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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A35D80 it is the complementary color #5CA27F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A35D80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A35D80 shade: #A85D7B, #B96F8E, #CA81A1, #DB93B4 and #ECA5C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A35D80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A35D80 shade: #A35D80, #924B6D, #81395A, #702747 and #5F1534

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A35D80 shade: #A35C80, #A35C6C and #A35C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A35D80 shade: #A35C80, #A35C93, #A05CA3, #8D5CA3 and #7A5CA3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A35D80 shade matches the following richer shades: #A35C80, #B84780, #CC3380, #E11E80 and #F60980

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A35D80 shade: #A35C80, #8F7080, #7A8580, #659A80 and #51AE80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A35D80 shade: #A15CA3, #A35C93, #A35C80, #A35C6C and #A35E5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A35D80 shade: #6E3E56, #894D6B, #A35C80, #B27694 and #C191A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A35D80 shade: #A35D80, #A38E5C and #5C9CA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A35D80 shade: #A35D80, #80A35C and #5C80A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A35D80 shade: #A35D80, #A38E5C, #5CA380 and #5C71A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A35D80 shade: #A35D80, #A3A35C, #5CA380 and #5C5CA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 21 / 36

HEX #A35D80

RGB 163 93 128

HSL 330, 0.28%, 0.5%

LAB 48.48, 33.27, -7.12

 

Complementary color

CMYK 43 / 0 / 22 / 36

HEX #5CA27F

RGB 92 162 127

HSL 150, 0.28%, 0.5%

LAB 61.35, -30.34, 11.41

 

CMYK 0 / 45 / 27 / 34

HEX #A85D7B

RGB 168 93 123

HSL 336, 0.3%, 0.51%

LAB 48.99, 34.32, -3.3

 

CMYK 0 / 40 / 23 / 27

HEX #B96F8E

RGB 185 111 142

HSL 334.86, 0.35%, 0.58%

LAB 55.72, 33.45, -4.34

 

CMYK 0 / 36 / 20 / 21

HEX #CA81A1

RGB 202 129 161

HSL 333.7, 0.41%, 0.65%

LAB 62.36, 32.62, -5.25

 

CMYK 0 / 33 / 18 / 14

HEX #DB93B4

RGB 219 147 180

HSL 332.5, 0.5%, 0.72%

LAB 68.91, 31.85, -6.05

 

CMYK 0 / 30 / 16 / 7

HEX #ECA5C7

RGB 236 165 199

HSL 331.27, 0.65%, 0.79%

LAB 75.37, 31.14, -6.79

 

CMYK 0 / 43 / 21 / 36

HEX #A35D80

RGB 163 93 128

HSL 330, 0.28%, 0.5%

LAB 48.48, 33.27, -7.12

 

CMYK 0 / 49 / 25 / 43

HEX #924B6D

RGB 146 75 109

HSL 331.27, 0.32%, 0.43%

LAB 41.61, 34.13, -6.06

 

CMYK 0 / 56 / 30 / 49

HEX #81395A

RGB 129 57 90

HSL 332.5, 0.39%, 0.36%

LAB 34.66, 34.95, -4.74

 

CMYK 0 / 65 / 37 / 56

HEX #702747

RGB 112 39 71

HSL 333.7, 0.48%, 0.3%

LAB 27.71, 35.58, -2.98

 

CMYK 0 / 78 / 45 / 63

HEX #5F1534

RGB 95 21 52

HSL 334.86, 0.64%, 0.23%

LAB 20.89, 35.62, -0.43

 

CMYK 0 / 44 / 21 / 36

HEX #A35C80

RGB 163 92 128

HSL 329.58, 0.28%, 0.5%

LAB 48.26, 33.82, -7.45

 

CMYK 0 / 44 / 34 / 36

HEX #A35C6C

RGB 163 92 108

HSL 346.48, 0.28%, 0.5%

LAB 47.65, 30.93, 3.69

 

CMYK 0 / 44 / 44 / 36

HEX #A35C5C

RGB 163 92 92

HSL 0, 0.28%, 0.5%

LAB 47.25, 28.97, 12.76

 

CMYK 0 / 44 / 21 / 36

HEX #A35C80

RGB 163 92 128

HSL 329.58, 0.28%, 0.5%

LAB 48.26, 33.82, -7.45

 

CMYK 0 / 44 / 10 / 36

HEX #A35C93

RGB 163 92 147

HSL 313.52, 0.28%, 0.5%

LAB 48.94, 36.97, -17.76

 

CMYK 2 / 44 / 0 / 36

HEX #A05CA3

RGB 160 92 163

HSL 297.46, 0.28%, 0.5%

LAB 49.22, 38.97, -26.83

 

CMYK 13 / 44 / 0 / 36

HEX #8D5CA3

RGB 141 92 163

HSL 281.41, 0.28%, 0.5%

LAB 46.92, 33.06, -30.57

 

CMYK 25 / 44 / 0 / 36

HEX #7A5CA3

RGB 122 92 163

HSL 265.35, 0.28%, 0.5%

LAB 44.85, 27.28, -33.97

 

CMYK 0 / 44 / 21 / 36

HEX #A35C80

RGB 163 92 128

HSL 329.58, 0.28%, 0.5%

LAB 48.26, 33.82, -7.45

 

CMYK 0 / 61 / 30 / 28

HEX #B84780

RGB 184 71 128

HSL 329.73, 0.44%, 0.5%

LAB 47.31, 51.35, -8.55

 

CMYK 0 / 75 / 37 / 20

HEX #CC3380

RGB 204 51 128

HSL 329.8, 0.6%, 0.5%

LAB 47.96, 64.67, -7.22

 

CMYK 0 / 87 / 43 / 12

HEX #E11E80

RGB 225 30 128

HSL 329.85, 0.76%, 0.5%

LAB 50.09, 74.91, -3.63

 

CMYK 0 / 96 / 48 / 4

HEX #F60980

RGB 246 9 128

HSL 329.87, 0.93%, 0.5%

LAB 53.33, 82.02, 1.59

 

CMYK 0 / 44 / 21 / 36

HEX #A35C80

RGB 163 92 128

HSL 329.58, 0.28%, 0.5%

LAB 48.26, 33.82, -7.45

 

CMYK 0 / 22 / 10 / 44

HEX #8F7080

RGB 143 112 128

HSL 329.03, 0.12%, 0.5%

LAB 50.67, 14.98, -4.12

 

CMYK 8 / 0 / 4 / 48

HEX #7A8580

RGB 122 133 128

HSL 152.73, 0.04%, 0.5%

LAB 54.52, -5.06, 1.3

HEX #7A8580

CMYK 34 / 0 / 17 / 40

HEX #659A80

RGB 101 154 128

HSL 150.57, 0.21%, 0.5%

LAB 59.38, -23.5, 8.11

HEX #659A80

CMYK 53 / 0 / 26 / 32

HEX #51AE80

RGB 81 174 128

HSL 150.32, 0.36%, 0.5%

LAB 64.63, -38.57, 15.38

HEX #51AE80

CMYK 1 / 44 / 0 / 36

HEX #A15CA3

RGB 161 92 163

HSL 298.31, 0.28%, 0.5%

LAB 49.35, 39.28, -26.62

 

CMYK 0 / 44 / 10 / 36

HEX #A35C93

RGB 163 92 147

HSL 313.52, 0.28%, 0.5%

LAB 48.94, 36.97, -17.76

 

CMYK 0 / 44 / 21 / 36

HEX #A35C80

RGB 163 92 128

HSL 329.58, 0.28%, 0.5%

LAB 48.26, 33.82, -7.45

 

CMYK 0 / 44 / 34 / 36

HEX #A35C6C

RGB 163 92 108

HSL 346.48, 0.28%, 0.5%

LAB 47.65, 30.93, 3.69

 

CMYK 0 / 42 / 44 / 36

HEX #A35E5C

RGB 163 94 92

HSL 1.69, 0.28%, 0.5%

LAB 47.71, 27.86, 13.38

 

CMYK 0 / 44 / 22 / 57

HEX #6E3E56

RGB 110 62 86

HSL 330, 0.28%, 0.34%

LAB 32.77, 24.5, -5.3

 

CMYK 0 / 44 / 22 / 46

HEX #894D6B

RGB 137 77 107

HSL 330, 0.28%, 0.42%

LAB 40.72, 29.44, -6.29

 

CMYK 0 / 44 / 21 / 36

HEX #A35C80

RGB 163 92 128

HSL 329.58, 0.28%, 0.5%

LAB 48.26, 33.82, -7.45

 

CMYK 0 / 34 / 17 / 30

HEX #B27694

RGB 178 118 148

HSL 330, 0.28%, 0.58%

LAB 56.64, 28.01, -6.56

 

CMYK 0 / 25 / 12 / 24

HEX #C191A9

RGB 193 145 169

HSL 330, 0.28%, 0.66%

LAB 65.32, 21.91, -5.51

 

CMYK 0 / 43 / 21 / 36

HEX #A35D80

RGB 163 93 128

HSL 330, 0.28%, 0.5%

LAB 48.48, 33.27, -7.12

 

CMYK 0 / 13 / 44 / 36

HEX #A38E5C

RGB 163 142 92

HSL 42.25, 0.28%, 0.5%

LAB 59.8, 0.76, 29.5

 

CMYK 44 / 4 / 0 / 36

HEX #5C9CA3

RGB 92 156 163

HSL 185.92, 0.28%, 0.5%

LAB 60.51, -18.61, -10.09

 

CMYK 0 / 43 / 21 / 36

HEX #A35D80

RGB 163 93 128

HSL 330, 0.28%, 0.5%

LAB 48.48, 33.27, -7.12

 

CMYK 21 / 0 / 44 / 36

HEX #80A35C

RGB 128 163 92

HSL 89.58, 0.28%, 0.5%

LAB 62.97, -24.68, 32.97

 

CMYK 44 / 21 / 0 / 36

HEX #5C80A3

RGB 92 128 163

HSL 209.58, 0.28%, 0.5%

LAB 52.24, -3.1, -22.65

 

CMYK 0 / 43 / 21 / 36

HEX #A35D80

RGB 163 93 128

HSL 330, 0.28%, 0.5%

LAB 48.48, 33.27, -7.12

 

CMYK 0 / 13 / 44 / 36

HEX #A38E5C

RGB 163 142 92

HSL 42.25, 0.28%, 0.5%

LAB 59.8, 0.76, 29.5

 

CMYK 44 / 0 / 21 / 36

HEX #5CA380

RGB 92 163 128

HSL 150.42, 0.28%, 0.5%

LAB 61.68, -30.61, 11.31

 

CMYK 44 / 31 / 0 / 36

HEX #5C71A3

RGB 92 113 163

HSL 222.25, 0.28%, 0.5%

LAB 47.92, 5.82, -29.35

 

CMYK 0 / 43 / 21 / 36

HEX #A35D80

RGB 163 93 128

HSL 330, 0.28%, 0.5%

LAB 48.48, 33.27, -7.12

 

CMYK 0 / 0 / 44 / 36

HEX #A3A35C

RGB 163 163 92

HSL 60, 0.28%, 0.5%

LAB 65.56, -10.6, 36.76

 

CMYK 44 / 0 / 21 / 36

HEX #5CA380

RGB 92 163 128

HSL 150.42, 0.28%, 0.5%

LAB 61.68, -30.61, 11.31

 

CMYK 44 / 44 / 0 / 36

HEX #5C5CA3

RGB 92 92 163

HSL 240, 0.28%, 0.5%

LAB 42.11, 18.82, -38.48

 

Description

Color code: HEX #A35D80 | qconv.com Color code: HEX #A35D80 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 93 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 93 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 21 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 21% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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