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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A35479 it is the complementary color #5CAB86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A35479. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A35479 shade: #A85474, #B96687, #CA789A, #DB8AAD and #EC9CC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A35479. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A35479 shade: #A35479, #924266, #813053, #701E40 and #5F0C2D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A35479 shade: #A25378, #A25363 and #A25353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A35479 shade: #A25378, #A2538D, #A153A2, #8C53A2 and #7753A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A35479 shade matches the following richer shades: #A25378, #B53F77, #C92C75, #DD1874 and #F10473

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A35479 shade: #A25378, #8E6779, #7A7B7A, #668F7C and #52A27D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A35479 shade: #A053A2, #A2538E, #A25379, #A25364 and #A25753

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A35479 shade: #6B374F, #864564, #A25378, #B36B8D and #C186A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A35479 shade: #A35479, #A28B53 and #5398A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A35479 shade: #A35479, #79A253 and #5379A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A35479 shade: #A35479, #A28B53, #53A27C and #5369A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A35479 shade: #A35479, #A0A253, #53A27C and #5553A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 26 / 36

HEX #A35479

RGB 163 84 121

HSL 331.9, 0.32%, 0.48%

LAB 46.32, 37.09, -6.12

 

Complementary color

CMYK 46 / 0 / 22 / 33

HEX #5CAB86

RGB 92 171 134

HSL 151.9, 0.32%, 0.52%

LAB 64.26, -33.11, 11.62

 

CMYK 0 / 50 / 31 / 34

HEX #A85474

RGB 168 84 116

HSL 337.14, 0.33%, 0.49%

LAB 46.88, 38.15, -2.19

 

CMYK 0 / 45 / 27 / 27

HEX #B96687

RGB 185 102 135

HSL 336.14, 0.37%, 0.56%

LAB 53.56, 37.27, -3.42

 

CMYK 0 / 41 / 24 / 21

HEX #CA789A

RGB 202 120 154

HSL 335.12, 0.44%, 0.63%

LAB 60.18, 36.42, -4.47

 

CMYK 0 / 37 / 21 / 14

HEX #DB8AAD

RGB 219 138 173

HSL 334.07, 0.53%, 0.7%

LAB 66.71, 35.6, -5.38

 

CMYK 0 / 34 / 19 / 7

HEX #EC9CC0

RGB 236 156 192

HSL 333, 0.68%, 0.77%

LAB 73.16, 34.82, -6.21

 

CMYK 0 / 48 / 26 / 36

HEX #A35479

RGB 163 84 121

HSL 331.9, 0.32%, 0.48%

LAB 46.32, 37.09, -6.12

 

CMYK 0 / 55 / 30 / 43

HEX #924266

RGB 146 66 102

HSL 333, 0.38%, 0.42%

LAB 39.52, 37.9, -4.81

 

CMYK 0 / 63 / 36 / 49

HEX #813053

RGB 129 48 83

HSL 334.07, 0.46%, 0.35%

LAB 32.71, 38.55, -3.13

 

CMYK 0 / 73 / 43 / 56

HEX #701E40

RGB 112 30 64

HSL 335.12, 0.58%, 0.28%

LAB 25.99, 38.78, -0.81

 

CMYK 0 / 87 / 53 / 63

HEX #5F0C2D

RGB 95 12 45

HSL 336.14, 0.78%, 0.21%

LAB 19.58, 37.96, 2.6

 

CMYK 0 / 49 / 26 / 36

HEX #A25378

RGB 162 83 120

HSL 331.9, 0.32%, 0.48%

LAB 45.94, 37.12, -6.1

 

CMYK 0 / 49 / 39 / 36

HEX #A25363

RGB 162 83 99

HSL 347.85, 0.32%, 0.48%

LAB 45.32, 34.32, 5.77

 

CMYK 0 / 49 / 49 / 36

HEX #A25353

RGB 162 83 83

HSL 0, 0.32%, 0.48%

LAB 44.93, 32.54, 14.97

 

CMYK 0 / 49 / 26 / 36

HEX #A25378

RGB 162 83 120

HSL 331.9, 0.32%, 0.48%

LAB 45.94, 37.12, -6.1

 

CMYK 0 / 49 / 13 / 36

HEX #A2538D

RGB 162 83 141

HSL 315.95, 0.32%, 0.48%

LAB 46.7, 40.42, -17.62

 

CMYK 1 / 49 / 0 / 36

HEX #A153A2

RGB 161 83 162

HSL 299.24, 0.32%, 0.48%

LAB 47.46, 43.87, -28.96

 

CMYK 14 / 49 / 0 / 36

HEX #8C53A2

RGB 140 83 162

HSL 283.29, 0.32%, 0.48%

LAB 44.76, 37.62, -33.38

 

CMYK 27 / 49 / 0 / 36

HEX #7753A2

RGB 119 83 162

HSL 267.34, 0.32%, 0.48%

LAB 42.33, 31.5, -37.37

 

CMYK 0 / 49 / 26 / 36

HEX #A25378

RGB 162 83 120

HSL 331.9, 0.32%, 0.48%

LAB 45.94, 37.12, -6.1

 

CMYK 0 / 65 / 34 / 29

HEX #B53F77

RGB 181 63 119

HSL 331.53, 0.48%, 0.48%

LAB 45.24, 52.8, -6.22

 

CMYK 0 / 78 / 42 / 21

HEX #C92C75

RGB 201 44 117

HSL 332.1, 0.64%, 0.48%

LAB 46.32, 64.88, -3

 

CMYK 0 / 89 / 48 / 13

HEX #DD1874

RGB 221 24 116

HSL 331.98, 0.8%, 0.48%

LAB 48.62, 73.95, 1.43

 

CMYK 0 / 98 / 52 / 5

HEX #F10473

RGB 241 4 115

HSL 331.9, 0.97%, 0.48%

LAB 51.87, 80.33, 7.23

 

CMYK 0 / 49 / 26 / 36

HEX #A25378

RGB 162 83 120

HSL 331.9, 0.32%, 0.48%

LAB 45.94, 37.12, -6.1

 

CMYK 0 / 27 / 15 / 44

HEX #8E6779

RGB 142 103 121

HSL 332.31, 0.16%, 0.48%

LAB 48.05, 18.61, -3.85

 

CMYK 1 / 0 / 1 / 52

HEX #7A7B7A

RGB 122 123 122

HSL 120, 0%, 0.48%

LAB 51.51, -0.57, 0.41

HEX #7A7B7A

CMYK 29 / 0 / 13 / 44

HEX #668F7C

RGB 102 143 124

HSL 152.2, 0.17%, 0.48%

LAB 56.01, -18.35, 5.59

HEX #668F7C

CMYK 49 / 0 / 23 / 36

HEX #52A27D

RGB 82 162 125

HSL 152.25, 0.33%, 0.48%

LAB 60.88, -33.49, 11.81

HEX #52A27D

CMYK 1 / 49 / 0 / 36

HEX #A053A2

RGB 160 83 162

HSL 298.48, 0.32%, 0.48%

LAB 47.33, 43.57, -29.18

 

CMYK 0 / 49 / 12 / 36

HEX #A2538E

RGB 162 83 142

HSL 315.19, 0.32%, 0.48%

LAB 46.74, 40.59, -18.16

 

CMYK 0 / 49 / 25 / 36

HEX #A25379

RGB 162 83 121

HSL 331.14, 0.32%, 0.48%

LAB 45.97, 37.27, -6.65

 

CMYK 0 / 49 / 38 / 36

HEX #A25364

RGB 162 83 100

HSL 347.09, 0.32%, 0.48%

LAB 45.34, 34.44, 5.2

 

CMYK 0 / 46 / 49 / 36

HEX #A25753

RGB 162 87 83

HSL 3.04, 0.32%, 0.48%

LAB 45.8, 30.36, 16.15

 

CMYK 0 / 49 / 26 / 58

HEX #6B374F

RGB 107 55 79

HSL 332.31, 0.32%, 0.32%

LAB 30.45, 26.31, -4.26

 

CMYK 0 / 49 / 25 / 47

HEX #864564

RGB 134 69 100

HSL 331.38, 0.32%, 0.4%

LAB 38.28, 31.73, -5.61

 

CMYK 0 / 49 / 26 / 36

HEX #A25378

RGB 162 83 120

HSL 331.9, 0.32%, 0.48%

LAB 45.94, 37.12, -6.1

 

CMYK 0 / 40 / 21 / 30

HEX #B36B8D

RGB 179 107 141

HSL 331.67, 0.32%, 0.56%

LAB 54.05, 33.33, -6.31

 

CMYK 0 / 31 / 16 / 24

HEX #C186A2

RGB 193 134 162

HSL 331.53, 0.32%, 0.64%

LAB 62.5, 26.83, -5.72

 

CMYK 0 / 48 / 26 / 36

HEX #A35479

RGB 163 84 121

HSL 331.9, 0.32%, 0.48%

LAB 46.32, 37.09, -6.12

 

CMYK 0 / 14 / 49 / 36

HEX #A28B53

RGB 162 139 83

HSL 42.53, 0.32%, 0.48%

LAB 58.76, 1.05, 33.02

 

CMYK 49 / 6 / 0 / 36

HEX #5398A2

RGB 83 152 162

HSL 187.59, 0.32%, 0.48%

LAB 58.89, -19, -12.01

 

CMYK 0 / 48 / 26 / 36

HEX #A35479

RGB 163 84 121

HSL 331.9, 0.32%, 0.48%

LAB 46.32, 37.09, -6.12

 

CMYK 25 / 0 / 49 / 36

HEX #79A253

RGB 121 162 83

HSL 91.14, 0.32%, 0.48%

LAB 62.11, -27.98, 36.45

 

CMYK 49 / 25 / 0 / 36

HEX #5379A2

RGB 83 121 162

HSL 211.14, 0.32%, 0.48%

LAB 49.64, -1.64, -26.12

 

CMYK 0 / 48 / 26 / 36

HEX #A35479

RGB 163 84 121

HSL 331.9, 0.32%, 0.48%

LAB 46.32, 37.09, -6.12

 

CMYK 0 / 14 / 49 / 36

HEX #A28B53

RGB 162 139 83

HSL 42.53, 0.32%, 0.48%

LAB 58.76, 1.05, 33.02

 

CMYK 49 / 0 / 23 / 36

HEX #53A27C

RGB 83 162 124

HSL 151.14, 0.32%, 0.48%

LAB 60.9, -33.45, 12.4

 

CMYK 49 / 35 / 0 / 36

HEX #5369A2

RGB 83 105 162

HSL 223.29, 0.32%, 0.48%

LAB 45.01, 8.06, -33.35

 

CMYK 0 / 48 / 26 / 36

HEX #A35479

RGB 163 84 121

HSL 331.9, 0.32%, 0.48%

LAB 46.32, 37.09, -6.12

 

CMYK 1 / 0 / 49 / 36

HEX #A0A253

RGB 160 162 83

HSL 61.52, 0.32%, 0.48%

LAB 64.91, -12.24, 40.5

 

CMYK 49 / 0 / 23 / 36

HEX #53A27C

RGB 83 162 124

HSL 151.14, 0.32%, 0.48%

LAB 60.9, -33.45, 12.4

 

CMYK 48 / 49 / 0 / 36

HEX #5553A2

RGB 85 83 162

HSL 241.52, 0.32%, 0.48%

LAB 39.12, 22.41, -42.69

 

Description

Color code: HEX #A35479 | qconv.com Color code: HEX #A35479 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 84 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 84 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 26 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 26% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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