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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A35EE6 it is the complementary color #5CA119. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A35EE6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A35EE6 shade: #A85EE1, #B970F4, #CA82FF, #DB94FF and #ECA6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A35EE6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A35EE6 shade: #A35EE6, #924CD3, #813AC0, #7028AD and #5F169A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A35EE6 shade: #A460E6, #C860E6, #E660E0, #E660BC and #E66098

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A35EE6 shade: #A460E6, #8060E6 and #6060E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A35EE6 shade matches the following richer shades: #A460E6 and #A451F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A35EE6 shade: #A460E6, #A46FD7, #A47EC9, #A48DBA and #A39CAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A35EE6 shade: #6065E6, #7F60E6, #A360E6, #C760E6 and #E660E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A35EE6 shade: #7B21D3, #903CE1, #A460E6, #B984EC and #CDA8F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A35EE6 shade: #A35EE6, #E66088 and #60E66E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A35EE6 shade: #A35EE6, #E6A360 and #60E6A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A35EE6 shade: #A35EE6, #E66088, #A3E660 and #60E6BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A35EE6 shade: #A35EE6, #E66060, #A3E660 and #60E6E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 59 / 0 / 10

HEX #A35EE6

RGB 163 94 230

HSL 270.44, 0.73%, 0.64%

LAB 53.5, 53.24, -58.56

 

Complementary color

CMYK 43 / 0 / 84 / 37

HEX #5CA119

RGB 92 161 25

HSL 90.44, 0.73%, 0.36%

LAB 59.74, -42.92, 57.2

 

CMYK 25 / 58 / 0 / 12

HEX #A85EE1

RGB 168 94 225

HSL 273.89, 0.69%, 0.63%

LAB 53.78, 53.27, -55.26

 

CMYK 24 / 54 / 0 / 4

HEX #B970F4

RGB 185 112 244

HSL 273.18, 0.86%, 0.7%

LAB 60.28, 52.44, -55.38

 

CMYK 21 / 49 / 0 / 0

HEX #CA82FF

RGB 202 130 255

HSL 274.56, 1%, 0.75%

LAB 66.32, 49.84, -51.72

 

CMYK 14 / 42 / 0 / 0

HEX #DB94FF

RGB 219 148 255

HSL 279.81, 1%, 0.79%

LAB 71.87, 45.01, -42.88

 

CMYK 7 / 35 / 0 / 0

HEX #ECA6FF

RGB 236 166 255

HSL 287.19, 1%, 0.83%

LAB 77.47, 40.48, -34.03

 

CMYK 29 / 59 / 0 / 10

HEX #A35EE6

RGB 163 94 230

HSL 270.44, 0.73%, 0.64%

LAB 53.5, 53.24, -58.56

 

CMYK 31 / 64 / 0 / 17

HEX #924CD3

RGB 146 76 211

HSL 271.11, 0.61%, 0.56%

LAB 46.95, 54.04, -58.41

 

CMYK 33 / 70 / 0 / 25

HEX #813AC0

RGB 129 58 192

HSL 271.79, 0.54%, 0.49%

LAB 40.41, 54.65, -58.1

 

CMYK 35 / 77 / 0 / 32

HEX #7028AD

RGB 112 40 173

HSL 272.48, 0.62%, 0.42%

LAB 33.94, 54.84, -57.48

 

CMYK 38 / 86 / 0 / 40

HEX #5F169A

RGB 95 22 154

HSL 273.18, 0.75%, 0.35%

LAB 27.68, 54.18, -56.3

 

CMYK 29 / 58 / 0 / 10

HEX #A460E6

RGB 164 96 230

HSL 270.45, 0.73%, 0.64%

LAB 54, 52.44, -57.75

 

CMYK 13 / 58 / 0 / 10

HEX #C860E6

RGB 200 96 230

HSL 286.57, 0.73%, 0.64%

LAB 58.38, 61.11, -50.51

 

CMYK 0 / 58 / 3 / 10

HEX #E660E0

RGB 230 96 224

HSL 302.69, 0.73%, 0.64%

LAB 62.14, 67.53, -40.93

 

CMYK 0 / 58 / 18 / 10

HEX #E660BC

RGB 230 96 188

HSL 318.81, 0.73%, 0.64%

LAB 60.62, 61.99, -22.93

 

CMYK 0 / 58 / 34 / 10

HEX #E66098

RGB 230 96 152

HSL 334.93, 0.73%, 0.64%

LAB 59.39, 57.32, -4.04

 

CMYK 29 / 58 / 0 / 10

HEX #A460E6

RGB 164 96 230

HSL 270.45, 0.73%, 0.64%

LAB 54, 52.44, -57.75

 

CMYK 44 / 58 / 0 / 10

HEX #8060E6

RGB 128 96 230

HSL 254.33, 0.73%, 0.64%

LAB 50.3, 44.41, -63.9

 

CMYK 58 / 58 / 0 / 10

HEX #6060E6

RGB 96 96 230

HSL 240, 0.73%, 0.64%

LAB 47.71, 38.28, -68.22

 

CMYK 29 / 58 / 0 / 10

HEX #A460E6

RGB 164 96 230

HSL 270.45, 0.73%, 0.64%

LAB 54, 52.44, -57.75

 

CMYK 33 / 67 / 0 / 4

HEX #A451F5

RGB 164 81 245

HSL 270.37, 0.89%, 0.64%

LAB 52.25, 63.28, -68.96

 

CMYK 29 / 58 / 0 / 10

HEX #A460E6

RGB 164 96 230

HSL 270.45, 0.73%, 0.64%

LAB 54, 52.44, -57.75

 

CMYK 24 / 48 / 0 / 16

HEX #A46FD7

RGB 164 111 215

HSL 270.58, 0.57%, 0.64%

LAB 56.26, 40.9, -45.7

 

CMYK 18 / 37 / 0 / 21

HEX #A47EC9

RGB 164 126 201

HSL 270.4, 0.41%, 0.64%

LAB 59, 29.24, -33.48

 

CMYK 12 / 24 / 0 / 27

HEX #A48DBA

RGB 164 141 186

HSL 270.67, 0.25%, 0.64%

LAB 62.07, 17.36, -20.27

 

CMYK 5 / 9 / 0 / 33

HEX #A39CAB

RGB 163 156 171

HSL 268, 0.08%, 0.64%

LAB 65.36, 5.44, -6.89

 

CMYK 58 / 56 / 0 / 10

HEX #6065E6

RGB 96 101 230

HSL 237.76, 0.73%, 0.64%

LAB 48.89, 35.26, -66.29

 

CMYK 45 / 58 / 0 / 10

HEX #7F60E6

RGB 127 96 230

HSL 253.88, 0.73%, 0.64%

LAB 50.21, 44.2, -64.05

 

CMYK 29 / 58 / 0 / 10

HEX #A360E6

RGB 163 96 230

HSL 270, 0.73%, 0.64%

LAB 53.88, 52.21, -57.94

 

CMYK 13 / 58 / 0 / 10

HEX #C760E6

RGB 199 96 230

HSL 286.12, 0.73%, 0.64%

LAB 58.25, 60.87, -50.72

 

CMYK 0 / 58 / 2 / 10

HEX #E660E2

RGB 230 96 226

HSL 301.79, 0.73%, 0.64%

LAB 62.24, 67.86, -41.9

 

CMYK 42 / 84 / 0 / 17

HEX #7B21D3

RGB 123 33 211

HSL 270.34, 0.73%, 0.48%

LAB 37.85, 67.61, -73.36

 

CMYK 36 / 73 / 0 / 12

HEX #903CE1

RGB 144 60 225

HSL 270.55, 0.73%, 0.56%

LAB 45.08, 64.23, -69.45

 

CMYK 29 / 58 / 0 / 10

HEX #A460E6

RGB 164 96 230

HSL 270.45, 0.73%, 0.64%

LAB 54, 52.44, -57.75

 

CMYK 22 / 44 / 0 / 7

HEX #B984EC

RGB 185 132 236

HSL 270.58, 0.73%, 0.72%

LAB 64.06, 39.94, -44.97

 

CMYK 15 / 30 / 0 / 5

HEX #CDA8F1

RGB 205 168 241

HSL 270.41, 0.72%, 0.8%

LAB 74.4, 27.13, -31.45

 

CMYK 29 / 59 / 0 / 10

HEX #A35EE6

RGB 163 94 230

HSL 270.44, 0.73%, 0.64%

LAB 53.5, 53.24, -58.56

 

CMYK 0 / 58 / 41 / 10

HEX #E66088

RGB 230 96 136

HSL 342.09, 0.73%, 0.64%

LAB 58.94, 55.56, 4.62

 

CMYK 58 / 0 / 52 / 10

HEX #60E66E

RGB 96 230 110

HSL 126.27, 0.73%, 0.64%

LAB 81.95, -60.65, 47.27

 

CMYK 29 / 59 / 0 / 10

HEX #A35EE6

RGB 163 94 230

HSL 270.44, 0.73%, 0.64%

LAB 53.5, 53.24, -58.56

 

CMYK 0 / 29 / 58 / 10

HEX #E6A360

RGB 230 163 96

HSL 30, 0.73%, 0.64%

LAB 72.14, 17.84, 44.24

 

CMYK 58 / 0 / 29 / 10

HEX #60E6A3

RGB 96 230 163

HSL 150, 0.73%, 0.64%

LAB 82.77, -51.86, 21.9

 

CMYK 29 / 59 / 0 / 10

HEX #A35EE6

RGB 163 94 230

HSL 270.44, 0.73%, 0.64%

LAB 53.5, 53.24, -58.56

 

CMYK 0 / 58 / 41 / 10

HEX #E66088

RGB 230 96 136

HSL 342.09, 0.73%, 0.64%

LAB 58.94, 55.56, 4.62

 

CMYK 29 / 0 / 58 / 10

HEX #A3E660

RGB 163 230 96

HSL 90, 0.73%, 0.64%

LAB 84.6, -42.45, 57.42

 

CMYK 58 / 0 / 17 / 10

HEX #60E6BE

RGB 96 230 190

HSL 162.09, 0.73%, 0.64%

LAB 83.34, -46.08, 8.59

 

CMYK 29 / 59 / 0 / 10

HEX #A35EE6

RGB 163 94 230

HSL 270.44, 0.73%, 0.64%

LAB 53.5, 53.24, -58.56

 

CMYK 0 / 58 / 58 / 10

HEX #E66060

RGB 230 96 96

HSL 0, 0.73%, 0.64%

LAB 58.07, 52.05, 26.66

 

CMYK 29 / 0 / 58 / 10

HEX #A3E660

RGB 163 230 96

HSL 90, 0.73%, 0.64%

LAB 84.6, -42.45, 57.42

 

CMYK 58 / 0 / 0 / 10

HEX #60E6E6

RGB 96 230 230

HSL 180, 0.73%, 0.64%

LAB 84.38, -36.14, -11

 

Description

Color code: HEX #A35EE6 | qconv.com Color code: HEX #A35EE6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 94 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 94 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 59 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 59% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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