C068AE

RGB 192 104 174

HSL 312.27, 0.41%, 0.58%

LAB 56.25, 44.65, -22.05

 

CMYK 0 / 46 / 22 / 25

HEX #C06896

RGB 192 104 150

HSL 328.64, 0.41%, 0.58%

LAB 55.39, 40.82, -9.41

 

CMYK 0 / 46 / 34 / 25

HEX #C0687F

RGB 192 104 127

HSL 344.32, 0.41%, 0.58%

LAB 54.7, 37.65, 3.06

 

CMYK 16 / 46 / 0 / 25

HEX #A268C0

RGB 162 104 192

HSL 279.55, 0.41%, 0.58%

LAB 53.37, 39, -37.17

 

CMYK 28 / 46 / 0 / 25

HEX #8B68C0

RGB 139 104 192

HSL 263.86, 0.41%, 0.58%

LAB 50.91, 32.41, -41.21

 

CMYK 40 / 46 / 0 / 25

HEX #7368C0

RGB 115 104 192

HSL 247.5, 0.41%, 0.58%

LAB 48.7, 25.94, -44.86

 

CMYK 46 / 46 / 0 / 25

HEX #6868C0

RGB 104 104 192

HSL 240, 0.41%, 0.58%

LAB 47.82, 23.19, -46.32

 

CMYK 16 / 46 / 0 / 25

HEX #A268C0

RGB 162 104 192

HSL 279.55, 0.41%, 0.58%

LAB 53.37, 39, -37.17

 

CMYK 20 / 58 / 0 / 18

HEX #A857D1

RGB 168 87 209

HSL 279.84, 0.57%, 0.58%

LAB 51.55, 53.26, -49.75

 

CMYK 23 / 69 / 0 / 11

HEX #AD45E2

RGB 173 69 226

HSL 279.75, 0.73%, 0.58%

LAB 50.25, 66.16, -61.46

 

CMYK 27 / 79 / 0 / 4

HEX #B334F4

RGB 179 52 244

HSL 279.69, 0.9%, 0.58%

LAB 50.18, 76.99, -71.67

 

CMYK 16 / 46 / 0 / 25

HEX #A268C0

RGB 162 104 192

HSL 279.55, 0.41%, 0.58%

LAB 53.37, 39, -37.17

 

CMYK 10 / 30 / 0 / 32

HEX #9D79AE

RGB 157 121 174

HSL 280.75, 0.25%, 0.58%

LAB 55.99, 23.91, -22.8

 

CMYK 4 / 11 / 0 / 38

HEX #978B9D

RGB 151 139 157

HSL 280, 0.08%, 0.58%

LAB 59.41, 7.95, -7.91

 

CMYK 7 / 0 / 10 / 39

HEX #919C8C

RGB 145 156 140

HSL 101.25, 0.07%, 0.58%

LAB 63.09, -7.01, 7.03

 

CMYK 19 / 0 / 29 / 32

HEX #8CAD7A

RGB 140 173 122

HSL 98.82, 0.24%, 0.58%

LAB 67.18, -20.87, 22.62

 

CMYK 41 / 46 / 0 / 25

HEX #7268C0

RGB 114 104 192

HSL 246.82, 0.41%, 0.58%

LAB 48.62, 25.68, -45

 

CMYK 28 / 46 / 0 / 25

HEX #8A68C0

RGB 138 104 192

HSL 263.18, 0.41%, 0.58%

LAB 50.82, 32.13, -41.38

 

CMYK 16 / 46 / 0 / 25

HEX #A168C0

RGB 161 104 192

HSL 278.86, 0.41%, 0.58%

LAB 53.26, 38.71, -37.36

 

CMYK 4 / 46 / 0 / 25

HEX #B868C0

RGB 184 104 192

HSL 294.55, 0.41%, 0.58%

LAB 55.98, 45.46, -32.9

 

CMYK 0 / 46 / 8 / 25

HEX #C068B0

RGB 192 104 176

HSL 310.91, 0.41%, 0.58%

LAB 56.33, 44.99, -23.08

 

CMYK 19 / 58 / 0 / 41

HEX #793F96

RGB 121 63 150

HSL 280, 0.41%, 0.42%

LAB 37.52, 40.51, -37.79

 

CMYK 20 / 58 / 0 / 30

HEX #904BB3

RGB 144 75 179

HSL 279.81, 0.41%, 0.5%

LAB 44.54, 46.76, -43.73

 

CMYK 16 / 46 / 0 / 25

HEX #A268C0

RGB 162 104 192

HSL 279.55, 0.41%, 0.58%

LAB 53.37, 39, -37.17

 

CMYK 12 / 35 / 0 / 20

HEX #B485CC

RGB 180 133 204

HSL 279.72, 0.41%, 0.66%

LAB 62.37, 30.89, -29.82

 

CMYK 8 / 25 / 0 / 15

HEX #C6A2D8

RGB 198 162 216

HSL 280, 0.41%, 0.74%

LAB 71.42, 23.02, -22.43

 

CMYK 15 / 45 / 0 / 25

HEX #A36AC0

RGB 163 106 192

HSL 279.77, 0.41%, 0.58%

LAB 53.92, 38.19, -36.3

 

CMYK 0 / 46 / 39 / 25

HEX #C06875

RGB 192 104 117

HSL 351.14, 0.41%, 0.58%

LAB 54.44, 36.43, 8.57

 

CMYK 46 / 0 / 34 / 25

HEX #68C07E

RGB 104 192 126

HSL 135, 0.41%, 0.58%

LAB 70.97, -40.91, 25.27

 

CMYK 15 / 45 / 0 / 25

HEX #A36AC0

RGB 163 106 192

HSL 279.77, 0.41%, 0.58%

LAB 53.92, 38.19, -36.3

 

CMYK 0 / 16 / 46 / 25

HEX #C0A168

RGB 192 161 104

HSL 38.86, 0.41%, 0.58%

LAB 67.8, 3.83, 33.86

 

CMYK 46 / 0 / 16 / 25

HEX #68C0A1

RGB 104 192 161

HSL 158.86, 0.41%, 0.58%

LAB 71.7, -33.88, 7.46

 

CMYK 15 / 45 / 0 / 25

HEX #A36AC0

RGB 163 106 192

HSL 279.77, 0.41%, 0.58%

LAB 53.92, 38.19, -36.3

 

CMYK 0 / 46 / 39 / 25

HEX #C06875

RGB 192 104 117

HSL 351.14, 0.41%, 0.58%

LAB 54.44, 36.43, 8.57

 

CMYK 30 / 0 / 46 / 25

HEX #87C068

RGB 135 192 104

HSL 98.86, 0.41%, 0.58%

LAB 72.13, -34.43, 38.43

 

CMYK 46 / 0 / 7 / 25

HEX #68C0B3

RGB 104 192 179

HSL 171.14, 0.41%, 0.58%

LAB 72.16, -29.66, -1.68

 

CMYK 15 / 45 / 0 / 25

HEX #A36AC0

RGB 163 106 192

HSL 279.77, 0.41%, 0.58%

LAB 53.92, 38.19, -36.3

 

CMYK 0 / 39 / 46 / 25

HEX #C07568

RGB 192 117 104

HSL 8.86, 0.41%, 0.58%

LAB 57.01, 28, 19.69

 

CMYK 30 / 0 / 46 / 25

HEX #87C068

RGB 135 192 104

HSL 98.86, 0.41%, 0.58%

LAB 72.13, -34.43, 38.43

 

CMYK 46 / 7 / 0 / 25

HEX #68B3C0

RGB 104 179 192

HSL 188.86, 0.41%, 0.58%

LAB 68.74, -19.83, -13.89

 

Description

Color code: HEX #A36AC0 | qconv.com Color code: HEX #A36AC0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 106 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 106 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 45 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 45% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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