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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A35331 it is the complementary color #5CACCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A35331. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A35331 shade: #A8532C, #B9653F, #CA7752, #DB8965 and #EC9B78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A35331. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A35331 shade: #A35331, #92411E, #812F0B, #701D00 and #5F0B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A35331 shade: #A55431, #A53531 and #A53131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A35331 shade: #A55431, #A57331, #A59231, #99A531 and #79A531

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A35331 shade matches the following richer shades: #A55431, #B64D20 and #C8460F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A35331 shade: #A55431, #945B43, #826254, #716965 and #607077

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A35331 shade: #A5314E, #A53331, #A55231, #A57131 and #A59031

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A35331 shade: #65331E, #854428, #A55431, #C4643B and #CE7D5B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A35331 shade: #A35331, #6DA531 and #313FA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A35331 shade: #A35331, #31A552 and #5231A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A35331 shade: #A35331, #6DA531, #3184A5 and #6931A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A35331 shade: #A35331, #4AA531, #3184A5 and #8C31A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 70 / 36

HEX #A35331

RGB 163 83 49

HSL 17.89, 0.54%, 0.42%

LAB 44.51, 30.25, 34.38

 

Complementary color

CMYK 55 / 17 / 0 / 19

HEX #5CACCE

RGB 92 172 206

HSL 197.89, 0.54%, 0.58%

LAB 66.7, -14.88, -24.76

 

CMYK 0 / 51 / 74 / 34

HEX #A8532C

RGB 168 83 44

HSL 18.87, 0.58%, 0.42%

LAB 45.21, 32.04, 38.06

 

CMYK 0 / 45 / 66 / 27

HEX #B9653F

RGB 185 101 63

HSL 18.69, 0.49%, 0.49%

LAB 51.82, 30.42, 36

 

CMYK 0 / 41 / 59 / 21

HEX #CA7752

RGB 202 119 82

HSL 18.5, 0.53%, 0.56%

LAB 58.38, 28.97, 34.09

 

CMYK 0 / 37 / 54 / 14

HEX #DB8965

RGB 219 137 101

HSL 18.31, 0.62%, 0.63%

LAB 64.88, 27.67, 32.34

 

CMYK 0 / 34 / 49 / 7

HEX #EC9B78

RGB 236 155 120

HSL 18.1, 0.75%, 0.7%

LAB 71.3, 26.52, 30.76

 

CMYK 0 / 49 / 70 / 36

HEX #A35331

RGB 163 83 49

HSL 17.89, 0.54%, 0.42%

LAB 44.51, 30.25, 34.38

 

CMYK 0 / 55 / 79 / 43

HEX #92411E

RGB 146 65 30

HSL 18.1, 0.66%, 0.35%

LAB 37.82, 31.96, 36.56

 

CMYK 0 / 64 / 91 / 49

HEX #812F0B

RGB 129 47 11

HSL 18.31, 0.84%, 0.27%

LAB 31.17, 33.74, 38.35

 

CMYK 0 / 74 / 100 / 56

HEX #701D00

RGB 112 29 0

HSL 15.54, 1%, 0.22%

LAB 24.71, 35.3, 36.04

 

CMYK 0 / 88 / 100 / 63

HEX #5F0B00

RGB 95 11 0

HSL 6.95, 1%, 0.19%

LAB 18.68, 35.83, 28.48

 

CMYK 0 / 49 / 70 / 35

HEX #A55431

RGB 165 84 49

HSL 18.1, 0.54%, 0.42%

LAB 45.03, 30.54, 35.05

 

CMYK 0 / 68 / 70 / 35

HEX #A53531

RGB 165 53 49

HSL 2.07, 0.54%, 0.42%

LAB 39.19, 45.73, 28.28

 

CMYK 0 / 70 / 70 / 35

HEX #A53131

RGB 165 49 49

HSL 0, 0.54%, 0.42%

LAB 38.58, 47.38, 27.56

 

CMYK 0 / 49 / 70 / 35

HEX #A55431

RGB 165 84 49

HSL 18.1, 0.54%, 0.42%

LAB 45.03, 30.54, 35.05

 

CMYK 0 / 30 / 70 / 35

HEX #A57331

RGB 165 115 49

HSL 34.14, 0.54%, 0.42%

LAB 52.38, 13.2, 43.12

 

CMYK 0 / 12 / 70 / 35

HEX #A59231

RGB 165 146 49

HSL 50.17, 0.54%, 0.42%

LAB 60.59, -4.09, 51.65

 

CMYK 7 / 0 / 70 / 35

HEX #99A531

RGB 153 165 49

HSL 66.21, 0.54%, 0.42%

LAB 64.89, -19.37, 55.63

 

CMYK 27 / 0 / 70 / 35

HEX #79A531

RGB 121 165 49

HSL 82.76, 0.54%, 0.42%

LAB 62.67, -32.61, 52.68

 

CMYK 0 / 49 / 70 / 35

HEX #A55431

RGB 165 84 49

HSL 18.1, 0.54%, 0.42%

LAB 45.03, 30.54, 35.05

 

CMYK 0 / 58 / 82 / 29

HEX #B64D20

RGB 182 77 32

HSL 18, 0.7%, 0.42%

LAB 46.12, 40.19, 45.64

 

CMYK 0 / 65 / 93 / 22

HEX #C8460F

RGB 200 70 15

HSL 17.84, 0.86%, 0.42%

LAB 47.87, 49.66, 54.85

 

CMYK 0 / 49 / 70 / 35

HEX #A55431

RGB 165 84 49

HSL 18.1, 0.54%, 0.42%

LAB 45.03, 30.54, 35.05

 

CMYK 0 / 39 / 55 / 42

HEX #945B43

RGB 148 91 67

HSL 17.78, 0.38%, 0.42%

LAB 44.49, 20.78, 23.6

 

CMYK 0 / 25 / 35 / 49

HEX #826254

RGB 130 98 84

HSL 18.26, 0.21%, 0.42%

LAB 44.41, 10.87, 12.98

 

CMYK 0 / 7 / 11 / 56

HEX #716965

RGB 113 105 101

HSL 20, 0.06%, 0.42%

LAB 45.02, 2.37, 3.37

 

CMYK 19 / 6 / 0 / 53

HEX #607077

RGB 96 112 119

HSL 198.26, 0.11%, 0.42%

LAB 46.19, -4.32, -5.88

 

CMYK 0 / 70 / 53 / 35

HEX #A5314E

RGB 165 49 78

HSL 345, 0.54%, 0.42%

LAB 39.15, 49.37, 10.17

 

CMYK 0 / 69 / 70 / 35

HEX #A53331

RGB 165 51 49

HSL 1.03, 0.54%, 0.42%

LAB 38.88, 46.57, 27.91

 

CMYK 0 / 50 / 70 / 35

HEX #A55231

RGB 165 82 49

HSL 17.07, 0.54%, 0.42%

LAB 44.6, 31.61, 34.56

 

CMYK 0 / 32 / 70 / 35

HEX #A57131

RGB 165 113 49

HSL 33.1, 0.54%, 0.42%

LAB 51.87, 14.33, 42.58

 

CMYK 0 / 13 / 70 / 35

HEX #A59031

RGB 165 144 49

HSL 49.14, 0.54%, 0.42%

LAB 60.04, -3, 51.1

 

CMYK 0 / 50 / 70 / 60

HEX #65331E

RGB 101 51 30

HSL 17.75, 0.54%, 0.26%

LAB 27.37, 20.45, 23.09

 

CMYK 0 / 49 / 70 / 48

HEX #854428

RGB 133 68 40

HSL 18.06, 0.54%, 0.34%

LAB 36.51, 25.37, 29.08

 

CMYK 0 / 49 / 70 / 35

HEX #A55431

RGB 165 84 49

HSL 18.1, 0.54%, 0.42%

LAB 45.03, 30.54, 35.05

 

CMYK 0 / 49 / 70 / 23

HEX #C4643B

RGB 196 100 59

HSL 17.96, 0.54%, 0.5%

LAB 53.13, 35.16, 40.07

 

CMYK 0 / 39 / 56 / 19

HEX #CE7D5B

RGB 206 125 91

HSL 17.74, 0.54%, 0.58%

LAB 60.38, 28.06, 31.76

 

CMYK 0 / 49 / 70 / 36

HEX #A35331

RGB 163 83 49

HSL 17.89, 0.54%, 0.42%

LAB 44.51, 30.25, 34.38

 

CMYK 34 / 0 / 70 / 35

HEX #6DA531

RGB 109 165 49

HSL 88.97, 0.54%, 0.42%

LAB 61.98, -37.18, 51.75

 

CMYK 70 / 62 / 0 / 35

HEX #313FA5

RGB 49 63 165

HSL 232.76, 0.54%, 0.42%

LAB 31.63, 29.42, -56.7

 

CMYK 0 / 49 / 70 / 36

HEX #A35331

RGB 163 83 49

HSL 17.89, 0.54%, 0.42%

LAB 44.51, 30.25, 34.38

 

CMYK 70 / 0 / 50 / 35

HEX #31A552

RGB 49 165 82

HSL 137.07, 0.54%, 0.42%

LAB 60.04, -50.3, 33.74

 

CMYK 50 / 70 / 0 / 35

HEX #5231A5

RGB 82 49 165

HSL 257.07, 0.54%, 0.42%

LAB 31.13, 43.21, -57.41

 

CMYK 0 / 49 / 70 / 36

HEX #A35331

RGB 163 83 49

HSL 17.89, 0.54%, 0.42%

LAB 44.51, 30.25, 34.38

 

CMYK 34 / 0 / 70 / 35

HEX #6DA531

RGB 109 165 49

HSL 88.97, 0.54%, 0.42%

LAB 61.98, -37.18, 51.75

 

CMYK 70 / 20 / 0 / 35

HEX #3184A5

RGB 49 132 165

HSL 197.07, 0.54%, 0.42%

LAB 51.69, -13.93, -24.81

 

CMYK 36 / 70 / 0 / 35

HEX #6931A5

RGB 105 49 165

HSL 268.97, 0.54%, 0.42%

LAB 33.81, 47.57, -52.93

 

CMYK 0 / 49 / 70 / 36

HEX #A35331

RGB 163 83 49

HSL 17.89, 0.54%, 0.42%

LAB 44.51, 30.25, 34.38

 

CMYK 55 / 0 / 70 / 35

HEX #4AA531

RGB 74 165 49

HSL 107.07, 0.54%, 0.42%

LAB 60.42, -48.59, 49.63

 

CMYK 70 / 20 / 0 / 35

HEX #3184A5

RGB 49 132 165

HSL 197.07, 0.54%, 0.42%

LAB 51.69, -13.93, -24.81

 

CMYK 15 / 70 / 0 / 35

HEX #8C31A5

RGB 140 49 165

HSL 287.07, 0.54%, 0.42%

LAB 38.71, 55.03, -44.79

 

Description

Color code: HEX #A35331 | qconv.com Color code: HEX #A35331 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 83 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 83 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 70 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 70% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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