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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A34F70 it is the complementary color #5CB08F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A34F70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A34F70 shade: #A84F6B, #B9617E, #CA7391, #DB85A4 and #EC97B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A34F70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A34F70 shade: #A34F70, #923D5D, #812B4A, #701937 and #5F0724

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A34F70 shade: #A24E6F, #A24E58 and #A24E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A34F70 shade: #A24E6F, #A24E85, #A24E9C, #914EA2 and #7A4EA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A34F70 shade matches the following richer shades: #A24E6F, #B53B6B, #C92767, #DC1462 and #EF005E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A34F70 shade: #A24E6F, #8E6173, #7B7577, #68887B and #549B7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A34F70 shade: #A24E9C, #A24E86, #A24E6F, #A24E59 and #A2594E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A34F70 shade: #6A3349, #86405C, #A24E6F, #B56484 and #C2809A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A34F70 shade: #A34F70, #A2914E and #4E91A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A34F70 shade: #A34F70, #6FA24E and #4E6FA2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A34F70 shade: #A34F70, #A2914E, #4EA280 and #4E5FA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A34F70 shade: #A34F70, #99A24E, #4EA280 and #564EA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 31 / 36

HEX #A34F70

RGB 163 79 112

HSL 336.43, 0.35%, 0.47%

LAB 45.01, 38.46, -2.59

 

Complementary color

CMYK 48 / 0 / 19 / 31

HEX #5CB08F

RGB 92 176 143

HSL 156.43, 0.35%, 0.53%

LAB 65.99, -33.48, 9.1

 

CMYK 0 / 53 / 36 / 34

HEX #A84F6B

RGB 168 79 107

HSL 341.12, 0.36%, 0.48%

LAB 45.6, 39.58, 1.42

 

CMYK 0 / 48 / 32 / 27

HEX #B9617E

RGB 185 97 126

HSL 340.23, 0.39%, 0.55%

LAB 52.25, 38.69, -0.02

 

CMYK 0 / 43 / 28 / 21

HEX #CA7391

RGB 202 115 145

HSL 339.31, 0.45%, 0.62%

LAB 58.85, 37.8, -1.24

 

CMYK 0 / 39 / 25 / 14

HEX #DB85A4

RGB 219 133 164

HSL 338.37, 0.54%, 0.69%

LAB 65.37, 36.94, -2.29

 

CMYK 0 / 36 / 22 / 7

HEX #EC97B7

RGB 236 151 183

HSL 337.41, 0.69%, 0.76%

LAB 71.82, 36.13, -3.22

 

CMYK 0 / 52 / 31 / 36

HEX #A34F70

RGB 163 79 112

HSL 336.43, 0.35%, 0.47%

LAB 45.01, 38.46, -2.59

 

CMYK 0 / 58 / 36 / 43

HEX #923D5D

RGB 146 61 93

HSL 337.41, 0.41%, 0.41%

LAB 38.27, 39.25, -1.02

 

CMYK 0 / 67 / 43 / 49

HEX #812B4A

RGB 129 43 74

HSL 338.37, 0.5%, 0.34%

LAB 31.55, 39.82, 1.04

 

CMYK 0 / 78 / 51 / 56

HEX #701937

RGB 112 25 55

HSL 339.31, 0.64%, 0.27%

LAB 25, 39.8, 3.88

 

CMYK 0 / 93 / 62 / 63

HEX #5F0724

RGB 95 7 36

HSL 340.23, 0.86%, 0.2%

LAB 18.85, 38.53, 8.01

 

CMYK 0 / 52 / 31 / 36

HEX #A24E6F

RGB 162 78 111

HSL 336.43, 0.35%, 0.47%

LAB 44.63, 38.49, -2.56

 

CMYK 0 / 52 / 46 / 36

HEX #A24E58

RGB 162 78 88

HSL 352.86, 0.35%, 0.47%

LAB 43.99, 35.72, 10.63

 

CMYK 0 / 52 / 52 / 36

HEX #A24E4E

RGB 162 78 78

HSL 0, 0.35%, 0.47%

LAB 43.77, 34.72, 16.43

 

CMYK 0 / 52 / 31 / 36

HEX #A24E6F

RGB 162 78 111

HSL 336.43, 0.35%, 0.47%

LAB 44.63, 38.49, -2.56

 

CMYK 0 / 52 / 18 / 36

HEX #A24E85

RGB 162 78 133

HSL 320.71, 0.35%, 0.47%

LAB 45.39, 41.72, -14.8

 

CMYK 0 / 52 / 4 / 36

HEX #A24E9C

RGB 162 78 156

HSL 304.29, 0.35%, 0.47%

LAB 46.35, 45.62, -27.12

 

CMYK 10 / 52 / 0 / 36

HEX #914EA2

RGB 145 78 162

HSL 287.86, 0.35%, 0.47%

LAB 44.34, 41.8, -34

 

CMYK 25 / 52 / 0 / 36

HEX #7A4EA2

RGB 122 78 162

HSL 271.43, 0.35%, 0.47%

LAB 41.52, 35.26, -38.64

 

CMYK 0 / 52 / 31 / 36

HEX #A24E6F

RGB 162 78 111

HSL 336.43, 0.35%, 0.47%

LAB 44.63, 38.49, -2.56

 

CMYK 0 / 67 / 41 / 29

HEX #B53B6B

RGB 181 59 107

HSL 336.39, 0.51%, 0.47%

LAB 44.25, 53.1, -0.29

 

CMYK 0 / 81 / 49 / 21

HEX #C92767

RGB 201 39 103

HSL 336.3, 0.68%, 0.47%

LAB 45.43, 64.98, 4.34

 

CMYK 0 / 91 / 55 / 14

HEX #DC1462

RGB 220 20 98

HSL 336.6, 0.83%, 0.47%

LAB 47.75, 72.95, 11.24

 

CMYK 0 / 100 / 61 / 6

HEX #EF005E

RGB 239 0 94

HSL 336.4, 1%, 0.47%

LAB 50.87, 78.86, 18.6

 

CMYK 0 / 52 / 31 / 36

HEX #A24E6F

RGB 162 78 111

HSL 336.43, 0.35%, 0.47%

LAB 44.63, 38.49, -2.56

 

CMYK 0 / 32 / 19 / 44

HEX #8E6173

RGB 142 97 115

HSL 336, 0.19%, 0.47%

LAB 46.36, 21.09, -2.74

 

CMYK 0 / 5 / 3 / 52

HEX #7B7577

RGB 123 117 119

HSL 340, 0.03%, 0.47%

LAB 49.82, 2.69, -0.28

 

CMYK 24 / 0 / 10 / 47

HEX #68887B

RGB 104 136 123

HSL 155.63, 0.13%, 0.47%

LAB 54.01, -14.16, 3.29

 

CMYK 46 / 0 / 18 / 39

HEX #549B7F

RGB 84 155 127

HSL 156.34, 0.3%, 0.47%

LAB 58.84, -29.19, 7.81

 

CMYK 0 / 52 / 4 / 36

HEX #A24E9C

RGB 162 78 156

HSL 304.29, 0.35%, 0.47%

LAB 46.35, 45.62, -27.12

 

CMYK 0 / 52 / 17 / 36

HEX #A24E86

RGB 162 78 134

HSL 320, 0.35%, 0.47%

LAB 45.43, 41.87, -15.34

 

CMYK 0 / 52 / 31 / 36

HEX #A24E6F

RGB 162 78 111

HSL 336.43, 0.35%, 0.47%

LAB 44.63, 38.49, -2.56

 

CMYK 0 / 52 / 45 / 36

HEX #A24E59

RGB 162 78 89

HSL 352.14, 0.35%, 0.47%

LAB 44.02, 35.83, 10.05

 

CMYK 0 / 45 / 52 / 36

HEX #A2594E

RGB 162 89 78

HSL 7.86, 0.35%, 0.47%

LAB 46.15, 28.77, 19.61

 

CMYK 0 / 52 / 31 / 58

HEX #6A3349

RGB 106 51 73

HSL 336, 0.35%, 0.31%

LAB 29.19, 27.31, -2.23

 

CMYK 0 / 52 / 31 / 47

HEX #86405C

RGB 134 64 92

HSL 336, 0.35%, 0.39%

LAB 36.94, 33.29, -2.55

 

CMYK 0 / 52 / 31 / 36

HEX #A24E6F

RGB 162 78 111

HSL 336.43, 0.35%, 0.47%

LAB 44.63, 38.49, -2.56

 

CMYK 0 / 45 / 27 / 29

HEX #B56484

RGB 181 100 132

HSL 336.3, 0.35%, 0.55%

LAB 52.51, 36.5, -3.26

 

CMYK 0 / 34 / 21 / 24

HEX #C2809A

RGB 194 128 154

HSL 336.36, 0.35%, 0.63%

LAB 60.99, 29.22, -3.38

 

CMYK 0 / 52 / 31 / 36

HEX #A34F70

RGB 163 79 112

HSL 336.43, 0.35%, 0.47%

LAB 45.01, 38.46, -2.59

 

CMYK 0 / 10 / 52 / 36

HEX #A2914E

RGB 162 145 78

HSL 47.86, 0.35%, 0.47%

LAB 60.32, -2.74, 37.56

 

CMYK 52 / 10 / 0 / 36

HEX #4E91A2

RGB 78 145 162

HSL 192.14, 0.35%, 0.47%

LAB 56.56, -16.43, -15.53

 

CMYK 0 / 52 / 31 / 36

HEX #A34F70

RGB 163 79 112

HSL 336.43, 0.35%, 0.47%

LAB 45.01, 38.46, -2.59

 

CMYK 31 / 0 / 52 / 36

HEX #6FA24E

RGB 111 162 78

HSL 96.43, 0.35%, 0.47%

LAB 61.46, -32.3, 38.04

 

CMYK 52 / 31 / 0 / 36

HEX #4E6FA2

RGB 78 111 162

HSL 216.43, 0.35%, 0.47%

LAB 46.44, 3.13, -31.13

 

CMYK 0 / 52 / 31 / 36

HEX #A34F70

RGB 163 79 112

HSL 336.43, 0.35%, 0.47%

LAB 45.01, 38.46, -2.59

 

CMYK 0 / 10 / 52 / 36

HEX #A2914E

RGB 162 145 78

HSL 47.86, 0.35%, 0.47%

LAB 60.32, -2.74, 37.56

 

CMYK 52 / 0 / 21 / 36

HEX #4EA280

RGB 78 162 128

HSL 155.71, 0.35%, 0.47%

LAB 60.8, -33.84, 9.99

 

CMYK 52 / 41 / 0 / 36

HEX #4E5FA2

RGB 78 95 162

HSL 227.86, 0.35%, 0.47%

LAB 41.86, 13.1, -38.34

 

CMYK 0 / 52 / 31 / 36

HEX #A34F70

RGB 163 79 112

HSL 336.43, 0.35%, 0.47%

LAB 45.01, 38.46, -2.59

 

CMYK 6 / 0 / 52 / 36

HEX #99A24E

RGB 153 162 78

HSL 66.43, 0.35%, 0.47%

LAB 64.29, -15.66, 42.11

 

CMYK 52 / 0 / 21 / 36

HEX #4EA280

RGB 78 162 128

HSL 155.71, 0.35%, 0.47%

LAB 60.8, -33.84, 9.99

 

CMYK 47 / 52 / 0 / 36

HEX #564EA2

RGB 86 78 162

HSL 245.71, 0.35%, 0.47%

LAB 37.91, 25.81, -44.62

 

Description

Color code: HEX #A34F70 | qconv.com Color code: HEX #A34F70 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 79 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 79 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 31 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 31% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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